the Devil's Workshop (1999)
Cannell, Stephen
Published: 2011
The Devil's Workshop
Stephen Cannell
*
Book Cover:
In The Bowels Of A Super-Secret Bio-Weapons Lab In Maryland, doom in its most insidious form is being refined.
They told USC grad student Stacy Richardson that the death of her noted microbiologist husband was suicide, but nothing will convince her of that. Now only her own death will keep her from the truth....
They told "Lucky" Cunningham he was doing his patriotic duty, but not about the terrible plague he was bringing home with him from the war. Now, with nothing more in his life to lose, he's riding the rails across America--straight into the heart of a nightmare horrifying to contemplate...
White supremacist Reverend Fannon Kincaid told his acolytes that one day their racial "enemies" would perish. Now he holds in his possession the unthinkable means to an unspeakably end....
Civilization's final drama is about to unfold-as busy hands construct doomsday at....
PROLOGUE:
[1995]
THE END
The tall Marine Captain stood next to his beautiful wife, looking into the open grave. His dress uniform with its brass buttons twinkled in the bright Southern California sunshine. One row of colorful Desert Storm combat ribbons was arranged on his chest directly under his Jump Wings. His Silver Star was a testament to his courage, his gallantry under fire.
The Minister was talking about the inevitability of death. "... God has his plan for all of us," he said.
The Marine never took his eyes off the damp hole in the ground, never looked up, never engaged the sympathetic stares of the others. Tall and handsome, he seemed every inch the hero, except for one thing... he couldn't stop crying. His shoulders slumped and quivered, his neck and chest heaved in powerful grief.
When the Minister was finished he motioned the young Captain to step forward to give the eulogy for his daughter, but Cris Cunningham could not move. He stood with his eyes down, sobbing uncontrollably.
"This is very hard," the Minister finally said, sympathetically. "We certainly all understand."
They were about to lower little Kennidi Cunningham into the ground. Her misshapen, tumorous body was at last hidden from the hateful stares of curious strangers; department store rubbernecks who would move away in horror when they saw her . . . distance shielding them from possible infection, while providing a second look at the sickness that had mangled her.
The Marine raised his tear-soaked eyes to the small, flower-draped casket, which contained his four-and-a-half-year-old daughter. The huge chrome hoist squatted ominously over the hole, a futuristic spider about to deposit its valuable mahogany cocoon.
Since Captain Cunningham could not stop crying, his father, Richard, finally stepped forward and took his place. He was tall, like his boy, and wore a look of deep concern. His eyes fluttered from his weeping son back to his granddaughter's coffin. "Little Kennidi tried," her grandfather said softly. "She fought with all her soul. But some things, as Father Macmillan has said, are just in God's hands from the start. Some things can't be changed. We will never forget her or her courage." Then he reached forward and took a white carnation off the casket, moved over, and handed it to his son's wife, Laura, who, like her husband, had not looked up. Her eyes, like his, were fixed on the hole that was about to receive their only child.
Both knew they would never have another.
The funeral reception was at Richard Cunningham's Pasadena mansion. It was a Spanish-style house on three beautiful landscaped acres near the arroyo that ran south from the foothills.
The guests pulled up to the house and got out of their cars, wearing dark clothes and grim expressions. In the entry, the family had put the best picture they had of Kennidi up on an easel. She had been only eighteen months old when it was taken, but already you could see the misshapen swelling. The later photographs were all unacceptable.
The picture of Kennidi showed that she'd had her father Cris's intense blue eyes and blond hair, but that was where the resemblance stopped. The hemangioma tumors that had started growing in her almost from birth were already redesigning her smile and bulging her forehead, eventually numbering in the hundreds. Noncancerous growths made of tangled blood vessels, they grew in her eyelids and mouth and in clusters down her throat and spine. They distorted her speech, and in the end made it impossible for her to walk.
It was then, when she could no longer move, that Cris Cunningham, the Gulf War hero, the courageous Marine, had disappointed everyone.
He started drinking.
The doctors at Bethesda Naval Hospital had tried to explain Kennidi's horrible condition, but they could not be absolutely truthful, so they finally said that sometimes this sort of thing just happens. They said there was no explanation of why Kennidi had been born with this congenital sickness. They looked at the terror-stricken parents and mumbled meaningless platitudes. "Sometimes bad things happen to good people," they said, or "God has his own divine plan for each of us."
The doctors reduced the growths they could get at with laser surgery, shrinking some of them, but, in the end, Kennidi Cunningham could not withstand the ravages of the tumorous disease that was sweeping through her. The losing struggle went on for almost three years. The constant treatments provided only temporary relief, while Kennidi always seemed to be getting weaker and smaller. When she was four and a half, she finally died. It happened during abdominal surgery to relieve a blockage in her intestines.
Of course, the doctors at Bethesda knew it had not been God's divine plan that had killed her. They had already seen more than twenty similar cases.
Her own father had delivered the ghastly death sentence.
The guests filed past the touched-up photo of Kennidi and signed the book, leaving little messages of consolation next to their names. They wandered down to the pool, where a string quartet played softly. They stood quietly holding glasses of wine or punch, their too loud whispers pitting the sweet sad music like sand blown against a window.
By then, everybody knew the story, mostly because of the press coverage about the lawsuit the Cunningham family had filed against the U. S. Government.
None of that seemed to matter now.
Cris Cunningham stayed upstairs in his old bedroom while the mourners arrived. He knew, like the doctors at Bethesda, what had really happened to his daughter. After Kennidi's death four days ago, Cris had collapsed. His grip had finally been pulled loose by the endless tug of events.
Cris now sat on the bed, in the room where he had grown up. This place had been his first safe haven. He tried once more to find himself, sitting in the room where all of his values had once been formed, but his recollections were now skewed in the shifting dimension of Kennidi's death.
He had enjoyed victory after victory here: Scholastic All-American, UCLA quarterback, Rose Bowl MVP. He had dragged all the trophies back to this place and examined each honor carefully, searching for hidden meaning. He had been on such a frantic quest for achievement; he had never spent much time looking inward. Now he was afraid to look. Afraid of what was missing.
Even in high school, he'd begun to thrive on the adulation of others. He had tried to sort the meaning, looking for what his father called "the true elevating factors." Now the photographs and trophies from his "Golden Boy" youth mocked him from the shelves of his room and made him feel even more lost and alone than before.
Self-pity was not an emotion that suited Cris, and yet after Kennidi's death it engulfed him, filled his stomach with bile and his mind with confusion.
His father knocked on the door and entered, u
ninvited. Richard Cunningham had been Cris's inspiration growing up; a college Ail-American end at Michigan and a self-made millionaire. Cris had desperately wanted to please him and follow in his footsteps, until Kennidi got sick. After that, everything changed.
"Cris, you should come down. It's rude not to at least say hello," his father said. "Laura's down there handling it all by herself. You should go be with her."
"I killed her, Dad," Cris said softly. "I killed Kennidi. Nothing's going to change that. I can't face it. I can't."
"You didn't kill her. That's crazy," Richard said, his voice betraying the sharp new edge of impatience with his son. "If anything killed her it was the pyridostigmine bromide, or the insect repellent, the P. B.-Deet. It wasn't you; the lawsuit will eventually prove it. The new doctors say that..." He stopped because he could see he had lost his son's attention.
Cris was looking out the window now, at the old oak tree. He had often lain in his bed in this room looking at the gnarled, twisted limbs and leaves of the ancient oak, turning them into fanciful designs: a dog's head, a map of Alaska. Now he saw nothing but an old tree.
Richard didn't know what to do for his son. Cris's pain was so obvious and so potentially destructive that his father was both angered and paralyzed by it, as if any false move might send Cris crashing down into a cavern of emptiness from which he would not return.
Richard kept hoping Laura would find a way to help. She and Cris had dated since high school. She knew him better than anyone, but Richard had noticed that she seemed to look at her husband now with something close to hatred. Cris's drinking was getting steadily worse. His son, whom he had pushed to greatness, who had been a hero, first on the football field and then the battlefield, had now chosen the coward's way out. He had chosen self-doubt, self-pity, and alcohol.
"Cris, pleaseCome downstairs."
Cris looked up at his father and finally nodded.
As it turned out, it would have been better had he stayed in his room. Cris got drunk, and while the combo played "Memories," he fell into the pool.
When they fished him out, his drenched uniform clung to him. It was easy to see he had lost quite a bit of weight.
Again upstairs in his room, Cris sat on his bed and cried. His father looked at him from the door, not sure what to do. "Son, you've got to get ahold of yourself. Kennidi's gone. She wouldn't want this. You've got to make a new start," Richard said.
When Cris looked up at him, Richard saw such hopelessness in his son's vacant stare that he was momentarily stunned by it.
"It's all gone. This whole thing is over, Dad," Cris said, as he waved a wet sleeve at his trophies. His voice was a monotone of despair. "I can't start over. It's in me. I'm poisoned by it. There's nothing left." The next thing he said chilled his father with its finality. "It's the end," the Golden Boy whispered.
*
Part One
STACY
[1999]
Chapter 1
ANYTHING'S FAIR IN A QUAL
Wendell Kinney reached out and squeezed Stacy Richardson's hand for luck. "Just remember, take your time," he said. "It doesn't hurt to platform your answers. There's no time limit, but Courtney always likes to be done by lunchtime, so if we can be out of there by noon that'll help. Ninety-eight percent on your Written is impressive, so this should be easy. And don't worry about Art, I'll keep him on his chain."
It was eight A. M., Tuesday, and they were in the third-floor hall of the old Science Building at the University of Southern California, just outside of Dr. Courtney Smith's office. Stacy Richardson was about to take her qualifying oral exam for her doctorate in microbiology. She'd been existing on less than two hours' sleep a night all through her last review week; probably a mistake, because she needed to be fresh for the "Quals," but the backbreaking job of reviewing four years of complicated microbiology was mind-boggling.
She'd been on the phone late last night for an hour with her husband, Max, who was in Fort Detrick, Maryland. He'd talked her down off her narrow, anxious ledge, getting her back on the ground with sure-handed reason. He reminded her of her academic track record. Throughout her three and a half years of doctoral study, she had carried a 3.9 cumulative G. P. A. He promised her she'd be fine. There had been a moment during the conversation when she'd sensed from his voice that something was very wrong and had asked him about it.
After a long reflective pause he'd said, "This isn't anything like I'd expected. I don't think I belong here, and they sure as hell don't want me." He'd refused to say anything more, because he didn't want to distract her with his problems on the eve of the Quals. Her orals were the last hurdle and would determine whether Stacy would end up with a Ph. D. after her name.
Dr. Max Richardson was head of the Microbiology Department at USC. She had met him in her first post-grad semester. He ran an open lab on viruses and she had listened to his lectures, marveling at the intricacies of his scientific mind and the strong masculine shape of his personality, and okay, his body too. Their romance caused a furor in the department. Dating students was definitely not allowed. Before it became a full-fledged disaster they'd gotten married, legitimizing it, and everything had died down.
Six months after the wedding, Max's federal research grant came through. He'd been working in a new field of microbiology, evaluating killer proteins called "Prions." Max's research had won him a six-month sabbatical to study at the Army Medical Facility at Fort Detrick, Maryland, with Dr. Dexter DeMille, the leading U. S. microbiologist on Prion research.
They'd discussed the bad timing. With Stacy just months from her orals, Max had not wanted to be away, especially since Art Hickman, his mortal enemy in the department, was also on the Advisory Panel, which would be evaluating her. Max and Art had both been up for Department Chair. Max had gotten the job, and Art had been backbiting him ever since. In the end, Stacy and Max had both decided that the chance to work with Dr. DeMille at Fort Detrick was such an incredible opportunity for Max that he should take it. Stacy said she would just study her brains out so that Art Hickman would not be able to fault her performance.
Wendell Kinney was also on her panel. He was a rumpled old Microbiology Department lion and a great friend to both Max and her.
"Remember," Wendell said, bringing her thoughts back, "anything's fair in a Qual. These guys can and will ask you about everything. Courtney Smith loves her Sterilization and Disinfection discipline, so she's bound to ask you something on that. And Art Hickman will drill you on his damned arachnids."
"I wish he'd stayed in the bush with those fucking spiders," Stacy said, letting out a sigh that blew a wisp of her long, honey-blond hair up in the air in front of her. She grabbed the strand and tucked it behind her ear.
It didn't help that just about everybody felt that Stacy Richardson was drop-dead beautiful. Immediately after she enrolled in the doctorate program, Art Hickman had tried to become her mentor. He said he wanted to take her under his wing, but it was soon apparent it wasn't his wing he wanted her under. She had efficiently dodged him. Art had taken it okay until she'd fallen in love with and married his departmental rival. He'd been lobbing grenades ever since.
The door opened and Dr. Courtney Smith was standing in the threshold of her office. There was always at least one woman on the Advisory Panel when another woman was up for her doctorate. Choosing Courtney's office for the orals was another extension of that political agenda.
Courtney Smith was a mannish, Janet Reno-sized biologist who wore pant suits that were always several sizes too small, as if she was desperately trying to convince herself she was still a twelve when she had long ago moved into the "generous" sizes. The shoulders in her boxy suit were padded to try to give the impression of a waist, also a lost horizon. She was holding a sheaf of folders against her ample chest.
"Today's the day," Dr. Smith smiled, showing a grayish row of tombstone-shaped teeth.
"Yep. Hope I'm up to it," Stacy nervously replied, as she followed Dr. Smith into the sm
all office.
Stacy had given up wearing skirts and dresses in favor of blue jeans and sweatshirts in an effort to disguise her figure. It was hard to be taken seriously while tenured department morons like Art Hickman referred to her as Max's "Hood Angel."
For her qualifying orals, she had chosen to wear loose flannel slacks, which did nothing for her, and a T-shirt under a blue blazer. She had her hair pinned up with a brown plastic clip and wore no makeup.
She looked fantastic.
The office was small and stuffy. It was April, but the Santa Anas had been blowing a hot wind across the L. A. basin, driving the temperature up into the mid-eighties.
Courtney motioned to the window. "They never have the air-conditioning on this time of year and that window got painted shut around the turn of the century, so I called maintenance to bring us a fan. They should be here any minute."
"It's okay. It's fine, Dr. Smith," Stacy said, her heart jack-hammering, her hands flapping around her like small bony sparrows. She told herself to calm down. After all, she'd been having breakfasts with the entire panel at least once a week, all through the year. She knew them all well.
It was the practice for doctorate students to get as close to their advisors as possible. The faculty viewed this exercise as an attempt to make friends, so students could come to them with study problems, but any post-grad would tell you the real reason from the students' perspective was to psych out the advisor's pet projects or pet peeves. Hopefully one could discern what might be asked on the oral.
Now Art Hickman appeared in the doorway, pushing his new swivel chair. He was heavy-set, and his blow-dried, combed-over blond hair tented a patch of open scalp. A sharp, clipped mustache seemed a misplayed note in a symphony of fleshy curves. "Am I the last?" he said, then turned to Stacy, grinning wolfishly. "Well, Mrs. Richardson, are we ready?" Using her married name was a slap not lost on any of them. Art glanced in Courtney's office. "Where's H. R.?" he asked, referring to Dr. Horace Rosenthal.
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