Thirteen Phantasms

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by James P. Blaylock


  It took only a scattering of moments for me to see quite clearly that my trip had been entirely in vain. Who could say where Augustus Silver was? Singapore? Ceylon? Bombay? He’d had certain herbs mailed east just two days earlier. I was struck at once with the foolishness of my position. What in the world was I doing in San Francisco? I had the uneasy feeling that the five chefs just outside the door were having a laugh at my expense, and that old Wun Lo, gazing out toward the street, was about to ask for money—a fiver, just until payday. I was a friend of Augustus Silver, wasn’t I?

  My worries were temporarily arrested by an old photograph that hung above a tile-faced hearth. It depicted a sort of weird shantytown somewhere on the north coast. There was a thin fog, just enough to veil the surrounding countryside, and the photograph had clearly been taken at dusk, for the long, deep shadows thrown by strange hovels slanted away landward into the trees. The tip of a lighthouse was just visible on the edge of the dark Pacific, and a scattering of small boats lay at anchor beneath. It was puzzling, to be sure—doubly so, because the lighthouse, the spit of land that swerved round toward it, the green bay amid cypress and eucalyptus was, I was certain, Point Reyes. But the shantytown, I was equally certain, didn’t exist, couldn’t exist.

  The collection of hovels tumbled down to the edge of the bay, a long row of them that descended the hillside like a strange gothic stairway, and all of them, I swear it, were built in part of the ruins of dragons, of enormous winged reptiles—tin and copper, leather and bone. Some were stacked on end, tilted against each other like card houses. Some were perched atop oil drums or upended wooden pallets. Here was nothing but a broken wing throwing a sliver of shade; there was what appeared to be a tolerably complete creature, lacking, I suppose, whatever essential parts had once served to animate it. And standing alongside a cooking pot with a man who could quite possibly have been Wun Lo himself was Augustus Silver.

  His beard was immense—the beard of a hill wanderer, of a prospector lately returned from years in unmapped goldfields, and that beard and broad-brimmed felt hat, his oriental coat and the sharp glint of arcane knowledge that shone from his eyes, the odd harpoon he held loosely in his right hand, the breadth of his shoulders—all those bits and pieces seemed almost to deify him, as if he were an incarnation of Neptune just out of the bay, or a wandering Odin who had stopped to drink flower-petal tea in a queer shantytown along the coast. The very look of him abolished my indecision. I left Wun Lo nodding in a chair, apparently having forgotten my presence.

  Smoke hung in the air of the street. Thousands of sounds—a cacophony of voices, explosions, whirring pinwheels, oriental music—mingled into a strange sort of harmonious silence. Somewhere to the northwest lay a village built of the skins of dragons. If nothing else—if I discovered nothing of the arrival of Augustus Silver—I would at least have a look at the shantytown in the photograph. I pushed through the crowd down Washington, oblivious to the sparks and explosions. Then almost magically, like the Red Sea, the throng parted and a broad avenue of asphalt opened before me. Along either side of the suddenly clear street were grinning faces, frozen in anticipation. A vast cheering arose, a shouting, a banging on Chinese cymbals and tooting on reedy little horns. Rounding the corner and rushing along with the maniacal speed of an express train, careered the leering head of a paper dragon, lolling back and forth, a wild rainbow mane streaming behind it. The body of the thing was half a block long, and seemed to be built of a thousand layers of the thinnest sort of pastel-colored rice paper, sheets and sheets of it threatening to fly loose and dissolve in the fog. A dozen people crouched within, racing along the pavement, the whole lot of them yowling and chanting as the crowd closed behind and, in a wave, pressed along east toward Kearny, the tumult and color muting once again into silence.

  The rest of the afternoon had an air of unreality to it, which, strangely, deepened my faith in Augustus Silver and his creations, even though all rational evidence seemed to point squarely in the opposite direction. I drove north out of the city, cutting off at San Rafael toward the coast, toward Point Reyes and Inverness, winding through the green hillsides as the sun traveled down the afternoon sky toward the sea. It was shortly before dark that I stopped for gasoline.

  The swerve of shoreline before me was a close cousin of that in the photograph, and the collected bungalows on the hillside could have been the ghosts of the dragon shanties, if one squinted tightly enough to confuse the image through a foliage of eyelashes. Perhaps I’ve gotten that backward; I can’t at all say anymore which of the two worlds had substance and which was the phantom.

  A bank of fog had drifted shoreward. But for that, perhaps I could have made out the top of the lighthouse and completed the picture. As it was I could see only the gray veil of mist wisping in on a faint onshore breeze. At the gas station I inquired after a map. Surely, I thought, somewhere close by, perhaps within eyesight if it weren’t for the fog, lay my village. The attendant, a tobacco-chewing lump of engine oil and blue paper towels, hadn’t heard of it—the dragon village, that is. He glanced sideways at me. A map hung in the window. It cost nothing to look. So I wandered into a steel and glass cubicle, cold with rust and sea air, and studied the map. It told me little. It had been hung recently; the tape holding its corners hadn’t yellowed or begun to peel. Through an open doorway to my right was the dim garage where a Chinese mechanic tinkered with the undercarriage of a car on a hoist.

  I turned to leave just as the hovering fog swallowed the sun, casting the station into shadow. Over the dark Pacific swell the mists whirled in the seawind, a trailing wisp arching skyward in a rush, like surge-washed tide-pool grasses or the waving tail of an enormous misty dragon, and for a scattering of seconds the last faint rays of the evening sun shone out of the tattered fog, illuminating the old gas pumps, the interior of the weathered office, the dark, tool-strewn garage.

  The map in the window seemed to curl at the corners, the tape suddenly brown and dry. The white background tinted into shades of antique ivory and pale ocher, and what had been creases in the paper appeared, briefly, to be hitherto unseen roads winding out of the redwoods toward the sea.

  It was the strange combination, I’m sure, of the evening, the sun, and the rising fog that for a moment made me unsure whether the mechanic was crouched in his overalls beneath some vast and finny automobile spawned of the peculiar architecture of the early sixties, or instead worked beneath the chrome and iron shell of a tilted dragon, frozen in flight above the greasy concrete floor, and framed by tiers of heater hoses and old dusty tires.

  Then the sun was gone. Darkness fell within moments, and all was as it had been. I drove slowly north through the village. There was, of course, no shantytown built of castaway dragons. There were nothing but warehouses and weedy vacant lots and the weathered concrete and tin of an occasional industrial building. A tangle of small streets comprised of odd, tumbledown shacks, some few of them on stilts as if awaiting a flood of apocalyptic proportions. But the shacks were built of clapboard and asphalt shingles—there wasn’t a hint of a dragon anywhere, not even the tip of a rusted wing in the jimsonweed and mustard.

  I determined not to spend the night in a motel, although I was tempted to, on the off chance that the fog would dissipate and the watery coastal moonbeams would wash the coastline clean of whatever it was—a trick of sunlight or a trick of fog—that had confused me for an instant at the gas station. But as I say, the day had, for the most part, been unprofitable, and the thought of being twenty dollars out of pocket for a motel room was intolerable.

  It was late—almost midnight—when I arrived home, exhausted. My tomato worm slept in his den. The light still burned in Filby’s garage, so I wandered out and peeked through the door. Filby sat on a stool, his chin in his hands, staring at the dismantled head of his beast. I suddenly regretted having looked in; he’d demand news of Silver, and I’d have nothing to tell him. The news—or rather the lack of news—seemed to drain the lees of energy from him
. He hadn’t slept in two days. Jensen had been round hours earlier babbling about an amazingly high tide and of his suspicion that the last of the crabs might yet put in an appearance. Did Filby want to watch on the beach that night? No, Filby didn’t. Filby wanted only to assemble his dragon. But there was something not quite right—some wire or another that had gotten crossed, or a gem that had been miscut—and the creature wouldn’t respond. It was so much junk.

  I commiserated with him. Lock the door against Jensen’s crab, I said, and wait until dawn. It sounded overmuch like a platitude, but Filby, I think, was ready to grasp at any reason, no matter how shallow, to leave off his tinkering.

  The two of us sat up until the sun rose, drifting in and out of maudlin reminiscences and debating the merits of a stroll down to the bluffs to see how Jensen was faring. The high tide, apparently, was accompanied by a monumental surf, for in the spaces of meditative silence I could just hear the rush and thunder of long breakers collapsing on the beach. It seemed unlikely to me that there would be giant crabs afoot.

  The days that followed saw no break in the weather. It continued dripping and dismal. No new letters arrived from Augustus Silver. Filby’s dragon seemed to be in a state of perpetual decline. The trouble that plagued it receded deeper into it with the passing days, as if it were mocking Filby, who groped along in its wake, clutching at it, certain in the morning that he had the problem securely by the tail, morose that same afternoon that it had once again slipped away. The creature was a perfect wonder of separated parts. I’d had no notion of its complexity. Hundreds of those parts, by week’s end, were laid out neatly on the garage floor, one after another in the order they’d been dismantled. Concentric circles of them expanded like ripples on a pond, and by Tuesday of the following week masses of them had been swept into coffee cans that sat here and there on the bench and floor. Filby was declining, I could see that. That week he spent less time in the garage than he had been spending there in a single day during the previous weeks, and he slept instead long hours in the afternoon.

  I still held out hope for a letter from Silver. He was, after all, out there somewhere. But I was plagued with the suspicion that such a letter might easily contribute to certain of Filby’s illusions—or to my own—and so prolong what with each passing day promised to be the final deflation of those same illusions. Better no hope, I thought, than impossible hope, than ruined anticipation.

  But late in the afternoon, when from my attic window I could see Jensen picking his way along the bluffs, carrying with him a wood and brass telescope, while the orange glow of a diffused sun radiated through the thinned fog over the sea, I wondered where Silver was, what strange seas he sailed, what rumored wonders were drawing him along jungle paths that very evening.

  One day he’d come, I was sure of it. There would be patchy fog illuminated by ivory moonlight. The sound of Eastern music, of Chinese banjos and copper gongs would echo over the darkness of the open ocean. The fog would swirl and part, revealing a universe of stars and planets and the aurora borealis dancing in transparent color like the thin rainbow light of paper lanterns hung in the windswept sky. Then the fog would close, and out of the phantom mists, heaving on the ground swell, his ship would sail into the mouth of the harbor, slowly, cutting the water like a ghost, strange sea creatures visible in the phosphorescent wake, one by one dropping away and returning to sea as if having accompanied the craft across ten thousand miles of shrouded ocean. We’d drink a beer, the three of us, in Filby’s garage. We’d summon Jensen from his vigil.

  But as I say, no letter came, and all anticipation was so much air. Filby’s beast was reduced to parts—a plate of broken meats, as it were. The idea of it reminded me overmuch of the sad bony remains of a Thanksgiving turkey. There was nothing to be done. Filby wouldn’t be placated. But the fog, finally, had lifted. The black oak in the yard was leafing out and the tomato plants were knee-high and luxuriant. My worm was still asleep, but I had hopes that the spring weather would revive him. It wasn’t, however, doing a thing for Filby. He stared long hours at the salad of debris, and when in one ill-inspired moment I jokingly suggested he send to Detroit for a carburetor, he cast me such a savage look that I slipped out again and left him alone.

  On Sunday afternoon a wind blew, slamming Filby’s garage door until the noise grew tiresome. I peeked in, aghast. There was nothing in the heaped bits of scrap that suggested a dragon, save one dismantled wing, the silk and silver of which was covered with greasy hand prints. Two cats wandered out. I looked for some sign of Jensen’s crab, hoping, in fact, that some such rational and concrete explanation could be summoned to explain the ruin. But Filby, alas, had quite simply gone to bits along with his dragon. He’d lost whatever strange inspiration it was that propelled him. His creation lay scattered, not two pieces connected. Wires and fuses were heaped amid unidentifiable crystals, and one twisted bit of elaborate machinery had quite clearly been danced upon and lay now cold and dead, half hidden beneath the bench. Delicate thisses and thats sat mired in a puddle of oil that scummed half the floor.

  Filby wandered out, adrift, his hair frazzled. He’d received a last letter. There were hints in it of extensive travel, perhaps danger. Silver’s visit to the west coast had been delayed again. Filby ran his hand backward through his hair, oblivious to the harrowed result the action effected. He had the look of a nineteenth-century Bedlam lunatic. He muttered something about having a sister in McKinleyville, and seemed almost illuminated when he added, apropos of nothing, that in his sister’s town, deeper into the heart of the north coast, stood the tallest totem pole in the world. Two days later he was gone. I locked his garage door for him and made a vow to collect his mail with an eye toward a telling exotic postmark. But nothing so far has appeared. I’ve gotten into the habit of spending the evening on the beach with Jensen and his son, Bumby, both of whom still hold out hope for the issuance of the last crab. The spring sunsets are unimaginable. Bumby is as fond of them as I am, and can see comparable whorls of color and pattern in the spiral curve of a seashell or in the peculiar green depths of a tidepool.

  In fact, when my tomato worm lurched up out of his burrow and unfurled an enormous gauzy pair of mottled brown wings, I took him along to the seaside so that Bumby could watch him set sail, as it were.

  The afternoon was cloudless and the ocean sighed on the beach. Perhaps the calm, insisted Jensen, would appeal to the crab. But Bumby by then was indifferent to the fabled crab. He stared into the pickle jar at the half-dozen circles of bright orange dotting the abdomen of the giant sphinx moth that had once crept among my tomato plants in a clever disguise. It was both wonderful and terrible, and held a weird fascination for Bumby, who tapped at the jar, making up and discarding names.

  When I unscrewed the lid, the moth fluttered skyward some few feet and looped around in a crazy oval, Bumby charging along in its wake, then racing away in pursuit as the monster hastened south. The picture of it is as clear to me now as rainwater: Bumby running and jumping, kicking up glinting sprays of sand, outlined against the sheer rise of mossy cliffs, and the wonderful moth just out of reach overhead, luring Bumby along the afternoon beach. At last it was impossible to say just what the diminishing speck in the china-blue sky might be—a tiny, winged creature silhouetted briefly on the false horizon of our little cove, or some vast flying reptile swooping over the distant ocean where it fell away into the void, off the edge of the flat earth.

  We Traverse Afar with Tim Powers

  Harrison sat in the dim living room and listened to the train. All the sounds were clear—the shrill steam whistle over the bass chug of the engine, and even, faintly, the clatter of the wheels on the track.

  It never rained anymore on Christmas Eve. The plastic rain gauge was probably still out on the shed roof; he used to lean over the balcony railing outside the master bedroom to check the level of the water in the thing. There had been something reassuring about the idea of rainwater rising in the gauge—nature measurably
doing its work, the seasons going around, the drought held at bay. …

  But he couldn’t recall any rain since last winter. He hadn’t checked, because the master bedroom was closed up now. And anyway the widow next door, Mrs. Kemp, had hung some strings of Christmas lights over her back porch, and even if he did get through to the balcony, he wouldn’t be able to help seeing the blinking colors, and probably even something like a Christmas wreath on her back door.

  Too many cooks spoil the broth, he thought, a good wine needs no bush, a friend in need is one friend too many, leave me alone.

  She’d even knocked on his door today, the widow had; with a paper plate of Christmas cookies! The plate was covered in red and green foil and the whole bundle was wrapped in a Santa Claus napkin. He had taken the plate, out of politeness; but the whole kit and caboodle, cookies and all, had gone straight into the Dumpster.

  To hell with rain anyway. He was sitting in the old leather chair by the cold fireplace, watching snow. In the glass globe in his hand a little painted man and woman sat in a sleigh that was being pulled by a little frozen horse.

  He took a sip of vodka and turned the globe upside down and back again, and a contained flurry of snow swirled around the figures. He and his wife had bought the thing a long time ago. The couple in the sleigh had been on their cold ride for decades now. Better to travel than to arrive, he thought, peering through the glass at their tiny blue-eyed faces; they didn’t look a day older than when they’d started out. And still together, too, after all these years.

  The sound of the train engine changed, was more echoing and booming now—maybe it had gone into a tunnel.

  He put the globe down on the magazine stand and had another sip of vodka. With his nose stuffed full of Vick’s Vapo-Rub, as it was tonight, his taste buds wouldn’t have known the difference if he’d been drinking V.S.O.P. brandy or paint thinner, but he could feel the warm glow in his stomach.

 

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