“Belinda.”
“That’s right.” Richard regrets not telling Gwen more about his family, but for the longest time his personal history seemed extremely distant. Now, it’s back. All he has to do is listen and he can hear gunfire in the woods. He can see the way the crumbs fell down on the ground whenever his sister reached for the stale bread she kept in her coat pockets, ready should she happen to discover some homeless or injured creature while walking in the woods. This is what Richard thought when she wrote to tell him she had married Hollis. Only this time the creature she’d chosen to care for was much more dangerous than an opossum or a crow or a fox.
“When the kit was nearly full grown, Belinda let it into the woods. But it kept coming back. You’d walk out the door, and there it would be. Or maybe it wasn’t a fox at all.” Richard places his coffee cup on the table and pets Sister’s head. “Maybe it was one of those dreadful red dogs people say were bred from foxes.”
“There are still some of those at Guardian Farm,” Gwen says.
“Yes.” Richard leans his head back against the soft fabric of the easy chair. He thinks this type of stuff is called chintz, but he doesn’t know for sure. “I’m not surprised. There were always dogs hanging around, begging. My sister always set out food for them. She was much too kindhearted.”
Richard has only begun to realize how tired he is, in spite of the coffee. He has a horrible sinking feeling in the pit of his stomach, which makes him think he should call Ken Helm and go back to the airport right now, but he doesn’t. Instead, he falls asleep right there, in the chair. Gwen covers him with a blanket Judith Dale bought on a trip to Ireland taken with the Friends of the Library one summer. It pains Gwen to see her father sleeping in a chair, but what can she do? Shake him to consciousness? Tell him to flee? Don’t hurt yourself, is what you say to a child, not a parent, and a man like Richard Cooper is not prone to take other people’s advice, not once he’s made up his mind.
There’s a draft in the living room, and Sister curls up beside Richard’s feet. On the mantel, the old clock March’s father bought in Boston keeps time. The sleet continues until the roads are slick with ice and fallen leaves. It’s so bad that by the time the first pale light of morning begins to break through the clouds, March has to inch along on the back road in the old Toyota. She is staying with Hollis later and later; this time, as she was leaving, he pulled her back to him. Susie thinks he’s so evil, but he was concerned about March driving in such bad weather. People think they know him, but they don’t. They don’t know that he cries in his sleep, or that he needs to be comforted from the worst of his dreams, over and over again.
When March does finally get home, she has to carefully make her way up the frozen path, and hold on to the railing so as not to slip and break her neck on her way to the front door. She’s not taken a coat. She’s so hot these days; she’s burning up. All she’s wearing are jeans and a borrowed wool sweater of Hollis’s. She hasn’t bothered with underwear either; she’s much too overheated for even the flimsiest silk. Inside, the house feels stuffy and close; there’s the scent of coffee and of wet dog. There’s something else too, a faint odor of regret which is sifting over the floorboards and the rugs.
As soon as she walks into the room, she sees that the man she’s spent the last eighteen years with has come for her, and he appears exhausted by the effort. Richard looks so uncomfortable, folded up in that chair, in his best suit, which is now rumpled. The dog rouses and shakes itself from sleep, but Richard doesn’t hear the clink of its collar. He doesn’t hear March come closer, and crouch beside him. He’s dreaming about her though, and in his dream she is surrounded by falling leaves, each one a brilliant yellow, as if fashioned from pure gold.
Richard doesn’t wake until March takes his hand. As soon as he opens his eyes and looks at her face, he knows it’s over. She pities him, that’s what he sees, and pity is not what he wants.
“I don’t suppose you’d like to fly to San Francisco with me on Sunday?” Richard laughs. He was supposed to keep this idea to himself until they’d spoken at length, but obviously he can’t do that.
In spite of herself, March laughs. He never did like small talk.
“Should I take that as a yes?” Richard asks.
“It’s not that I don’t love you,” March says.
Richard cannot help but wonder how many times this phrase has been spoken, and how many people who’ve recited these words have believed they were being kind. What makes a person love another? That’s what Richard wonders, as March tells him that she’ll be staying on, and that she never meant to hurt him. Are March’s dark eyes the element that always gets to him? Is it the way her beautiful mouth twists to one side when she smiles?
Richard goes upstairs to grab a few hours of sleep in March’s bed. When he wakes, the bright sunshine which blasts through the ice-covered windows is blinding. He gets his suit, having draped his trousers and jacket over a chair so he will appear presentable when he goes to the cemetery. He wants to look as though nothing is wrong when he goes downstairs and kisses his daughter good morning, when he speaks cordially to March and asks if he can use the Toyota in her driveway to run his errands. March has been crying; her face is all puffy and her eyes are red. Looking at her, knowing that she’s been with Hollis and will continue to be with him, brings Richard immense sadness.
What would another man do? Carry her off, make demands, beat her until she gave in to him, stand there and cry? Richard Cooper is the same man he was before this happened to him. He’s the man who leaves a check on the kitchen counter because he worries that his wife will run out of cash. He’s the man who brings flowers to the graves of his loved ones, and says a silent prayer for each one. It’s the same Richard Cooper who trades stories with Jimmy Parrish about racehorses who’ve been dead a quarter of a century or more over lunch at the Lyon Cafe, who calls for another round of beers and some chili-cheese fries, then makes certain he grabs the check before Jimmy can reach into his pocket for his own leather wallet. He’s the man who drives to Guardian Farm late in the day and parks in the driveway where he has a good view of the house where he grew up, despite the uncertain November light.
When he sees Hollis slam through the front door, on his way to collect bills and circulars from a mailbox set out where Richard’s mother’s roses used to grow, Richard doesn’t step on the gas and careen through the fence to run his rival down. Instead, he watches as some Canada geese pass by, high overhead. In the pastures there are still a few red dragonflies, the kind Richard used to collect when he was a boy. He used to keep them in a jelly jar, until he realized that whenever he caught one he damaged its wings, which marked it for death. That’s what he thinks about now as he watches Hollis, who has lifted one hand to shade his eyes against the sun as he tries to figure out who’s there, parked in March’s car. By the time Hollis does understand who it is in his driveway, Richard will have already made a U-turn. There’s no point in staying any longer. He’ll leave a note for Gwen if she’s not at the house when he stops to drop off this car, then call Ken Helm for a ride. He intends to trade in his tickets for a plane that leaves tonight. He’d just as soon sleep somewhere in midair, high above Chicago or soaring over the Rockies, as he would in someone’s easy chair.
Gwen is in the barn when the Toyota makes that U-turn. She knows that her father will be gone before she gets back to Fox Hill. Standing there. watching him, she feels like crying. Maybe she should have insisted on going on his errands with him; maybe she should have tried to talk her mother into leaving. Gwen now considers herself to be a guilty party. She didn’t say, I want to go back with you. She didn’t take his side. Difficult as it is to admit, she wants to be here, saddling Tarot, meeting Hank later in the day at the library, where’s he’s working on his senior thesis. Traitor that she is, she doesn’t run after her father. She lets Tarot eat sugar from her hand while waiting for Hollis to go back inside the house. That’s one thing she’ll do to honor her father
—she’ll avoid Hollis at all costs. When Hollis has finally slammed the door shut behind him, Gwen leads the horse out of the barn. She’d planned to walk him to the sunniest pasture, where the ice has already melted, but seeing her father makes her want to go miles away.
The footing is too slippery for riding, but Gwen doesn’t care. She’s completely unschooled and does everything wrong, but it doesn’t matter with a horse like Tarot. He makes his way over the ice, then onto the packed dirt in the driveway. Gwen feels sure enough of him to give him his head, and let him take charge of matters. When he goes into the woods, right before the devil’s corner, Gwen doesn’t protest. Tarot walks quickly over brambles and fallen leaves; when they pass under low branches, Gwen ducks and rests her face against his neck. She can feel his blood, just beneath his skin; when he breathes, the air fills with smoke. He’s like a dragon, ancient and fearless. He doesn’t spook at anything, not when pheasants fly out of the bushes, not when they come upon a deer, drinking from an icy stream.
Gwen can only guess what they must have done to this horse to make him mean enough to kill two men. He was a machine, a winning machine. Hay in, shit out, and run like hell. Run so fast they can never catch you. She has seen marks in Tarot’s flesh. He’s been beaten, long ago, in another life that will always be a mystery. History is personal, Gwen understands that now. All you are seeing is what’s before you, the rest is guesswork. Still, she believes that he was beaten with a chain, at least once. There’s a circular indentation on his flank, and each time she runs her hand over that wound, Tarot throws his head back in a move so serious, so potentially killing, that Gwen’s respect for him is renewed.
Now, as he jumps a fallen tree, Gwen holds on for dear life. She tells herself riding Tarot isn’t any more dangerous than being on the back of Josh Krauss’s out-of-control Honda roaring down the El Camino at midnight. All the same, she closes her eyes when they come to the thickest part of the woods, and when she opens them again, the Marshes are before her, all gold and brown. Herons rise from the grass. Ice covers the inlets. They’re trotting through frozen mud now, over hermit crabs and minnows. Maybe it’s the old apple tree which calls to the horse, or maybe it’s the wild berries; either way, Tarot has come to graze in the Coward’s front yard.
“Not here,” Gwen tells the horse. “Let’s go.”
When Tarot refuses to move, Gwen kicks him, but she hasn’t the heart to do anything more than tap, and Tarot doesn’t even notice her boots against his flanks. He’s come upon a pile of frozen apples, and Gwen had better settle down, since he’s not leaving anytime soon.
The Coward sees the girl as she slips off the horse, and for a moment, he thinks it’s Belinda out there, who used to ride this same horse when she came to visit him. Other people brought food and clothes—Judith Dale, of course, and Louise Justice occasionally—but Belinda brought him what he truly yearned for. Photographs of his son. School papers. Spelling tests. Paintings of boats and of starry nights. The first tooth his boy lost, which the Coward still keeps in a saltshaker beneath his bed. Locks of pale hair, retrieved from the kitchen floor after a haircut.
Belinda used to sit on his porch and cry sometimes; once, she spent the night, curled up on a blanket on his floor. She had hair the color of roses, and on the night when she stayed with him her lip was split open; it hurt too much for her to drink the water the Coward offered her. Although he knows that Belinda died years ago, she seems to have reappeared beneath his apple tree. The Coward pulls on his boots and hurries outside. He’s ready to greet Belinda with a hug, but when she turns around he sees it’s only the girl who was here before, the one who left him the old compass he was given on his twelfth birthday, when there was still hope for him.
“I’m not trespassing,” Gwen says quickly. Maybe she’s been crying about her father and maybe she hasn’t been. This bright sunlight could bring tears to anyone’s eyes. “It’s this horse. He loves apples.”
“All right,” the Coward says in a surprisingly mild voice. Now he sees, there are indeed tears on this girl’s cheeks. “Let him eat.”
The Coward sits on the rickety front steps of his porch. The ice makes everything in the distance shine like diamonds. The Coward blinks in the light. He has always believed that if vodka looked like anything, it would look like ice. Gin, on the other hand, was pure, clean snow.
“You don’t know me.” the girl says.
She has come to sit beside him on the steps, which cannot be a pleasant experience, the Coward is certain, since he can’t remember the last time he bathed. But in fact, his odor is no more offensive than marsh grass or old apples, slightly vinegary.
“I’m Gwen,” the girl says. “My father is Richard Cooper. My mother is March.”
The Coward appraises her. His niece, if what she’s saying is true. Well, she does have the Cooper nose, straight and narrow, and those pale blue eyes.
“I don’t take after my mother, if that’s what you’re thinking. But you’re my uncle all the same.”
“For all the good it will do you,” the Coward says.
Gwen laughs. “Screwed-up family.”
“You have no idea,” the Coward tells her.
Gwen rests her chin on her hand and watches Tarot munch apples. It’s actually beautiful out here, if you don’t mind the isolation. If loneliness isn’t a factor. Before she can say another word, the Coward has risen from the steps and is already heading for his house. He can’t take too much of people. Five minutes is just about tops.
“Where are you going?” Gwen asks.
He doesn’t want to think about his family. That’s sorrow, plain and simple, and besides, he’s got better things to do.
“I’m going inside,” he tells the girl.
“To drink?” The horse has come near, so Gwen stands and reaches for the reins. “That’s what you do, right? It’s like your occupation or something, isn’t it? Being a drunk?”
“Drunkard,” the Coward corrects.
He squints against the glare of the diamonds in the Marshes. If he wants to, he can go inside and pretend there’s no one beneath his apple tree.
“In case you’re interested, your son doesn’t drink at all. He won’t even have a beer. Even if everyone else is completely wasted, he won’t touch the stuff.”
The Coward has reached his front door, but he doesn’t go inside.
“You’d be proud of him,” Gwen says.
Although the Coward’s back is toward her, she knows he’s listening.
“If you ever took the trouble to know him.”
When the Coward turns to face this girl, she has her hands on her hips. Clearly, she’s not the sort to back down from things. If she loves you, she’ll fight for you, and that’s what she appears to be doing right now.
“What makes you think I have a choice on that topic?” The Coward’s voice sounds harsh.
“Because you do,” Gwen says. “You just do.”
The Coward watches as she leads the horse out of his yard, around the garden gate, then into the Marshes, where the ice has begun to melt in the thin afternoon sunlight. There’s something hot in the center of the Coward’s chest, so he sits back down on his porch. The floorboards are loose; beneath them is a den of raccoons. When the Coward walks across these marshes, to Route 22, and the liquor store beyond, that is his choice. In all these years, he has not stopped to think other choices were his to make as well.
Do what you want, do what you will, do what you have to, do what you think you cannot.
He feels sick inside. If he’s having a stroke, then it’s a suitable penance for all the ruin he’s brought upon his tired body. If it’s a broken heart, he deserves that too. Tonight will be so chilly he’ll have to burn extra wood in his old stove, and the smoke will billow out into the Marshes like a flock of blackbirds. He’ll drink ice and snow, he’ll drink himself senseless, and he’ll be surprised to discover that when he wakes the next day, on his hard, cold floor, he’ll still hear that girl’s word
s ringing in his ears.
Part Three
16
How much snow will fall this winter? That’s what people want to know. How much wood should be stored beside the front porch? How much cash allotted to the Snow Shovelers’ Fund, which pays local boys to excavate driveways and sidewalks for the town’s senior citizens? Judgment is, there’s a long, hard season in store, at least among those who frequent the Lyon Cafe, and this theory has been seconded by the patrons of the reading room at the library as well. Just see how high the hornets have built their nests, always a sign of deep snow to come. Sheep and horses have especially thick coats for November. Squirrels are still storing chestnuts. Warblers have already migrated south, moving through town much earlier than usual, forsaking their nests in the ivy.
Ken Helm has a mountain of firewood outside his small house. He’s been chopping wood all summer and throughout the fall. His wife and two sons don’t even notice the sound anymore, but they hear it in their dreams; a rhythmic hewing that echoes whenever they close their eyes. Susanna Justice drives out to order wood for the season, for her parents and for herself, as she does every year. It doesn’t take much to heat Susie’s little cottage, but she’s heard this winter’s going to be a killer.
“The Judge always gets his delivery first,” Ken tells Susie after she’s ordered two cords and is making out the check. “My favorite customer.”
Susie smiles, but her mind is elsewhere. She’s a bulldog all right; she can’t let go, especially when she’s got the sense that she’s onto something. Yesterday she went into Boston to speak with the oncologist at Children’s Hospital who was in charge of Belinda and Hollis’s son, Cooper. Cooper was diagnosed with leukemia when he was four, and although the doctor refused to let Susie see the boy’s records, he insisted nothing was out of the ordinary. Nothing out of the ordinary to get a death sentence for your four-year-old. Nothing out of the ordinary to be married to a man as distant and mean as Hollis, to hold your little boy in your arms all the way home from Boston after the doctor informs you of a diagnosis as cruel as that.
Here on Earth Page 19