by Fay Weldon
There was an auction in that novel, too, when my heroine's belongings were sold up. Bereft of a husband to protect her, and innocent of the ways of the world, she was thoroughly cheated by the local small businessmen, from the antique dealer to the estate agent to the lawyer. First they slept with her, then they profited by her. Trisha will not be so foolish. She knows only too well which side her bread is buttered.
That auction is vivid in my mind because, having written it, I was there at its filming for TV. If you write enough fiction, you can have trouble telling the difference between what you did in real life and what you wrote, and filming makes both more vivid. The rectangle of charred earth where I once fictionally burned down my own home, in a novel called Worst Fears, written in 1995, is seared painfully into my mind, and the passing of ten years has not muted the pain. I drove past the house the other day and was astonished to see it still standing and was not at all pleased.
Nearly everything you write about, you realise one day, has its roots somewhere in the past. What, for example, is this preoccupation with mattresses? True, this morning I changed my own. Over, end to top, side to side, heavy work. I did it myself without help. I did not want witnesses. There is no mattress-cover. Perhaps I am piling my own housewifely guilt into poor Trisha. I am reluctant to go out and buy a new one: I don't know what kind of shop stocks such things and I would have to find tape, pen and paper to take the measurements and I am upstairs and they are downstairs -you know how it goes. And besides, I have other more pressing things to think about. Easier to write another paragraph about Trisha's life.
My mattress, like Trisha's, is nine years old and expensive. Unlike Trisha's it is in not too bad a state. But mattresses are not the proper stuff of fiction. Beds are trivial on the page, if not in life. When, after thirty years of marriage, doing what all women are warned not to do (Wronged wife: 'I want
nothing from you, nothing. All I want is my freedom!) I left the matrimonial home, my then husband at least had the grace to give our brass bed away and not share it with his mistress under what used to be our joint roof. I am grateful for that.
Sometimes I wonder who has the bed now - like in that story A Day in the Life of a Penny, which all children used to be required to write and I loved to do and others to my surprise hated. In whose pocket is the penny now? In whose home the bed?
I hope it brought them luck, I daresay it did. Luck stayed with me for perhaps longer than its usual run, and may it do the same for them: I cross my fingers. I also hope that though keeping the bed itself they junked the mattress. It had nearly thirty years of life with us, and heaven knows where it came from before.
We do so much in bed, lying down - if we are lucky, that is - get born, conceive others, die - and if it doesn't happen in a bed that's usually bad. Born in a taxi, conceived in an alley, died in an accident - needs must, but bed is best, safe, familiar and dull. Too dull, perhaps, for novels. Fiction is about the exceptional, not the normal. Fiction is focused real life, with the boring bits cut out. Otherwise, just live life, don't read about it. Let alone write about it. Back to business.
Trisha faces the future
So Trisha calls Kleene Machine and tells Mrs Kovac, who is the owner of the property, that she will take the flat. Kleene Machine's shop-front has been recently repainted in deep crimson, lettering in gold. It is not unattractive. The firm charges top prices. It used to be a betting shop. Mrs Kovac hires out domestic and office cleaners from Eastern Europe and farms out the dry-cleaning on a commission basis. Kleene Machine's little crimson and gold van, driven by Mr Kovac, beetles around the area and is a familiar sight, if a rather surprising one in this mixed area, in which piss-stained, concrete walls and broken windows are still evident. This particular branch of Kleene Machine, an organisation which has so far made good profits by judging the property market and being the first to arrive in up-and-coming areas, was leased by the Kovacs as a concession two years ago. The neighbourhood is becoming popular with the media classes - journalists, film makers, ad men, minor celebrities and so on, who are less frightened of gun crime than the professionals -lawyers, doctors, accountants - and are the foot soldiers of the class war, as they prepare to drive out the riff-raff, ethnics of many varieties, take over and gentrify. The media game in London is to buy property cheap and sell dear by virtue of blessing the area with their presence and their spending power.
The police have gone before, making life uncomfortable for drug-dealers, whores, beggars and the gangs of youths, who, listless at best and depraved at worst, used to hang around Wilkins Square and its environs, bringing down the price of property. Now they cluster a quarter of a mile further out and make life miserable for another set of residents. They're restless, they didn't want to go. Wilkins Square has been the province of the uprooted and dispossessed for hundreds of years. Tradition draws them; they drift back, thwarting the police in their attempt to clean up the area. It is touch and go who wins.
Trisha has to rent: she can't buy. She has no money, other than what she makes from the sale, and that will have to go to pay off the last remaining debts. The auctioneers will want their commission; the tax man will want his last remaining pennies before the benefit agencies take over and pay out what the tax man has brought in. Everything will be recorded on computer and camera. Trisha's face will be studied by security cameras as she stands in line at Job Centres and welfare services. No one will let Trisha go free but no one will let Trisha starve. Trisha, by her careless living, has created quite an amount of work for all kinds of people to do, which is to the greater good, no doubt, and just as well, since the human race is in search of meaningful employment, and caring for others, making a difference, is what it likes to do.
Trisha makes the phone call she has been putting off. 'Hi there, Mrs Kovac,' says Trisha. She uses her mobile: the landline has long since been disconnected, and the instrument added to the others in the pile flagged Assorted Electronics, £30. 'Remember me? Trisha?' She speaks cheerfully. No point in dispiriting others. 'I'm the one about the flat. Thanks, I'd love to take it.'
'You're too late,' says Mrs Kovac. 'I told you to ring before midday. It's gone to the next person on the list. Flats round here are like gold dust. I was doing you a favour not wanting a yes or no there and then.'
Some people enjoy the power that owning the roof over others' heads entails: to be able to be kind and offer it, or to be mean and snatch it away at will - yes, that can be rewarding. Mrs Kovac finds it so. Trisha has met all too many of her kind lately, power freaks, the kind that cluster in banks or call centres, or wherever desperate need reveals itself. The officials concerned with her bankruptcy - she had offered them chocolate biscuits out of the generosity of her heart and been told she was buying them at other people's expense; there must henceforth be only digestive - enjoyed her helplessness: so did the social workers, who spoke with the soft, consoling voices of the habitually cruel, which belied hard eyes, and the contempt which seethed within. Sensitised now to the unspoken words: How have you come to be in this fix? Serve you right! Now you, who thought yourself so grand, are brought as low as us! Mrs Kovac is another. Trisha realises she had done it wrong. As with landlords, so in doctor's surgeries, as in all places where you depend upon others for help, it is wiser to weep, wail, and show distress than to display good cheer. Allow those in charge to show mercy, and then they will. But first, crawl.
Trisha weeps and snivels on the phone. She tells herself it is planned and calculated. It is not. She weeps real tears. Oh please, Mrs Kovac, please! She wants the flat, needs it. It is cheap and dirty and damp but it will do. It smells violently of carbon tetrachloride. Mrs Kovac undertakes 'spotting' - removing the worst stains by hand - in the back of the shop, before sending other people's dirty clothes off and away to the mysterious places where soiled rags are restored and returned crisp and clean and plastic wrapped. But there are worse smells to live with. Carbon tetrachloride at least smells of improvement, renewal, hope.
Mrs Kovac previously imported uneducated girls from the Far East, two a penny in their own land, where girls were on the whole disregarded. They were brought in on cheap flights, and allocated where Western need most lay. The clever ones were whisked off into banks, the pretty ones landed in the sex industry, the careful ones became nannies, the kind ones carers, and the daft and docile ones, Mrs Kovac's speciality, became cleaners. Now she ran Kleene Machine she would trust the most dextrous to do mending and repair work: replace buttons, patch, take up hems, let out seams - there is a lot of such work to be done: these days, with exercise done or neglected, diets working or otherwise, people change their shape rapidly. Fat today, slim tomorrow: wide-muscled shoulders on Saturday night, soft and sloping a week hence. But good mending girls were in short supply: the art of careful, delicate and precise workmanship was dying in the East as it long since had in the West. 'Repairs' were a good little money earner if you got it right but finding the staff was an increasing problem.
A few of Mrs Kovac's best girls had got away to good jobs in the fashion industry in Paris, where they commanded good wages. Now they had learned the route, too many others followed. Lately the bottom had fallen out of the Far East market: girls from Malaysia, Indonesia and Thailand were earning their living at home, their national economies were better. Times were better. Eastern Europe and Russia was the new market for girls. Soon that too would dry up and she would be left with the British, who were too disdainful to exert themselves at such mundane and badly-paid tasks. Poles were hopeless at sewing but good cleaners. It was a Communist upbringing mixed up with Catholic guilt that did it, in Mrs Kovac's opinion. They scrubbed both to cleanse their sins and benefit the community. But she could see that someone like Trisha, who had let slip about her past in embroidery, and was clearly in reduced circumstances, might be persuaded to join the mending army.
What Trisha had liked about the flat on her earlier brief inspection of it was that it had its own side entrance. You didn't have to go through the shop to get to it. It was private. She could make it nice. A few throws, some cushions and a scented candle or two and it would be just fine. She'd turn it into a little love nest. The area was marginally worrying. There was a Starbucks just around the corner, true - a sign that the district was going up in the world; but there was also a pile of broken syringes outside Kleene Machine waiting for a street-cleaner who never came to sweep them up in his little machine. Touch and go, Trisha thought, but she wouldn't be there for long. This was just a staging post between one good life and the next - with any luck. First, Mrs Kovac had to be persuaded.
'Please, please,' said Trisha, 'I don't know what I'm going to do; I've got no one to be there for me, nowhere to live. I don't know how my life has come to this but it has.' And so forth.
Mrs Kovac said she couldn't change her mind, she always kept her word, and besides, the new tenant was prepared to do bits and pieces of mending and sewing in part return for rent.
'I can do that!' said Trisha. 'It's just up my street!' and indeed this was true. She had been to the London College of Embroidery for a term, between school and Drama College. She'd written this on the statutory form provided by the Rental Accommodation Office, which she'd given Mrs Kovac, and which gave the life details everyone seemed to want these days.
'If it means all that to you,' said Mrs Kovac, grudgingly, 'I'll put the other person off.' So that was that, arranged. Fate took away with one hand and gave it back with the other, albeit finding the recipient a little more shop-soiled by age and experience each time it happened. Trisha didn't suppose her mending duties would be onerous, since Mrs Kovac was prepared to reduce the rent by only five pounds a week. She would meet that problem when she came to it.
On her way to her new home, riding in the front of the van with the removal man and her bits and pieces behind, she felt exhilarated, if a little as if she were the Fool in the Tarot pack, about to walk jauntily over the cliff edge into thin air. She tried to remember little Spencer's face and somehow couldn't quite envisage it. He belonged to some woman who had won a fortune in a lottery and lost it all in a decade. Through her inattention, drink and gambling, he now belonged to his father. That was justice. Men should remember they are fathers too.
It is easy enough to forget children in their absence. The bonding process works best when the child is within earshot. Birds and humans are designed to go foraging for their young and to return to the nest when the offspring is needy and calls out. If the call can't be heard the parent forgets. Other creatures need proximity of touch. Take a cow from a calf and in a couple of hours the cow forgets and the tormented lowing stops. After half a day the cat without kittens stops prowling. Why should we be different? But sometimes Trisha feels bad because she gives so little thought to her absent child.
The mattress turned out to be bigger than Trisha supposed, or else the bedroom was smaller than she remembered. You had to choose which one you wanted to open properly -the bedroom or the wardrobe door - you couldn't have both. Trisha chose the bedroom door. Clothes were henceforth to be unimportant to her new life. She would take all her little fur-lined jackets to the charity shop: she would go to work in dark skirts and white shirts. She would be plain and useful. She was full of dreams of redemption, of absolution. She would have to clamber over the mattress, no doubt, for the odd feather stole and silky chemise, but at least her back would not hurt, only her pride. She would earn her own money and keep away from men. She would live quietly and lick her wounds until she felt stronger. She would try never again to weep in front of the likes of Mrs Kovac, never to be humiliated, never be reduced to inchoate self-pity.
Trisha's soul was much like her mattress: soiled but comfortable.
Novels are not enough
Novels alone are not enough. Self-revelation is required. Readers these days demand to know the credentials of their writers, and so they should. Too often readers cry out for bread and are given stones: writers fail them, fob them off with thrillers, good guys on the political left, the bad guys on the right, or chick lit, first-person tales in the present tense leavened by wisecracks, feeble emotions if nifty enough plots. Writers have to get published somehow: living in garrets is out of fashion. Who would take them seriously if they did? Once writers alone in all the world had privileged information: they could read the human mind and pass the knowledge on. But these days their USP, their Unique Selling Proposition, is wearing thin. Such knowledge is no longer arcane: everyone knows everything. Freud and Jung and a host of psychotherapists have laid out the road map of the mind for all to see: the mechanics of intellectual and emotional reaction have been made clear. From Meet Yourself as You Really Are; I'm Okay, You're Okay; Men are from Mars, Women are from Venus; The Cinderella Complex and their like, to Help Yourself to Contentment programmes on TV, everyone is now their own expert. Since Meg Ryan faked an orgasm in public, what is there left to be disclosed? It is not better and it is not worse: it is just different.
We are not short of stories, not at all. We wallow in beginnings, middles and ends: if we grow blase we are shocked into response. Once a severed finger was alarming, now volleys of decapitated heads fly about our screens and no one flinches. Our whole existence is threaded through with cheapo TV fiction: it is script editors, trained in counselling techniques, not writers, who dictate the lines the actors say, the tears they weep, the homosexual kisses they exchange. Our children grow up as heroes of their own lives, believing there will always be a happy ending. Even those wear thin. We would rather have reality TV.
Fiction drifts backwards into once upon a time: it is an industry, its raw material dug up where the market dictates, hammered into shape by editorial teams and committee, and each writer these days is perforce his own committee - what will the publisher think, what will my friends think, what do I dare say? The computer sniffs at swear words and underlines them with red. Thus the Stalinist Within triumphs, the free expression of thought is stifled. The Committee Without is there to pick off
stragglers: can this be safely published? Will this make a profit? (The Satanic Verses would not stand a snowflake's chance in hell today.) Since the touchstone is what has done well in the past nothing new can happen, or only by accident. But prudence does not pay off. The readers begin to yawn and close their books.
Best put your faith then in the new reality novel. Reality TV is real life lived out in a fictional context (the House): the reality novel threads the life through the fiction. Have my fiction, have me.
That off my chest, on with the story of my own life. Trisha's is going to have to wait a bit. As she wept, pained and humiliated, so did her writer.
Times I have cried in public
I cried when I was fourteen turning fifteen and I left my father on the quayside at Wellington, New Zealand, a tall, dark figure getting smaller and smaller as the ship departed, knowing I would never see him again. Nor did I. I was off, unwillingly, to England with my brave and wilful mother. That was 1946.
I cried when I was sixteen turning seventeen and the headmistress told me that I alone of all the Upper Sixth had not been elected prefect. That was South Hampstead School for Girls and only this morning I had a letter from the current headmistress asking me to address the school on any subject of my choosing. If My Friends Could See Me Now. Some could, if they were interested, but too many have died. That was 1948, the year I realised there was no magic to protect me from misfortune.
It was a shock when I realised my school days were five years behind me. The degree of shock, if this is any consolation, remains much the same now the gap amounts to fifty-five years. The terrible realisation that the present is not always with us is a one-time event and not subject, thank God, to perpetual renewal.