by Simon Warner
Miller, Jim (ed.), The Rolling Stone Illustrated History of Rock & Roll, (New York: Random House, 1976).
Mitchell, Deborah and Beth Landma, ‘All’s fair in Love and Rockets’, New York Magazine, 29 June 1998 (Add. reporting by Kate Coyne), http://newyorkmetro.com/nymetro/news/people/columns/intelligencer/2902/ [accessed 29 March 2005].
Mitchell, Joni, Joni Mitchell: The Complete Poems and Lyrics (New York: Crown Publishing, 1997).
Moore, Dave (ed.), Neal Cassady Collected Letters, 1944–1967 (London: Penguin, 2005).
Moore, Dave, ‘Was Bob Dylan influenced by Jack Kerouac?’, Dharma Beat, http://www.dharmabeat.com/kerouaccorner.html#Bob%20Dylan%20influenced%20by%20Jack%20Kerouac [accessed 29 August 2011].
Morgan, Bill, The Beat Generation in New York: A Walking Tour of Jack Kerouac’s City (San Francisco, CA: City Lights, 1997).
—The Typewriter is Holy: The Complete, Uncensored History of the Beat Generation (New York: Free Press, 2010).
Morgan, Ted, Literary Outlaw: The Life and Times of William S. Burroughs (London: The Bodley Head, 1991).
Morris, Bill, ‘Will you Beat hagiographers please be quiet, please?’, The Millions, 28 December 2010, http://www.themillions.com/2010/12/will-you-beat-hagiographers-please-be-quiet-please.html [accessed 20 July 2011].
Morrison, Jim, The Lords and the New Creatures (London: Omnibus, 1985, orig. pub. 1969).
Mottram, Eric, ‘American poetry, poetics and poetic movements’, American Literature Since 1900, edited by Marcus Cunliffe (London: Sphere, 1988), pp. 237–82.
Muckle, John, ‘The names: Allen Ginsberg’s writings’, The Beat Generation Writers, edited by A. Robert Lee (London: Pluto Press, 1996), pp. 10–36.
Neville, Richard, Playpower (London: Paladin, 1971).
Nolte, Carl, ‘Kerouac Alley has face-lift’, San Francisco Chronicle, 30 March 2007, http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/03/30/BAG4NOUONC1.DTL [accessed 29 September 2011].
Norman, Philip, Shout! (London: Elm Tree, 1981).
Nuttall, Jeff, Bomb Culture (London: Paladin, 1970, orig. pub. 1968).
O’Brien, Lucy, She Bop II: The Definitive History of Women in Pop, Rock and Soul (London: Continuum, 2002).
Ono, Yoko, ‘Memories of Allen’, The Rolling Stone Book of the Beats: The Beat Generation and the Counterculture, edited by Holly George-Warren (London: Bloomsbury, 1999), pp. 275–83.
Osborne, John, Look Back in Anger (London: Faber, 1957).
Ostransky, Leon, Understanding Jazz (Englewood Cliffs, NJ: Prentice Hall, 1977).
Palmer, Robert, Dancing the Street: A Rock & Roll History (London: BBC Books, 1996).
Parsons, Tony, ‘But mutilation is so passé …’ New Musical Express, 30 October 1976, in The Wreckers of Civilisation by Simon Ford (London: Black Dog Publishing, 1999).
Paytress, Mark, Break it Up: Patti Smith’s Horses and the Remaking of Rock ’n’ roll (London: Portrait, 2006).
Perrone, Pierre, ‘Lady Jaye Breyer P-Orridge’, obituary, The Independent, 23 October 2007, http://www.independent.co.uk/news/obituaries/lady-jaye-breyer-porridge-397604.html [accessed 16 December 2011].
Perry, David, sleeve notes, CD box set, The Jack Kerouac Collection (Rhino Word Beat, 1990).
Perry, Charles, ‘The gathering of the tribes’, The Sixties, edited by Linda Rosen Obst (New York: Random House/Rolling Stone, 1977), pp. 188–92.
—The Haight-Ashbury: A History (New York: Wenner Books, 2005).
Peterson, Richard A., ‘Why 1955? Explaining the advent of rock music’, Popular Music, Vol. 9, No. 1, 1990, pp. 97–116.
Phillips, Lisa (ed.), Beat Culture and the New America: 1950–1965, exhibition catalogue (New York: Whitney Museum of American Art, 1995).
Phillips, Mike, ‘Windrush – the passengers’, BBC History, 3 October 2011, http://www.bbc.co.uk/history/british/modern/windrush_01.shtml [accessed 19 February 2012].
Pichaske, David, The Poetry of Rock: The Golden Years (Peoria, IL: The Ellis Press, 1981).
Pitts, Victoria, In the Flesh: The Cultural Politics of Body Modification (Basingstoke: Palgrave Macmillan, 2003).
P-Orridge, Genesis, ‘“Thee Films”: An account by Genesis P-Orridge’, Naked Lens: Beat Cinema, edited by Jack Sargeant (London: Creation, 1997), pp. 184–96.
—(ed.), Painful but Fabulous: The Lives and Art of Genesis P-Orridge (New York: Soft Skull Press, 2002).
— ‘An over-painted smile … re-collections of mo-meants ov inspiration 1963-2004’, CD sleeve notes, Godstar: Thee Director’s Cut (Hyperdelic, 2004).
— filmed interview with writer/researcher Jayne Sheridan, Columbia Hotel, London, 8 December 2004.
—‘Full-length bio’, the official Genesis P-Orridge website, http://www.genesisp-orridge.com/index.php?section=article&album_id=11&id=77 [accessed 3 April 2005].
Pountain, Dick and David Robins, Cool Rules: Anatomy of an Attitude (London: Reaktion Books, 2000).
Ranaldo, Lee, ‘Interview – Beat Generation questions’, Steve Appleford, 4 August 1998, Sonic Youth website, http://www.sonicyouth.com/symu/lee/2011/09/08/i-view-beat-generation-questions-1998/ [accessed 28 February 2012].
Raskin, Jonah, American Scream: Allen Ginsberg’s ‘Howl’ and the Making of the Beat Generation (London: University of California Press, 2004).
Reed, Lou, ‘Memories of Allen’, The Rolling Stone Book of the Beats: The Beat Generation and the Counterculture, edited by Holly George-Warren (London: Bloomsbury, 1999), p. 278.
Reynolds, Frank and Michael McClure, Freewheelin’ Frank: The True Story of a Hell’s Angel by a Hell’s Angel (London: New English Library, 1969).
Ring, Kevin, ‘Beat culture and the new America and the Beat camera of Larry Keenan’, Beat Scene, No. 26, 1996.
—‘Ann Charters – A Beat journey’, Beat Scene, No. 16, 1993.
—‘Hey, Mr. Tambourine Man – Larry Keenan’, Part 1, Beat Scene, No. 27, 1997.
—‘Hey, Mr. Tambourine Man – Larry Keenan’, Part 2, Beat Scene, No. 28, 1997.
Ritchie, Harry, Success Stories: Literature and the Media in England, 1950–1959 (London: Faber, 1988).
Rolling Stone, 40th anniversary special edition, No. 2, 12–16 July 2007.
Rollins, Henry, ‘You can’t dance to a book’, interview with Neddal Ayad, The Modern Word, 20 November 2005, http://www.themodernword.com/interviews/interview_rollins.html [accessed 28 February 2012].
Ronan, Stephen, Disks of the Gone World: An Annotated Discography of the Beat Generation (Berkeley, CA: Ammunition Press, 1996).
Rosen Obst, Lynda (ed.), The Sixties, (New York: Random House/Rolling Stone Press, 1977).
Rothenberg, Jerome, ‘Introduction’, David Meltzer, David’s Copy: The Selected Poems of David Meltzer, edited by Michael Rothenberg (London: Penguin, 2005), pp. xv–xxi.
Rothenberg, Michael (ed.), ‘Foreword’, David’s Copy: The Selected Poems of David Meltzer (London: Penguin, 2005), p. xiii.
Rudd, Natalie, Peter Blake (London: Tate, 2003).
Salinger, J.D., The Catcher in the Rye (Boston, MA: Little, Brown, 1951).
Sanders, Edward, The Poetry and Life of Allen Ginsberg (London, Scribner, 2002).
Sanders, Ed, Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side (Boston, MA: Da Capo, 2011).
Sargeant, Jack (ed.), Naked Lens: Beat Cinema (London: Creation, 1997).
Savage, Jon, England’s Dreaming: Sex Pistols and Punk Rock (London: Faber, 1991).
Scaduto, Anthony, Bob Dylan (New York: New American Library, 1973).
Schumacher, Michael, Dharma Lion: A Biography of Allen Ginsberg (New York: St Martin’s Press, 1992).
Scobie, Stephen, ‘Ginsberg, Allen’, ‘The Bob Dylan Who’s Who’, Expecting Rain, 18 April 1997, http://expectingrain.com/dok/who/g/ginsbergallen.html [accessed 4 September 2011]. Serra, Richard, back page artwork, The Nation, 5 July, 2004.
Shambhala Sun, ‘The late Allen Ginsberg and Beck in conversation
: A Beat/Slacker transgenerational meeting of minds’, January 1997, http://shambhalasun.com/index.php?option=com_content&task=view&id=2050&Itemid=244 [accessed 27 February, 2012].
Shaw, Philip, Horses (New York: Continuum, 2008).
Shelton, Robert, No Direction Home: The Life and Music of Bob Dylan (London: New English Library, 1986).
Shepard, Sam, Rolling Thunder Logbook (New York: Viking Press, 1977).
Siegle, Robert, ‘Writing Downtown’, The Downtown Book: The New York Art Scene 1974–1984, edited by Marvin J. Taylor (Princeton, NJ: Princeton University Press, 2006), pp. 131–153.
Sillitoe, Alan, Saturday Night and Sunday Morning (London: Grafton, 1985, orig. pub. 1958).
Sim, Stuart (ed.), The Icon Dictionary of Postmodern Thought (Cambridge: Icon, 1998).
Sinfield, Alan, Literature, Politics and Culture in Postwar Britain (London: Athlone, 1997).
Smith, Patti, Just Kids (London: Bloomsbury, 2010).
Stimmel, Alex, ‘The Serpent Power’, All Music Guide, http://www.allmusic.com/artist/serpent-power-p143421/biography [accessed 22 December 2011].
Stipe, Michael, Two Times Intro: On the Road with Patti Smith (New York: Ray Gun Press, 1998).
Stokes, Geoffrey, ‘Trimming the sails’, Rock of Ages: The Rolling Stone History of Rock and Roll, edited by Ed Ward, Geoffrey Stokes and Ken Tucker (Harmondsworth: Penguin, 1987), pp. 447–63.
Storey, John, ‘Postmodernism and popular culture’, The Icon Dictionary of Postmodern Thought, edited by Stuart Sim (Cambridge: Icon, 1998), pp. 147–57.
Strinati, Dominic, An Introduction to Theories of Popular Culture (London: Routledge, 1995).
Sukenick, Ronald, Down and In: Life in the Underground (New York: Collier Books, 1987).
Tarr, Joe, The Words and Music of Patti Smith (Westport, CT: Praeger, 2008).
Taylor, Marvin J. (ed.), The Downtown Book: The New York Art Scene 1974–1984 (Princeton, NJ: Princeton University Press, 2006).
Taylor, Steven, False Prophet: Field Notes from the Punk Underground (Middletown, CT: Wesleyan University Press, 2004).
Thompson, E.P., The Making of the English Working Class (Harmondsworth: Pelican Books, 1970, orig. pub. 1963).
Thompson, Hunter S., Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (London: Penguin, 2003, orig. pub. 1966).
Trager, Oliver, Keys to the Rain: The Definitive Bob Dylan Encyclopedia (New York: Billboard Books, 2004).
Trynka, Paul (ed.), The Beatles: 10 Years that Shook the World (London: Dorling Kindersley, 2004).
Turner, Steve, Jack Kerouac: Angelheaded Hipster (London: Bloomsbury, 1996).
Udo, Tommy, ‘He was a great advertisement for doing everything you shouldn’t do’, New Musical Express, 16 August 1997.
Vale, V. and Andrea Juno (eds.), RE/Search #4/5, ‘A Special Book Issue: William S. Burroughs, Brion Gysin and Throbbing Gristle’ (San Francisco, CA: V/Search Publications, 1984).
—RE/Search #12, Modern Primitives (San Francisco, CA: V/Search Publications, 1989).
Verdant Press, ‘Ed Sanders and the Fuck You Press’, Verdant Press, http://www.verdantpress.com/fuckyou.html [accessed 4 January 2012].
Von Vogt, Elizabeth, 681 Lexington Avenue: A Beat Education in New York City 1947–1954 (Wooster, OH: Ten O’Clock Press, 2008).
Wade, Stephen, Gladsongs and Gatherings: Poetry and Its Social Context in Liverpool since the 1960s (Liverpool: Liverpool University Press, 2001).
Walden, Brian, ‘The white heat of Wilson’, BBC News, 31 March 2006, http://news.bbc.co.uk/1/hi/magazine/4865498.stm [accessed 12 October 2007].
Waldman, Anne, ‘Foreword’, Women of the Beat Generation, edited by Brenda Knight (Berkeley, CA: Conari Press, 1996), pp. ix–xii.
—Fast Speaking Woman: Chants & Essays (San Francisco, CA: City Lights, 1996).
—Outrider: Poems, Essays, Interviews (Albuquerque, NM: La Alameda Press, 2006).
—(ed.), The Beat Book (Boston, MA: Shambala, 1996).
Ward, Ed, ‘The Fifties and before: Streetcorner symphony’, Rock of Ages: The Rolling Stone History of Rock and Roll, edited by Ed Ward, Geoffrey Stokes and Ken Tucker (Harmondsworth: Penguin, 1987), pp. 83–97.
Ward, Ed, Geoffrey Stokes and Ken Tucker (eds.), Rock of Ages: The Rolling Stone History of Rock and Roll (Harmondsworth: Penguin, 1987).
Wardle, Irving, ‘American Theatre since 1945’, American Literature Since 1900, edited by Marcus Cunliffe (London: Sphere, 1988), pp. 205–36.
Warner, Simon, Rockspeak!: The Language of Rock and Pop (London: Blandford, 1996).
—‘David Meltzer’, Beat Scene, No. 30, 1998.
—‘Genesis and revelations: From the Midlands to Manhattan’, ‘Anglo Visions’, Pop Matters, 12 March 2003, http://www.popmatters.com/columns/warner/030312.shtml [accessed 29 March 2005].
—‘Sifting the shifting sands: “Howl” and the American landscape in the 1950s’, Howl for Now: A Celebration of Allen Ginsberg’s Epic Protest Poem, edited by Simon Warner (Pontefract: Route, 2005), pp. 25–52.
—‘Raising the consciousness? Re-visiting Allen Ginsberg’s trip to Liverpool in 1965’, Centre of the Creative Universe: Liverpool and the Avant Garde, edited by Christoph Grunenberg and Robert Knifton (Liverpool: Liverpool University Press, 2007), pp. 95–108.
—‘Photographer who captured Dylan, Ginsberg and the Sixties counter-culture’, The Independent, 28 August 2012, http://www.independent.co.uk/news/obituaries/larry-keenan-photographer-who-captured-dylan-ginsberg-and-the-sixties-counterculture-8082405.html [Accessed 16 December 2012].
—‘On the Road: Words beat pictures despite Salles’ best intentions’, Beatnicity, 20 October 2012, http://beatnicity.com/2012/10/20/on-the-road-words-beat-pictures-despite-salles-best-intentions/ [Accessed 16 December 2012].
—‘Amiri Baraka in Manchester’, Beat Scene, No. 69, 2013.
Watson, Steven, The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944–1960 (New York: Pantheon, 1995).
—Factory Made: Warhol and the Sixties (New York: Pantheon, 2003).
Weaver, Helen, The Awakener: A Memoir of Kerouac and the Fifties (San Francisco, CA: City Lights, 2009).
Wenke, Joseph, ‘Bob Dylan’, Dictionary of Literary Biography, Vol. 16, ‘The Beats: Literary Bohemians in Postwar America’, Part 1, http://www.bookrags.com/biography/bob-dylan-dlb/ [accessed August 2011].
Wesker, Arnold, The Wesker Trilogy: Chicken Soup with Barley; Roots; I’m Talking about Jerusalem – Three Plays (London: Jonathan Cape, 1960).
Wetterau, Bruce (ed.), Concise Dictionary of World History (London: Robert Hale, 1984).
Whitburn, Joel, The Billboard Book of US Top 40 Hits – 1955 to Present (New York: Billboard Publications, 1983).
White, Timothy, ‘Rickie Lee Jones: The Great Disconnected’s leading lady flirts with happiness’, Rolling Stone, 6 August 1981.
Whiteley, Sheila (ed.), Sexing the Groove: Popular Music and Gender (London: Routledge, 1997).
—‘Little Red Rooster v. the Honky Tonk Woman: Mick Jagger, sexuality, style, image’, Sexing the Groove: Popular Music and Gender, edited by Sheila Whiteley (London: Routledge, 1997), pp. 67–99.
—‘Patti Smith: The Old Grey Whistle Test, BBC2 TV, 11 May 1976’, Performance and Popular Music: History, Place and Time, edited by Ian Inglis (Aldershot: Ashgate, 2006), pp. 81–91.
Wilentz, Sean, Bob Dylan in America (London: Bodley Head, 2010).
Williams, Paul, Bob Dylan – Performing Artist 1960–1973: The Early Years (London: Omnibus, 2004).
Williams, Raymond, Culture and Society, 1780–1950 (New York: Columbia University Press, 1983, orig. pub. 1958).
—Keywords: A Vocabulary of Culture and Society (London: HarperCollins, 1988).
Williams, Richard, Dylan: A Man Called Alias (London: Bloomsbury, 1992).
Wilson, Colin, The Outsider (London: Gollancz, 1956).
Wolfe, Tom, The Electric Kool Aid Acid Test (London: Black Swan, 1989, orig. pub.
1968).
Discography
Author’s note: This is a selective listing. See also Appendix A.
The Beatles, Rubber Soul (Parlophone, 1965).
—Revolver (Parlophone, 1966).
—Sgt. Pepper’s Lonely Hearts Club Band (Parlophone, 1967).
Black Rebel Motorcycle Club, ‘Howl’ (Echo, 2005).
David Bowie, The Rise and Fall of Ziggy Stardust and the Spiders from Mars (RCA, 1972).
—Diamond Dogs (RCA, 1974).
William S. Burroughs, Call Me Burroughs (The English Bookshop, Paris, 1965).
William S. Burroughs, Dead City Radio (Island, 1990).
—Spare Ass Annie and Other Tales (Island, 1993).
William S. Burroughs and Kurt Cobain, ‘The “Priest” They Called Him’ (Tim Kerr Records, 1993)
William S. Burroughs and John Giorno, William S. Burroughs/John Giorno (Released by Giorno Poetry Systems Records, 1975).
William S. Burroughs with Gus van Sant, The Elvis of Letters (T. K. Records, 1985).
The Jim Carroll Band, Catholic Boy (Atco, 1980).
The Clash, Combat Rock (CBS, 1982).
Leonard Cohen, The Songs of Leonard Cohen (Columbia, 1967).
Gregory Corso, Die On Me (Koch, 2002).
Cream, Fresh Cream (Atco, 1966).
—Disraeli Gears (Polydor, 1967).
—Wheels of Fire (Polydor, 1968).
Death Cab for Cutie, We Have the Facts and We’re Voting Yes (Barsuk, 2000).
—Narrow Stairs (Atlantic/WEA, 2008).
Ani DiFranco, Ani DiFranco (Righteous Records, 1990).
—Living in Clip (Righteous Babe Records,1997).
—Revelling: Reckoning (Righteous Babe Records, 2001).
—Which Side are You On? (Righteous Babe Records, 2012).
Donovan, Beat Café (Appleseed, 2004).
Bob Dylan, Bob Dylan (Columbia, 1962).
—The Freewheelin’ Bob Dylan (Columbia, 1963).
—The Times They are a-Changin’ (Columbia, 1964).
—Another Side of Bob Dylan (Columbia, 1964).
—Bringing It All Back Home (Columbia, 1965).
—Highway 61 Revisited (Columbia, 1965).
—Blonde on Blonde (Columbia, 1966).
—Blood on the Tracks (Columbia, 1975).
—‘The Rolling Thunder Revue Concert’, Technical University (Lowell, MA), Wolfgang’s Vault, 2 November 1975, http://www.wolfgangsvault.com/the-rolling-thunder-revue/concerts/technical-university-november-02-1975.html [accessed 5 September 2011].