Rachel, hungry despite herself, samples one of the food pellets. It has a strange medicinal taste, and she puts it back in the bowl. She needs to pee, but there is no toilet and she cannot escape the cage. At last unable to hold it, she pees in one corner of the cage. The urine flows through the wire mesh to soak the litter below, and the smell of warm piss fills her cage. Humiliated, frightened, her head aching, her skin itchy from the flea spray, Rachel watches as the sunlight creeps across the room.
The day wears on. Rachel samples her food again, but rejects it, preferring hunger to the strange taste. A black man comes and cleans the cages of the rabbits and rats. Rachel cowers in her cage and watches him warily, afraid that he will hurt her, too.
When night comes, she is not tired. Outside, coyotes howl. Moonlight filters in through the high windows. She draws her legs up toward her body, then rests with her arms wrapped around her knees. Her father is dead, and she is a captive in a strange place. For a time, she whimpers softly, hoping to awaken from this nightmare and find herself at home in bed. When she hears the click of a key in the door to the room, she hugs herself more tightly.
A man in green coveralls pushes a cart filled with cleaning supplies into the room. He takes a broom from the cart, and begins sweeping the concrete floor. Over the rows of cages, she can see the top of his head bobbing in time with his sweeping. He works slowly and methodically, bending down to sweep carefully under each row of cages, making a neat pile of dust, dung, and food scraps in the center of the aisle.
The janitor’s name is Jake. He is a middle-aged deaf man who has been employed by the Primate Research Center for the past seven years. He works night shift. The personnel director at the Primate Research Center likes Jake because he fills the federal quota for handicapped employees, and because he has not asked for a raise in five years. There have been some complaints about Jake—his work is often sloppy—but never enough to merit firing the man.
Jake is an unambitious, somewhat slow-witted man. He likes the Primate Research Center because he works alone, which allows him to drink on the job. He is an easy-going man, and he likes the animals. Sometimes, he brings treats for them. Once, a lab assistant caught him feeding an apple to a pregnant rhesus monkey. The monkey was part of an experiment on the effect of dietary restrictions on fetal brain development, and the lab assistant warned Jack that he would be fired if he was ever caught interfering with the animals again. Jake still feeds the animals, but he is more careful about when he does it, and he has never been caught again.
As Rachel watches, the old chimp gestures to Jake.—Give banana, the chimp signs.—Please banana. Jake stops sweeping for a minute and reaches down to the bottom shelf of his cleaning cart. He returns with a banana and offers it to the old chimp. The chimp accepts the banana and leans against the mesh while Jake scratches his fur.
When Jake turns back to his sweeping, he catches sight of Rachel and sees that she is watching him. Emboldened by his kindness to the old chimp, Rachel timidly gestures to him.—Help me.
Jake hesitates, then peers at her more closely. Both his eyes are shot with a fine lacework of red. His nose displays the broken blood vessels of someone who has been friends with the bottle for too many years. He needs a shave. But when he leans close, Rachel catches the scent of whiskey and tobacco. The smells remind her of Aaron and give her courage.
—Please help me, Rachel signs.—I don’t belong here.
For the last hour, Jake has been drinking steadily. His view of the world is somewhat fuzzy. He stares at her blearily.
Rachel’s fear that he will hurt her is replaced by the fear that he will leave her locked up and alone. Desperately she signs again.—Please please please. Help me. I don’t belong here. Please help me go home.
He watches her, considering the situation. Rachel does not move. She is afraid that any movement will make him leave. With a majestic speed dictated by his inebriation, Jake leans his broom on the row of cages behind him and steps toward Rachel’s cage again.—You talk? he signs.
—I talk, she signs.
—Where did you come from?
—From my father’s house, she signs.—Two men came and shot me and put me here. I don’t know why. I don’t know why they locked me in jail.
Jake looks around, willing to be sympathetic, but puzzled by her talk of jail.—This isn’t jail, he signs.—This is a place where scientists raise monkeys.
Rachel is indignant.—I am not a monkey, she signs.—I am a girl.
Jake studies her hairy body and her jug-handle ears.—You look like a monkey.
Rachel shakes her head.—No. I am a girl.
Rachel runs her hands back over her head, a very human gesture of annoyance and unhappiness. She signs sadly,—I don’t belong here. Please let me out.
Jake shifts his weight from foot to foot, wondering what to do.—I can’t let you out. I’ll get in big trouble.
—Just for a little while? Please?
Jake glances at his cart of supplies. He has to finish off this room and two corridors of offices before he can relax for the night.
—Don’t go, Rachel signs, guessing his thoughts.
—I have work to do.
She looks at the cart, then suggests eagerly,—Let me out and I’ll help you work.
Jake frowns.—If I let you out, you will run away.
—No, I won’t run. I will help. Please let me out.
—You promise to go back?
Rachel nods.
Warily he unlatches the cage. Rachel bounds out, grabs a whisk broom from the cart, and begins industriously sweeping bits of food and droppings from beneath the row of cages.—Come on, she signs to Jake from the end of the aisle.—I will help.
When Jake pushes the cart from the room filled with cages, Rachel follows him closely. The rubber wheels of the cleaning cart rumble softly on the linoleum floor. They pass through a metal door into a corridor where the floor is carpeted and the air smells of chalk dust and paper.
Offices let off the corridor, each one a small room furnished with a desk, bookshelves, and a blackboard. Jake shows Rachel how to empty the wastebaskets into a garbage bag. While he cleans the blackboards, she wanders from office to office, trailing the trash-filled garbage bag.
At first, Jake keeps a close eye on Rachel. But after cleaning each blackboard, he pauses to refill a cup from the whiskey bottle that he keeps wedged between the Saniflush and the window cleaner. By the time he is halfway through the second cup; he is treating her like an old friend, telling her to hurry up so that they can eat dinner.
Rachel works quickly, but she stops sometimes to gaze out the office windows. Outside, moonlight shines on a sandy plain, dotted here and there with scrubby clumps of rabbit brush.
At the end of the corridor is a larger room in which there are several desks and typewriters. In one of the wastebaskets, buried beneath memos and candybar wrappers, she finds a magazine. The title is Love Confessions and the cover has a picture of a man and woman kissing. Rachel studies the cover, then takes the magazine, tucking it on the bottom shelf of the cart.
Jake pours himself another cup of whiskey and pushes the cart to another hallway. Jake is working slower now, and as he works he makes humming noises, tuneless sounds that he feels only as pleasant vibrations. The last few blackboards are sloppily done, and Rachel, finished with the wastebaskets, cleans the places that Jake missed.
They eat dinner in the janitor’s storeroom, a stuffy windowless room furnished with an ancient grease-stained couch, a battered black-and-white television, and shelves of cleaning supplies. From a shelf, Jake takes the paper bag that holds his lunch: a baloney sandwich, a bag of barbecued potato chips, and a box of vanilla wafers. From behind the gallon jugs of liquid cleaner, he takes a magazine. He lights a cigarette, pours himself another cup of whiskey, and settles down on the couch. After a moment’s hesitation, he offers Rachel a drink, pouring a shot of whiskey into a chipped ceramic cup.
Aaron never let Rachel
drink whiskey, and she samples it carefully. At first the smell makes her sneeze, but she is fascinated by the way that the drink warms her throat, and she sips some more.
As they drink, Rachel tells Jake about the men who shot her and the woman who pricked her with a needle, and he nods.—The people here are crazy, he signs.
—I know, she says, thinking of the old chimp with the electrode in his head.—You won’t tell them I can talk, will you?
Jake nods.—I won’t tell them anything.
—They treat me like I’m not real, Rachel signs sadly. Then she hugs her knees, frightened at the thought of being held captive by crazy people. She considers planning her escape: she is out of the cage and she is sure she could outrun Jake. As she wonders about it, she finishes her cup of whiskey. The alcohol takes the edge off her fear. She sits close beside Jake on the couch, and the smell of cigarette smoke reminds her of Aaron. For the first time since Aaron’s death she feels warm and happy.
She shares Jake’s cookies and potato chips and looks at the Love Confessions magazine that she took from the trash. The first story that she reads is about a woman named Alice. The headline reads: “I became a go-go dancer to pay off my husband’s gambling debts, and now he wants me to sell my body.”
Rachel sympathizes with Alice’s loneliness and suffering. Alice, like Rachel, is alone and misunderstood. As Rachel slowly reads, she sips her second cup of whiskey. The story reminds her of a fairy tale; the nice man who rescues Alice from her terrible husband replaces the handsome prince who rescues the princess. Rachel glances at Jake and wonders if he will rescue her from the wicked people who locked her in the cage.
She has finished the second cup of whiskey and eaten half Jake’s cookies when Jake says that she must go back to her cage. She goes reluctantly, taking the magazine with her. He promises that he will come for her again the next night, and with that she must be content. She puts the magazine in one corner of the cage and curls up to sleep.
She wakes early in the afternoon. A man in a white coat is wheeling a low cart into the lab.
Rachel’s head aches with hangover and she feels sick. As she crouches in one corner of her cage, he stops the cart beside her cage and then locks the wheels. “Hold on there,” he mutters to her, then slides her cage onto the cart.
The man wheels her through long corridors, where the walls are cement blocks, painted institutional green. Rachel huddles unhappily in the cage, wondering where she is going and whether Jake will ever be able to find her.
At the end of a long corridor, the man opens a thick metal door and a wave of warm air strikes Rachel. It stinks of chimpanzees, excrement, and rotting food. On either side of the corridor are metal bars and wire mesh. Behind the mesh, Rachel can see dark hairy shadows. In one cage, five adolescent chimps swing and play. In another, two females huddle together, grooming each other. The man slows as he passes a cage in which a big male is banging on the wire with his fist, making the mesh rattle and ring.
“Now, Johnson,” says the man. “Cool it. Be nice. I’m bringing you a new little girlfriend.”
With a series of hooks, the man links Rachel’s cage with the cage next to Johnson’s and opens the doors. “Go on, girl,” he says. “See the nice fruit.” In the cage is a bowl of sliced applies with an attendant swarm of fruit flies.
At first, Rachel will not move into the new cage. She crouches in the cage on the cart, hoping that the man will decide to take her back to the lab. She watches him get a hose and attach it to a water faucet. But she does not understand his intention until he turns the stream of water on her. A cold blast strikes her on the back and she howls, fleeing into the new cage to avoid the cold water. Then the man closes the doors, unhooks the cage, and hurries away.
The floor is bare cement. Her cage is at one end of the corridor and two walls are cement block. A door in one of the cement block walls leads to an outside run. The other two walls are wire mesh: one facing the corridor, the other, Johnson’s cage.
Johnson, quiet now that the man has left, is sniffing around the door in the wire mesh wall that joins their cages. Rachel watches him anxiously. Her memories of other chimps are distant, softened by time. She remembers her mother; she vaguely remembers playing with other chimps her age. But she does not know how to react to Johnson when he stares at her with great intensity and makes a loud huffing sound. She gestures to him in ASL, but he only stares harder and huffs again. Beyond Johnson, she can see other cages and other chimps, so many that the wire mesh blurs her vision and she cannot see the other end of the corridor.
To escape Johnson’s scrutiny, she ducks through the door into the outside run, a wire mesh cage on a white concrete foundation. Outside there is barren ground and rabbit brush. The afternoon sun is hot and all the other runs are deserted until Johnson appears in the run beside hers. His attention disturbs her and she goes back inside.
She retreats to the side of the cage farthest from Johnson. A crudely built wooden platform provides her with a place to sit. Wrapping her arms around her knees, she tries to relax and ignore Johnson. She dozes off for a while, but wakes to a commotion across the corridor.
In the cage across the way is a female chimp in heat. Rachel recognizes the smell from her own times in heat. Two keepers are opening the door that separates the female’s cage from the adjoining cage, where a male stands, watching with great interest. Johnson is shaking the wire mesh and howling as he watches.
“Mike here is a virgin, but Susie knows what she’s doing,” one keeper was saying to the other. “So it should go smoothly. But keep the hose ready.”
“Yeah?”
“Sometimes they fight. We only use the hose to break it up if it gets real bad. Generally, they do okay.”
Mike stalks into Susie’s cage. The keepers lower the cage door, trapping both chimps in the same cage. Susie seems unalarmed. She continues eating a slice of orange while Mike sniffs at her genitals with every indication of great interest. She bends over to let Mike finger her pink bottom, the sign of estrus.
Rachel finds herself standing at the wire mesh, making low moaning noises. She can see Mike’s erection, hear his grunting cries. He squats on the floor of Susie’s cage, gesturing to the female. Rachel’s feelings are mixed: she is fascinated, fearful, confused. She keeps thinking of the description of sex in the Love Confessions story: When Alice feels Danny’s lips on hers, she is swept away by the passion of the moment. He takes her in his arms and her skin tingles as if she were consumed by an inner fire.
Susie bends down and Mike penetrates her with a loud grunt, thrusting violently with his hips. Susie cries out shrilly and suddenly leaps up, knocking Mike away. Rachel watches, overcome with fascination. Mike, his penis now limp, follows Susie slowly to the corner of the cage, where he begins grooming her carefully. Rachel finds that the wire mesh has cut her hands where she gripped it too tightly.
It is night, and the door at the end of the corridor creaks open. Rachel is immediately alert, peering through the wire mesh and trying to see down to the end of the corridor. She bangs on the wire mesh. As Jake comes closer, she waves a greeting.
When Jake reaches for the lever that will raise the door to Rachel’s cage, Johnson charges toward him, howling and waving his arms above his head. He hammers on the wire mesh with his fists, howling and grimacing at Jake. Rachel ignores Johnson and hurries after Jake.
Again Rachel helps Jake clean. In the laboratory, she greets the old chimp, but the animal is more interested in the banana that Jake has brought than in conversation. The chimp will not reply to her questions, and after several tries, she gives up.
While Jake vacuums the carpeted corridors, Rachel empties the trash, finding a magazine called Modern Romance in the same wastebasket that had provided Love Confessions.
Later, in the Janitor’s lounge, Jake smokes a cigarette, sips whiskey, and flips through one of his own magazines. Rachel reads love stories in Modern Romance.
Every once in a while, she loo
ks over Jake’s shoulder at grainy pictures of naked women with their legs spread wide apart. Jake looks for a long time at the picture of a blonde woman with big breasts, red fingernails, and purple-painted eyelids. The woman lies on her back and smiles as she strokes the pinkness between her legs. The picture on the next page shows her caressing her own breasts, pinching the dark nipples. The final picture shows her looking back over her shoulder. She is in the position that Susie took when she was ready to be mounted.
Rachel looks over Jake’s shoulder at the magazine, but she does not ask questions. Jake’s smell began to change as soon as he opened the magazine; the scent of nervous sweat mingles with the aromas of tobacco and whiskey. Rachel suspects that questions would not be welcome just now.
At Jake’s insistence, she goes back to her cage before dawn.
Over the next week, she listens to the conversations of the men who come and go, bringing food and hosing out the cages. From the men’s conversation, she learns that the Primate Research Center is primarily a breeding facility that supplies researchers with domestically bred apes and monkeys of several species. It also maintains its own research staff. In indifferent tones, the men talk of horrible things. The adolescent chimps at the end of the corridor are being fed a diet high in cholesterol to determine cholesterol’s effects on the circulatory system. A group of pregnant females are being injected with male hormones to determine how that will affect the female offspring. A group of infants is being fed a low protein diet to determine adverse effects on their brain development.
The men look through her as if she were not real, as if she were a part of the wall, as if she were no one at all. She cannot speak to them; she cannot trust them.
Each night, Jake lets her out of her cage and she helps him clean. He brings treats: barbecued potato chips, fresh fruit, chocolate bars, and cookies. He treats her fondly, as one would treat a precocious child. And he talks to her.
At night, when she is with Jake, Rachel can almost forget the terror of the cage, the anxiety of watching Johnson pace to and fro, the sense of unreality that accompanies the simplest act. She would be content to stay with Jake forever, eating snack food and reading confessions magazines. He seems to like her company. But each morning, Jake insists that she must go back to the cage and the terror. By the end of the first week, she has begun plotting her escape.
Future on Fire Page 4