“He’ll see a resemblance in us.”
“I don’t think so,” she said.
“The eyes,” I said.
“No,” she said.
“We have the same eyes.”
“Nonsense,” she said. “You have your father’s eyes.”
In those rare occasions she’d let herself refer to him, however vaguely—always vaguely—she meant it to stop the present conversation. She had never identified my father except that his name was Cobb and he was dead and I’d received from him some good traits and some bad traits. Unspecified. To her credit, she had never once, no matter how angry or frustrated she became with me, never once had she invoked my dead Cobb of a father as being responsible for my behavior. And perhaps a dozen times over the years she’d said that the one thing I got from my father were my looks, which she heartily approved of. Just my looks. The eye thing—that they, specifically, were his—this was new. And unwelcome.
I found my next breath hard to take. Impossible to take. And I could hear the clatter of my heart in my ears. Perhaps I had my father’s heart as well. Perhaps he’d died of a heart attack. Perhaps I wouldn’t have to worry about Sir Albert Stockman looking into my face and seeing my mother and smiling and nodding and later telling his men to kill us both in our sleep. Maybe this clatter was my last.
“You’ll be just fine, Mr. Hunter,” my mother said, quite low. Not a stage whisper. Not stagey at all. She meant to sincerely encourage me. Encourage us.
I nodded and turned my eyes to the window and saw nothing and then I turned back to her.
“What did Trask say he expected of you?” I asked.
“Whatever I can give him,” my mother said. “But at worst, when I get to Berlin, if Albert is what we think he is and he believes my performance, we expect the German secret service will approach me to be useful to them.”
And now Trask’s declaration struck me as it almost did in Buffington’s basement, that this recruitable German agent being the mother of a very effective enemy of Germany made her even more interesting to them.
I was so unaware of cursing in response, I could not even say, exactly, which curse it was that I’d used.
She said, “When a son replies to his mother with the exclamation ‘Fuck me,’ she is faced with a choice of several interpretations, none of them pleasant.”
“I’m sorry, Mother,” I said. “Your first ‘useful’ act for the Germans will be to try to lure me into a trap. You understand that, don’t you?”
You could see the same stopping of breath in her that I had felt over my father’s eyes. She was silent for one beat and another and then she said, so quietly that I could barely hear it above the clack of the train wheels, “Fuck me.”
“That’s the right interpretation,” I said.
“Mr. Trask surely knows this,” she said.
“Of course he does,” I said. “And it’s what we have signed up for, you and I. You understand that too.”
“Yes.” Another pause. And she added, “He’ll have a plan.”
“We will have a plan,” I said. “We all will.”
She nodded.
And we both watched sightlessly for a few moments as the Kentish landscape rolled past.
It was time to get to work. I said, “Have you been to Stockman House?”
“Not yet,” she said, squaring her shoulders to me. “But ‘house’ is British understatement, I’m told. It’s a castle. Just not a terribly old one. Built in the middle of the last century by his grandfather.”
“Is he all inheritance? Or does he have his own dough?”
“He’s got plenty of his own. He’s an industrialist, he says. Metals. But if you push him—and I quickly learned not to—it’s all milk cans and Oxo tins and dustbins. He’s the Industrial Titan of Milk Cans, and he’s a bit touchy about it. For some years now, of course, he’s a member of Parliament, and that’s who he thinks he really is.”
“Does he have family?” Though I tried hard to keep a just-trying-to-get-the-facts tone in my voice, even I could hear the fidgety undertone.
She looked at me for a beat, sizing up my intention with that question. Which was, at least in part, to understand the extent of his romantic availability to her.
Does the punk kid you once were ever fully vanish, especially when it comes to your mother, especially when she’s the only blood family you ever had? And when that mother keeps casting you in his role, as she’d done ever since we’d boarded this train, and when you and he and she are sharing serious personal risks, his child’s issue takes on a new relevance. She had to get close to this man, but not too close.
“A daughter in Scotland,” she said. “He’s a widower.” She paused, waiting for me to openly become the young man with an inappropriate interest in her private life.
I declined. I fed her no cue. She still had the stage.
She said, “His wife died a couple of years ago. An accident.”
She paused again. I made a little wide-eyed chin dip to ask for more.
“She fell off a cliff,” she said. “He lives on a cliff.”
“An accident?”
“Officially.”
“Unofficially?”
“I asked our Mr. Trask that very thing.” The ham in my mother came suddenly to a sizzle: she paused and let it roll on.
I finally asked. “And?”
“He shrugged.”
“Be careful of this Stockman guy,” I said.
“I just have to keep charming him. You’re the one who’ll need to be careful.”
“Is this how the boss did it?” I executed Trask’s little shoulder lift and head tilt.
She answered with a similar exact replica of Trask’s shrug. “That way,” she said, as if it were different from mine. It wasn’t.
I didn’t debate the point. I was finished bantering with my mother. We had more important business together. I looked out the window. The apple trees had become cherry trees. Far beyond them a church spire rose against the gray sky in a grove of village roofs.
Mother thought she sensed my mood, though she was a step behind now.
“Just so you know,” she said. “Sir Albert’s crazy about me.”
I kept my eyes on the flash of cherry trees and, flickering among them, baskets and ladders and figures reaching up. The trees were fruiting.
“He’ll probably touch my elbow.” She paused.
I concentrated on the cherries.
“Or put his hand on the small of my back.”
I thought about picking sour cherries one summer day in my childhood. Somewhere in upstate New York. It must have been near a summer theater.
“I will take his arm. Do you understand?”
I turned to her. I nodded. I made myself say, “It’s all part of the job.”
As soon as I said it, I believed it.
And my mother leaned forward, reached out, took my hand, and squeezed it.
6
Albert sent a Silver Ghost to meet us at Broadstairs Station. The liveried driver stood on the platform with feet spread, his hands clasped behind him, as we emerged. He recognized us at once, coming to attention. I almost expected a salute. He took our bags from the porter and handed them off to a man in well-worn blue serge who’d been doing a respectful cringe behind him, and he led us to the Rolls-Royce parked just outside the station door, a landaulette with two leather armchairs and a couple of jump seats in the tonneau, an open driver compartment, and that long, long Rolls hood ending in the marque’s nickel and bronze mascot, the Spirit of Ecstasy, a beautiful woman bent toward the onrushing road with her nightie billowing up along her arms like wings.
We drove south down the coast, clearing Broadstairs, and we approached Dumpton Gate, the “gate” being one of the rare, narrow gaps in the otherwise unbroken white chalk cliffs of the Kentish coast. The road had gradually been gathering a loosely intervaled but considerable traffic: dog cart and carriage, Brit-blue Model T and Daimler landaulette, and folks on foot
as well, singly and coupled up, buddied up and in families. We followed a dense grove of sweet chestnuts parallel to the cliff line, showing an iron fence flashing within the trees and farther glimpses of go-to-meeting-size tents. Something more than a weekend house party was happening at Stockman House, at least for today. Then the trees ended abruptly and the iron fence emerged and turned toward the sea. So did we, and so did the other travelers on this road.
We all entered a macadamized access road. The fence uprights were taller than a man and spiked at the top. They’d run through the tree line, no doubt all the way from the gap, and also bordered this southern side of Stockman’s property, surely to the edge of the cliff. He had a serious security perimeter. And through the fence’s transparent blur, beyond the cluster of cream and blue-striped tents set up on the wide, flat green, Stockman House showed itself.
Mother leaned across me to look. For now the place was simply vast—but much wider than tall—and it was black, and this west side of it, away from the sea, gaped open in its center, three long wings around a courtyard.
Mother withdrew, sitting down hard in her seat. My hand lay on the chair arm between us and she immediately put her own hand on mine and squeezed. I looked at her.
“Stage nerves?” I asked.
She stretched out a tight little smile for me.
I turned my hand upward and clasped hers.
As we neared the house, an iron-arched entryway appeared in the fence, with a couple of uniformed local constables pulling the gates open for us. Only for us, for now, as the travelers were simply gathering on the south side of the road, parking their vehicles, waiting to enter the grounds. We slowed and turned in.
The main inner road headed for the courtyard, but the driver shortly angled off into a side road toward the cliff. We entered a driveway circle and went the long way round, to the right, and we stopped, presenting Mother’s door to the center of the south face of the house. The driver jumped out and galloped around to open it.
He was a hulk of a man with a thick neck, but he moved quickly and lightly. If he were an American I’d take him for a Wolverine half-back. Since he was a Brit, a rugby footballer. Since he was Stockman’s man, though, however he’d acquired his skills, I was willing to bet he was more than a driver. A tough guy. I slipped from my side and stepped clear of the car. I looked at Sir Al’s abode.
Sometimes a man’s castle is his home. His was well fortified and he was the only family member residing in it, up here high above the Strait of Dover. I glanced that way, at the cloud-begrayed water laid out against the horizon, just beyond which was Calais and the shooting war. If he was a German agent, he was well placed.
The house was Victorian-Elizabethan-Eccentric. Seventy-five years old at most, but it was of quite another era: this wide facade—at least sixty yards, maybe more—was an Elizabethan profusion of glass, two dozen vast window casements transomed and mullioned into hundreds and hundreds of panes on this south face alone.
To my right, at the wing’s eastern end, rose a parapeted tower that was more King John than the Virgin Queen. This Gothic tower lifted a full two storeys above the slate roof, its only window a cruciform loophole. And from the top of the tower Stockman House rose higher still. On another two storeys of flagpole flew a whopping Union Jack, nearly as wide as the Silver Ghost was long. Including the cliff on which everything stood, that flag waved a good two hundred feet above the shore. The pole was high enough and big enough that it was even anchored against high winds by four guy wires lashed to the tower parapet. Such an extravagant declaration of Britishness struck me as Stockman wrapping himself in a big flag to hide his treachery.
A striking thing about the house itself—a vaguely intimidating thing—was its stone. Ashlar-worked black flint. An odd contradiction to my eye, this darkly craggy stone, usually found rusticated, made smooth and slick and polished. And even as that thought passed through me, Sir Albert Stockman’s polished baritone filled the salty air, booming and yet mellifluous.
I could understand Mother thinking she needed to warn me about her putting her arm in his. Outwardly he was her kind of guy. He was a tall man, taller than me by a couple of inches, bareheaded but wearing an unbuttoned single-breasted day-wear tailcoat with striped trousers and sporting a flash of pink silk in his breast pocket. He had a fine, angular face, chipped and polished from a craggy white stone. He was graying lightly, probably Mother’s age but having arrived in his fifties beautifully, in the way she loved, envied, and despised in males. He was a leading man.
I began to move toward the point between them where they were about to meet, him striding to his Isabel Cobb, she taking her own step toward him, and another. They arrived. He caught up both her hands. He bent to her and they bussed on each cheek. I stopped.
They finished bussing and stood back to look at each other. They kept holding hands. I was watching him closely enough to see his eyes not quite leave hers but register me, as I was comfortably within his line of easy peripheral sight and only a few steps away. I tried to portray a respectful deference, slumping a little at the chest, lowering my chin ever so slightly.
“I am so happy you are here,” he was saying.
“I am happy to be here,” my mother said.
“You’ll have time to rest a little,” he said. “Today the grounds are open to the good people of Ramsgate and Broadstairs. We will host and feast some of my constituents. You don’t mind appearing for them?”
“Of course not, Albert. I am happy to be hostess of Stockman House tonight.”
Albert straightened to full height in overplayed joy at this. He bent again, this time toward her hands, one of which he lifted and kissed, somewhat lingeringly.
Mother lowered her face and watched.
Albert rose. “Thank you, my dear,” he said. And then he turned his face to me.
“And this must be Mr. Hunter,” he said. Warmly. Convincingly so, I had to admit. This was good. I needed to appear useful to a man not only whose heart and history but also whose active, secret allegiance might be to Germany.
“Yes,” my mother said, turning to me.
Not “my mother.” Isabel, I thought. I had to play this role inside my head as well.
Stockman let go of Isabel Cobb and took the three steps to me as she said, “This is Joseph W. Hunter . . .”
He offered me a hand, which I took, prepared for a firm grip. I got one. Luckily I wedged my own hand fully into his and gave him just enough back to let him think I was a substantial enough man but not a rival. Meanwhile, my mother was saying, “Lord Albert Stockman.”
He and I were locked in at the eyes. Perhaps it was just the dulled light of the cloudy day but I could have sworn his eyes were almost precisely the shade called feldgrau, literally field gray, the color of the German army’s fighting uniforms, gray but cut by green, the combination perfect for camouflage in the European countryside.
“Lord Stockman,” I said.
“Mr. Hunter,” he said. “I am delighted to meet you.”
He lifted his chin just a little. I was wrong about his eyes. I stopped indulging my impulse to see him, in every detail, by the light of our suspicions. This wasn’t a feature story for the Sunday edition. That newswriter reflex was bad for my present line of work. His eyes weren’t feldgrau. They were grayer than that.
He said, “I get the newspapers from the United States. We are all very attentive, as you may know, to your country’s attitudes. I’ve read you with great interest.”
The locution he used was not uncommon. But he paused, as if to let that soak in. That he’d been reading me. Not just my stories. But I got the strong sense he meant more.
“I hope I didn’t cause you any offense,” I said.
He lowered his chin and gave me a careful look. “Why would you think that?”
“You are English. Perhaps the stories I write are too willing, from an Englishman’s point of view, to understand the German side of things.”
Stockman gav
e me a slow, nodding smile. He said, “Perhaps I am trying to understand your President’s reluctance to become more involved.”
I let my Mr. Hunter show his nerves at all this, looking briefly away from Stockman in a deferential shrug. “Just so,” I said. “That’s my concern on your behalf. If he no longer heard the voice of those Americans who favor Germany, he might be more willing to help you.”
I was back to Stockman’s eyes and he was focused intently on me, assessing me. He smiled. “Don’t worry about that. You are a welcome guest in my home.”
“You’re too kind,” I said.
“Besides, I understand you are doing a story on the estimable Isabel Cobb.”
“Indeed,” I said.
“You see? I don’t hold her appearance in Berlin against her,” Stockman said, and he initiated a gentle, socially reassuring laugh. The estimable Isabel Cobb and I joined in.
When the laugh faded into a comfortable silence between us, he said. “I remain interested in your views. We can speak later.”
“I look forward to it,” I said.
“You are invited for the weekend, of course.”
Without giving me even a moment’s chance to reply to this, Stockman did an about-face and quickstepped to Isabel. Without a look at me, she tucked her hand into the crook of his offered arm and the two maundered off toward the house. I followed.
7
This brief passage toward the castle door surprised me in the claw-scrabble of unease it started up in my chest. We entered the castle through a reception hall with twin suits of armor flanking the door, helmets closed, occupied by a couple more of his tough guys for all I knew. Stockman stopped Isabel and half turned to me and said, “Martin will show you the way.” His driver loomed up beside me and extended an arm toward the inner door and swept it to the right. I went where I was told, while my mother and her leading man swept out to the left.
I heard her voice and footfalls fading into stone-echoes behind me, and I realized this was what my unease was all about, my mother and me separating in this place. If Stockman and his boys were what we suspected they were, she could well be in over her head. Alone here, I could be too. I always figured I could handle anything. I wasn’t so sure about her.
The Empire of Night: A Christopher Marlowe Cobb Thriller Page 5