At the sight of him, she lost the last of her fear. He was so quizzical, so comical-it was impossible to be afraid of a place that held an animal like this.
She chuckled at him, and he took fright at the sound, whirling on his hind feet and leaping into the underbrush in a breath.
She shook her head, relaxing a little in spite of the chill. There was no Ghost, most likely, and perhaps there never had been. Perhaps the "ghost" had been no more than a particularly resourceful bandit. Perhaps-
The moon touched the highest part of her arc, marking the hour as midnight, just as the thought occurred to her. And at that moment, absolute silence descended on the hill, as if everything within hearing had been frightened into frozen immobility.
The crickets stopped chirping altogether; the owl hoots cut off. Even the wind died, leaving the midnight air filled only with a stillness that made the ears ache as they sought after the vanished sounds.
Then the wind returned with a howl and a rush, blowing her shirt flat to her body, chilling her to the bone and turning the blood in her veins to ice. It moaned, like something in pain, something dying by inches.
Then it changed, and whipped around her, twisting her garments into confusion. It swirled around her, picking up dead leaves and pelting her with them, the center of a tiny, yet angry cyclone that was somehow more frightening than the pounding lightning of the worst thunderstorm.
It lashed her with her own hair, blinded her with dust. Then it whisked away to spin on the road in front of her, twisting the leaves in a miniature whirlwind less than ten paces from her.
Her skin crawled, as if there were something watching her from the center of the wind. Malignant; that was what it felt like. As if this wind was a living thing, and it hated every creature it saw. . . .
She shook her hair out of her eyes, hugged her arms to her body and shook with cold and the prickling premonition of danger. She couldn't take her eyes off the whirlwind and the swirling leaves caught in it. The leaves-it was so strange, she could see every vein of them-
A claw of ice ran down her spine, as she realized that she could see every vein of them-because they were glowing.
She'd seen foxfire-what country child hadn't-but this was different. Each leaf glowed a distinct and leprous shade of greenish-white. And they were drawing closer together into a column in the center of the whirlwind, forming a solid, slightly irregular shape, thicker at the bottom than at the top, with a kind of cowl-like formation at the very top.
Kind of? It was a cowl; the leaves had merged into a cowled and robed figure, like a monk. But the shape beneath the robe suggested nothing remotely human, and she knew with dread that she didn't want to see the face hidden within that cowl. . . . The wind swirled the apparition's robes as it had swirled the leaves, but disturbed it not at all.
Then, suddenly, the wind died; the last of the leaves drifted to pile around the apparition's feet . . . if it had feet, and not some other appendages. The cowl turned in Rune's direction, and there was a suggestion of glowing eyes within the shadows of the hood.
A voice, an icy, whispering voice, came out of the darkness from all around her; from everywhere, yet nowhere. It could have been born of her imagination, yet Rune knew the voice was the Ghost's, and that to run was to die. Instantly, but in terror that would make dying seem to last an eternity.
"Why have you come here, stupid child?" it murmured, as fear urged her to run anyway. "Why were you waiting here? For me? Foolish child, do you not know what I am? What I could do to you?"
At least it decided to talk to me first. . . .
Rune had to swallow twice before she could speak, and even then her voice cracked and squeaked with fear.
"I've come to fiddle for you-sir?" she said, gasping for breath between each word, trying to keep her teeth from chattering.
And it's a good thing I'm not here to sing. . . .
She held out Lady Rose and her bow. "Fiddle?" the Ghost breathed, as if it couldn't believe what it had heard. "You have come to fiddle? To play mortal music? For me?"
For the first time since it had appeared, Rune began to hope she might survive this encounter. At least she'd surprised this thing. "Uh-yes. Sir? I did."
The glow beneath the hood increased, she was not imagining it. And the voice strengthened. "Why, mortal child? Why did you come here to-fiddle for me?"
She toyed with the notion of telling it that she'd done so for some noble reason, because she felt sorry for it, or that she wanted to bring it some pleasure-
But she had the feeling that it would know if she lied to it. She also had the feeling that if she lied to it, it would not be amused.
And since her life depended on keeping it amused-
So she told it the truth.
"It was on a dare, sir," she stammered. "There's these boys in the town, and they told me I was a second-rater, and-I swore I'd come up here and fiddle for you, and let you judge if I was a second-rater or a wizard with m' bow."
The cowl moved slightly, as if the creature were cocking its head a little sideways. "And why would they call you second-rate?"
"Because-because they want me to be, sir," she blurted. "If I'm second-rate they can look down on me, an'-do what they want to me-"
For some reason, the longer she spoke, the easier it became to do so, to pour out all her anger, her fear, all the bottled emotions she couldn't have told anyone before this. The spirit stayed silent, attentive through all of it, keeping its attitude of listening with interest, even sympathy. This was, by far, the most even-handed hearing she'd had from anyone. It was even easy to speak of the attack Jon and his friends had made, tears of rage and outrage stinging her eyes as she did.
Finally, her anger ran out, and with it, the words. She spread her hands, bow in one, fiddle in the other. "So that's it, sir. That's why I'm here."
"You and I have something in common, I think." Did she really hear those barely whispered words, or only imagine them?
She certainly didn't imagine the next ones.
"So you have come to fiddle for me, to prove to these ignorant dirt-grubbers that you are their-equal." The Ghost laughed, a sound with no humor in it, the kind of laugh that called up empty wastelands and icy peaks. "Well, then, girl. Fiddle, then. And pray to that Sacrificed God of yours that you fiddle well, very well. If you please me, if you continue to entertain me until dawn, I shall let you live, a favor I have never granted any other, and that should prove you are not only their paltry equal, but their better. But I warn you-the moment my attention lags, little girl-you'll die like all the others, and you will join all the others in my own, private little Hell." It chuckled again, cruelly. "Or, you may choose to attempt to run away, to outrun me to the stream at the bottom of the hill. Please notice that I did say attempt. It is an attempt that others have made and failed."
She thought for a moment that she couldn't do it. Her hands shook too much; she couldn't remember anything-not a single song, not so much as a lullabye.
Running was no choice either; she knew that.
So she tucked her fiddle under her chin anyway, and set the bow on the strings. . . .
And played one single, trembling note. And that note somehow called forth another and another followed that, until she was playing a stream, a cascade of bright and lively melody-
And then she realized she was playing "Guard's Farewell," one of her early tunes, and since it was a slip-jig, it led naturally to "Jenny's Fancy," and that in its turn to "Summer Cider"-
By then she had her momentum, and the tunes continued to come, one after another, as easily and purely as if she were practicing all by herself. She even began to enjoy herself, a little; to relax at least, since the Ghost hadn't killed her yet. This might work. She just might survive the night.
The Ghost stood in that "listening" stance; she closed her eyes to concentrate better as she often did when practicing, letting the tunes bring back bright memories of warm summer days or nights by the fire as she had le
arned them. The memories invoked other tunes, and more memories, and the friendships shared with musicians who called themselves by the names of birds: Linnet, Heron, Nightingale, and Raven; Robin, Jay and Thrush. When only parts of tunes came, half-remembered bits of things other musicians had played that she hadn't quite caught, she made up the rest. She cobbled together children's game-rhymes into reels and jigs. She played cradle-songs, hymns, anything and everything she had ever heard or half-heard the melody to.
When she feared she was going to run dry, she played a random run, improvised on that, and turned it into a melody of her very own.
It happened with an ease that amazed her, somewhere in the back of her mind. She'd wanted to write songs, she'd had them living in the back of her mind for so long, and yet she'd never more than half-believed that she was going to get them to come out. It was a marvel, a wonder, and she would have liked to try the tune over a second and third time. But the Ghost was still waiting, and she dared not stop.
Hours passed, longer than she had ever played without stopping before. Gradually the non-stop playing began to take its toll, as she had known would happen. Her upper bow-arm ached, then cramped; then her fingering hand got a cramp along the outside edge. The spot below her chin in her collarbone felt as if she was driving a spike into her neck.
Then her fingering arm burned and cramped, and her back started to hurt, spreading agony down her spine into her legs. She fiddled with tears of pain in her eyes, while her fingers somehow produced rollicking dance music completely divorced from the reality of her aching limbs.
Her fingers were numb; she was grateful for that, for she was entirely certain that there were blisters forming on her fingertips under the calluses, and that if she ever stopped, she'd feel them.
Finally, she played "Fields of Barley," and knew a moment of complete panic as her mind went blank. There was nothing there to play. She'd played everything she knew, and she somehow had the feeling that the Ghost wouldn't be amused by repeating music.
And there was no sign of dawn. She was going to die after all.
But her fingers were wiser than she was, for they moved on their own, and from beneath them came the wild, sad, wailing notes of the laments that the Gypsy Nightingale had played for her. . . .
Now, for the first time, the Ghost stirred and spoke, and she opened her eyes in startlement.
"More-" it breathed. "More-"
Rune closed her eyes again, and played every note she remembered, and some she hadn't known she'd remembered. And the air warmed about her, losing its chill; her arms slowly grew lighter, the aches flowed out of them, until she felt as fresh as she'd been when first she started this. Free from pain, she gave herself up to the music, playing in a kind of trance in which there was nothing but the music.
At last she came as far as she could. There was no music left, her own, or anyone else's. She played the last sobbing notes of the Gypsy song Nightingale had told her was a lament for her own long-lost home, holding them out as long as she could.
But they flowed out and away, and finally, ended.
She opened her eyes.
The first rays of dawn lightened the horizon, bringing a flush of pink to the silver-blue sky. The stars had already faded in the east and were winking out overhead, and somewhere off in the distance, a cock crowed and a chorus of birdcalls drifted across the hills.
There was nothing standing before her now. The Ghost was gone-but he had left something behind.
Where he had stood, where there had once been a heap of leaves, there was now a pile of shining silver coins. More than enough to pay for that second instrument, the lessons for it, and part of her keep while she mastered it.
As she stared at the money in utter disbelief, a whisper came from around her, like a breath of the cool dawn wind coming up off the hills.
"Go, child. Take your reward, and go. And do not look back." A laugh, a kindly one this time. "You deserved gold, but you would never have convinced anyone you came by it honestly."
Then, nothing, but the bird song.
She put her fiddle away first, with hands that shook with exhaustion, but were otherwise unmarred, by blisters or any other sign of the abuse she'd heaped on them.
Then, and only then, did she gather up the coins, one at a time, each one of them proving to be solid, and as real as her own hand. One handful; then two-so many she finally had to tear off the tail of her shift for a makeshift pouch. Coins so old and worn they had no writing left, and only a vague suggestion of a face. Coins from places she'd never heard of. Coins with non-human faces on them, and coins minted by the Sire's own treasury. More money than she had ever seen in her life.
And all of it hers.
She stopped at the stream at the foot of the hill, the place that traditionally marked the spot where the Ghost's power ended. She couldn't help but stop; she was exhausted and exhilarated, and her legs wouldn't hold her anymore. She sank down beside the stream and splashed cold water in her face, feeling as if she would laugh, cry, or both in the next instant.
The money in a makeshift pouch cut from the tail of her shift weighed heavily at her belt, and lightly in her heart.
Freedom. That was what the Ghost had given her-and from its final words, she knew that the spirit had been well aware of the gift it had granted.
Go and don't look back. . . .
It had given her freedom, but only if she chose to grasp it-if she did go, and didn't look back, leaving everything behind. Her mother, Jib, the tavern . . .
Could she do that? It had taken a certain kind of courage to dare the Ghost, but it would take another, colder kind of emotion to abandon everything and everyone she'd always known. No matter what they had done to her, could she leave them for the unknown?
Her elation faded, leaving the weariness. She picked herself up and started for home, at a slower pace, sure only of her uncertainty.
Go-or stay? Each step asked the same question. And none of the echoes brought back an answer. The road was empty this time of the morning, with no one sharing it but her and the occasional squirrel. A cool, damp breeze brought the scent of fresh earth, and growing things from the forest on either hand. It was a shame to reach the edge of the village, and see where the hand of man had fallen heavily.
The inn, with its worn wooden siding and faded sign, seemed shabby and much, much smaller than it had been when she left yesterday. Dust from the road coated everything, and there wasn't even a bench outside for a weary traveler to sit on, nor a pump for watering himself and his beast. These were courtesies, yes, but they cost nothing and their absence bespoke a certain niggardliness of hospitality. She found herself eyeing her home with disfavor, if not dislike, and approached it with reluctance.
Prompted by a caution she didn't understand, she left the road and came up to the inn from the side, where she wouldn't be seen from the open door. She walked softly, making no noise, when she heard the vague mumble of voices from inside the common room through the still-shuttered windows.
She paused just outside the open door and still hidden from view, as the voices drifted out through the cracks in the shutters.
". . . her bed wasn't slept in," Stara said, and Rune wondered why she had never noticed the nasal, petulant whine in her mother's voice before. "But the fiddle's gone. I think she ran away, Jeoff. She didn't have the guts to admit she couldn't take the dare, and she ran away." Stara sounded both aggrieved and triumphant, as if she felt Rune had done this purely to make her mother miserable, and as if she felt she had been vindicated in some way.
Maybe she's been telling tales to Jeoff herself, the way I figured.
"Oh aye, that I'm sure of," Kaylan drawled with righteous self-importance. "Young Jon said she been a-flirtin' wi' him day agone, and she took it badly when he gave her the pass."
So that was how he explained it, she thought, seething with sudden anger despite her weariness. But how did he explain his swollen tongue and bruised crotch? That I hit him when he woul
dn't lay with me?
"Anyways, she's been causin' trouble down to village, insultin' the girls and mockin' the boys. Think she got too big fer her hat and couldn't take it t' have her bluff called." Kaylan yawned hugely. "I think ye're well rid of her, Mistress Stara. Could be it was nobbut spring, but could be the girl's gone bad."
"I don't know-" Jeoff said uncertainly. "We need the help, and there's no denying it. If we can find her and get her back, maybe we ought to. A good hiding-"
Lark and Wren bv-1 Page 7