by Richard Hell
Dedication
To Sheelagh and Ruby
Contents
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Epilogue
Acknowledgments
About the Author
Also by Richard Hell
Credits
Copyright
About the Publisher
CHAPTER ONE
Like many in my time, when I was little I was a cowboy. I had chaps and a white straw cowboy hat and I tied my holsters to my thighs with rawhide. I’d step out onto the porch and all could see a cowboy had arrived.
This was in Lexington, Kentucky, when everybody was a kid. I looked for caves and birds and I ran away from home. My favorite thing to do was run away. The words “let’s run away” still sound magic to me.
My parents arrived in Lexington in 1948. They’d met two years before at Columbia University in New York, where they were graduate students in psychology, and had married a year after that. When my father, Ernest Meyers, who’d grown up in Pittsburgh, Pennsylvania, got his Columbia PhD, he found a job teaching at the University of Kentucky. I was born in late 1949. My ma postponed a career to take care of the home.
Our family was just the four of us, including my sister, Babette, who was born a year and a half after me. We felt close to my father’s mother, Grandma Linda, who lived in New York, and we occasionally visited one of his brothers, Richard—a chemist for Texaco—and his wife and kids, at their home near Poughkeepsie, but beyond that there wasn’t much awareness of family, or family history. I had no real understanding of what a Jew was, for instance, though I knew that my father’s family fit that description somehow. I thought Judaism was a religion, and we didn’t have any religion.
My mother, born Carolyn Hodgson, was an only child. Her mother, Dolly Carroll (born Dolly Griffin), whom we knew as Mama Doll, was a working-class Methodist lady from Alabama. She played bridge and liked a cocktail. She’d been married four times. We saw her for a few days once every three or four years. She and my mom’s father, Lester Hodgson, who’d owned a filling station in Birmingham until it went bust in the Depression, had divorced when my mother was a young child, and I only remember being in the same room with him two or three times.
Ernest Meyers, 1948.
We lived in the suburbs in America in the fifties. My roots are shallow. I’m a little jealous of people with strong ethnic and cultural roots. Lucky Martin Scorsese or Art Spiegelman or Dave Chappelle. I came from Hopalong Cassidy and Bugs Bunny and first grade at ordinary Maxwell Elementary.
I came from Hopalong Cassidy
In 1956, when I was six and we lived on Rose Street by the university, my father bought a cream and green 1953 Kaiser, which he drove to work every morning a mile down a street that ran between the big UK basketball arena and its football stadium. His campus workrooms were in an old tree-shaded red-brick building on the side of a hill. The classrooms, lab, and office there smelled of wood, chalk, wax, graphite, dust, fresh air, and armpits. The rooms were softly shadowed wood. Tree limbs swayed outside the windows. My father was an experimental psychologist; he didn’t treat patients but observed animal behavior in labs. Small hard-rubber rat mazes lay on the tabletops among big manual typewriters. There were wooden glass-front cabinets against the walls, and rows of chair-desks facing the blackboards. That type of plain old academic building, or the one that housed the local school for the blind, where he did research on Braille, still feels like home to me, like a humble paradise, as little as I could ever stand schooling.
In the center of town stood a classic rough-hewn Romanesque courthouse, with an equestrian statue of Confederate general John Hunt Morgan out front. A few blocks further along Main Street lay the train station waiting shed, and in that same stretch Main’s two cozy, plush movie houses, the Kentucky and the Strand, which were staffed with pimpled ushers and showed first-run double features and cartoons, including Saturday-morning all-cartoon programs. By the bus stop there was a Woolworth’s dime store and a bakery that sold glazed doughnuts warm from the oven.
The limestone, pillared public library was in the middle of a heavily wooded park a few blocks behind the courthouse, across the street from Transylvania College (“the first college west of the Allegheny Mountains”). Inside, the library was marble, with sunshine from the second-story skylight brightening the ground floor’s central information desk; whispers, shuffling shoe steps, and shelves and shelves of musty-smelling, dimpled green or orange library-bound books free for the taking.
On the outskirts of town were drive-in movies and an amusement park. The family would take grocery bags full of homemade popcorn to the drive-in, and, on the way home, my sister and I fit lengthwise, head to feet, in the backseat, asleep. Every once in a while we’d get to visit Joyland, where there was a wooden roller coaster and a merry-go-round and a funhouse and a Tilt-a-Whirl in the midst of game booths and cotton candy and hot dog stands among huge shade trees with picnic tables below them and starlings under those.
In the suburbs the houses were unlocked. There was no “air-conditioning” but fans. A big warehouse in a weathered industrial neighborhood towards town stocked fresh-cut blocks of ice yanked at a loading dock by giant tongs into newspapered car trunks to power iceboxes—though most people did own an electric refrigerator by then—or to fill coolers for picnics. You’d stab the slick crystal with picks till it cracked.
Once, as a teenager in Lexington, on a hot, clear summer day, I was in a stone hut in an open field with some friends. More friends clustered in the landscape outside like some Fragonard or Watteau painting—Fragonard crossed with Larry Clark—playing and talking. A guy’s attention got caught by the sky. He stood in the high grass staring up, pointing and calling. We all craned our necks. There were specks in the sky floating down; chairs made of snow and snow couches touched down all around us. We were laughing and crying.
That happened in a dream a few years after I’d arrived in still-lonesome New York. I woke up ecstatic and grateful, my throat constricted and eyes overflowing.
In the winter of 1956, when I was in first grade, the family moved from the cottage on Rose Street to a new suburb, Gardenside, on the edge of town.
Nearly every lot in the tract was the same small size and there were only a few house designs, mostly two-bedroom. Each house had saplings in the same two spots on either side of the walk leading up to the front door and the same type of evergreen shrubbery under the living room picture windows facing the street. Our house was just like the classic child’s drawing of a home, a red-brick box under a steep shingled roof that had a chimney on one end of it.
At the bottom of the street ran a creek. Lawns descended to border both sides of it, but along its banks uncut foliage grew thick and high. The most interesting thing about it was that it wasn’t man-made. The idea that you c
ould follow its path rather than the patterns imposed by people on everything else in sight was exciting. I remember first realizing that the creek might start and end anywhere, far off, that it didn’t just exist in the area I knew. The thought was a glowing little diorama hidden inside my brain, kind of like Duchamp’s Étant donnés (Given: 1. The Waterfall, 2. The Illuminating Gas).
Gardenside had farmland at its borders—tobacco and corn and livestock—and woods.
Our house was one of the first in the suburb to be completed, and the ongoing construction all around us for blocks was our playground.
One late afternoon that first year, there were only two of us left still messing around outside. We were trying to topple a big iron barrel that was filled to the brim with water. Finally we figured out a way of using wood scraps as levers and pushed it over.
Gardenside, on the edge of town
The street was empty. Roy Baker and I went and sat down in the rubble by the partly built house to talk things over. The building was just fresh four-by-tens across a cinder-block foundation with a few two-by-fours poking up where walls would go. The street was barren but littered with heaps and bristling, and smelled of fresh sawn wood, wet concrete, dirt, and burnt tar paper.
The men who were working here had seen us goofing around before they’d left for the day. By the time they’d gone, we were the only kids left. Tomorrow morning, they would realize it had been us who’d knocked over the barrel. Kids our age shouldn’t be strong enough to turn over something as heavy as that. I explained this to Roy Baker, who was a few months younger than me. “They’re going to think we’re superhumanly strong. They’ll want to put us in the circus. Think of how that will be, when we come out into the ring under the big top, the crowd waiting, and then we can’t lift up the barbells! There is only one thing to do. We have to run away.”
We walked and walked, further than we’d ever been, and stole some pennies from the dashboard of a parked car and bought candy. As it started getting dark and we were lost and tired, we knocked on a door and got some adults to help us get home.
We played army in the dirt piles. Scouting over a hill for enemies, I had the first scientific insight I can remember. I realized that in order to see anyone, I had to expose enough of my own head that I’d be visible too. You had to come out of hiding in order to see anything.
Cowboys and Indians, though, was the main game. I loved my cap-gun six-shooters and holsters and neckerchief and cowboy hat. The caps came in matte red rolls, with little disks of black powder set in them. You’d thread the roll inside your metal pistol. When you pulled the trigger, the strip advanced, and the hammer hit the next cap with a bang, and smoke rose. I would like to smell the smacked burnt snap of a detonated cap like that again right now.
There were the fan clubs, or the brotherhoods, of the heroes of the Saturday-morning TV shows. Flash Gordon, who lived in the future and rocketed through outer space. I joined his club. You found out how to join them from the backs of cereal boxes and sent in for a membership card and an ID ring. Sky King, who was a modern-day rancher who flew a little private airplane. Spin and Marty, modern kids at a western boys’ camp as presented by The Mickey Mouse Club. Zorro and the Cisco Kid and the Lone Ranger. There was often a wandering hero and his devoted sidekick, who provided comic relief. That happened over and over in Howard Hawks and John Ford westerns too. (Whenever I could, I’d take the bus into town on Saturdays to go to a double feature. Often they were John Ford and Howard Hawks movies, by which I was contaminated with the Code of the West.) There were also buddy teams in which the members were equal and were complementary in other ways than as hero and faithful clown. Tonto wasn’t a clown with the Lone Ranger, nor was Dean Martin with John Wayne in Rio Bravo (Walter Brennan was the clown on that team). The Three Musketeers.
I grew up thinking men worked best in wandering small teams, usually two-man. You needed someone to conspire with, someone to help you maintain the nerve to carry out your ideas. Someone to know what you were thinking (otherwise your thinking didn’t really exist). Someone who had qualities you wanted, maybe, too, and that you could acquire to some degree by association.
I remember two things about Pat Thompson, my first best friend. One of those includes the other buddy we would plan a runaway with. At recess in the schoolyard Pat put his arms around our shoulders for a conference and then banged our heads together and laughed. I was shocked he did that. The other is that when Pat moved away the following year, in third grade, we exchanged mementos of each other and what I took was the heel of his shoe. I can still see it in my mind. It’s dry and concave with bent little skinny nails poking up from it and his signature on the other side in felt-tipped pen.
In the spring of 1957 Gardenside was still making do with a nineteenth-century one-room schoolhouse for the small children. It stood at the top of an overgrown hill and had been converted to three classrooms, one for each of the first three grades. Down the side of the hill gaped a wide-mouthed shallow cave, where we were to meet at midnight.
All afternoon that day I secretly gathered supplies—crackers and peanut butter and apples—from around the house and smuggled them back to hide under my pillow in the bedroom I shared with my sister. That night I was going to wrap it all in a cloth and tie it to the end of a stick to carry over my shoulder.
The author with his mother and sister, spring 1957.
When bedtime came, and my sister and I had to brush our teeth and get into our pajamas, I couldn’t find my damn pajamas. They should have been in the bureau drawer. Then the whole household was helping me look, and just as I realized what I had done my father called out that he had found them along with everything else under my pillow.
It was late but all the lights stayed on. My pretty little sister was awed. And now here is the strange part: my father’s reaction. My father told me that at midnight he would drive me to the cave and that if my friends were there I could go with them. I was amazed then and still am now.
Just before midnight we got in the big old Kaiser and rolled the five minutes to the distant rendezvous site. My father was friendly and concerned. My confidence was a little reduced by his careful kindness, but I imagined the triumph of being left with my friends to figure out our next move. They’d think what a great dad I had. We waited in the car with the lights turned off, and nothing happened. No one came. We waited until I couldn’t complain that we’d left too soon and then we drove home.
I don’t remember anything else about what happened and the only one who remembers it at all is me. My mother doesn’t remember that any of it happened; neither does my sister. My father died suddenly of a heart attack some weeks after the runaway plan. The fact that I am the only person from the original night who even remembers that it took place seems poignant, not to mention disturbing, considering its significance to me. My wife teased me about it.
Then I found an old box of papers containing a hand-drawn booklet I’d made for school that year entitled “Runaway Boy,” dated November, 1957, a few months after the getaway try. It reads:
This story is true
names have
Been changed
chapter one
My first plans
Well I planed to run away with two school mates named Jack and Clem. We were going to meet at front of school. To live at a place that was next to the school it was a cave. Oh and my name is Jim. One of us was going to bring a blanket one some food one some matches and a candle. We were going to run away because our mother’s spanked us to much. I was geting food this is how I did it: I told my mother I wanted a few apples to take out to my friends but I didn’t I put it in a hakerchief to keep it together I had a play sword to keep it together. And we were going to meet at 12 o’clock on the dot. I hid the hankercheif under my pillow. Then I went out and played until supper and went to sleep.
Next day I made a sneak tellaphone call to Clem to talk about the runaway and to tell him I might be a little late becuas I live very far aw
ay from school. In my hankerchief I had some pajama’s you know food I had some old clothes shirt pants shoes. I just couldn’t wait for that night but I felt a little unlucky. I went out to play for a little while then came back for supper. I watched t.v. for a little while then I wanted to go to bed I went to get my pajama’s but they weren’t there you know I told everybody I lost them. Everybody looked I play like I looked to but I didn’t. I told them my mother father and sister not to look under my pillow just a little bit late. My father looked and there was the hankerchief
Chapter two
A surprise!
I was ashamed that I wanted to runaway. But I still wanted to. I wanted to run away with Clem and Jack they were my best friends. But my father said I could runaway! He told me he would at exactly 12 o’clock he would start the car and away we would go.
But if Clem and Jack weren’t there we would come right back home. I couldn’t wait till midnight but it got here. And away we went to school. When we got there I told dad to wait a while because they weren’t there!
But they never got there so we went and went to sleep I dreamed I was a very clean tramp!
THE End
I like how my name in the story, Jim, is a combination of the names of my two best friends, Jack and Clem.
Kentucky is riddled with caves, and my friends and I would go hunting for them. We found a few little tunnels tucked away in the surrounding farmland—openings into the ground that were wet and dark and slick, where salamanders lived and into which you could squeeze and sit and then crawl deeper. Their entrances were often signaled in the fields by clumps of trees that had been left to grow because they filled a dip in the land that couldn’t be plowed. We’d poke around in a crater like that and sometimes in the rubble and undergrowth there would be an entrance. Inside, you’d find that good feeling again that’s rare in adulthood, except maybe in drugs and sex, of dreaming and conspiring in a hideout, beyond the pale.