Pygmalion and Three Other Plays

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Pygmalion and Three Other Plays Page 67

by George Bernard Shaw

231

  Eleanor Gwynne (1650-1687), English actress and mistress of King Charles II.

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  232

  Slang for a member of the upper class whose clothes indicate his status.

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  233

  Condition of marriage whereby a widow can draw income from her husband’s estate.

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  234

  New Testament book that recounts the proselytizing travels of Saints Peter and Paul.

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  235

  Richard Porson (1759-1808) and Richard Bentley (1662-1742) were noted English classical scholars; Bentley, as Milton’s first editor, foolishly rewrote lines in Paradise Lost.

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  236

  Lucius Cornelius Balbus (first century B.C.), Julius Caesar’s chief of engineers.

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  237

  Air of superiority; pretentiousness.

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  238

  John Scott Haldane (1860-1936), Scottish writer and physiologist.

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  239

  One who believes evolution has direction and purpose; a follower of French philosopher Henri Bergson (1859-1941) or Shaw.

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  240

  Collection of essays published in 1902.

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  241

  Reference to Back to Methuselah (1921), a cycle of five plays by Shaw that revisit the themes of evolution and human destiny.

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  242

  Composers of symphonic poems, such as Nikolay Rimsky-Korsakov (1844-1908).

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  243

  Like the English poet Percy Bysshe Shelley (1792 — 1822), Shaw was a vegetarian.

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  244

  Gum disease.

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  245

  Opening from the stomach into the intestine.

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  246

  Eponymous hero of Henrik Ibsen’s Faustian verse drama of 1867.

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  247

  Abnormal physical or emotional sensitivity.

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  248

  As a warning to others; literally, “to encourage others” (French).

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  249

  Socialist leader Jean Jaures, who defended Alfred Dreyfus (accused of treason), was assassinated by a fanatical patriot on July 13, 1914.

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  250

  Georges Clemenceau (1841-1929) served twice as premier of France.

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  251

  James Keir Hardie (1856-1915), first leader of the Labour Party in Parliament.

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  252

  That’s war (French).

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  253

  Russian-style (French).

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  254

  Ideally.

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  255

  Shaw uses the third-century B.C. Greek geometrician and engineer to symbolize reason.

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  256

  Carmagnoles are songs and dances popular during the French Revolution; cor roberries (usually “corroborees”) are Australian Aborigine festivities with songs and dances.

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  257

  Near quotation of Marc Antony in Shakespeare’s Julius Caesar (act 3, scene 1).

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  258

  Allusion to the Bible, Ezekiel 18:2.

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  259

  Military drill in which soldiers arrange themselves into files four deep.

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  260

  Promising young intellectual and Fabian socialist who was killed in 1916.

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  261

  Brutal criminal in Charles Dickens’s novel Oliver Twist (1837-1838).

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  262

  The manager is American theatrical producer Charles Frohman (1860-1915); the author is Charles Klein, who co-wrote the 1910 farce Potash and Perlmutter.

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  263

  Irish art dealer (1875-1915); director of the National Gallery of Ireland.

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  264

  Paraphrase of a line in President Woodrow Wilson’s April 2, 1917, address to Congress upon the United States entering World War I.

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  265

  Isabella makes this comparison in Shakespeare’s Measure for Measure (act 2, scene 2).

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  266

  Quotation of more of Isabella’s speech.

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  267

  Reference to the French traitor Paul Bolo, who was accused of spying on his country and executed in 1918.

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  268

  Explosives used to breach a gate or wall.

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  269

  All of these are allegorical places or persons in John Bunyan’s Pilgram’s Progress (1678), which Shaw admired for its hopefulness.

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  270

  This commander in chief of the British forces (1914 — 1921) provided Shaw with a demonstration of experimental weapons.

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  271

  Marietta Alboni (1823 — 1894), Italian contralto opera singer.

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  272

  George Barnwell is a sinner in George Lillo’s middle-class sentimental tragedy The London Merchant (1731); Maria Martin is the heroine of Maria Martin, or the Red Barn Mystery, about her murder by her lover in 1827; Sweeney Todd is the legendary “Demon Barber” of London, who slit his customers’ throats.

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  273

  Actor-manager of the period (1837-1919).

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  274

  French farce adapted into English by James Alberry (1838-1899).

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  275

  Reference to Sir Carl Meyer, who donated £70,000 to the National Theatre in 1908.

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  276

  In the person of King Edward VII, who attended Shaw’s play John Bull’s Other Island (1904).

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  277

  J. M. Barrie (see footnote to page 320) and Shaw, who were neighbors and friends.

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  278

  Cathedral.

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  279

  Music-hall turn by the animal imitators the Brothers Griffiths that parodied the French tightrope walker Charles Blondin (1824 — 1897).

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  280

  The decor of the Adelphi Theatre was by Scottish architect Robert Adam (1728-1792).

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  281

  Play by French dramatist Eugene Brieux, adapted into English in 1914 as Damaged Goods, by John Pollock.

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  282

  Reference to English theater manager A. E. F. Horniman (1860-1937), who presented Shaw’s first publicly produced play, Arms and the Man, in 1894.

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  283

  Allusion to the Bible, 2 Peter 2:22.

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  284

  Quotation from the Emancipation Proclamation, issued by United States President Abraham Lincoln on January I, 1863.

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  285

  Ironic allusion to the Bible, Isaiah 57:15.

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  286

  In Shakespeare’s Macbeth (act 4, scene 1), when shown the descendants of the murdered Banquo in a vision, Macbeth asks if their line will “stretch out to the crack of doom?”

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  287

  The explosive TNT.

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  288

  Balcony-like platform projecting from the stern of a ship.

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  2
89

  Usually spelled “centerbit”; tool for making cylindrical holes.

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  290

  T squares, straightedges, and set squares are types of rulers.

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  291

  Movable table legs that support table leaves.

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  292

  Scrubbed with a piece of sandstone, as a ship’s deck.

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  293

  New Temple Shakespeare was a popular series of Shakespeare’s plays.

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  294

  Naval officer’s double-breasted blue jacket.

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  295

  Idiosyncratic form of address (perhaps related to “dote”).

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  296

  Dealer in supplies for ships.

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  297

  Stale.

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  298

  Hired transportation to and from the train station.

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  299

  Simile taken from the Bible, Song of Solomon 7:4.

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  300

  Velvety fabric.

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  301

  Giuseppe Mazzini (1805-1872), an Italian revolutionary who sought to unify Italy under a republican government and who participated in Italy’s struggle for independence from Austrian domination.

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  302

  That is, from bankruptcy, so he could once again engage in business.

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  303

  Louis de Rougemont is the assumed name of nineteenth-century Swiss adventurer Louis Grin (1847- 1921), who wrote sensational, often bogus, accounts of his adventures; Hesione implies that “Marcus Darnley” (her husband’s pseudonym) is a liar.

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  304

  Awards, named for Prince Albert (1819-1861, husband of Queen Victoria), for altruistic rescues from injury or death.

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  305

  Saindy sage.

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  306

  Expensively dressed gentleman.

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  307

  Long locks of hair variously arranged, worn especially by men in the seventeenth and eighteenth centuries.

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  308

  Meaning she is looking for a mate.

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  309

  Shares issued to the owners of a company, on which a dividend is paid at a later date.

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  310

  Silly, or inconsequential.

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  311

  That is, the reality is the opposite of the dream.

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  312

  Shaw had rehearsed this sudden intrusion by a criminal into a country house in his earlier play Misalliance (1910).

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  313

  Meaning he was caught fair and square.

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  314

  Active court, when cases are being heard.

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  315

  Torch.

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  316

  Phrase from Bishop Reginald Herber’s early-nineteenth-century “Missionary Hymn.”

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  317

  That is, Billy Dunn.

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  318

  Peevish, or fretful.

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  319

  Meaning he is deliberately downplaying his assets.

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  320

  Near quotation from “Rosalind and Helen: A Modern Eclogue,” by English poet Percy Bysshe Shelley (179 2- 1822); Shaw has changed “our” to “their.”

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  321

  Allusion to Walt Whitman’s poem “O Captain! My Captain!” written in response to the assassination of President Abraham Lincoln in 1865.

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  322

  Allusion to English composer Ivor Novello’s popular World War I song “Keep the Home Fires Burning” (1915).

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