“Dad’s engaged,” Abigail continued. “He’s going to be married in September and the good news is I get to be a flower girl! I get to wear a pretty dress and throw the petals and ride in a limo and . . .”
Chloe leaned against the cold whitewashed wal to support herself. She didn’t even know that Winthrop was dating. He hadn’t even talked to her as to how to approach this with Abigail. “Are you sure about this, Abigail?” The gown loomed in front of her. White. Floor-length. Gown. The last time she’d worn one of these was . . . her wedding.
“I’l be right back, Mom. I need to look up satel ites on the computer, I’m doing a mock-up for my science camp. Here’s Grandma.”
A cameraman stepped closer and Chloe lowered her voice to a whisper. “Mom, I don’t have time now—”
Her mother plowed ahead anyway. “I just thought you should know that Winthrop wants to reopen the custody arrangement now that he’s engaged. His promotion to senior VP means he won’t be traveling al the time.”
Chloe clutched the ruffle on her blouse and both cameramen closed in on her. Winthrop wouldn’t dare put them al through another custody trial, would he? She wanted to shout, but just bit her lip for the cameras.
Fiona’s shoulders slumped, she set the chemise down on the chaise, and stepped over to the fire.
Chloe’s mom sighed. “You real y need to win that money over there, Chloe. Now that he’s promoted.”
Chloe turned her back to the cameras. “Everybody’s a senior vice president these days, Mom, that title doesn’t mean anything anymore.” The engagement and less travel would give him leverage, though.
Fiona stabbed the poker in the fire.
“I can’t talk long, Mom, but take good care of Abigail, and thanks—for everything.”
“Bye, dear. Here’s Abigail.”
“Mom, you’re real y going to like Dad’s fiancée.”
Chloe doubted that. “Mmm-hmm. What’s her name?”
“Marcia.”
“Marcia what, angel?”
“Marcia Smith.”
No chance of Googling or finding a Smith on any social network site. She’d never felt the urge to cyberstalk someone until now.
“She’s a very successful businesswoman Daddy says.”
Chloe’s eyelid twitched.
“She was in a magazine. She showed me.”
Chloe raised an eyebrow. “What magazine?”
“It was a funny name for a magazine, like fortune cookie. Oh, yeah. Fortune magazine . ”
Of course Marcia Smith was in Fortune.
“She has long blond hair and does Pilates every day and she’s very excited about being my other mom, she says.”
Chloe made a fist. She almost growled. She thought the smoke she was smel ing was coming out of her ears, but then she remembered that Fiona had stirred the fire. Chloe had never even thought of sharing Abigail with a stepmother. “She sounds nice,” she said through clenched teeth.
“Tel Daddy I said ‘congrats.’ I can’t wait to see your flower-girl dress.”
Wasn’t Marcia fortunate enough with her long blond hair and money and her Pilates body? She could have Winthrop, but did she have to take away her daughter, too?
“Stil , I don’t want to cal her ‘Mom,’” Abigail said.
Relieved, Chloe looked into the cameras again. As Abigail recounted the dessert Winthrop and Marcia had bought her, Chloe made her decision about this show. Her mom was right, she had to win the money now.
More determined than ever, she decided to toss her bonnet in the ring.
“Sweetheart, I have to go. I’l cal you soon, though, and you know I’m thinking about you every minute, right?”
“I know. You tel me every day, jeez!”
They both smooched into the phone and hung up. Chloe hurried across the room to Fiona, who was struggling with the fire. The cameramen fol owed her, and Chloe looked back at them, adjusting to the creepy feeling of being watched, fol owed, and filmed.
Fiona put another log on while Chloe took the antique red-andgold fireplace bel ows and, as if she’d been doing this her whole life, fanned the fire.
Fiona eased the bel ows out of Chloe’s hands. “Much obliged, but it’s not your place to tend the fire. Might we get you dressed now?”
“Of course.”
Chloe put her hands on her hips and spoke to the camera crew. “But only if you leave, okay?”
Not a one of them said a word.
Fiona ushered Chloe back behind the screen. “The crew cannot speak to us, only George can. They’l stay on the other side of the screen and won’t film you until your chemise is on and I’m lacing up your stays, or corset, as you may know it. They’l film from the back at that point. Agreed?”
Like she had a choice? She nodded in agreement.
Chloe undressed quickly so Fiona couldn’t do it for her. She relinquished her bra and green cotton panties.
“This is your chemise, also cal ed a shift, and you wear it under al your gowns.” Fiona swooshed it over Chloe’s head.
It was sleeveless, grazed her kneecaps, and was so thin it almost wasn’t there.
Fiona slid Chloe’s arms into the stays, began to tighten the laces, and continued her narrative. “Regency women wore stays,” she said with a pause.
The cameras came in on cue, and Chloe got goose bumps just thinking about being filmed in, essential y, her 1812 underwear.
“Regency stays, unlike the Victorian corset, weren’t boned, and weren’t meant to cinch the waist, but were intended to push the bosom up and out like a shelf.”
“I’l take whatever help I can get!” Chloe said into one of the cameras, but the cameraman didn’t crack a smile.
“You’l have shorter stays, too, for your more athletic pursuits, but today, posture is everything and you’re wearing this longer one, with the busk.”
Chloe remembered reading about busks at some point, but never real y understood what they were or how they worked.
Fiona wielded the busk, a smooth, flat piece of wood, kind of like a rounded ruler, and slid it into a sewn-in pocket down the front of Chloe’s stays, from the middle of her cleavage to her bel y button.
“But how am I going to—”
“Bend at the waist? You won’t. You’l have to bend at the hip.”
Chloe was thinking more about the logistics of, shal we say, bending to go to the bathroom with a ten-inch ruler down the middle of her chest.
Fiona continued the lacing, and Chloe grew impatient, thinking she’d have to go through this every morning and night. The numerous and tiny eyelet holes were just that: holes without reinforcements. What a pain! She looked longingly at her simple bra with the hooks, folded neatly and in a plastic storage bag on the chaise.
The lacing-up gave her time to dwel on things she didn’t want to think about, like the fact that she’d be in a dating show on international TV and no doubt the Internet, and, worse, that she’d have a stepmom competing for her daughter’s affections. That roiled her.
“I don’t understand,” she said out loud. “Why aren’t there reinforcements for these holes?”
“Reinforcements could only have been made of bone, and richer ladies would have them.”
The money thing, again.
“There!” Fiona tied off the laces. “Let me get the mirror.”
Fiona trotted back with an ornate, if slightly tarnished, floor-length mirror squeaking along on wheels.
“You don’t even feel the busk, do you? And see how it creates such straight posture and how it separates to create this lovely heaving effect?”
Chloe couldn’t believe what she saw. Granted, it took half an hour to lace up and she’d never be able to get the thing on or off by herself, but her boob size had gone from a 34C to a 36DD. And al because of a two-hundred-year-old bra . . . ?
The thirty-nine-year-old droobs became suddenly round, pert, and “boobilicious,” as her employee, Emma, would say.
“A nineteenth-centur
y boob job,” Chloe said.
“Wait til you see how great it makes the gown look. But first, your pantalets.” Fiona held up two cotton half legs with ribbons that tied around the waist in the air. They were crotchless, bottomless, scandalous.
The cameramen zoomed in on her.
“They make a thong look uptight,” Chloe said. “I know Jane Austen wasn’t the prim and proper type some of her relatives made her out to be, but you can’t tel me she wore those.”
“They were considered a little risqué at the time, but she may have.” Fiona held the pantalets in front of Chloe in a “shal we?” kind of way. The
ribbons danced and dangled.
Chloe figured women wore some kind of drawers under their gowns, not these things. Certainly, when she wore her Regency gown to a Jane Austen event, she wore her usual hose underneath. Austen never mentioned undergarments in her novels, and even though Chloe knew a lot about the Regency, her knowledge was by no means encyclopedic. “No drawers?”
“Drawers were newfangled, and not completely accepted until later in the Regency. Miss Austen may have done what many women did, especial y in this summer heat, and you may choose to do as wel .”
Color rose to Chloe’s cheeks. She’d never look at another period film the same way again. “I’l go with the pantalets.”
With the utmost discretion, Fiona helped Chloe into the pantalets and then her white silk stockings.
“Stockings were white,” Fiona said. “A woman of your station wouldn’t wear pink, that would be vulgar.”
Chloe began to piece together that she wasn’t to be one of the “Ton,” but she wouldn’t be a “woman of the night” either, so maybe she’d shake out as a sort of middle-class Elizabeth Bennet?
With silk ribbon garters, Fiona tied off the stockings wel above the knee, and Chloe felt suddenly sexy. Maybe, just maybe, this show could be fabulous—
Fiona plunked two lemon halves in Chloe’s hands.
“You need to rub these under your arms.”
Chloe cocked her head.
“Your deodorant. The staff was hard-pressed to find Regency recipes for deodorant, and most likely they rarely used it, so lemons wil have to do, when they’re available.”
Wincing, Chloe did as she was told. Her mind drifted to thoughts of a lemon martini as she flapped her arms to dry off.
“Now for your gown. This is the best day gown you have, and even though it’s a bit impractical to wear for travel in a carriage, it’s important to wear your best, as you’re going to a grander home than the one you came from.”
Fiona lifted the gown over Chloe’s head, buttoned up the back, and Chloe morphed into a nineteenth-century version of herself, al in white. She spun before the mirror. Abigail would’ve loved this. The high Empire waist elongated her torso, the busk kept her back straight, the neckline showed off her racked-up rack, and she felt more convinced than ever that she belonged here, in 1812, although the gown was so sheer you could see her blue ribbon garters right through it.
After Fiona slid on the shoes that had no designated left or right and resembled bal et flats, Chloe floated to the vanity, where Fiona curled and pinned her boring brown hair into a seductive Regency updo that somehow camouflaged the few gray hairs she had. Brown tendrils of hair skimmed her face.
Fiona clasped an amethyst necklace around Chloe’s neck as Chloe pursed her lips in the mirror. She knew only prostitutes would wear lipstick, but getting anyone to woo her without it would be a chal enge.
Fiona rubbed crushed strawberries on Chloe’s cheeks, but that didn’t seem to do much other than make her cheeks feel tight and sticky, kind of like her underarms with the lemon. The only suitors this might attract would be flies.
“When we have special occasions, I’l do your eyes up with candle soot,” Fiona said.
“That is something to look forward to,” said Chloe.
“But for now we have elderberry stain for your brows.”
The elderberry just seemed to bring out the dark circles under her eyes. “I don’t know if I can face a world without undereye concealer and lipstick.”
She might’ve been better off in an eighteenth-century dating show, with her face painted white like Marie Antoinette, covering up the undereye circles and fil ing in the beginnings of crow’s-feet. Of course, that white face paint proved to be ful of lead and poisonous, even fatal, to women of the time. Stil . No makeup was a bit too revealing.
Chloe padded over to her vintage bag, cameramen behind her, in search of her concealer, and came across the foil-wrapped strip of condoms Emma had slipped her at the airport.
W ith al those hot Englishmen in tights you might need II these,” Emma had said.
“They won’t be wearing tights, Emma. That would be seventeenth century.”
“Bummer.”
“Anyway, I’m not going there for the men, and sex before marriage was a real taboo in Regency England. Have you not heard of Lydia Bennet?”
Emma dangled the condoms in front of her. “They’re strawberry-margarita flavored,” she singsonged.
She handed Chloe the condoms.
Chloe pushed them away. “What do you think? I’l be having a quickie in the back of a chaise-and-four?”
“I hope so, for your sake!”
Chloe tossed her head back. Resistance was futile. Emma tucked the condoms into Chloe’s bag.
“It’s your first trip without Abigail, and I think you should be going to Key West, not repressed England. Take them just in case, okay?”
“Al right. And just for the record, I have no desire to ever go to Key West.”
S he knew she couldn’t possibly bring such contraband with her, and as if she read her mind, Fiona made it clear.
“The crew searched al your bags and suitcases, Miss Parker, and only one item qualifies to go with you; everything else wil go under lock and key for three weeks.”
Was she more shocked by the fact that they searched her bags or that she could only bring one thing? It was hard to tel .
“You can bring this.” Fiona held up a red velvet bag and pul ed out Chloe’s diamond tiara, a family heirloom and her good-luck charm. “It’l be perfect for the bal .”
“So there wil be a bal ?”
“Yes, of course.”
Fiona handed the velvet bag to Chloe.
“My grandmother gave it to me for my seventeenth birthday.” Chloe had worn it in the audition video, as wel as the Jane Austen Society bal s she’d attended, but she’d never danced in it.
“It’s beautiful, and wil fit in your reticule. Now, if you wil simply hand me your purse.”
Chloe handed over her purse, minus her phone and charger.
Fiona held out her palm.
“What?”
“Everything is historical y accurate, Miss Parker. You know you can’t bring your phone. Regardless, there isn’t any electricity.”
Chloe couldn’t even process the thought of no electricity. “No phone? Not even just for texting or e-mailing?”
Fiona put a hand on her hip, or what would’ve been her hip if she had any. “It’l be here, safe under lock and key.”
Chloe sank down on the chaise, but the busk kept her from slumping over. “I can’t do this. I need to talk with Abigail.”
Fiona smiled. “Not to worry. Everyone has a direct line of communication through George for any emergency, day or night. Your family has George’s phone numbers. Send her a text that you’l write. You said yourself you’re keen on writing by hand. She can write you back. It’l be—
sweet.”
Chloe keyed in a last message to Abigail: “Wil snail mail u. Snail back. Can’t take phone. Cal George Maxton in emergency. Love u. B good.”
She hadn’t felt it til now, but she real y was across the ocean, thousands of miles from home.
Fiona zipped the phone in a plastic bag, just like al the rest of her things, as if Chloe were going to jail. The zip sliced through the air and the sudden silence of th
e room closed in as Fiona whisked the bag away.
Then the phone rang inside the bag, breaking the silence.
Chloe got goose bumps. What if it was Abigail and what if she couldn’t bear not to be in touch with her mom and what if she wanted her to come home—
“Wait! Stop!” Chloe hustled after Fiona, her boobs jostling in her stays and the cameramen jostling after her.
Fiona stood at a metal safe, closing the door, turning the key.
“Stop, Fiona! I need my phone! Give me my phone!!”
Chapter 3
M iss Parker,” George said as he raked his auburn hair with his hand, “A cal from your daughter asking if she can go to a pop concert does not constitute an emergency.”
Chloe had hunted George down and found him in his production trailer, which was set up in a green behind the inn. Thankful y, he’d instructed Fiona to retrieve Chloe’s phone, and he al owed her to return the missed cal from Abigail. Abigail had cal ed merely to ask if she could go to a concert with Winthrop and Marcia, and reluctantly Chloe acquiesced. The competition for Abigail’s affections had begun in earnest with Chloe half a world away and incommunicado.
Coffee permeated the air of George’s trailer, good coffee, the kind Chloe didn’t get on the eight-hour flight.
George stood in front of three high-def TVs mounted to the wal , dividing his attention between Chloe and his iPhone.
“It’s not an emergency to you, George,” Chloe said. She covered his iPhone screen with her hand for a moment. “She’s not your daughter. At her age I was reading The Secret Garden. I didn’t go to my first concert until I was a teenager. It took a lot of thought for me to say yes.”
Chloe, stil shaken, and stirred, propped herself up against the floor-to-ceiling wine refrigerator. “I guess I overreacted to having my cel phone confiscated for three weeks. I’ve never been out of touch with her like this. I’m a single mom—” She looked straight into the camera filming her, sucked in her cheeks, and edited herself to become more restrained and guarded as a single woman of the era should be.
“Are you sure you’re strong enough to forgo modern technology for more than a fortnight?” George asked.
Definitely Not Mr. Darcy Page 3