“A difficult business,” Mr Verloc mumbled, feeling that this was the only safe thing to say.
“What is the matter? Haven’t you the whole gang under your hand? The very pick of the basket? That old terrorist Yundt is here. I see him walking about Piccadilly in his green havelock almost every day. And Michaelis, the ticket-of-leave apostle—you don’t mean to say you don’t know where he is? Because if you don’t, I can tell you,” Mr Vladimir went on menacingly. “If you imagine that you are the only one on the secret fund list, you are mistaken.”
This perfectly gratuitous suggestion caused Mr Verloc to shuffle his feet slightly.
“And the whole Lausanne lot—eh? Haven’t they been flocking over here at the first hint of the Milan Conference? This is an absurd country.”
“It will cost money,” Mr Verloc said, by a sort of instinct.
“That cock won’t fight,” Mr Vladimir retorted, with an amazingly genuine English accent. “You’ll get your screw every month, and no more till something happens. And if nothing happens very soon you won’t get even that. What’s your ostensible occupation? What are you supposed to live by?”
“I keep a shop,” answered Mr Verloc.
“A shop! What sort of shop?”
“Stationery, newspapers. My wife—”
“Your what?” interrupted Mr Vladimir in his guttural Central Asian tones.
“My wife.” Mr Verloc raised his husky voice slightly. “I am married.”
“That be damned for a yarn,” exclaimed the other in unfeigned astonishment. “Married! And you a professed anarchist, too! What is this confounded nonsense? But I suppose it’s merely a manner of speaking. Anarchists don’t marry. It’s well known. They can’t. It would be apostasy.”
“My wife isn’t one,” Mr Verloc mumbled sulkily. “Moreover, it’s no concern of yours.”
“Oh yes, it is,” snapped Mr Vladimir. “I am beginning to be convinced that you are not at all the man for the work you’ve been employed on. Why, you must have discredited yourself completely in your own world by your marriage. Couldn’t you have managed without? This is your virtuous attachment—eh? What with one sort of attachment and another you are doing away with your usefulness.”
Mr Verloc, puffing out his cheeks, let the air escape violently, and that was all. He had armed himself with patience. It was not to be tried much longer. The First Secretary became suddenly very curt, detached, final.
“You may go now,” he said. “A dynamite outrage must be provoked. I give you a month. The sittings of the Conference are suspended. Before it reassembles again something must have happened here, or your connection with us ceases.”
He changed the note once more with an unprincipled versatility.
“Think over my philosophy, Mr—Mr—Verloc,” he said, with a sort of chaffing condescension, waving his hand towards the door. “Go for the first meridian. You don’t know the middle classes as well as I do. Their sensibilities are jaded. The first meridian. Nothing better, and nothing easier, I should think.”
He had got up, and with his thin sensitive lips twitching humorously, watched in the glass over the mantelpiece Mr Verloc backing out of the room heavily, hat and stick in hand. The door closed.
The footman in trousers, appearing suddenly in the corridor, let Mr Verloc another way out and through a small door in the corner of the courtyard. The porter standing at the gate ignored his exit completely; and Mr Verloc retraced the path of his morning’s pilgrimage as if in a dream—an angry dream. This detachment from the material world was so complete that, though the mortal envelope of Mr Verloc had not hastened unduly along the streets, that part of him to which it would be unwarrantably rude to refuse immortality, found itself at the shop door all at once, as if borne from west to east on the wings of a great wind. He walked straight behind the counter, and sat down on a wooden chair that stood there. No one appeared to disturb his solitude. Stevie, put into a green baize apron, was now sweeping and dusting upstairs, intent and conscientious, as though he were playing at it; and Mrs Verloc, warned in the kitchen by the clatter of the cracked bell, had merely come to the glazed door of the parlour, and putting the curtain aside a little, had peered into the dim shop. Seeing her husband sitting there shadowy and bulky, with his hat tilted far back on his head, she had at once returned to her stove. An hour or more later she took the green baize apron off her brother Stevie, and instructed him to wash his hands and face in the peremptory tone she had used in that connection for fifteen years or so—ever since she had, in fact, ceased to attend to the boy’s hands and face herself. She spared presently a glance away from her dishing-up for the inspection of that face and those hands which Stevie, approaching the kitchen table, offered for her approval with an air of self-assurance hiding a perpetual residue of anxiety. Formerly the anger of the father was the supremely effective sanction of these rites, but Mr Verloc’s placidity in domestic life would have made all mention of anger incredible even to poor Stevie’s nervousness. The theory was that Mr Verloc would have been inexpressibly pained and shocked by any deficiency of cleanliness at meal times. Winnie after the death of her father found considerable consolation in the feeling that she need no longer tremble for poor Stevie. She could not bear to see the boy hurt. It maddened her. As a little girl she had often faced with blazing eyes the irascible licensed victualler in defence of her brother. Nothing now in Mrs Verloc’s appearance could lead one to suppose that she was capable of a passionate demonstration.
She finished her dishing-up. The table was laid in the parlour. Going to the foot of the stairs, she screamed out “Mother!” Then opening the glazed door leading to the shop, she said quietly “Adolf!” Mr Verloc had not changed his position; he had not apparently stirred a limb for an hour and a half. He got up heavily, and came to his dinner in his overcoat and with his hat on, without uttering a word. His silence in itself had nothing startlingly unusual in this household, hidden in the shades of the sordid street seldom touched by the sun, behind the dim shop with its wares of disreputable rubbish. Only that day Mr Verloc’s taciturnity was so obviously thoughtful that the two women were impressed by it. They sat silent themselves, keeping a watchful eye on poor Stevie, lest he should break out into one of his fits of loquacity. He faced Mr Verloc across the table, and remained very good and quiet, staring vacantly. The endeavour to keep him from making himself objectionable in any way to the master of the house put no inconsiderable anxiety into these two women’s lives. “That boy,” as they alluded to him softly between themselves, had been a source of that sort of anxiety almost from the very day of his birth. The late licensed victualler’s humiliation at having such a very peculiar boy for a son manifested itself by a propensity to brutal treatment; for he was a person of fine sensibilities, and his sufferings as a man and a father were perfectly genuine. Afterwards Stevie had to be kept from making himself a nuisance to the single gentlemen lodgers, who are themselves a queer lot, and are easily aggrieved. And there was always the anxiety of his mere existence to face. Visions of a workhouse infirmary for her child had haunted the old woman in the basement breakfast-room of the decayed Belgravian house. “If you had not found such a good husband, my dear,” she used to say to her daughter, “I don’t know what would have become of that poor boy.”
Mr Verloc extended as much recognition to Stevie as a man not particularly fond of animals may give to his wife’s beloved cat; and this recognition, benevolent and perfunctory, was essentially of the same quality. Both women admitted to themselves that not much more could be reasonably expected. It was enough to earn for Mr Verloc the old woman’s reverential gratitude. In the early days, made sceptical by the trials of friendless life, she used sometimes to ask anxiously: “You don’t think, my dear, that Mr Verloc is getting tired of seeing Stevie about?” To this Winnie replied habitually by a slight toss of her head. Once, however, she retorted, with a rather grim pertness: “He’ll have to get tired of me first.” A long silence ensued. The mother, wit
h her feet propped up on a stool, seemed to be trying to get to the bottom of that answer, whose feminine profundity had struck her all of a heap. She had never really understood why Winnie had married Mr Verloc. It was very sensible of her, and evidently had turned out for the best, but her girl might have naturally hoped to find somebody of a more suitable age. There had been a steady young fellow, only son of a butcher in the next street, helping his father in business, with whom Winnie had been walking out with obvious gusto. He was dependent on his father, it is true; but the business was good, and his prospects excellent. He took her girl to the theatre on several evenings. Then just as she began to dread to hear of their engagement (for what could she have done with that big house alone, with Stevie on her hands), that romance came to an abrupt end, and Winnie went about looking very dull. But Mr Verloc, turning up providentially to occupy the first-floor front bedroom, there had been no more question of the young butcher. It was clearly providential.
CHAPTER III
“ . . . All idealisation makes life poorer. To beautify it is to take away its character of complexity—it is to destroy it. Leave that to the moralists, my boy. History is made by men, but they do not make it in their heads. The ideas that are born in their consciousness play an insignificant part in the march of events. History is dominated and determined by the tool and the production—by the force of economic conditions. Capitalism has made socialism, and the laws made by the capitalism for the protection of property are responsible for anarchism. No one can tell what form the social organisation may take in the future. Then why indulge in prophetic phantasies? At best they can only interpret the mind of the prophet, and can have no objective value. Leave that pastime to the moralists, my boy.”
Michaelis, the ticket-of-leave apostle, was speaking in an even voice, a voice that wheezed as if deadened and oppressed by the layer of fat on his chest. He had come out of a highly hygienic prison round like a tub, with an enormous stomach and distended cheeks of a pale, semi-transparent complexion, as though for fifteen years the servants of an outraged society had made a point of stuffing him with fattening foods in a damp and lightless cellar. And ever since he had never managed to get his weight down as much as an ounce.
It was said that for three seasons running a very wealthy old lady had sent him for a cure to Marienbad—where he was about to share the public curiosity once with a crowned head—but the police on that occasion ordered him to leave within twelve hours. His martyrdom was continued by forbidding him all access to the healing waters. But he was resigned now.
With his elbow presenting no appearance of a joint, but more like a bend in a dummy’s limb, thrown over the back of a chair, he leaned forward slightly over his short and enormous thighs to spit into the grate.
“Yes! I had the time to think things out a little,” he added without emphasis. “Society has given me plenty of time for meditation.”
On the other side of the fireplace, in the horse-hair arm-chair where Mrs Verloc’s mother was generally privileged to sit, Karl Yundt giggled grimly, with a faint black grimace of a toothless mouth. The terrorist, as he called himself, was old and bald, with a narrow, snow-white wisp of a goatee hanging limply from his chin. An extraordinary expression of underhand malevolence survived in his extinguished eyes. When he rose painfully the thrusting forward of a skinny groping hand deformed by gouty swellings suggested the effort of a moribund murderer summoning all his remaining strength for a last stab. He leaned on a thick stick, which trembled under his other hand.
“I have always dreamed,” he mouthed fiercely, “of a band of men absolute in their resolve to discard all scruples in the choice of means, strong enough to give themselves frankly the name of destroyers, and free from the taint of that resigned pessimism which rots the world. No pity for anything on earth, including themselves, and death enlisted for good and all in the service of humanity—that’s what I would have liked to see.”
His little bald head quivered, imparting a comical vibration to the wisp of white goatee. His enunciation would have been almost totally unintelligible to a stranger. His worn-out passion, resembling in its impotent fierceness the excitement of a senile sensualist, was badly served by a dried throat and toothless gums which seemed to catch the tip of his tongue. Mr Verloc, established in the corner of the sofa at the other end of the room, emitted two hearty grunts of assent.
The old terrorist turned slowly his head on his skinny neck from side to side.
“And I could never get as many as three such men together. So much for your rotten pessimism,” he snarled at Michaelis, who uncrossed his thick legs, similar to bolsters, and slid his feet abruptly under his chair in sign of exasperation.
He a pessimist! Preposterous! He cried out that the charge was outrageous. He was so far from pessimism that he saw already the end of all private property coming along logically, unavoidably, by the mere development of its inherent viciousness. The possessors of property had not only to face the awakened proletariat, but they had also to fight amongst themselves. Yes. Struggle, warfare, was the condition of private ownership. It was fatal. Ah! he did not depend upon emotional excitement to keep up his belief, no declamations, no anger, no visions of blood-red flags waving, or metaphorical lurid suns of vengeance rising above the horizon of a doomed society. Not he! Cold reason, he boasted, was the basis of his optimism. Yes, optimism—
His laborious wheezing stopped, then, after a gasp or two, he added:
“Don’t you think that, if I had not been the optimist I am, I could not have found in fifteen years some means to cut my throat? And, in the last instance, there were always the walls of my cell to dash my head against.”
The shortness of breath took all fire, all animation out of his voice; his great, pale cheeks hung like filled pouches, motionless, without a quiver; but in his blue eyes, narrowed as if peering, there was the same look of confident shrewdness, a little crazy in its fixity, they must have had while the indomitable optimist sat thinking at night in his cell. Before him, Karl Yundt remained standing, one wing of his faded greenish havelock thrown back cavalierly over his shoulder. Seated in front of the fireplace, Comrade Ossipon, ex-medical student, the principal writer of the F. P. leaflets, stretched out his robust legs, keeping the soles of his boots turned up to the glow in the grate. A bush of crinkly yellow hair topped his red, freckled face, with a flattened nose and prominent mouth cast in the rough mould of the negro type. His almond-shaped eyes leered languidly over the high cheek-bones. He wore a grey flannel shirt, the loose ends of a black silk tie hung down the buttoned breast of his serge coat; and his head resting on the back of his chair, his throat largely exposed, he raised to his lips a cigarette in a long wooden tube, puffing jets of smoke straight up at the ceiling.
Michaelis pursued his idea—the idea of his solitary reclusion—the thought vouchsafed to his captivity and growing like a faith revealed in visions. He talked to himself, indifferent to the sympathy or hostility of his hearers, indifferent indeed to their presence, from the habit he had acquired of thinking aloud hopefully in the solitude of the four whitewashed walls of his cell, in the sepulchral silence of the great blind pile of bricks near a river, sinister and ugly like a colossal mortuary for the socially drowned.
He was no good in discussion, not because any amount of argument could shake his faith, but because the mere fact of hearing another voice disconcerted him painfully, confusing his thoughts at once—these thoughts that for so many years, in a mental solitude more barren than a waterless desert, no living voice had ever combatted, commented, or approved.
No one interrupted him now, and he made again the confession of his faith, mastering him irresistible and complete like an act of grace: the secret of fate discovered in the material side of life; the economic condition of the world responsible for the past and shaping the future; the source of all history, of all ideas, guiding the mental development of mankind and the very impulses of their passion—
A harsh laugh from
Comrade Ossipon cut the tirade dead short in a sudden faltering of the tongue and a bewildered unsteadiness of the apostle’s mildly exalted eyes. He closed them slowly for a moment, as if to collect his routed thoughts. A silence fell; but what with the two gas-jets over the table and the glowing grate the little parlour behind Mr Verloc’s shop had become frightfully hot. Mr Verloc, getting off the sofa with ponderous reluctance, opened the door leading into the kitchen to get more air, and thus disclosed the innocent Stevie, seated very good and quiet at a deal table, drawing circles, circles, circles; innumerable circles, concentric, eccentric; a coruscating whirl of circles that by their tangled multitude of repeated curves, uniformity of form, and confusion of intersecting lines suggested a rendering of cosmic chaos, the symbolism of a mad art attempting the inconceivable. The artist never turned his head; and in all his soul’s application to the task his back quivered, his thin neck, sunk into a deep hollow at the base of the skull, seemed ready to snap.
Mr Verloc, after a grunt of disapproving surprise, returned to the sofa. Alexander Ossipon got up, tall in his threadbare blue serge suit under the low ceiling, shook off the stiffness of long immobility, and strolled away into the kitchen (down two steps) to look over Stevie’s shoulder. He came back, pronouncing oracularly: “Very good. Very characteristic, perfectly typical.”
“What’s very good?” grunted inquiringly Mr Verloc, settled again in the corner of the sofa. The other explained his meaning negligently, with a shade of condescension and a toss of his head towards the kitchen:
“Typical of this form of degeneracy—these drawings, I mean.”
“You would call that lad a degenerate, would you?” mumbled Mr Verloc.
The Secret Agent: A Simple Tale Page 4