by Неизвестный
There is no need to dwell on this part of my life. I have said enough to indicate that my nature was of the sensitive, unpractical order, and that it grew up in an uncongenial medium, which could never foster it into happy, healthy development. When I was sixteen I was sent to Geneva to complete my course of education; and the change was a very happy one to me, for the first sight of the Alps, with the setting sun on them, as we descended the Jura, seemed to me like an entrance into heaven; and the three years of my life there were spent in a perpetual sense of exaltation, as if from a draught of delicious wine, at the presence of Nature in all her awful loveliness. You will think, perhaps, that I must have been a poet, from this early sensibility to Nature. But my lot was not so happy as that. A poet pours forth his song and believes in the listening ear and answering soul, to which his song will be floated sooner or later. But the poet’s sensibility without his voice,—the poet’s sensibility that finds no vent but in silent tears on the sunny bank, when the noonday light sparkles on the water or in an inward shudder at the sound of harsh human tones, the sight of a cold human eye,—this dumb passion brings with it a fatal solitude of soul in the society of one’s fellow-men. My least solitary moments were those in which I pushed off in my boat, at evening, towards the centre of the lake; it seemed to me that the sky, and the glowing mountain-tops, and the wide blue water surrounded me with a cherishing love such as no human face had shed on me since my mother’s love had vanished out of my life. I used to do as Jean Jacques did,—lie down in my boat and let it glide where it would, while I looked up at the departing glow leaving one mountain-top after the other, as if the prophet’s chariot of fire were passing over them on its way to the home of light. Then, when the white summits were all sad and corpse-like, I had to push homeward, for I was under careful surveillance, and was allowed no late wanderings. This disposition of mine was not favourable to the formation of intimate friendships among the numerous youths of my own age who are always to be found studying at Geneva. Yet I made one such friendship; and, singularly enough, it was with a youth whose intellectual tendencies were the very reverse of my own. I shall call him Charles Meunier; his real surname—an English one, for he was of English extraction—having since become celebrated. He was an orphan, who lived on a miserable pittance while he pursued the medical studies for which he had a special genius. Strange! that with my vague mind, susceptible and unobservant, hating inquiry and given up to contemplation, I should have been drawn towards a youth whose strongest passion was science. But the bond was not an intellectual one; it came from a source that can happily blend the stupid with the brilliant, the dreamy with the practical: it came from community of feeling. Charles was poor and ugly, derided by Genevese gamins, and not acceptable in drawing-rooms. I saw that he was isolated, as I was, though from a different cause, and, stimulated by a sympathetic resentment, I made timid advances towards him. It is enough to say that there sprang up as much comradeship between us as our different habits would allow; and in Charles’s rare holidays we went up the Salève together, or took the boat to Vevey, while I listened dreamily to the monologues in which he unfolded his bold conceptions of future experiment and discovery. I mingled them confusedly in my thought with glimpses of blue water and delicate floating cloud, with the notes of birds and the distant glitter of the glacier. He knew quite well that my mind was half absent, yet he liked to talk to me in this way; for don’t we talk of our hopes and our projects even to dogs and birds, when they love us? I have mentioned this one friendship because of its connection with a strange and terrible scene which I shall have to narrate in my subsequent life.
This happier life at Geneva was put an end to by a severe illness, which is partly a blank to me, partly a time of dimly-remembered suffering, with the presence of my father by my bed from time to time. Then came the languid monotony of convalescence, the days gradually breaking into variety and distinctness as my strength enabled me to take longer and longer drives. On one of these more vividly remembered days, my father said to me, as he sat beside my sofa,—
“When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague—”
My father was called away before he had finished his sentence, and he left my mind resting on the word Prague, with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were the summer sunshine of a long-past century arrested in its course,—unrefreshed for ages by the dews of night or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold-inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning.
A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently.
As soon as I was alone again, I began to ask myself whether I had been sleeping. Was this a dream,—this wonderfully distinct vision,—minute in its distinctness down to a patch of rainbow light on the pavement, transmitted through a coloured lamp in the shape of a star—of a strange city, quite unfamiliar to my imagination? I had seen no picture of Prague: it lay in my mind as a mere name, with vaguely-remembered historical associations, —ill-defined memories of imperial grandeur and religious wars.
Nothing of this sort had ever occurred in my dreaming experience before, for I had often been humiliated because my dreams were only saved from being utterly disjointed and commonplace by the frequent terrors of nightmare. But I could not believe that I had been asleep, for I remembered distinctly the gradual breaking-in of the vision upon me, like the new images in a dissolving view, or the growing distinctness of the landscape as the sun lifts up the veil of the morning mist. And while I was conscious of this incipient vision, I was also conscious that Pierre came to tell my father Mr. Filmore was waiting for him, and that my father hurried out of the room. No, it was not a dream; was it—the thought was full of tremulous exultation—was it the poet’s nature in me, hitherto only a troubled yearning sensibility, now manifesting itself suddenly as spontaneous creation? Surely it was in this way that Homer saw the plain of Troy, that Dante saw the abodes of the departed, that Milton saw the earthward flight of the Tempter. Was it that my illness had wrought some happy change in my organization—given a firmer tension to my nerves—carried off some dull obstruction? I had often read of such effects—in works of fiction at least. Nay; in genuine biographies I had read of the subtilizing or exalting influence of some diseases on the mental powers. Did not Novalis feel his inspiration intensified under the progress of consumption?
When my mind had dwelt for some time on this blissful idea, it seemed to me that I might perhaps test it by an exertion of my will. The vision had begun when my father
was speaking of our going to Prague. I did not for a moment believe it was really a representation of that city; I believed—I hoped it was a picture that my newly-liberated genius had painted in fiery haste, with the colours snatched from lazy memory. Suppose I were to fix my mind on some other place,—Venice, for example, which was far more familiar to my imagination than Prague: perhaps the same sort of result would follow. I concentrated my thoughts on Venice; I stimulated my imagination with poetic memories, and strove to feel myself present in Venice, as I had felt myself present in Prague. But in vain. I was only colouring the Canaletto engravings that hung in my old bedroom at home; the picture was a shifting one, my mind wandering uncertainly in search of more vivid images; I could see no accident of form or shadow without conscious labour after the necessary conditions. It was all prosaic effort, not rapt passivity, such as I had experienced half an hour before. I was discouraged; but I remembered that inspiration was fitful.
For several days I was in a state of excited expectation, watching for a recurrence of my new gift. I sent my thoughts ranging over my world of knowledge, in the hope that they would find some object which would send a reawakening vibration through my slumbering genius. But no; my world remained as dim as ever, and that flash of strange light refused to come again, though I watched for it with palpitating eagerness.
My father accompanied me every day in a drive, and a gradually lengthening walk as my powers of walking increased; and one evening he had agreed to come and fetch me at twelve the next day, that we might go together to select a musical box, and other purchases rigorously demanded of a rich Englishman visiting Geneva. He was one of the most punctual of men and bankers, and I was always nervously anxious to be quite ready for him at the appointed time. But, to my surprise, at a quarter past twelve he had not appeared. I felt all the impatience of a convalescent who has nothing particular to do, and who has just taken a tonic in the prospect of immediate exercise that would carry off the stimulus.
Unable to sit still and reserve my strength, I walked up and down the room, looking out on the current of the Rhone, just where it leaves the dark-blue lake; but thinking all the while of the possible causes that could detain my father.
Suddenly I was conscious that my father was in the room, but not alone: there were two persons with him. Strange! I had heard no footstep, I had not seen the door open; but I saw my father, and at his right hand our neighbour Mrs. Filmore, whom I remembered very well, though I had not seen her for five years. She was a commonplace middle-aged woman, in silk and cashmere; but the lady on the left of my father was not more than twenty, a tall, slim, willowy figure, with luxuriant blond hair, arranged in cunning braids and folds that looked almost too massive for the slight figure and the small-featured, thin-lipped face they crowned. But the face had not a girlish expression: the features were sharp, the pale grey eyes at once acute, restless, and sarcastic. They were fixed on me in half-smiling curiosity, and I felt a painful sensation as if a sharp wind were cutting me. The pale-green dress, and the green leaves that seemed to form a border about her pale blond hair, made me think of a Water-Nixie—for my mind was full of German lyrics, and this pale, fatal-eyed woman, with the green weeds, looked like a birth from some cold sedgy stream, the daughter of an aged river.
“Well, Latimer, you thought me long,” my father said. . . .
But while the last word was in my ears, the whole group vanished, and there was nothing between me and the Chinese printed folding-screen that stood before the door. I was cold and trembling; I could only totter forward and throw myself on the sofa. This strange new power had manifested itself again. . . . But was it a power? Might it not rather be a disease—a sort of intermittent delirium, concentrating my energy of brain into moments of unhealthy activity, and leaving my saner hours all the more barren? I felt a dizzy sense of unreality in what my eye rested on; I grasped the bell convulsively, like one trying to free himself from nightmare, and rang it twice. Pierre came with a look of alarm in his face.
“Monsieur ne se trouve pas bien?” he said anxiously.
“I’m tired of waiting, Pierre,” I said, as distinctly and emphatically as I could, like a man determined to be sober in spite of wine; “I’m afraid something has happened to my father,—he’s usually so punctual. Run to the Hôtel des Bergues and see if he is there.”
Pierre left the room at once, with a soothing “Bien, Monsieur”; and I felt the better for this scene of simple, waking prose. Seeking to calm myself still further, I went into my bedroom, adjoining the salon, and opened a case of eau-de-Cologne; took out a bottle; went through the process of taking out the cork very neatly, and then rubbed the reviving spirit over my hands and forehead, and under my nostrils, drawing a new delight from the scent because I had procured it by slow details of labour, and by no strange sudden madness. Already I had begun to taste something of the horror that belongs to the lot of a human being whose nature is not adjusted to simple human conditions.
Still enjoying the scent, I returned to the salon, but it was not unoccupied, as it had been before I left it. In front of the Chinese folding-screen there was my father, with Mrs. Filmore on his right hand, and on his left,—the slim blond-haired girl, with the keen face and the keen eyes fixed on me in half-smiling curiosity.
“Well, Latimer, you thought me long,” my father said. . . .
I heard no more, felt no more, till I became conscious that I was lying with my head low on the sofa, Pierre and my father by my side. As soon as I was thoroughly revived, my father left the room, and presently returned, saying,—
“I’ve been to tell the ladies how you are, Latimer. They were waiting in the next room. We shall put off our shopping expedition to-day.”
Presently he said, “That young lady is Bertha Grant, Mrs. Filmore’s orphan niece. Filmore has adopted her, and she lives with them, so you will have her for a neighbour when we go home,—perhaps for a near relation; for there is a tenderness between her and Alfred, I suspect, and I should be gratified by the match, since Filmore means to provide for her in every way as if she were his daughter. It had not occurred to me that you knew nothing about her living with the Filmores.”
He made no further allusion to the fact of my having fainted at the moment of seeing her, and I would not for the world have told him the reason: I shrank from the idea of disclosing to any one what might be regarded as a pitiable peculiarity, most of all from betraying it to my father, who would have suspected my sanity ever after.
I do not mean to dwell with particularity on the details of my experience. I have described these two cases at length, because they had definite, clearly traceable results in my after-lot.
Shortly after this last occurrence—I think the very next day—I began to be aware of a phase in my abnormal sensibility, to which, from the languid and slight nature of my intercourse with others since my illness, I had not been alive before. This was the obtrusion on my mind of the mental process going forward in first one person, and then another, with whom I happened to be in contact: the vagrant, frivolous ideas and emotions of some uninteresting acquaintance—Mrs. Filmore, for example—would force themselves on my consciousness like an importunate, ill-played musical instrument, or the loud activity of an imprisoned insect. But this unpleasant sensibility was fitful, and left me moments of rest, when the souls of my companions were once more shut out from me, and I felt a relief such as silence brings to wearied nerves. I might have believed this importunate insight to be merely a diseased activity of the imagination, but that my prevision of incalculable words and actions proved it to have a fixed relation to the mental process in other minds. But this superadded consciousness, wearying and annoying enough when it urged on me the trivial experience of indifferent people, became an intense pain and grief when it seemed to be opening to me the souls of those who were in a close relation to me,—when the rational talk, the graceful attentions, the wittily-turned phrases, and the kindly deeds, which used to make the web of their characters, we
re seen as if thrust asunder by a microscopic vision, that showed all the intermediate frivolities, all the suppressed egoism, all the struggling chaos of puerilities, meanness, vague capricious memories, and indolent make-shift thoughts, from which human words and deeds emerge like leaflets covering a fermenting heap.
At Basle we were joined by my brother Alfred, now a handsome self-confident man of six-and-twenty,—a thorough contrast to my fragile, nervous, ineffectual self. I believe I was held to have a sort of half-womanish, half-ghostly beauty; for the portrait-painters, who are thick as weeds at Geneva, had often asked me to sit to them, and I had been the model of a dying minstrel in a fancy picture. But I thoroughly disliked my own physique, and nothing but the belief that it was a condition of poetic genius would have reconciled me to it. That brief hope was quite fled, and I saw in my face now nothing but the stamp of a morbid organization, framed for passive suffering,—too feeble for the sublime resistance of poetic production. Alfred, from whom I had been almost constantly separated, and who, in his present stage of character and appearance, came before me as a perfect stranger, was bent on being extremely friendly and brother-like to me. He had the superficial kindness of a good-humoured, self-satisfied nature, that fears no rivalry, and has encountered no contrarieties. I am not sure that my disposition was good enough for me to have been quite free from envy towards him, even if our desires had not clashed, and if I had been in the healthy human condition which admits of generous confidence and charitable construction. There must always have been an antipathy between our natures. As it was, he became in a few weeks an object of intense hatred to me; and when he entered the room, still more when he spoke, it was as if a sensation of grating metal had set my teeth on edge. My diseased consciousness was more intensely and continually occupied with his thoughts and emotions than with those of any other person who came in my way. I was perpetually exasperated with the petty promptings of his conceit and his love of patronage, with his self-complacent belief in Bertha Grant’s passion for him, with his half-pitying contempt for me—seen not in the ordinary indications of intonation and phrase and slight action, which an acute and suspicious mind is on the watch for, but in all their naked skinless complication.