“Don’t shoot, Nelly,” said Clyde Boston, stepping in front of the trees and turning on his flashlight.
I didn’t want to be killed, so I stood behind a tree and watched them. The flashlight thrust out a long, strong beam; Clyde stood fifteen feet away from the car’s radiator, but the shaft of his lamp was like whitewash on Nelly Tare.
“It’s Clyde,” the sheriff said. “Clyde Boston. You remember me? I was up at your sister’s place today.”
Nelly cried, “Turn off that light!”
“No,” Clyde said. “And I’m warning you not to shoot the light out, because I’m holding it right in front of my stomach. My stomach’s a big target. You wouldn’t want to shoot my stomach, would you, Nelly?”
Nelson Tare’s hair was too long, and he needed a shave. He looked like some wild thing that had been dug out of the woods. “Clyde! I’m telling you for the last time! Turn it off!”
Clyde’s voice was a smooth rumble. “Remember one time when we went hunting rabbits?” He edged forward a little. “You and Dave and me. Remember? A big jack sat down, waiting for you to kill him. And you couldn’t pull the trigger. You couldn’t kill him.”
Nelly had his face screwed into a wad, and his teeth showed between his lips.
“Never shot anything or anybody, did you, Nelly?” There was a snapping sound, and I jumped. It was only a stick breaking under Clyde’s foot as he moved nearer to the car. “You never shot a soul. Not a jack-rabbit or anything. You couldn’t.”
He was only ten feet away from Nelly and Nelly’s gun.
“You just pretended you could. But the guards in Oklahoma and Missouri didn’t know you the way I do. They hadn’t ever gone hunting with you, had they?”
He took another step forward. Another. Nelly was something out of a waxworks in a sideshow, watching him come. Then a vague suffusion of light began to show around them; a carload of deputies had spotted my car at the head of the lane; their headlamps came hurtling toward us.
“You shot telephones off of desks,” Clyde purred to Nelly, “and tires off of cars. You’ve been around and you’ve done a lot of shooting. But you never shot things that the blood ran out of... Now, you drop your gun, Nelly. Drop it on the ground. Gosh, I was crazy this afternoon. I shouldn’t have laid down when you told me to. I should have just stood there.”
Maybe he was right and maybe he was wrong, I don’t know. The car stopped and I heard men yell, “Look out, Sheriff!” They were ready with their machine guns, trying to hustle themselves into some position where they could spatter the daylights out of Nelly Tare without shooting Clyde Boston too. Clyde didn’t give them a chance to do it. He dove forward; he flung his arms around Nelly and crushed him to the ground.
Nelly cried, and I don’t like to think about it; sometimes I wake up in the night and think I hear him crying. My memory goes back to our haymow days and to the rats in the chicken pen — the rats that Nelly couldn’t shoot — and I remember the bloody cottontails dangling from Clyde’s belt.
Nelly cried, but not solely because he was captured and would never be free again. He wept because the world realized something he had tried to keep hidden, even from himself. When he was taken back into prison, he wore an expression of tragic perplexity. It must have been hideous for him to know that he, who had loved guns his whole life long, should at last be betrayed by them.
<
* * * *
1945
DAY KEENE
* * *
NOTHING TO WORRY ABOUT
Day Keene, the pseudonym of Gunard Hjertstedt (1904-1969), was born on the south side of Chicago. As a young man he became active as an actor and playwright in repertory theater with such friends as Melvyn Douglas and Barton MacLane. When they decided to go to Hollywood, Keene instead opted to become a full-time writer, mainly for radio soap operas. He was the head writer for the wildly successful Little Orphan Annie, which premiered on NBCs Blue Network on April 6,1931, and ran for nearly thirteen years, as well as the mystery series Kitty Keene, Incorporated, about a beautiful female private eye with a showgirl past; it began on the NBC Red Network on September 13, 1937, and ran for four years. Keene then abandoned radio to write mostly crime and mystery stories for the pulps, then for the newly popular world of paperback originals, for which his dark, violent, and relentlessly fast-paced stories were perfectly suited, producing nearly fifty mysteries between 1949 and 1965. Among his best and most successful novels were his first, Framed in Guilt (1949), the recently reissued classic noir Home Is the Sailor (1952), Joy House (1954, filmed by MGM in 1964 and also released as The Love Cage, with Alain Delon, Jane Fonda, and Lola Albright), and Chautauqua (1960), written with Dwight Vincent, the pseudonym of mystery writer Dwight Babcock; it was filmed by MGM in 1969 and also released as The Trouble with Girls, starring Elvis Presley and Marlyn Mason.
“Nothing to Worry About” was first published in the August 1945 issue of Detective Tales.
~ * ~
I
f there were any letters of fire on Assistant State’s Attorney Brad Sorrel’s broad and distinguished brow, they were invisible to his fellow passengers in the lighted cabin of the Washington-Chicago plane, as it circled the Cicero Airport at fifteen minutes to midnight. The stewardess, appraising his broad shoulders, graying temples, and hearty laughter, considered the woman to whom he was returning very fortunate indeed. His seat mate had found him intelligent and sympathetic.
At no time during the flight, or during the hours preceding it, had there been anything in Sorrel’s voice or demeanor to which anyone could point and say, “I knew it at the time. He was nervous. He couldn’t concentrate. His conversation was forced. He talked and acted like a man about to kill his wife.”
It was no sudden decision on Sorrel’s part. He had considered killing Frances, often; only a firm respect for the law that he himself represented had deterred him. He had, in the name of the state, asked for, and been given, the lives of too many men to be careless with his own. Intolerable as his marital situation had become, it was preferable to facing a jury whom he had lost the right to challenge.
The no smoking and please fasten your seat belt panels over the door of the pilot’s compartment blinked on. The lights of the field rushed up to meet the plane.
This is it, Sorrel thought. In twenty minutes, thirty at the most, Frances will be dead. Poor soul.
His seat mate wound up the telling of the involved argument and verbal slug-fest in which he had just engaged with the Office of Price Administration. Sorrel gave him one-half of his mind, sympathizing hugely, assuring him he had been right, that it couldn’t last forever, and agreeing that it seemed that private business was headed for a boom.
The other half of his mind considered the thing that he had to do. It would not be pleasant. In his search for a solution to his problem, he had inspected, weighed, and judged the none-too-many means by which murder could be done. The alleged clever methods — accidental death, suicide, death by misadventure — he had rejected almost immediately. They left too many loopholes for failure; few of them ever succeeded. There was a reason. No matter how brilliant a killer might be, he was seldom, if ever, a match for the combined technical, executive, and judicial branches of the law.
Crime detection, trial, and judgment had become akin to an exact science.
The art of killing, the three Ms, means, method, motive, had changed little in the known history of man. To take a life, one still had to shoot, knife, drown, strike, strangle, or poison the party of the unwanted part. And, as with most basic refinements to the art of living, the first known method of murder used — that of striking the party to be removed with whatever object came first to hand —was still the most difficult of detection, providing of course that the party who did the striking could maintain a reasonable plea of being elsewhere at the time.
~ * ~
It was, after mature consideration, that method that Sorrel had chosen. He had even chosen his weapon, one of the h
eavy cut-glass candlesticks that stood on Frances’s dressing table.
“Murphy. J. P. Murphy is the name,” his seat mate identified himself. He shook Sorrel’s hand vigorously. “It’s been a pleasure to meet you, Prosecutor. And if you decide to enter the senatorial race, as I’ve seen hinted at in the papers, you can count on my vote as certain.”
Sorrel’s hearty laugh filled the plane. “Thanks. I’ll remember that, Murphy.”
His only luggage was his briefcase. The stewardess insisted on getting it down from the rack for him. He tucked a forbidden bill in the breast pocket of her uniform. “Nice trip.” He smiled. “And thanks.”
“Thank you, Mr. Sorrel!” She beamed. One met such few really nice men. Most tipping hands brushed or hovered, seeking a partial return on their investment.
~ * ~
Sorrel stood in the open door of the plane a moment, sniffing the night air. The fine weather was still holding. It was neither too hot nor too cold.
He descended the steps and lifted a hand in greeting to the pilot as he passed the nose of the plane. He did so habitually on his not-infrequent trips. There must be no departure from the norm, no errors of omission or commission, no nervously spilled milk in which the bacteria of suspicion might breed.
He, John Sorrel, assistant state’s attorney, was returning from Washington with nothing on his mind but the successful conclusion of the business that had taken him there. He wasn’t nervous. He felt fine. He assured himself that he did.
In the doorway of the terminal, Murphy touched his arm. “I’m taking a cab to the Loop. If you’d like to share it, Sorrel...”
“Thanks, no,” Sorrel said. “My car should be waiting.” He managed to edge his words with the proper amount of innuendo without being vulgar. “You see, I — well, I’m not going directly home.”
The other man winked. “I — see.”
~ * ~
They parted after shaking hands again. He was, Sorrel realized, running the risk of being slightly too clever. But the more people who knew, or who thought they knew, that he had gone directly from the plane to Evelyn’s apartment, the stronger would be his alibi.
He had never kept their affair a secret. He doubted that any prosecutor, judge, or jury —if it should come to that —would question so embarrassing an alibi as a husbands being forced to admit that, while his wife had been killed, he had been with another woman, railing against the deceased because she had refused to divorce him.
Despite the lateness of the hour, the terminal was crowded. He saw three or four men whom he knew and nodded cordially to as he passed through the terminal.
~ * ~
Jackson was waiting behind the wheel of a department car. Sorrel tossed his case into the back seat and slid in beside him. “So you got my wire.”
“And why not?” Jackson asked. “You wanna go home, the office, or ...” He left the question open.
Sorrel sighed. “Home, I suppose. But let’s drop by the Eldorado first.”
“I figured that,” Jackson said.
Sorrel rode, the night wind cool cn his cheeks, eager to be done with what he had to do, wishing that Frances had been reasonable. If she had been, if she had been willing to divorce him, none of this would have to be.
In front of the building he told Jackson, “I won’t be long, I think.”
Jackson fished in his vest pocket for a toothpick, found one. “Take your time.”
He meant it. He liked Sorrel. He liked Evelyn, too. For all of her good looks, she was a lady. Frances Sorrel wasn’t, what with her calling a spade a dirty shovel and her drinking and her fighting — she was no wife for a man who soon might be a senator. Although, at that, he reflected, he had heard someone say that she had worked like a dog for the money that had put Sorrel through law school, and she had always sworn she hadn’t started to drink and chase until he had gone lace curtain Irish on her.
Under the marquee of the building, the colored doorman grinned whitely at Sorrel. “Glad to see you back, Mr. Smith. Been missin’ you for a week now.”
Sorrel creased a five-dollar bill and slipped it into his hand. “I’ve been in Washington saving the nation.”
The doorman chuckled, hugely amused. “He say he been in Washington savin’ the nation,” he confided to Jackson.
Jackson continued to pick at his teeth. “Yair.”
~ * ~
Inside the lobby, Sorrel paused briefly, suddenly short of breath. This was murder. He, John Sorrel, an assistant states attorney who would have been state’s attorney had it not been for his wife, and who was being considered by the party as a senatorial candidate, was proposing to steal into his own home by stealth and remove the sole obstacle who stood in the path of his political success.
That angle would not enter the case, however. It would not be considered a motive. None of the powers-that-were had ever mentioned Frances. But, he knew, there was the feminine vote to consider. And what with things as they were, the party couldn’t afford to take a chance. Frances’s scenes were too well known. She drank; she cursed; she was unfaithful. Not that he had ever been so fortunate as to obtain proof that would stand in a court of law.
~ * ~
He closed his eyes and saw his wife as he had seen her, fat, slovenly dressed, her face puffed with drink, during the last public scene that she had made. That had been in the lobby of the Chalmers House, before a delighted ring of onlookers.
“Sure I’m drunk. An’ I’m a tramp,” she had taunted while he had tried vainly to hush her. “An’ don’t you tell me to shut up. Wash a hell. I’m human. The trouble with you is that you’ve got too big for your bed. You’re one of them whitened sepelcurs like Father Ryan wash always talking about.” She had turned to the crowd, her voice suddenly gin-throaty, maudlin tears spilling down her cheeks. “I’m not good enough for him anymore. Me, who put him through school, who loved him when he didn’t have a dime.” She had attempted to embrace him. “Cansha understand? I still love you, Johnny.” The tears had dried as abruptly as they had come. “An’ I’ll shee you in hell before I’ll let some painted young tart make a bigger fool of you than you are. Now go ahead an’ hit me. I dare you to, you blankety blankety blank.”
Sorrel opened his eyes, his moment of weakness gone. There was only the one thing to do. But at least in one respect she was wrong. He was very human. He wanted to feel Evelyn’s arms soft and cool around his neck, hear her assure him again that someday everything would be all right, if only they were patient.
His jaw muscles tightening, he opened the door of the self-service elevator and punched the twelfth-floor button. He was finished with being patient. He had been patient for ten years. It was not his fault, it was her own fault, that Frances had not grown with him. One thing he knew, he could no longer stand the sight or sound or touch of her.
Tonight must end it.
~ * ~
In front of Evelyn’s door he slipped his key from his pocket, paused at the realization that if he saw her now he would make her a party to his crime. More, she would attempt to dissuade him. It was best that she know nothing about it, until the affair was over.
Light streamed out from under her door. Her radio was playing softly. He could hear the sound of movement, a drawer being opened and closed. It was enough to know that she was home, that she had received his wire and was waiting. Good girl. Evelyn was a brick. Whatever happened, he could count on her.
He descended to the second floor, left the elevator and walked down the service stairs and out of the side door. The coupe was parked where he had left it. His one fear had been that he might find it stripped.
The motor started easily. He glanced at his watch in the dash light. Five of the thirty minutes that he had allotted himself were gone. Driving at forty miles an hour, the three miles he had to travel would take him two minutes each way. It was fifteen minutes of one. Allow even six more minutes for mishaps and he still had plenty of time to do what he had to do and be back in Evelyn’s apartment
within a half hour from the time that he had left Jackson. At one-fifteen he would phone down to the doorman and ask him to have Jackson bring up his briefcase and the bottle of rye it contained.
~ * ~
He had no fear that Frances would not be at home. His telegram had stated that his plane was arriving at midnight. Clinging to the tattered remnants of their marriage, she always made it a practice to be home and more or less sober whenever he returned.
“You’ll never catch me that way,” she had told him once. “I’m a good wife to you, Johnny, see? And I’m willing to be a better one if you would only let me. Why can’t we start all over?”
There were a dozen answers to that one, the best of which was Evelyn. The two women had never met. Frances knew that she existed, that was all. That was enough.
The Best American Noir of the Century Page 10