New Collected Poems

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New Collected Poems Page 14

by David Gascoyne


  White, white in the light of dream,

  Still dip their heads.

  Clear night!

  He has no need of candles who can see

  A longer, more celestial day than ours.

  c. 1938

  EPILOGUE

  This severed artery

  The sand-obliterated face

  Amazed eyes high above catastrophe

  Distributed – Is this the man’s remains

  Who walked the lap of lands, and sang?

  Explosions of every dimension

  Directions run away

  Towards the sun

  The bitter sunset, or

  Who knows, where all things rise and fall,

  Revolve, and meet themselves again?

  This is the man of matted hair

  And music, whom a wanderer

  Had scented a long way off, by reason of

  The salt blood in his heart,

  The black sun in his blood,

  The gestures of his skeleton, simplicity

  Of white bones worn away

  Like rock by milk of love.

  Dissolve and meet themselves again

  All things; the sandy artery

  The severed head

  Limbs strewn across the rocks

  Like broken boats:

  So shall their widespread body rise

  And march, and marching sing.

  c. 1938

  POEMS 1937–42

  (1943)

  MISERERE

  ‘Le désespoir a des ailes

  L’amour a pour aile nacré

  Le désespoir

  Les sociétés peuvent changer.’

  PIERRE JEAN JOUVE

  TENEBRAE

  ‘It is finished.’ The last nail

  Has consummated the inhuman pattern, and the veil

  Is torn. God’s wounds are numbered.

  All is now withdrawn: void yawns

  The rock-hewn tomb. There is no more

  Regeneration in the stricken sun,

  The hope of faith no more,

  No height no depth no sign

  And no more history.

  Thus may it be: and worse.

  And may we know Thy perfect darkness.

  And may we into Hell descend with Thee.

  p. 1939

  PIETÀ

  Stark in the pasture on the skull-shaped hill,

  In swollen aura of disaster shrunken and

  Unsheltered by the ruin of the sky,

  Intensely concentrated in themselves the banded

  Saints abandoned kneel.

  And under the unburdened tree

  Great in their midst, the rigid folds

  Of a blue cloak upholding as a text

  Her grief-scrawled face for the ensuing world to read,

  The Mother, whose dead Son’s dear head

  Weighs like a precious blood-encrusted stone

  On her unfathomable breast:

  Holds Him God has forsaken, Word made flesh

  Made ransom, to the slow smoulder of her heart

  Till the catharsis of the race shall be complete.

  p. 1939

  DE PROFUNDIS

  Out of these depths:

  Where footsteps wander in the marsh of death and an

  Intense infernal glare is on our faces facing down:

  Out of these depths, what shamefaced cry

  Half choked in the dry throat, as though a stone

  Were our confounded tongue, can ever rise:

  Because the mind has been struck blind

  And may no more conceive

  Thy Throne …

  Because the depths

  Are clear with only death’s

  Marsh-light, because the rock of grief

  Is clearly too extreme for us to breach:

  Deepen our depths,

  And aid our unbelief.

  p. 1939

  KYRIE

  Is man’s destructive lust insatiable? There is

  Grief in the blow that shatters the innocent face.

  Pain blots out clearer sense. And pleasure suffers

  The trial thrust of death in even the bride’s embrace.

  The black catastrophe that can lay waste our worlds

  May be unconsciously desired. Fear masks our face;

  And tears as warm and cruelly wrung as blood

  Are tumbling even in the mouth of our grimace.

  How can our hope ring true? Fatality of guilt

  And complicated anguish confounds time and place;

  While from the tottering ancestral house an angry voice

  Resounds in prophecy. Grant us extraordinary grace,

  O spirit hidden in the dark in us and deep,

  And bring to light the dream out of our sleep.

  p. 1938

  LACHRYMAE

  Slow are the years of light:

  and more immense

  Than the imagination. And the years return

  Until the Unity is filled. And heavy are

  The lengths of Time with the slow weight of tears.

  Since Thou didst weep, on a remote hill-side

  Beneath the olive-trees, fires of unnumbered stars

  Have burnt the years away, until we see them now:

  Since Thou didst weep, as many tears

  Have flowed like hourglass sand.

  Thy tears were all.

  And when our secret face

  Is blind because of the mysterious

  Surging of tears wrung by our most profound

  Presentiment of evil in man’s fate, our cruellest wounds

  Become Thy stigmata. They are Thy tears which fall.

  p. 1939

  EX NIHILO

  Here am I now cast down

  Beneath the black glare of a netherworld’s

  Dead suns, dust in my mouth, among

  Dun tiers no tears refresh: am cast

  Down by a lofty hand,

  Hand that I love! Lord Light,

  How dark is Thy arm’s will and ironlike

  Thy ruler’s finger that has sent me here!

  Far from Thy face I nothing understand,

  But kiss the Hand that has consigned

  Me to these latter years where I must learn

  The revelation of despair, and find

  Among the debris of all certainties

  The hardest stone on which to found

  Altar and shelter for Eternity.

  p. 1939

  SANCTUS

  Incomprehensible –

  O Master – fate and mystery

  And message and long promised

  Revelation! Murmur of the leaves

  Of life’s prolific tree in the dark haze

  Of Midsummer: and inspiration of the blood

  In the ecstatic secret bed: and bare

  Inscription on a prison wall, ‘For thou shalt persevere

  In thine identity …’: a momentary glimpsed

  Escape into the golden dance of dust

  Beyond the window. These are all.

  Uncomprehending. But to understand

  Is to endure, withstand the withering blight

  Of winter night’s long desperation, war,

  Confusion, till at the dense core

  Of this existence all the spirit’s force

  Becomes acceptance of blind eyes

  To see no more. Then they may see at last;

  And all they see their vision sanctifies.

  p. 1942

  ECCE HOMO

  Whose is this horrifying face,

  This putrid flesh, discoloured, flayed,

  Fed on by flies, scorched by the sun?

  Whose are these hollow red-filmed eyes

  And thorn-spiked head and spear-stuck side?

  Behold the Man: He is Man’s Son.

  Forget the legend, tear the decent veil

  That cowardice or interest devised

  To make their mortal enemy a friend,

  To hide the
bitter truth all His wounds tell,

  Lest the great scandal be no more disguised:

  He is in agony till the world’s end,

  And we must never sleep during that time!

  He is suspended on the cross-tree now

  And we are onlookers at the crime,

  Callous contemporaries of the slow

  Torture of God. Here is the hill

  Made ghastly by His spattered blood

  Whereon He hangs and suffers still:

  See, the centurions wear riding-boots,

  Black shirts and badges and peaked caps,

  Greet one another with raised-arm salutes;

  They have cold eyes, unsmiling lips;

  Yet these His brothers know not what they do.

  And on his either side hang dead

  A labourer and a factory hand,

  Or one is maybe a lynched Jew

  And one a Negro or a Red,

  Coolie or Ethiopian, Irishman,

  Spaniard or German democrat.

  Behind His lolling head the sky

  Glares like a fiery cataract

  Red with the murders of two thousand years

  Committed in His name and by

  Crusaders, Christian warriors

  Defending faith and property.

  Amid the plain beneath His transfixed hands,

  Exuding darkness as indelible

  As guilty stains, fanned by funereal

  And lurid airs, besieged by drifting sands

  And clefted landslides our about-to-be

  Bombed and abandoned cities stand.

  He who wept for Jerusalem

  Now sees His prophecy extend

  Across the greatest cities of the world,

  A guilty panic reason cannot stem

  Rising to raze them all as He foretold;

  And He must watch this drama to the end.

  Though often named, He is unknown

  To the dark kingdoms at His feet

  Where everything disparages His words,

  And each man bears the common guilt alone

  And goes blindfolded to his fate,

  And fear and greed are sovereign lords.

  The turning point of history

  Must come. Yet the complacent and the proud

  And who exploit and kill, may be denied –

  Christ of Revolution and of Poetry –

  The resurrection and the life

  Wrought by your spirit’s blood.

  Involved in their own sophistry

  The black priest and the upright man

  Faced by subversive truth shall be struck dumb,

  Christ of Revolution and of Poetry,

  While the rejected and condemned become

  Agents of the divine.

  Not from a monstrance silver-wrought

  But from the tree of human pain

  Redeem our sterile misery,

  Christ of Revolution and of Poetry,

  That man’s long journey through the night

  May not have been in vain.

  p. 1940

  METAPHYSICAL POEMS

  ‘Without cease and forever there is celebrated the Mystery of the Open Tomb, the Resurrection of Osiris-Ra, the Increated Light.’

  The Book of the Dead

  ‘Therefore it is said: And the deeper secret within the secret: the land that is nowhere, that is the true home.’

  The Secret of the Golden Flower

  CONCERT OF ANGELS

  To Kay Boyle

  I

  Wind! Out of the night of desolate

  negation that we suffer in the waste

  of time and impotence of thought,

  rise in the mind and out of stupor stir

  the hidden hearing with deep

  echoes from the spirit host of

  angels! Their intensely rapt,

  almost inhuman faces luminous

  with utmost concentration, the incisive bows

  held in their long keen hands – enchanted swords

  to slay the earth-binding ear and so release

  the lost celestial sense – carving broad curves

  across the nerve-taut strings, and like invisible

  irradiations of sheer light, like resonance

  of huge cathedral bell-notes hovering

  over the earth in rings of fiery mist,

  their clear cathartic music welling out

  into infinity’s unfathomed well.

  II

  While from the sonorous black well

  emerge and palely fade and form again

  white disembodied hands like drifting flames,

  buds, tender leaves and tendrils shaped like hands,

  and vision-clouded faces cloudily

  impending on the air, with hidden eyes

  and hungry mouths like mouths distraught with prayer.

  Darkness’s mouth, which opens in us now

  in the most secret place, is over-brimmed

  with straining hymns, with stars

  like fountains burning upwards with the impetus

  of flying gothic buttresses whose rainbow-arc

  both aspiration and sustaining force contains.

  III

  Here is the transcendental source

  of every human cry, replenished by

  the deepest chords of death, by shrill

  destruction’s laughter, by the thrilling

  arias of love, so lofty none can tell

  or human or divine; and shock-torn sobs

  of rape and copulation, exiled sighs,

  corrupted beauty’s ravishing lament, the long

  nostalgic call that answers skylines, transference

  from mortal sound into eternal song!

  Let there be praise, praise and

  praise, organic orchestra and cloudy choir,

  to the great incandescent power

  of sublimation, vitalizing clay,

  with sacred fire consuming the grey dross

  of sleep and sickness, balancing

  in perfect tension between dark and light

  the horrid depth, the spiritual height.

  w. 1937–8, p. 1946

  ELSEWHERE

  La vraie vie est ailleurs …

  RIMBAUD

  Profound is inexistence on this earth

  Among our human kind:

  Profound

  The weight of absence on the sleeping heart

  That all war’s detonations cannot rouse:

  Rumour of selfless hordes with eyes

  Red-rimmed and haggard, swarming through the dirt

  Of ruined palaces: the roar

  Of cannon-mouths, of sawtoothed mouths, the mouths

  Of printing-presses, megaphonic maws

  Of the possessed and the psychotic: and the pounding waves

  Of automatic labour on the daily shore:

  Rocked by this deep

  And oil-black ocean’s tidal pulse

  The stunned soul sleeps,

  Profoundly absent from its body’s condemned house.

  The taste of pleasure’s now like sand between the teeth;

  Worn-out, the nerves are numb; and Death’s

  Most sumptuous music strikes the ear like wind

  Forced dumbly out of emptiness.

  The sun

  Strikes cold upon our nakedness, and shines

  With rays of shadow through the diffuse light

  Of interstellar space;

  While over the last phase of night

  The dead face of the moon hangs like a curse.

  Deep in our empty sky hangs like a moon

  The curse of inexistence; while the spirit sleeps

  Profoundly absent from the earth.

  But on

  Negation’s further shore, the yonder side

  Of sleep and absence, dazzling is the sheer

  Rockface set like an ice-barred gate

  Beneath that nether tableland’s pure height:

  Whose sk
y is the negation of our sky,

  Where all earth’s ruins are rebuilt

  Of stone that sings, and cold fire burns

  The scentless incense of the air:

  Where time and number are once more atoned

  And to its true existence the Unnamed returns.

  w. by 1939, p. 1946

  WORLD WITHOUT END

  See how across the seas of azure milk

  Transpire the changing tranquil cloudy forms

  Which image us below. The other eyes

  Profoundly sunken in us, brim

  With such refractions and mysterious

  Broken light-webs from the depths

  Or inward heights.

  And without cease

  The spirit’s upward exhalation stirs

  Susurrus and whirled currents of the central flame

  Which burns relentlessly away

  The lower body and the crystal skull

  To carbon purity, and shines

  Intense as daybreak down the rocky shafts

  Into the world beyond.

  p. 1938

  INFERNO

  One evening like the years that shut us in,

  Roofed by dark-blooded and convulsive cloud,

  Led onward by the scarlet and black flag

  Of anger and despondency, my self:

  My searcher and destroyer: wandering

  Through unnamed streets of a great nameless town,

  As in a syncope, sudden, absolute,

  Was shown the Void that undermines the world:

  For all that eye can claim is impotent –

  Sky, solid brick of buildings, masks of flesh –

  Against the splintering of that screen which shields

  Man’s puny consciousness from hell: over the edge

  Of a thin inch’s fraction lie in wait for him

  Bottomless depths of roaring emptiness.

  p. 1941

  LOWLAND

  Heavy with rain and dense stagnating green

  Of old trees guarding tombs these gardens

  Sink in the dark and drown. The wet fields run

  Together in the middle of the plain. And there are heard

  Stampeding herds of horses and a cry,

  More long and lamentable as the rains increase,

  From out of the beyond.

  O dionysian

  Desire breaking that voice, released

  By fear and torment, out of our lowland rear

  A lofty, savage and enduring monument!

  p. 1938

 

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