Cabal
( Aurelio Zen - 3 )
Michael Dibdin
Michael Dibdin
Cabal
I, on the other hand, believe that the whole affair, today as yesterday, was bound up with games of make-believe in which every role was itself playing a double role, of false information taken to be true and true information taken to be false: in short, with the sort of atrocious nonsense of which we Italians have had so many examples in these past few years
Leonardo Sciascia
1
‘… quia peccavi nimis cogitatione, verbo, opere et omissione: mea culpa, mea culpa, mea maxima culpa.’
Amplified both by the loudspeaker system and the sonorous acoustics of the great basilica, the celebrant’s voice reverberated with suprahuman authority, seemingly unrelated to the diminutive figure beating his breast like a hammy tenor in some provincial opera house. The fifty or so worshippers who had turned out on this bleak late-November evening were all elderly, and predominantly female. The apse and the chapel of the cattedra, itself a space larger than many churches, had been cordoned off for the service by uniformed attendants, but in other regions of St Peter’s basilica tourists and pilgrims continued to promenade, singly or in groups, dazed by the sheer scale of the sacred and secular claims being made on every side, numbly savouring the bitter taste of their individual insignificance.
For some, the tinkling of the bell, the strains of the organ and the procession of red-clad priest and ministers had come as a welcome relief from these oppressive grandeurs, rather as though afternoon Mass were a dramatic spectacle laid on by the authorities in an attempt to bring this chilly monstrosity to life, a son et lumiere event evoking the religious function it had originally had. Curious as children, they crowded behind the ropes dividing off the apse, gawking at Bernini’s shamelessly showy sunburst and the great papal tombs to either side. For a time the rhythmic cadences of the Latin liturgy held their attention, but during the reading from the Apocalypse of St John many drifted away. Those who remained were fidgety and restless, whispering to each other or rustling through their guide-books.
One man, standing slightly apart on one side of the crowd, was ostentatiously paying no attention at all to the service. He was wearing a suede jacket and a flowery print shirt opened at the neck to display the thick gold chain which nestled in the lush hairs on his chest. His big arms were crossed, the sleeve of the jacket riding up to reveal the gold Rolex Oyster watch on his left wrist, and his large, round, slightly concave face was tilted upwards like a satellite dish tracking some celestial object invisible to the naked eye, high above, in the vast dark recess of the unlighted cupola. Not far away, at the base of one of the massive whorled columns supporting the fantastic canopy of the bronze baldacchino over the papal altar, a woman was also absorbed by the spectacle above. With her grey tweed coat, black tailored wool jacket, calf-length velvet skirt and the white silk scarf over her head, she looked like a designer version of the aged crones who constituted the majority of the congregation. But her lipstick, a blare of brilliant red only partially qualified by her cold blue eyes, sent a very different message.
The homily which followed the reading sounded less like a learned discourse than a spontaneous outburst of sour grapes on the part of the priest, nettled by the poor turn-out. Once upon a time, he complained, the church had been the centre of the community, a privileged place where the people gathered to experience the presence of God. Now what did we see? The shops, discotheques, night clubs, beer bars and fast food outlets were all turning people away, while the churches had never been so empty. The touristic passing trade had by this time largely dispersed, but this line of argument appeared to risk alienating even the core of the congregation, reminding them painfully of their status as a marginalized and anachronistic minority, representatives of an outmoded way of thinking. Coughing, shuffling and inattention became endemic.
A brief diversion was provided by the arrival of a buck-toothed, bespectacled nun, breathless and flurried, clutching a large bouquet of flowers. She apologized to the attendants, who shrugged and waved her through the ropes. Depositing the bouquet on the balustrade surrounding the colossal statue of St Veronica, the nun took her place on a bench near the back of the congregation as the priest began reciting the Credo. A plainclothes security man who had been looking on from the fringes of the crowd walked over, picked up the flowers and inspected them suspiciously, as though they might explode.
‘ Et iterum venturus est cum gloria, judicare vivos et mortuos…’
At first the noise sounded like electronic feedback transmitted via the loudspeakers, then the screech of a low-flying aircraft. One or two departing tourists glanced up towards the looming obscurity of the dome, as the man with the suede jacket and gold chain and the woman in the tweed coat and white scarf had been doing all along. That certainly seemed to be the source of the eerie sound, somewhere between a whine and a growl, which billowed down to fill the basilica like coloured dye in a tank of water. Then someone caught sight of the apparition high above, and screamed. The priest faltered, and even the congregation twisted round to see what was happening. In utter silence all watched the black shape tumbling through the dim expanses towards them.
The sight was an ink-blot test for everyone’s secret fears and fantasies. An arthritic seamstress who lived above an automobile body shop in the Borgo Pio saw the long-desired angel swooping down to release her from the torments of the flesh. A retired chemist from Potenza, on the other hand, visiting the capital for only the second time in his life, recalled the earthquake which had recently devastated his own city and saw a chunk of the dome plummeting down, first token of a general collapse. Others thought confusedly of spiders or bats, super-hero stunts or circus turns. Only one observer knew precisely what was happening, having seen it all before. Giovanni Grimaldi let go of the nun’s bouquet of flowers, which scattered on the marble floor, and reached for his two-way radio.
Subsequent calculations demonstrated that the period of time elapsing between the initial sighting and terminal impact cannot have exceeded four seconds, but to those watching in disbelief and growing horror it was a period without duration, time-free. The figure might have been falling through a medium infinitely more viscous than air, so slowly did it appear to descend, revolving languidly about its own axis, the long sustained keening wrapped around it like winding robes, the limbs and trunk executing a leisurely sarabande that ended as the body smashed head first into the marble paving at something approaching seventy miles per hour.
No one moved. The glistening heap of blood and tissue subsided gently into itself with a soft farting sound. Priest and congregation, tourists and attendants, stood as silent and still as figures in a plaster Nativity. In distant nooks and crannies of the vast enclosure, the final echoes of that long scream died away. Then, as strident as trumpets, first one, them many voices took up the strain, shrieking hysterically, howling, sobbing and gasping.
Giovanni Grimaldi started towards the body. It seemed to take for ever, as in a bad dream, the crowd perpetually closing up right in front of him, denying him passage. Then he was through the inner circle, beyond which no one was prepared to go, and promptly slipped and fell, his radio dropping with a loud clatter. Instinctively the crowd drew back, terrified by this renewed proof of the malignant power possessed by this killing floor. The screaming redoubled in volume as those at the back were toppled and trodden underfoot. As the attendants ran to try and contain the crowd, Grimaldi stood up, his blue suit stained with the blood on which he had slipped. It was almost invisible on the marble slabs, a light spattering that blended perfectly with the scarlet veins beneath the highly polished surface of the stone.
He retrieved his radio and pressed the
call-up button. While Control took their sweet time about answering, as usual, Grimaldi looked round to try and find the man in the suede jacket and the woman in the tweed coat, but they were no longer there.
‘Well?’ a crackly voice demanded crossly in his ear.
‘This is Grimaldi. We have a jumper in the basilica.’
‘In progress or complete?’
‘Complete.’
He switched off the radio. There was no need to say more. Suicides were a regular occurrence in St Peter’s, partly due to the vertiginous attraction of high places in general, but still more to a popular belief that those who died on the Apostle’s tomb went straight to heaven, by-passing the normal red tape and entry quotas. The Church had preached repeatedly and at length against this primitive superstition, but in vain. The part of the inner gallery beneath the dome that was open to the public had been fitted with a two-metre-high wire-mesh security fence, but if folk want to kill themselves badly enough it’s impossible to prevent them doing so.
Nevertheless, this particular jump was unique, at least in Grimaldi’s experience. As far as he knew, no one had ever managed to commit suicide while Mass was being said, for at such times there was no access to the dome.
Grimaldi’s message set in motion a well-established routine. The first step was to clear the basilica. Those witnesses suffering from shock were led across the piazza to the Vatican’s first-aid post, pausing briefly to allow the passage of an ambulance from the nearby Santo Spirito hospital. When there was life to be saved, as when Papa Wojtyla had been shot, the Church preferred the high standards of its own Policlinico Gemelli, but when it came to carting away corpses the institutions of the Italian state were good enough.
The ambulance slowed at the gate beneath the Arch of the Bells where the Swiss Guards, who had been advised of the situation, waved it through into the succession of small, dark courtyards flanking the east side of St Peter’s. Just beyond the enormous bulge of the transept a uniformed member of the Vigilanza, the Vatican Security Force, waved the vehicle to a halt. The ambulance men got out, opened the rear doors and lifted out a stretcher. Then they followed the security guard through a door into a bare sloping passage tunnelled into the massive lower walls of the basilica. They passed through two small antechambers, then through a doorway concealed beneath the beckoning skeletons of Bernini’s funeral monument to Alexander VII, and thence into the basilica itself.
In the open space between the apse and the papal altar, a team of cleaners in blue overalls waited with their mops and buckets, ready to expunge every physical trace of the outrage once the body had been removed. A bishop would then be summoned to perform the spiritual equivalent, a rite of reconsecration. The ambulance men put down their stretcher and set about unwrapping the green plastic sheeting used to wrap the remains. At this point Giovanni Grimaldi turned aside, his stomach thrashing like live fish in a net. It was precisely to avoid having to witness things like this that he had come to work for the Vatican in the first place.
The son of a fisherman from Otranto, Grimaldi had started his career in the Carabinieri, and as a brighter-than-average recruit was rapidly promoted to investigative work. He had stuck it for four years, struggling heroically with a squeamishness which he knew would master him in the end. Every time he had to go to the scene of a violent crime his guts tightened up, his breath choked like an asthmatic’s, his skin became filmy with perspiration and his heart went wild. For days afterwards he couldn’t sleep properly, and when he did, the dreams were so horrible that he wished he hadn’t.
His colleagues seemed to think nothing of spending the morning poking around a burnt-out car containing the remains of four local mobsters and then tucking into a nice charred roast at lunch, but Grimaldi lacked this ability to detach his professional and private lives. The experience had marked him even physically. His body was hunched, his head lowered, face averted, and his eyes peered up with the guarded, wary look of abused children. His hair had started falling out at an alarming rate, while deep wrinkles corrugated his face until by now he looked older than his own father — who still put to sea each night with his crew of illegal Algerian immigrants, and didn’t give a fuck about anything.
The usual fate of ex-Carabinieri is to join one of the many armies of private bank guards, but thanks to a local politician who had a word with a bishop who mentioned the matter to a monsignore in the Curia who had the ear of a certain archbishop in the Palazzo del Governatorato, Giovanni Grimaldi moved to Rome and became a member of the Vigilanza. Because of his experience and abilities, he was soon transferred to a select detective unit responsible directly to the Cardinal Secretary of State. In addition to investigating such minor crime as occurred within the Vatican — mostly petty theft — this group allegedly carried out a variety of covert operations which were the subject of considerable gossip among employees of the Curia. His children only visited him in the holidays now, and his wife in his dreams, for she had contracted cancer the year after he settled in the capital. The children now lived in Bari with Grimaldi’s sister, while he himself eked out a solitary life in a church property near the Vatican, trying to make ends meet for his absentee family, and to put a little aside for the future.
Despite himself, Grimaldi glanced over as the ambulance men transferred the corpse to the plastic sheeting. He noted with impersonal curiosity, as though watching a film, that the blue lounge suit in which the shattered body was clad was of the highest quality, and that one of the black brogues was missing. He looked again at the material of the suit. It looked oddly familiar. His breath started to come in heaves and gasps. No, he thought, not that. Please not that.
The ambulance men had already started to parcel up the body.
‘Just a minute,’ Grimaldi told them. ‘We need to know who he was.’
‘That’s all done at the hospital,’ one of the men replied dismissively, not even looking up.
‘The victim must be identified before the body is released to the representatives of the Italian authorities,’ Grimaldi recited pedantically.
The ambulance man looked up wearily, as though dealing with a halfwit.
‘All the paperwork’s done back at the morgue. We’ve got a strict turn-around time.’
Grimaldi planted his foot on the plastic sheeting just inches from the man’s hand.
‘Listen, this may be just another bit of Trastevere to you, but when you drove through the archway out there, past our Swiss friends in their fancy dress, you left Italy and went abroad. Just like any other foreign country, this one has its own rules and regulations, and in the present case they stipulate that before this cadaver can be released to the representatives of the Italian state — that’s you — it must be identified to the satisfaction of an official of the Vatican City State — which in this case means me. So let’s get busy. Pass me the contents of his pockets.’
The ambulance man heaved a profound sigh, indicating helpless acquiescence in the face of might rather than right, and started to go through the dead man’s clothing. The trouser pockets and the outer ones of the jacket were empty, but a zipped pocket inside the left breast of the jacket yielded a large metal key, seemingly new, and a worn leather wallet containing an identity card and driving licence. The security man scanned these documents, then brusquely turned his back on everyone and switched on his radio again.
‘This is Grimaldi,’ he said, his voice hoarse with excitement. ‘Tell the chief to get over here immediately! And you’d better notify His Excellency.’
Aurelio Zen, on the other hand, was to remember that particular Friday as the night the lights went out.
His first thought was that it was a personal darkness, like the one which had descended without warning a few months earlier on poor Romizi. ‘Come on, Carlo, at least try and look like you’re working!’ one of the other officials had jeered at the sight of the Umbrian frozen at his desk, a grey, sweating statue of flesh. Romizi had always been a laughing-stock in the Criminalpol squad. O
nly that very morning Giorgio De Angelis had retailed yet another apocryphal story about their hapless colleague. ‘Romizi is detailed off to attend a conference in Paris. He rings the travel agent. “Excuse me, could you tell me how long it takes to get to Paris?” “Just one moment,” says the travel agent, reaching for his time-table. “Thanks very much,” says Carlo, and hangs up.’
But Romizi’s fate hadn’t been funny at all. ‘A clot on the brain,’ the doctor had explained when Zen looked in at the San Giovanni hospital. When asked what the prognosis was, he simply shook his head and sighed. Anna, Romizi’s wife, and his sister Francesca were looking after him. Zen recognized Anna Romizi from the photograph of her as a young mother which Carlo had kept on his desk, their twin baby boys on her lap. Now those fresh, plumpish features had been rendered down to reveal the bedrock Mediterranean female beneath, grim, dauntless, enduring. Zen said his piece and left as soon as he could, fearful and depressed at this reminder of the primitive, messy plumbing on which all their lives ultimately depended. It didn’t seem remotely surprising that it should break down without warning. On the contrary, the miracle was that it ever functioned in the first place. In growing panic he listened to the thudding of his heart, felt the blood coursing about the system, imagined the organs going about their mysterious, secretive business. It was like being trapped aboard an airplane piloted by an onboard computer. All you could do was sit there until the fuel ran out, or one of the incomprehensibly complex and delicate systems on which your life depended suddenly failed.
Which is what he thought had happened when the darkness abruptly enveloped him. He was on foot at the time, heading for an address in the heart of the old city. The same raw November evening which had culled the congregation in St Peter’s kept people indoors. The streets were lined with small Fiats parked nose to tail like giant cockroaches, but there was no one about except a few youths on scooters. Zen made his way through the maze of the historic centre by following a succession of personalized landmarks, a painted window here, a patch of damaged plasterwork there, that rusty iron rib to stop men peeing in the corner. He had just caught sight of the great bulk of the Chiesa Nuova when it, and everything else, abruptly disappeared.
Cabal az-3 Page 1