Night Kills

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Night Kills Page 40

by John Lutz


  He holstered the gun he was holding and drew a knife.

  77

  The door suddenly opened and a dark-haired man with fierce brown eyes clutched Pearl’s arm painfully and yanked her inside the apartment. She hadn’t had time to think, much less offer any resistance.

  I don’t recognize him. What the hell have I gotten myself into?

  Who the hell is he?

  Now what?

  He was showing her a knife, slowly revolving the blade in the air. Obviously displaying it for effect.

  He grinned meanly as he held up the long-bladed knife, figuring terror would melt the woman into something he could easily handle. It had always amused him that women reacted that way when they saw a knife that might be used on them. Perhaps it was a natural fear of penetration. Something sexual. Whatever, it made them inert and helpless.

  Pearl kicked him in the knee.

  The man roared with pain and slashed out at her with the knife. Pearl stepped inside the arc of the swing and punched him in the stomach. He grunted and shoved her backward, almost making her lose her balance. When he came at her she sidestepped his charge, barely avoiding the flashing blade. She was terrified that he might slash at her from the other direction, her blind side.

  Damned patch!

  But she was afraid to tear the patch off now, afraid of sudden brilliance and pain that might be worse than vision with one eye.

  She remembered a tacky glass vase on the table near the sofa, swiveled her head so she could see it through her left eye. Fixed its image in her mind. When the man charged her again with the knife, she avoided the blade and dodged left, toward the table.

  He whirled and came at her low, using the knife underhand this time. It would be harder to avoid his upward slashes, more difficult to see them coming from below eye level. Pearl felt for the cheap vase, a florist’s pressed-glass giveaway designed to hold one rose. She fumbled it, feeling it slide from her fingers.

  Then she lowered her hand and caught the vase as it toppled. She got a good grip on it and slammed it into the man’s face.

  It didn’t shatter. She swung it again and felt it make solid contact with the man’s head.

  The force of the blow made her lose her grip on the vase. It bounced on the floor and passed from her range of vision.

  She no longer had the vase as a weapon, but it had bought her precious seconds. She knew how to use them. She bolted for the door.

  Had her fingers wrapped around the knob.

  Was pulling the door open.

  But she knew she wouldn’t be fast enough. She was trapped in one of those horrible slow-motion nightmares.

  She was aware of the knife suddenly protruding from the door frame, near her face, where it had penetrated enameled wood after the man’s desperate throw, his attempt to cut her on the run.

  At least he isn’t armed now.

  Gunfire exploded behind her.

  Oh, shit!

  He’s got a gun, too! And he’s determined!

  So was Pearl. She had the door open and was almost in the hall. If she could get around the corner, out of sight, she might make it to the stairs. Screw the elevator. No time.

  She felt the familiar smoothness and grit of the hall’s tile floor under the sole of her left shoe.

  Gonna make it!

  A truck slammed into her back.

  She knew she’d been shot. She stumbled forward, then seemed to strike an invisible wall and bounce off it. Her balance shifted, as if the floor tilted.

  Pearl felt herself moving backward, back, back into the apartment on numbed legs. Exactly where she didn’t want to go.

  The impact of the second bullet was greater than that of the first. It flung her against the door, slamming it shut and trapping her inside with her assailant. Everything around her began to whirl, making her dizzy.

  She was looking up at the door. It was square in her one-eyed vision and moving farther and farther away, getting smaller.

  Odd…Am I floating…?

  She realized she was on the floor, her upper body on soft carpet, hardwood floor solid beneath her bare heels. Had the force of the shots knocked her out of her shoes? She’d seen it happen.

  She looked again and found the door. It was standing wide open. There was more noise, banging sounds, but she could barely hear them, as if they were coming from far away.

  Gunfire?

  There was Quinn, crouched in the doorway in shooting stance, filling the doorway, blasting away with that antique revolver of his.

  Quinn.

  It was strange how calm she was now.

  Quinn. Looking so serious. A serious man, Quinn. So simple and complex. A good man. Hard to find, hard to lose. She was going to miss him so….

  She thought she might have smiled at him.

  78

  “You with me, Pearl?

  Quinn’s voice. There was a horrible taste in Pearl’s mouth, and her lips were glued together with dried mucus.

  Yuk!

  “Pearl?”

  She didn’t want to open her eyes, but she did.

  There was Quinn, standing over her, looking serious.

  It came back to her in a rush, the man in Jill’s apartment, the struggle, the gunfire.

  Jesus, I’ve been shot!

  “Don’t try to move, Pearl.”

  She felt her lips rip apart. “Wha’ happened?”

  “You were shot and spent five hours on the operating table. You’ve been unconscious for a while, and now you’re back.”

  Mingled scents came to her: pine disinfectant, peppermint, fresh linen. She let her gaze roam, painfully and with one eye. Her vision was slightly blurred more than a few feet out, beyond a tray on which sat a green plastic glass and pitcher, a box of tissues. She was in a hospital bed.

  “Unconscious? A while?”

  “Three days,” Quinn said.

  Three days! Serious. Maybe critical.

  “That qualify as a coma?”

  “Sure,” Quinn said.

  “I’m gonna live?”

  “Yeah, if from now on you do everything I say.”

  “Quinn…”

  “I’m sorry. You’re gonna be okay, Pearl. You’re in Roosevelt Hospital. You were shot twice. One bullet broke your collarbone. Another entered your back near the shoulder blade and deflected downward and lodged near your liver. They’ve both been removed. You’re gonna be fine.”

  “So I really will live?”

  “You will.” His smile came and went like a ghost. “You’ve got a lot of physical therapy ahead of you.”

  Pearl tried to move but found she was too weak. “My back, nothing hurts. Everything’s numb.”

  “It’s the drugs. It’ll hurt later, Pearl.”

  “Good old Quinn, giving it to me straight.”

  “Few enough people will, in this screwed-up world.”

  “Don’t I know it? When can I get out of here?”

  “Maybe in two or three more days. They’re gonna evaluate you again.”

  “Jill okay?”

  “Fine.”

  “What the hell happened?”

  “Feds and I caught up with Palmer Stone on the stairs of Jill’s building, and he admitted faking his suicide, killing the man who had become his double and thought he was going to become Stone after the real Stone disappeared. We tried to get more out of him, but he went silent and asked for an attorney.”

  “He decided to lawyer up after admitting to murder?”

  “Yeah. That’s what struck Feds and me as wrong. We figured he had a reason, that he was maybe trying to delay us. And we could think of only one reason why he’d want to keep us in the stairwell as long as possible.”

  “He didn’t want you to go to Jill’s apartment. He wanted you to think any danger to her was over.”

  “Right. He knew what was going to happen up there, because he knew who was waiting. But you went to see Jill. You found Jorge Sanchez instead.”

  The name didn’t mean
anything to Pearl for several seconds. Maybe because of the drugs. Then it came to her.

  “The infamous drug lord? But he was killed in Mexico City.”

  “Not the real Sanchez. The man the Mexican police shot to death was one of Sanchez’s several doubles, who was tricked into leaving the hotel Sanchez and his wife were in. The police took him for the real Sanchez and killed him. Even Sanchez’s wife, Maria, thought Jorge was dead. She had to have been shocked to see him in the dark passageway when he stepped out of the shadows and killed Greeve.”

  “Greeve had been shocked, too,” Pearl said. “He wasn’t killed by any prostitute. They just made it look that way. He was trying to pronounce Jorge’s name before he died.”

  “Right. Jorge is in the hospital now, and talking. But he isn’t going to make it. He was planning to join his wife in New York after assuming the identity of an E-Bliss client himself. They were going to meet again as two other people and move out of town, away from the drug trade. And it might have worked out for them if Jorge could have killed Jill. She was the only one who could swear she saw both Madelines and could tie them in with E-Bliss. Jill was the link he had to destroy. But Jorge’s plans went about as sour as Palmer Stone’s.”

  “So Maria Sanchez was the new Madeline.”

  Quinn nodded.

  “What about Tony Lake?”

  “Victor Lamping?”

  “Yeah.”

  Quinn was surprised she’d forgotten; he’d told her all about Lamping while holding her and waiting for the medics in Jill’s living room. “He was dead before they got him to the hospital.”

  Pearl let her head sink back into her pillow and thought about that. About handsome, smiling, lying Tony Lake. Everything about him a lie.

  “Good,” she said.

  Quinn said nothing.

  “E-Bliss,” Pearl said. “What a nightmare.”

  “Even more than you think,” Quinn said. “Stone and Victor’s sister, Gloria Lamping, whom Stone ratted out, are trying to outtalk each other, cutting deals that aren’t going to happen. That’s where I got much of my information. Gloria’s still recovering from being run down by a cab. She knew about the killings. Stone says she even committed some of them.”

  “A woman doing that to another woman.” Pearl managed to shake her head slightly on the pillow. “A nightmare,” she said again.

  “One that’s over,” Quinn said. “You’re awake now, Pearl.”

  He touched her hand as gently as he’d ever touched her.

  Quinn stayed with Pearl until almost midnight, then went home to his apartment and found Linda’s note.

  She’d thought things through, the note said, and she realized she could never be a cop’s wife. She was also going to quit her job with the city. She felt there was no choice, after being exposed as an informant who’d chosen sides in an NYPD internal dispute. No one would trust her after that. And she didn’t deserve Quinn’s trust.

  She’d signed her name under the word good-bye.

  Quinn felt like sobbing, then like breaking up the furniture, but he did neither. He thought about trying to phone Linda. But he didn’t do that, either. He knew she’d made her decision, and he wouldn’t be able to argue with the fatalistic logic in her note even if she did answer his call.

  In truth, he was saddened but not surprised. He knew where she probably was now, someplace where they served booze. He cared but he understood that it was hopeless to try to help her. Some people you couldn’t save. Some people you couldn’t save from themselves.

  Those were the ones who haunted you, because you could have tried harder even though you knew it was hopeless, because somehow or another, on the way out, they made others partners in their destruction. Even the people they loved. Maybe especially them.

  He folded the note carefully, as if he might keep it.

  Then he reconsidered, wadded it small and tight, and dropped it in the wastebasket.

  79

  A month later, Quinn was sitting at an outside table of a West Side restaurant nursing some kind of overpriced latte that was actually pretty good. An old woman sat at the table opposite his. She had three precisely aligned narrow gouges in her left cheek where her cat had clawed her. If that’s what had happened. If the woman even owned a cat. Quinn never got tired of observing people in New York and trying to read them.

  A signal changed and traffic streamed past in the street only ten feet away, raising the noise level and leaving a low-lying haze of exhaust fumes. Pedestrians hurried along the sidewalk, occasionally bumping and shoving at each other in the narrowed space between restaurant railing and curb.

  Quinn smiled. He knew that sooner or later one of those pedestrians would be Pearl. She was supposed to meet him here in five minutes for lunch.

  Pearl was doing well since her release from the hospital. Last week she’d even begun working again as a guard at the bank. She continued to attract and befuddle Quinn, and he knew she always would.

  Quinn glanced at the Times folded on the table. In it he’d read with satisfaction that the latest polls showed Harley Renz was the most popular police commissioner in the city’s history. There actually were rumors concerning a mayoral bid, most of them probably generated by Renz. Quinn figured Renz had come out of the Torso Murders case better than anyone.

  Fedderman had also come out okay. He was back in Florida, continuing his uneasy retirement, waiting for another call from Quinn. From time to time he sent Quinn citrus fruit.

  Palmer Stone and Gloria Lamping had lawyered up, but in truth they were helpless now. The system had them in its teeth, and the system would shake them and chew them to a fineness that was nothing.

  Two weeks ago the dead body of Maria Sanchez had been discovered in a bathtub in a Tijuana motel. Her tongue had been cut out and her mouth stuffed with cocaine.

  The Torso Murders had ceased.

  Jill Clark had reclaimed her life.

  Quinn noticed a bobbing, dark-haired head in the oncoming stream of pedestrians and stood up so he could be seen.

  He grinned. Pearl was here.

  Don’t miss John Lutz’s next spine-tingling thriller…

  Coming from Pinnacle in October 2009!

  PINNACLE BOOKS are published by

  Kensington Publishing Corp.

  850 Third Avenue

  New York, NY 10022

  Copyright © 2008 John Lutz

  All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the publisher, excepting brief quotes used in reviews.

  This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  PINNACLE BOOKS and the Pinnacle logo are Reg. U.S. Pat. & TM Off.

  ISBN: 978-0-7860-2099-7

 

 

 


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