Cornelius, my gray tabby, is weaving around my feet. I lean over to pick him up, careful to lift with my legs. He’s so stout that Lola once asked, “Is that a cat or a coffee table?” Corny’s wondrous purr isn’t enough to prevent the Curse of the Bouquets from washing over me. It happens every time. Sometimes I can’t shake the blues for weeks after a wedding, and that’s without the cute guy in the picture. How could I fall for that dog-whisperer schtick? Thirteen bouquets and I am still the biggest sucker in the world. But this time will be different. I am done with guys, I mean it. I will not waste a single second moping. In fact, I will prove it by going out and raking the backyard as if nothing happened. I’ll plant some flowers. Better yet, I’ll start a medicinal herb garden. I’m already reaching for my jacket when I remember I don’t own a rake. Besides, I’m just a tenant; there’s a reason I don’t do yard work.
I go to the office instead. I may be a boring civil servant, but I take pride in being a hardworking one. There’s a pile under my office door because I was off work Friday to prepare for the wedding. I sort through it, wishing I hadn’t told Tim I’m writing a memoir. I doubt he took me seriously, but still, I shouldn’t even pretend my life is that interesting. I’m not a real writer, I’m a “communications” person, which means I write briefing notes, fact sheets and news releases about education policy. I have 45 e-mails for one day’s absence, though, so I must be important. Clicking through them, one catches my eye: a job ad for a speechwriter to the Minister of Culture. Hmmm… Not qualified. Keep clicking, government hack, then go write that fact sheet on private-school funding.
Half an hour later, I retrieve the job ad in my electronic wastebasket and open it again. A speechwriter? Now, that could be fun. It’s a political job and I’m a bureaucrat, but it’s Culture—how tough could it be? Nah! The impact from the garter has addled my brain. I have no interest in politics and I’ve only written five speeches, two of which were never delivered. Better to hold out for my dream career. I’m bound to intuit what that is any year now, especially at the rate I’m reading those woo-woo discover-yourself books. Nothing wrong with being a late bloomer.
In the end, I collect some writing samples and submit them with my résumé. Today, for some reason, I am able to tune out the inner shrew whose mission is to ensure that my reach never exceeds my grasp. After all, no one needs to know I applied.
By the time I get home, I have eight bouquet-related voice-mail messages. Good news travels fast. The first is merely a long, loud guffaw, which sounds suspiciously like my brother Brian. Emma’s mother must have called my mother, who sent out a family bulletin. Message two confirms it: my mother telling me, in her most soothing voice, that she’s heard about the bouquet and there’s nothing to worry about, even though it is “Unlucky thirteen.” (So she is counting!) The third and fourth are hang-ups; I know it’s Lola because there’s a distinctive pack-a-day wheeze. The fifth is Roxanne: she’s heard from Lola, she says, voice oozing sympathy. I am not to take it seriously, although it is hugely fluky and she can understand how I’d be freaked out—it’s just a tradition. Number six: Rox, again, asking if I want her to come over; she’s made chocolate chip cookies and we could debrief on the wedding. Number seven is Lola hanging up after a prolonged whistling sigh. Probably smoked an extra pack today. Rox again for number eight: “Libby, do not— I repeat do not—do anything desperate with that bouquet. I’m on my way over to pick it up. I’ll make a big batch of potpourri out of it for Lola. Her place always reeks of smoke.”
Lola snorts when I tell her I’m scheduled for an interview at the Ministry of Culture. Although she’s an underchallenged copy editor at Toronto Lives magazine, she’s always giving me a hard time about my restlessness, or, as she calls it, “repressed ambition.”
“Why would you want a job like that?” she says. “You’ll get your fifteen minutes of fame when I convince the magazine to profile you and your bouquet collection.”
I should have stuck with my plan to write her off, but as usual, she got around me. And also as usual, she relents and helps me prepare for the interview. Her sleuthing at the magazine turns up an in-depth article on Clarice Cleary, Minister of Culture. It won’t be published until next month, but if I take a vow of silence, she’ll get me a copy. This article, with its current research and interviews, gives me an edge, but it still takes me a whole weekend to write my “take-home” speech assignment.
The interview goes far better than I expect. The Minister is called away unexpectedly and advises the human resources rep to proceed without her. Laurie O’Brien, the office manager and events planner, attends in the Minister’s place.
“This is very good,” Laurie pronounces after reading my sample speech, “but how do you know about our plans to increase funding for after-school arts programs? We haven’t announced this publicly.”
“A reporter never reveals her sources,” I say, smiling. (Not if she wants to keep her friends, she doesn’t.)
In any case, they’re convinced I have my finger on the pulse of government: three weeks and a police check later, the job is mine.
Visions of oak paneling dance in my head as I walk toward Queen’s Park, the pink sandstone fortress that houses Ontario’s Legislative Assembly. It’s my first day and I’m more nervous than I ought to be, considering I’ve had a shiatsu treatment and two intensive yoga sessions over the weekend. Maybe I should have gone the chemical route instead. Still, I’m optimistic. It’s an elegant building and there probably isn’t a bad office in the place. I just hope it’s quiet, because I expect I’ll be in seclusion writing speeches most of the time once I’m up to speed. During the interview, Laurie warned that I’d need to attend dozens of events in the first few weeks to get a sense of the business and how Mrs. Cleary likes to work. Cool. Free food and entertainment. Culture-loving guys, maybe. What could be wrong with that?
I don’t notice the dead rat until I’m standing on its tail. I’m practically on the doorstep of the Pink Palace, so I stifle my scream and step away from the rat. “This is not a bad omen,” I tell myself. “There are no bad omens.” No, this job is going to be great. Straightening up, I brush cat fur from my black jacket and skirt (you can’t even tell they’re from the Gap), fluff my hair, and stride through the imposing front door with renewed confidence.
“Welcome to the Minister’s Office,” says Margo Thompson, the Minister’s executive assistant, looking me over from shoulder to foot. “You’re very tall.”
At barely five feet, Margo clearly isn’t thrilled about my having the height advantage, but at least she isn’t going to be one of those people who looks up at me and says, “I’ve always wanted to be tall. You’re so lucky.” No woman who has been addressed from behind as “sir” is likely to feel lucky about being tall. It’s not as if I’m tall in a supermodel, waiflike sort of way. Rather, I’m tall in a big-boned, size-twelve-feet sort of way. But there is a notable advantage to looming above the crowd: you can tell a lot about people by checking out their roots.
Margo’s do-it-yourself henna is a month past its “best before” date and the wide stripe of gray running down the center of her head worries me. No one who invites comparison to a skunk is likely to become an inspiring boss. I try to keep an open mind, but it’s hard, because Margo refuses to meet my eyes. She leads me to a sleek boardroom, settles into a chair at one end of the gleaming mahogany table and motions me toward the chair at the other end. I’m sure I look smaller from a distance, but she still can’t meet my eyes. Instead, she examines the ends of her long, ruddy hair while delivering a half-hour monologue on the importance of protocol in the Minister’s Office. My questions on program priorities and upcoming events are dismissed with a wave.
“Make no mistake,” she says, “Mrs. Cleary cares a great deal about appearances. She has to.”
“Of course,” I say, conscious that my hair is swelling. There must be a storm front moving in. “When can I meet her?”
“She’s away today at an off
-site meeting—a policy seminar—and is attending a gallery opening tonight. You’ll probably get some face time with her tomorrow.”
Face time. Oh my. Margo hands me a binder of speeches and advises me to review them carefully to study the Minister’s style. Laurie will show me to my office, she says, eyes fastened on my left shoulder. Laurie’s roots are in excellent condition and as she also appears to have a sense of humor, I am optimistic.
“I’m so happy you accepted the job,” Laurie says, “I think we’re going to get along great.”
“Me too,” I reply, encouraged, “but Margo doesn’t seem happy I’m here.”
“She’s only been here a few weeks herself and is still getting her bearings. I think she wanted to choose her own speechwriter, but Mrs. Cleary wouldn’t wait.”
“What’s the Minister like?” I ask.
“Wouldn’t want to ruin the surprise. Far better to experience her firsthand.”
“Okay, then what’s the off-site meeting about?”
Laurie sizes me up for a moment before saying, “It’s a pretty heavy agenda: hair; nails; exfoliating; massage.”
“Don’t spas fall under the Ministry of Recreation?”
“There’s more overlap than you might imagine,” Laurie says, stopping beside a cubicle along the inside wall. I must look aghast, because she smiles and asks, “You were expecting oak paneling?”
“Uh, yeah, actually.” I run a finger over the bristling beige carpet on the walls and across the wood-look desk.
Laurie is sympathetic. “Don’t despair. I’ve been working on Margo to give you more space, but in the meantime, I’m afraid this is it.” She leaves me with my binder of speeches and I do the first thing that comes to mind—call Roxanne. Thank God she doesn’t leave for her movie location until later in the week. As camera assistant to the city’s busiest cinematographer, Rox is often away from home for months at a time.
“Rox,” I whisper, “they’ve put me in a cage.”
“You’re exaggerating.”
“I never exaggerate. It’s a cubicle, for Christ’s sake. There’s no window and it’s in a high-traffic area. I’m an artist! How the hell am I supposed to create in this environment?”
“Maybe it’s temporary. Besides, it’s the work that counts and this is a great opportunity, Lib. What’s the Minister like?”
“Haven’t met her. She’s either at a policy seminar or a spa. Margo, the Minister’s handler, has already lied to me. If I were still speaking to Elliot, he’d tell me he gets very bad vibes about her.”
“What do you mean, if you were ‘still speaking’ to Elliot? He’s a psychic, not your boyfriend. What could you be feuding about?”
“Last week I made the mistake of asking him if this dry spell in my love life is ever going to end. He had the nerve to say he sees me sitting on a rock in the desert wearing a sign that reads, I’m available. Fuck off.”
“Oooh, that’s a little harsh.”
“Rox, you don’t think he’s right, do you?”
“Not really, Lib, but ever since things didn’t work out for you and Bruce two years ago you’ve been a little…cautious…with men.”
“No kidding. That’s what happens when your boyfriend of two years suddenly admits he never loved you. And what about that guy I met at Emma’s wedding? I let him charm the garter right off me before he mentioned his girlfriend. Men are scum, Rox. You’d better hang on to Gavin.”
“You can have him if you think he’s such a catch, but remember, Daisy comes with the package.”
Daisy is Gavin’s dog and Rox always feels like “the other woman” in the relationship. They met five months ago while bidding on the same antique armoire at an auction. He got the armoire, but she got the guy when he invited her over to see how great it looked in the century home he’s renovating in St. Thomas. Gavin has an unfortunate habit of expressing his feelings through Daisy, whose supposed prejudice against downtown living is wearing out the tires on Rox’s new Jeep.
“Being away for three months on the shoot will tell you a lot about your future with Gavin. Are you packed and ready to go?”
“I sent the camera gear off this morning, but I haven’t started on my clothes yet. The weather changes hourly on the Isle of Man, which means I need to take everything in my closet yet leave room for treasures. Want me to look for something special for you?”
“Yeah, a nice Manx guy.”
“Forget it. I’m keeping the nice Manx guys for me. How about a nice linen—”
My gasp cuts her off midsentence. Two round hazel eyes have appeared above the cubicle, looking above me, around me: Margo. She mumbles something into the beige wall.
“Sorry, I’ve gotta go.” I’m chagrined to be caught in a personal call on my first day. “Yes, Margo?” I say, smiling brightly as I put the phone down.
“The Minister’s seminar is starting later than expected so she can see you briefly.”
I trail after her, a battle cruiser following a tug, into the Minister’s corner office. Ah, so here’s the oak paneling I crave. The desk, massive and oak again, would bring a tear to my eye with its beauty if the Minister didn’t look so funny behind it. Like Margo, she is tiny. When she comes around the desk to shake my hand, her height only allows her to reach my armpit, which is probably as disconcerting for her as it is for me. Obviously I’ve been hired for contrast.
“I’m Clarice Cleary,” she announces regally, gesturing to a leather club chair in front of the desk. “Please call me Minister.”
She’s wearing the most beautiful suit I’ve ever seen, with two Cs on the buttons—Coco Chanel or a Clarice Cleary original?
“Libby has been reviewing your portfolio of speeches, Minister,” Margo offers.
“Yes, lovely, Margo.” Looking me directly in the eye, she asks, “So tell me, Lily, what can you do for me?”
I am too intimidated to correct her. I can live with “Lily.” Besides, I’m busy berating myself for not reviewing the lines I prepared for the interview. Finally, after a long pause, I say I’ve noticed inconsistencies in the tone and style of her speeches, due to the fact that she’s been using several freelance speechwriters. I can ensure she develops “one strong voice.” I’m rather pleased with this observation, but she looks unimpressed, so I add that I want to see her speeches reflect her obvious love for the arts—a love that I, incidentally, share. (No need to mention that I’m more Bon Jovi than Beethoven. I’m a quick study.) The Minister and Margo sit watching me in silence, so I ramble for a bit about how excited I am to have this excellent opportunity.
Pushing her chair back, the Minister opens her top drawer. It’s filled to the brim with beauty aids. I continue to speak while she flips up the lid of a gold compact and dusts her face with powder. She selects a tube of lipstick from a tray of at least two dozen and applies it, blots and checks her teeth. When she pulls out a mirror and starts back-combing her short chestnut bob, I finally rumble to a stop, overcome by the realization that I am so boring people forget I’m in the room even while I am speaking.
The Minister eventually looks over her mirror at me and says, “I must make a call if you don’t mind…. Thank you, Lily.”
Thus dismissed, I retreat to my cubicle. I’ve always known that my downtown polish is only skin deep. It’s no surprise that the Minister saw right through me to the shack in the suburbs where I started out.
3
I’m still studying the sample speeches Margo gave me because I don’t have much else to do. I can barely concentrate anyway, knowing that there’s a baited rattrap under my desk. It’s well out of pedicure range, but if that baby ever snaps, I will too.
Laurie says the rodents have been running amok since the building’s refurbishment project kicked off three months ago. The construction has rousted them from their usual lairs and despite the best efforts of a pest-control company, every employee in the building must have a rattrap in his or her office. According to the running tally on the staff-room chalkbo
ard, five rats have already met their end in the trap lines. Laurie has the Rat Guy on speed dial. No matter how bad my job may become, his is definitely worse.
I check my trap every morning, less worried about finding a dead rat than about finding a half-dead one. Elliot once awoke to a strange noise in the night and found a bloody, mangled rat dragging a trap across the hardwood floor of his hip downtown loft. It was as big as a dachshund, he claims, and its heartrending squeals drove him to seize the only weapon at hand—a plunger—and put it out of his misery. I keep a sturdy umbrella in my cubicle for just such an occasion. A speechwriter must be prepared for anything.
To date, Margo has assigned only stupid, make-work tasks. I suspect it’s part of her plan to beat the “attitude” out of me before it surfaces. She already senses it’s there, because I can’t even feign enthusiasm for my list of chores. Mind you, I’ve done worse in my time than pick up dry cleaning and book appointments. It’s just that I’m anxious to start writing speeches—surprisingly so, given that all this came about so recently. The Ministry of Education would only give me an eight-month leave, so I don’t have long to get something out of this job. When I hesitantly raise the issue with Margo, she says, “Oh, I can’t see your writing speeches for months, Libby,” she says. “There’s so much you need to learn first.”
She tells me to dust the collection of “art” given to the Minister by students in her travels around Ontario. A learning opportunity, to be sure. My attitude must be showing, because Margo lifts her thin upper lip and bares a row of tiny, perfect teeth.
“We don’t stand on ceremony around here, Libby,” she says. “Even the Minister pitches in.”
I doubt the Minister has ever turned her hand to dusting this papier-mâché beaver family, or the clay moose for that matter. Whenever I see her, she’s checking her makeup or patting her stomach to make sure it’s still flat. Not that I dare talk back to Margo. I may be twice her size, but she scares the hell out of me. Her smile is eerily reminiscent of the doll in the Chucky movies, especially now that she has a fresh, carroty henna. I’m relieved when I hear that my field training is to commence. At least it gets me out of my cubicle.
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