The House at Riverton aka The Shifting Fog

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The House at Riverton aka The Shifting Fog Page 22

by Kate Morton


  ‘Of course not, Mrs Townsend,’ I said, eyeing Miss Starling. ‘Alfred will be right as rain once he’s had some of your good home cooking.’

  ‘They’re not a patch on my old dinners, of course, what with the U-boats and now the shortages.’ Mrs Townsend looked at Miss Starling and her voice caught a waver. ‘But I do know what young Alfred likes.’

  ‘Of course,’ Miss Starling said, traitorous freckles materialising as her cheeks paled. ‘I didn’t mean to suggest…’ Her mouth continued to move around the words she couldn’t find to say. Her lips straightened into a wan smile. ‘You know Alfred best, of course.’

  Mrs Townsend nodded tersely, punctuating the fact with renewed attack on the pie dough. The thick air thinned some, and Mr Hamilton turned to me, the afternoon’s strain evident on his face. ‘Hurry up then, girl,’ he said wearily. ‘And when you’re finished, you can make yourself useful upstairs. Help the young ladies dress for dinner. Don’t be too long, mind. The table cards still need placing, and the flowers have to be arranged.’

  When the war ended and Mr Frederick and the girls took up permanent residence at Riverton, Hannah and Emmeline had chosen new rooms in the east wing. They were residents now rather than guests, and it was only fitting, said Myra, that they take new rooms to demonstrate the point. Emmeline’s room overlooked Eros and Psyche on the front lawn, while Hannah preferred the smaller one with a view to the rose garden and the lake beyond. The two bedrooms were adjoined by a small sitting area which was always referred to as the burgundy room, though I never could think why as the walls were a pale shade of duck-egg blue and the curtains a William Morris floral in blues and pinks.

  The burgundy room bore little evidence of its recent reoccupation, retaining the hallmarks of whichever erstwhile inhabitant had overseen its original decoration. It was comfortably appointed, with a pink chaise longue beneath one window and a burr walnut writing desk beneath the other. An armchair sat stately by the door to the hall. Atop a small mahogany table, its red petals in coy half-bloom, the sole addition posed: a gramophone, whose very novelty seemed to bring a blush to the prudent old furnishings.

  As I made my way along the dim corridor, wistful strains of a familiar song seeped beneath the closed door, mingling with the cold, stale air that hugged the skirting boards. If you were the only girl in the world, And I were the only boy…

  It was Emmeline’s current favourite, on permanent rotation since they’d arrived from London. We were all singing it in the servants’ hall. Even Mr Hamilton had been heard whistling to himself in his pantry.

  I knocked once and entered, crossed the once-proud carpet and busied myself sorting the mound of silks and satins that smothered the armchair. I was glad for the occupation. Though I had longed since they left for the girls’ return, in the intervening two years the familiarity I’d felt when last I served them had evaporated. A quiet revolution had taken place and the two girls with pinafores and too-small walking suits had been replaced by young women. I felt shy of them again.

  And there was something else, something vague and unnerving. They were two now where they had been three. David’s death had dismantled the triangle, and an enclosed space was now open. Two points are unreliable; with nothing to anchor them there is nothing to stop them drifting in opposite directions. If it is string that binds, it will eventually snap and the points will separate; if elastic, they will continue to part, further and further, until the strain reaches its limit, and they are pulled back with such speed that they cannot help but collide with devastating force.

  Hannah was lying on the chaise, book in hand, a faint frown of focus on her brow. Her free hand was pressed against one ear in a vain attempt to block the record’s crackly fervency.

  The book was the new James Joyce: The Portrait of the Artist as a Young Man. I could tell by its spine, though I hardly had to look. It had kept her in its thrall since they’d arrived.

  Emmeline stood in the middle of the room before a full-length mirror dragged in from one of the bedrooms. Against her middle she hugged a dress that I had not yet seen: pink taffeta with ruffles along the hemline. Another of Grandmamma’s gifts, I guessed, purchased with dour conviction that the current shortage of marriageable men would render all but the most attractive prospects superfluous.

  The final shimmer of wintry sun reached through the French window and hovered winsomely before turning Emmeline’s long ringlets to gold, and landing, exhausted, in a series of pale squares at her feet. Emmeline, on whom such subtleties were wasted, swayed back and forth, pink taffeta rustling, as she hummed along with the record in a pretty voice coloured by its owner’s longing for romance. When the final note dissolved with the sun’s last light, the record continued to spin and bump beneath its needle. Emmeline tossed the dress onto the empty armchair and twirled across the floor. She drew back the needle arm and set about realigning it on the record’s rim.

  Hannah looked up from her book. Her long hair had disappeared in London-along with any lingering trace of childhood-now brushing her shoulderblades in soft, golden waves. ‘Not again, Emmeline,’ she said, frowning. ‘Play something else. Anything else.’

  ‘But it’s my favourite.’

  ‘This week,’ Hannah said.

  Emmeline pouted theatrically. ‘How do you think poor Stephen would feel if he knew you wouldn’t listen to his record? It was a gift. The least you could do is enjoy it.’

  ‘We’ve enjoyed it quite enough,’ Hannah said. She noticed me then. ‘Don’t you agree, Grace?’

  I curtseyed and felt my face flush, unsure how to answer. I avoided having to by lighting the gas lamp.

  ‘If I had an admirer like Stephen Hardcastle,’ Emmeline said dreamily, ‘I should listen to his record a hundred times each day.’

  ‘Stephen Hardcastle is not an admirer,’ Hannah said, the very suggestion seeming to appal her. ‘We’ve known him forever. He’s a pal. He’s Lady Clem’s godson.’

  ‘Godson or not, I don’t think he called at Kensington Place every day when he was on leave out of ghoulish desire to hear of Lady Clem’s latest ailment. Do you?’

  Hannah bristled slightly. ‘How should I know? They’re very close.’

  ‘Oh Hannah,’ Emmeline said. ‘For all your reading you can be so dense. Even Fanny could see.’ She wound the gramophone handle and dropped the needle arm so that the record started once more to spin. As the music began its sentimental swell, she turned and said, ‘Stephen was hoping you’d make him a promise.’

  Hannah folded down the corner of her current page then unfolded it again, running her finger along the crease.

  ‘You know,’ Emmeline said eagerly. ‘A promise of marriage.’

  I held my breath; it was the first I’d learned of Hannah receiving a proposal.

  ‘I’m not an idiot,’ Hannah said, eyes still on the triangular ear beneath her finger. ‘I know what he wanted.’

  ‘Then why didn’t you-?’

  ‘I wasn’t going to make a promise I couldn’t keep,’ Hannah said quickly.

  ‘You can be such a stick-in-the-mud. What harm would there have been in laughing at his jokes, letting him whisper silly sweet things in your ear? You were the one always droning on about helping the war effort. If you weren’t so mulish you could have given him a lovely memory to take with him to the front.’

  Hannah draped a fabric bookmark across the page of her book, and placed it beside her on the chaise. ‘And what would I have done when he returned? Told him I didn’t really mean it?’

  Emmeline’s conviction slipped momentarily then resurrected itself. ‘But that’s the point,’ she said. ‘Stephen Hardcastle hasn’t returned.’

  ‘He still might.’

  It was Emmeline’s turn to shrug. ‘Anything’s possible, I suppose. But if he does I imagine he’ll be too busy counting his lucky stars to worry about you.’

  A stubborn silence settled between them. The room itself seemed to take sides: the walls and curtains retreating into
Hannah’s corner, the gramophone offering obsequious support to Emmeline.

  Emmeline pulled her long ringleted ponytail over one shoulder and fingered the ends. She picked up her hairbrush from the floor beneath the mirror and dragged it through in long, even strokes. The bristles whooshed conspicuously. She was observed for a moment by Hannah, whose face clouded with an expression I couldn’t read-exasperation perhaps, or incredulity-before returning its attention to Joyce.

  I picked up the pink taffeta dress from the chair. ‘Is this the one you’ll be wearing tonight, miss?’ I said softly.

  Emmeline jumped. ‘Oh! You mustn’t sneak up like that. You frightened me half to death.’

  ‘Sorry, miss.’ I could feel my cheeks growing hot and tingly. I shot a glance at Hannah who appeared not to have heard. ‘Is this the dress you’d like, miss?’

  ‘Yes. That’s it.’ Emmeline chewed gently on her bottom lip. ‘At least, I think so.’ She pondered the dress, reached out and flicked the ruffled trim. ‘Hannah, which do you think? Blue or pink?’

  ‘Blue.’

  ‘Really?’ Emmeline turned to Hannah, surprised. ‘I thought pink.’

  ‘Pink then.’

  ‘You’re not even looking.’

  Hannah looked up reluctantly. ‘Either. Neither.’ A frustrated sigh. ‘They’re both fine.’

  Emmeline sighed peevishly. ‘You’d better fetch the blue dress. I’ll need to have another look.’

  I curtseyed and disappeared around the corner into the bedroom. As I reached the wardrobe, I heard Emmeline say, ‘It’s important, Hannah. Tonight is my first proper dinner party and I want to look sophisticated. You should too. The Luxtons are American.’

  ‘So?’

  ‘You don’t want them thinking us unrefined.’

  ‘I don’t much care what they think.’

  ‘You should. They’re very important to Pa’s business.’ Emmeline lowered her voice and I had to stand very still, cheek pressed close against the dresses, to make out what she was saying. ‘I overheard Pa talking with Grandmamma-’

  ‘Eavesdropped, more like,’ Hannah said. ‘And Grandmamma thinks I’m the wicked one!’

  ‘Fine then,’ said Emmeline, and in her voice I heard the careless shrug of her shoulders. ‘I’ll keep it to myself.’

  ‘You couldn’t if you tried. I can see it in your face, you’re bursting to tell me what you heard.’

  Emmeline paused a moment to savour her ill-gotten gains. ‘Oh… all right,’ she said eagerly, ‘I’ll tell you if you insist.’ She cleared her throat importantly. ‘It all started because Grandmamma was saying what a tragedy the war had been for this family. That the Germans had robbed the Ashbury line of its future and that Grandfather would turn in his grave if he knew the state of things. Pa tried to tell her that it wasn’t as desperate as all that, but Grandmamma was having none of it. She said she was old enough to see clearly and how else could the situation be described but desperate, when Pa was last in line with no heirs to follow? Grandmamma said it was a shame that Pa hadn’t done the right thing and married Fanny when he had the chance!

  ‘Pa turned snippy then and said that while he had lost his heir, he still had his factory, and Grandmamma could stop worrying for he would take care of things. Grandmamma didn’t stop worrying though. She said the lawyers were starting to ask questions.

  ‘Then Pa was quiet for a little while and I began to worry, thinking that he had stood up and was on his way to the door and I was to be discovered. I almost laughed with relief when he spoke again and I could hear that he was still in his chair.’

  ‘Yes, yes, and what did he say?’

  Emmeline continued, the cautiously optimistic manner of an actor nearing the end of a complicated passage. ‘Pa said that while it was true things had been tight during the war, he’d given up the aeroplanes and was back making motor cars now. The damned lawyers-his words, not mine-the damned lawyers were going to get their money. He said some fellow who’d made war planes had offered to invest and was going to help him make the factory more profitable. The fellow, Mr Simion Luxton, has connections, Pa said, in business and in the government.’ Emmeline sighed triumphantly, monologue successfully delivered. ‘And that was the end of it, or near enough. Pa sounded ever so embarrassed when Grandmamma mentioned the lawyers. I decided then and there that I’d do anything I could to help make a good impression with Mr Luxton, to help Pa keep his business.’

  ‘I didn’t know you took such keen interest.’

  ‘Of course I do,’ Emmeline said primly. ‘And you needn’t be angry with me just because I know more about it than you this time.’

  A pause, then Hannah: ‘I don’t suppose your sudden, ardent devotion to Pa’s business has anything to do with that fellow, the son, whose photo Fanny was mooning over in the newspaper?’

  ‘Theodore Luxton? Is he going to be at dinner? I had no idea,’ Emmeline said, but a smile had crept into her voice.

  ‘You’re far too young. He’s at least thirty.’

  ‘I’m almost fifteen and everyone says I look mature for my age. Besides, Fanny said some men prefer brides younger than eighteen.’

  ‘Yes, odd men who would sooner be married to a child than a grown woman.’

  ‘I’m not too young to be in love, you know,’ Emmeline said. ‘Juliet was only fourteen.’

  ‘And look what happened to her.’

  ‘That was just a misunderstanding. If she and Romeo had been married and their silly old parents had stopped giving them such trouble, I’m sure they’d have lived happily ever after.’ She sighed. ‘I can’t wait to be married.’

  ‘Marriage isn’t just about having a handsome man to dance with,’ said Hannah. ‘There are… other things, you know.’

  The gramophone song had stopped playing, but the record continued to spin beneath the needle.

  ‘What other things?’

  Against the cold silk of Emmeline’s dresses, my cheeks grew warm.

  ‘Private things,’ Hannah said. ‘Intimacies.’

  ‘Oh,’ Emmeline said, almost inaudible. ‘Intimacies. Poor Fanny.’

  There was a silence in which we all pondered Poor Fanny’s misfortune. Newly married and trapped, on honeymoon, with a Strange Man.

  I was no longer entirely inexperienced in such terrors, myself. A few months before, in the village, Rufus, the butcher’s half-witted son, had followed me into an alley and pressed me against the wall, his meaty fingers, nails rimmed in cow’s blood, pawing at my skirts. I had been startled at first, but then, remembering the leg of lamb in my string bag, had lifted it high and walloped him over the head. I was released, but not before his fingers had burrowed their way into my private flesh. The echoes made me shudder all the way home and it was some days before I could close my eyes without reliving the experience, wondering what might have happened had I not taken action.

  ‘Hannah,’ Emmeline said. ‘What are intimacies, exactly?’

  ‘I… well… They’re expressions of love,’ Hannah said breezily. ‘Quite pleasant, I believe, with a man with whom you’re passionately in love; unthinkably distasteful with anyone else.’

  ‘Yes, yes. But what are they? Exactly?’

  Another silence.

  ‘You don’t know either,’ Emmeline said. ‘I can tell by your face.’

  ‘Well, not exactly-’

  ‘I’ll ask Fanny when she gets back,’ Emmeline said. ‘She ought to know by then.’

  I ran my fingertips along the row of pretty fabrics in Emmeline’s wardrobe, looking for the blue dress, wondered whether what Hannah said was true. Whether the same attentions Rufus had tried to foist on me might ever be considered pleasant from another fellow. I thought about the few times Alfred had stood very near me in the servants’ hall, the strange but not unwelcome feeling that had overcome me…

  ‘Anyway, I didn’t say I wanted to marry immediately.’ This was Emmeline. ‘All I meant is that Theodore Luxton is very handsome.’

  ‘V
ery wealthy, you mean,’ Hannah said.

  ‘Same thing, really.’

  ‘You’re just lucky that Pa’s decided to let you dine downstairs at all,’ Hannah said. ‘I should never have been allowed when I was fourteen.’

  ‘Almost fifteen.’

  ‘I suppose he had to make up numbers somehow.’

  ‘Yes. Thank goodness Fanny agreed to marry that terrible bore, and thank goodness he decided they should honeymoon in Italy. If they’d been home, I’m sure I’d have been left to dine with Nanny in the nursery instead.’

  ‘I should prefer Nanny’s company to that of Pa’s Americans any day.’

  ‘Rubbish,’ Emmeline said.

  ‘I should be just as happy to read my book.’

  ‘Liar,’ Emmeline said. ‘You’ve set your ivory satin dress aside, the one Fanny was so determined you shouldn’t wear when we met her old bore. You wouldn’t wear that one unless you were as excited as I am.’

  There was a silence.

  ‘Ha!’ Emmeline said. ‘I’m right! You’re smiling!’

  ‘All right, I am looking forward to it,’ Hannah said. ‘But not,’ she added quickly, ‘because I want the good opinion of some rich Americans I’ve never met.’

  ‘Oh no?’

  ‘No.’

  The floorboards creaked as one of the girls trod across the room, and the spent gramophone record, still spinning drunkenly, was halted.

  ‘Well?’ This was Emmeline. ‘It certainly can’t be Mrs Townsend’s ration menu that’s got you excited.’

  ‘Poor old Mrs Townsend. She does try,’ Hannah said. There was a pause, during which I held very still, waiting, listening. Hannah’s voice, when finally she spoke, was calm, but a slim thread of excitement ran through it. ‘Tonight,’ she said, ‘I’m going to ask Pa whether I might return to London.’

  Deep within the closet, I gasped. They had only just arrived; that Hannah might leave again so soon was unthinkable.

  ‘To Grandmamma?’ said Emmeline.

  ‘No. To live by myself. In a flat.’

  ‘A flat? Why on earth would you want to live in a flat?’

 

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