An American Marriage: A Novel

by Tayari Jones

  So there we were, not sleeping yet spent, occupying some in-between restful affection state, full of possibility. I sat up in bed next to him, inhaling the odors of the day—river mud, the musk of hotel soap, and then the scent of him, the marker of his personal chemistry, and then my own. It’s a fragrance that burrowed into the fibers of our sheets. I eased close to him and kissed his shut lids. I was thinking that I was lucky. I didn’t mean that I was lucky in the way that single women made me feel when they reminded me how fortunate I was to find a marrying man these days, and not lucky in the way of magazine features lamenting how few “good” black men there were remaining, providing a bullet-point litany of the ineligible—dead, gay, in jail, married to white women. Yes, I was fortunate by all those measures, but in my marriage to Roy, I felt blessed in the old-fashioned sense, in the way that anyone would be in finding someone whose smell you enjoyed.

  Did we love so forcefully that night because we knew or because we didn’t? Was there an alarm from the future, a furious bell without its clapper? Did this hopeless bell manage to generate a breeze, causing me to reach to the floor to find my slip and use it to cover myself? Did some subtle warning cause Roy to turn and pin me to his side with his heavy arm? In his sleep, he mumbled something but did not wake.

  Did I want a child? Did I lie in bed that night imagining an eager clump of cells dividing and then dividing again until I was somebody’s mother and Roy was somebody’s daddy, and Big Roy, Olive, and my parents were somebody’s grandparents? I did wonder what was going on inside my body, but I won’t say what I hoped for. Is motherhood really optional when you’re a perfectly normal woman married to a perfectly normal man? When I was in college, I took on a volunteer position at a literacy organization and tutored teen mothers. It was hard work and tended to be disheartening, as the young women seldom earned their diplomas. My supervisor said to me over espresso and croissants, “Have a baby and save the race!” He was smiling, but he wasn’t kidding. “If girls like this are having all the kids, and girls like you stay childless and fancy-free, what’s going to happen to us as a people?” Without thinking, I promised to do my part.

  This is not to say that I didn’t want to be a mother. It’s not to say that I did. This is only to say that I was certain that the check would come due.

  So while Roy slept with confidence, I closed my eyes with trepidation. I was still awake when the door burst open. I know they kicked it in, but the written report says that a front-desk clerk handed over the key and the door was opened in a civilized manner. But who knows what is true? I remember my husband asleep in our room while a woman six years older than his mother says she slept lightly in room 206, worried because the door didn’t seem quite secure. She told herself she was being paranoid but couldn’t convince her eyes to stay closed. Before midnight, a man twisted the knob, knowing that he could. It was dark, but she believed she recognized Roy, the man she met at the ice machine. The man who told her he had been fighting with his wife. She said that this was not her first time finding herself at the mercy of a man, but it would be the last. Roy, she said, may be smart, and he may have learned by watching TV how to cover his tracks, but he couldn’t erase her memory.

  But she couldn’t erase mine either. Roy was with me all night. She doesn’t know who hurt her, but I know who I married.

  I married Roy Othaniel Hamilton, whom I met for the first time when I was in college. Our connection wasn’t immediate. He considered himself a playboy in those days, and even at age nineteen, I was not one to play with. I’d come to Spelman as a transfer student after the one-year disaster at Howard University in DC. So much for me leaving home. My mother, an alumna herself, insisted that this was where I would cultivate new, bone-deep friendships, but I stuck close with Andre, who was literally the boy next door. We had been close since we were three months old, bathing together in the kitchen sink.

  Andre was the one who introduced me to Roy, although it wasn’t quite on purpose. They had been next-door neighbors in Thurman Hall, on the far side of campus. I often stayed nights in Andre’s room, strictly platonic, although no one believed us. He slept atop the covers, while I huddled under the blankets. None of it makes sense now, but this is how Dre and I always were.

  Before Roy and I were properly introduced, a sex-breathy voice on the other side of the wall pronounced his whole name. Roy. Othaniel. Hamilton.

  Andre said, “You think he asked her to say that?”

  I snorted. “Othaniel?”

  “Doesn’t strike me as a spontaneous utterance.”

  We giggled as the twin bed thumped against the wall. “I think she’s faking it.”

  “If she is,” Andre said, “then they all are.”

  I didn’t meet Roy in person for another month.

  Again, I was in Andre’s room. Roy came by at 10 a.m., trying to hustle up some change to do his laundry. He came in without the courtesy of a knock.

  “Oh, excuse me, ma’am,” Roy said in a way that sounded like a surprised question.

  “My sister,” Andre said.

  “Play sister?” Roy wanted to know, sizing up the dynamic.

  “If you want to know who I am, ask me.” I must have looked a sight, wearing Andre’s maroon-and-white T-shirt and my hair tucked beneath a satin bonnet, but I had to speak up for myself.

  “Okay, who are you?”

  “Celestial Davenport.”

  “I’m Roy Hamilton.”

  “Roy Othaniel Hamilton, from what I hear through the wall.”

  After that, he and I stared at each other, waiting for a cue to show us what type of story this was going to be. Finally, he looked away and asked Andre for a case quarter. I flipped over on my stomach, bent my knees, and crossed my legs at the ankle.

  “You something else,” Roy said.

  When Roy was gone, Andre said, “You know that Gomer Pyle thing is an act.”

  “Clearly,” I said. Something about him was dangerous, and after my experience at Howard, I wanted no part of danger.

  I suppose it wasn’t our time because I didn’t speak with or even think about Roy Othaniel Hamilton again for another four years, when college felt like a photo album memory from another era. When we reconnected, it wasn’t that he was so different. It’s just that what felt like peril then now morphed into something that I labeled “realness,” something for which I developed a bottomless appetite.

  But what is real? Was it our uneventful first impression? Or the day in New York, of all places, where we found each other once again? Or did things “get real” when we married, or was it the day that the prosecutor in a little nowhere town declared Roy to be a flight risk? The state declared that though he may have roots in Louisiana, his home was in Atlanta, so he was held without bond or bail. At this pronouncement, Roy spat out a caustic laugh. “So now roots are irrelevant?”

  Our lawyer, friend of my family but paid handsomely just the same, promised me that I wasn’t going to lose my man. Uncle Banks made motions, filed papers, and objected. But still, Roy slept behind bars one hundred nights before he was brought to trial. For one month, I remained in Louisiana, living with my in-laws, sleeping in the room that could have saved us this trouble. I waited and I sewed. I called Andre. I called my parents. When I sent the mayor his doll, I couldn’t bring myself to seal the flaps on the sturdy cardboard box. Big Roy did it for me and the memory of ripping tape troubled my sleep that night and many nights to come.

  “If this doesn’t go the way we want it to,” Roy said the day before his trial, “I don’t want you to wait for me. Keep making your dolls and doing what you need to do.”

  “This is going to work out,” I promised. “You didn’t do it.”

  “I’m looking at so much time. I can’t ask you to throw your life away for me.” His words and his eyes were speaking two different languages, like someone saying no while nodding his head yes.

  “No one is going to throw anything away,” I said.

  I had faith in t
hose days. I believed in things.

  Andre showed up for us. He had been a witness at our wedding and a character witness at trial. Dre let me cut his hair, handing me the scissors to saw through the dreads he had been growing for the last four years. At our wedding, they had been rebellious little nubs, but when I cut them off they were finally responding to gravity, pointing toward his collar. When I was done, he walked his fingers through the choppy curls that remained.

  The next day we took our seats in the courtroom, costumed to seem as innocent as possible. My parents were there, and Roy’s, too. Olive was dressed for church, and Big Roy sat beside her looking poor-but-honest. Like Andre, my own father groomed himself, and he, for once, appeared to be “equally yoked” to my elegant mother. Watching Roy, I could see he was an obvious match for us. It wasn’t just the cut of his coat or the break of his hem against the fine leather of his shoes; it was his face, shaven clean, and his eyes, innocent and afraid, unaccustomed to being at the mercy of the state.

  The time in the county jail shrank him; the boyish chub of his cheek was gone, revealing a squared-off jaw that I didn’t know he had. Strangely enough, the leanness made him look more powerful than wasted. The only thing that gave him away as a man on trial, rather than a man on his way to work, was his poor fingers. He’d chewed his nails down to the soft meat and started in on his cuticles. Sweet Roy. The only thing that my good man ever hurt was his own hands.

  What I know is this: they didn’t believe me. Twelve people and not one of them took me at my word. There in front of the room, I explained Roy couldn’t have raped the woman in room 206 because we had been together. I told them about the Magic Fingers that wouldn’t work, about the movie that played on the snowy television. The prosecutor asked me what we had been fighting about. Rattled, I looked to Roy and to both our mothers. Banks objected, so I didn’t have to answer, but the pause made it appear that I was concealing something rotten at the pit of our very young marriage. Even before I stepped down from the witness stand, I knew that I had failed him. Maybe I wasn’t appealing enough. Not dramatic enough. Too not-from-around-here. Who knows? Uncle Banks, coaching me, said, “Now is not the time to be articulate. Now is the time to give it up. No filter, all heart. No matter what you’re asked, what you want the jury to see is why you married him.”

  I tried, but I didn’t know how to be anything other than “well spoken” in front of strangers. I wish I could have brought a selection of my art, the Man Moving series, all images of Roy—the marble, the dolls, and a few watercolors. I would say, “This is who he is to me. Isn’t he beautiful? Isn’t he gentle?” But all I had were words, which are as light and flimsy as air. As I took my seat beside Andre, not even the black lady juror would look at me.

  It turns out that I watch too much television. I was expecting a scientist to come and testify about DNA. I was looking for a pair of good-looking detectives to burst into the courtroom at the last minute, whispering something urgent to the prosecutor. Everyone would see that this was a big mistake, a major misunderstanding. We would all be shaken but appeased. I fully believed that I would leave the courtroom with my husband beside me. Secure in our home, we would tell people how no black man is really safe in America.

  Twelve years is what they gave him. We would be forty-three years old when he was released. I couldn’t even imagine myself at such an age. Roy understood that twelve years was an eternity because he sobbed right there at the defendants’ table. His knees gave way, and he fell into his chair. The judge paused and demanded that Roy bear this news on his feet. He stood again and cried, not like a baby, but in the way that only a grown man can cry, from the bottom of his feet up through his torso and finally through his mouth. When a man wails like that you know it’s all the tears that he was never allowed to shed, from Little League disappointment to teenage heartbreak, all the way to whatever injured his spirit just last year.

  As Roy howled, my fingers kept worrying a rough patch of skin beneath my chin, a souvenir of scar tissue. When they did what I remember as kicking in the door, what everyone else remembers as opening it with a plastic key, after the door was opened, however it was opened, we were both pulled from the bed. They dragged Roy into the parking lot, and I followed, lunging for him, wearing nothing but the white slip. Somebody pushed me to the ground and my chin hit the pavement. My slip rode up showing my everything to everyone as my tooth sank into the soft of my bottom lip. Roy was on the asphalt beside me, barely beyond my grasp, speaking words that didn’t reach my ears. I don’t know how long we lay there, parallel like burial plots. Husband. Wife. What God has brought together, let no man tear asunder.

  Dear Roy,

  I’m writing this letter sitting at the kitchen table. I’m alone in a way that’s more than the fact that I am the only living person within these walls. Up until now, I thought I knew what was and wasn’t possible. Maybe that’s what innocence is, having no way to predict the pain of the future. When something happens that eclipses the imaginable, it changes a person. It’s like the difference between a raw egg and a scrambled egg. It’s the same thing, but it’s not the same at all. That’s the best way that I can put it. I look in the mirror and I know it’s me, but I can’t quite recognize myself.

  Sometimes it’s exhausting for me to simply walk into the house. I try and calm myself, remember that I’ve lived alone before. Sleeping by myself didn’t kill me then and will not kill me now. But this is what loss has taught me of love. Our house isn’t simply empty, our home has been emptied. Love makes a place in your life, it makes a place for itself in your bed. Invisibly, it makes a place in your body, rerouting all your blood vessels, throbbing right alongside your heart. When it’s gone, nothing is whole again.

  Before I met you, I was not lonely, but now I’m so lonely I talk to the walls and sing to the ceiling.

  They said that you can’t receive mail for at least a month. Still, I’ll write to you every night.

  Yours,

  Celestial

  Roy O. Hamilton Jr.

  PRA 4856932

  Parson Correctional Center

  3751 Lauderdale Woodyard Rd.

  Jemison, LA 70648

  Dear Celestial, aka Georgia,

  I don’t think I have written a letter to anyone since I was in high school and assigned a French pen pal. (That whole thing lasted about ten minutes.) I know for sure that this is the first time I ever wrote a love letter and that’s what this is going to be.

  Celestial, I love you. I miss you. I want to come home to you. Look at me, telling you the things you already know. I’m trying to write something on this paper that will make you remember me—the real me, not the man you saw standing in a broke-down country courtroom, broke down myself. I was too ashamed to turn toward you, but now I wish I had, because right now I would do anything for one more look.

  This love letter thing is uphill for me. I have never even seen one unless you count the third grade: Do you like me yes no. (Don’t answer that, ha!) A love letter is supposed to be like music or like Shakespeare, but I don’t know anything about Shakespeare. But for real, I want to tell you what you mean to me, but it’s like trying to count the seconds of a day on your fingers and toes.

  Why didn’t I write you love letters all the while, so I could be in practice? Then I would know what to do. That’s how I feel every day here, like I don’t know what to do or how to do it.

  I have always let you know how much I care, right? You never had to wonder. I’m not a man for words. My daddy showed me that you do for a woman. Remember that time when you damn near had a nervous breakdown because it looked like the hickory-nut tree in the front yard was thinking about dying? Where I’m from, we don’t believe in spending money on pets, let alone trees. But I couldn’t bear to see you fret, so I hired a tree doctor. See, in my mind, that was a love letter.

  The first thing I did as your husband was to “sit you down,” like the old folks say. You were wasting your time and your talents doing tem
p work. You wanted to sew, so I made it happen. No strings. That was my love letter to say, “I got this. Make your art. Rest yourself. Whatever you need to do.”

  But now all I have is this paper and this raggedy ink pen. It’s a ballpoint, but they take away the casing so you just have the nib and this plastic tube of ink. I’m looking at it, thinking, This is all I have to be a husband with?

  But here I am trying.

  Love,

  Roy

  Dear Georgia,

  Hello from Mars! That’s not really a joke. The dorms here are all named for planets. (This is the truth. I couldn’t make this up.) Your letters were delivered to me yesterday. Each and every one, and I was very happy to receive them. Overjoyed. I am not sure even where to start.

  I haven’t even been here three months, and already I have had three cell partners. The one I have now says he’s here for good, and he says it like he has some type of inside track. His name is Walter. He’s been incarcerated for most of his adult life, so he knows what’s what around here. I write letters for him but not gratis. It’s not that I’m not compassionate, but you get no respect when you do things for free. (This I learned in the workforce, and it’s ten times as true in here.) Walter doesn’t have money, so I let him give me cigarettes. (Don’t make that face. I know you, girl. I don’t smoke them. I trade them for other things—like ramen noodles. I kid you not.) The letters I write for Walter are to women he meets through personal ads. You would be surprised how many ladies want to pen-pal with convicts. (Don’t get jealous, ha ha.) Sometimes I get irritated, staying up so late answering all his questions. He says he used to live in Eloe, so he wants me to bring him up to date. When I said that I haven’t lived in Eloe since before I went to college, he says he has never set foot on a college campus and he wants me to tell him all about that, too. He was even curious about how I got the name Roy. It’s not like my name is Patrice Lumumba, something that needs explaining, but Walter is what Olive would call “a character.” We call him the “Ghetto Yoda” because he’s always getting philosophical. I accidentally said “Country Yoda” and he got mad. I swear it was an honest mistake, and it’s one I won’t make again. But it’s all good. He looks out for me, saying that “us bowlegged brothers got to stick together.” (You should see his legs. Worse than mine.)