by Various
I took supper that night, or rather we took supper, Miss Carmichel and I, at Solari's, and the dawn was just beginning to gild the cross on the Memorial Church as I entered Washington Square after leaving Edith at the Brunswick. There was not a soul in the park as I passed along the trees and took the walk which leads from the Garibaldi statue to the Hamilton Apartment House, but as I passed the churchyard I saw a figure sitting on the stone steps. In spite of myself a chill crept over me at the sight of the white puffy face, and I hastened to pass. Then he said something which might have been addressed to me or might merely have been a mutter to himself, but a sudden furious anger flamed up within me that such a creature should address me. For an instant I felt like wheeling about and smashing my stick over his head, but I walked on, and entering the Hamilton went to my apartment. For some time I tossed about the bed trying to get the sound of his voice out of my ears, but could not. It filled my head, that muttering sound, like thick oily smoke from a fat-rendering vat or an odour of noisome decay. And as I lay and tossed about, the voice in my ears seemed more distinct, and I began to understand the words he had muttered. They came to me slowly as if I had forgotten them, and at last I could make some sense out of the sounds. It was this:
"Have you found the Yellow Sign?"
"Have you found the Yellow Sign?"
"Have you found the Yellow Sign?"
I was furious. What did he mean by that? Then with a curse upon him and his I rolled over and went to sleep, but when I awoke later I looked pale and haggard, for I had dreamed the dream of the night before, and it troubled me more than I cared to think.
I dressed and went down into my studio. Tessie sat by the window, but as I came in she rose and put both arms around my neck for an innocent kiss. She looked so sweet and dainty that I kissed her again and then sat down before the easel.
"Hello! Where's the study I began yesterday?" I asked.
Tessie looked conscious, but did not answer. I began to hunt among the piles of canvases, saying, "Hurry up, Tess, and get ready; we must take advantage of the morning light."
When at last I gave up the search among the other canvases and turned to look around the room for the missing study I noticed Tessie standing by the screen with her clothes still on.
"What's the matter," I asked, "don't you feel well?"
"Yes."
"Then hurry."
"Do you want me to pose as—as I have always posed?"
Then I understood. Here was a new complication. I had lost, of course, the best nude model I had ever seen. I looked at Tessie. Her face was scarlet. Alas! Alas! We had eaten of the tree of knowledge, and Eden and native innocence were dreams of the past—I mean for her.
I suppose she noticed the disappointment on my face, for she said: "I will pose if you wish. The study is behind the screen here where I put it."
"No," I said, "we will begin something new;" and I went into my wardrobe and picked out a Moorish costume which fairly blazed with tinsel. It was a genuine costume, and Tessie retired to the screen with it enchanted. When she came forth again I was astonished. Her long black hair was bound above her forehead with a circlet of turquoises, and the ends, curled about her glittering girdle. Her feet were encased in the embroidered pointed slippers and the skirt of her costume, curiously wrought with arabesques in silver, fell to her ankles. The deep metallic blue vest embroidered with silver and the short Mauresque jacket spangled and sewn with turquoises became her wonderfully. She came up to me and held up her face smiling. I slipped my hand into my pocket, and drawing out a gold chain with a cross attached, dropped it over her head.
"It's yours, Tessie."
"Mine?" she faltered.
"Yours. Now go and pose," Then with a radiant smile she ran behind the screen and presently reappeared with a little box on which was written my name.
"I had intended to give it to you when I went home to-night," she said, "but I can't wait now."
I opened the box. On the pink cotton inside lay a clasp of black onyx, on which was inlaid a curious symbol or letter in gold. It was neither Arabic nor Chinese, nor, as I found afterwards, did it belong to any human script.
"It's all I had to give you for a keepsake," she said timidly.
I was annoyed, but I told her how much I should prize it, and promised to wear it always. She fastened it on my coat beneath the lapel.
"How foolish, Tess, to go and buy me such a beautiful thing as this," I said.
"I did not buy it," she laughed.
"Where did you get it?"
Then she told me how she had found it one day while coming from the Aquarium in the Battery, how she had advertised it and watched the papers, but at last gave up all hopes of finding the owner.
"That was last winter," she said, "the very day I had the first horrid dream about the hearse."
I remembered my dream of the previous night but said nothing, and presently my charcoal was flying over a new canvas, and Tessie stood motionless on the model-stand.
***
The day following was a disastrous one for me. While moving a framed canvas from one easel to another my foot slipped on the polished floor, and I fell heavily on both wrists. They were so badly sprained that it was useless to attempt to hold a brush, and I was obliged to wander about the studio, glaring at unfinished drawings and sketches, until despair seized me and I sat down to smoke and twiddle my thumbs with rage. The rain blew against the windows and rattled on the roof of the church, driving me into a nervous fit with its interminable patter. Tessie sat sewing by the window, and every now and then raised her head and looked at me with such innocent compassion that I began to feel ashamed of my irritation and looked about for something to occupy me. I had read all the papers and all the books in the library, but for the sake of something to do I went to the bookcases and shoved them open with my elbow. I knew every volume by its colour and examined them all, passing slowly around the library and whistling to keep up my spirits. I was turning to go into the dining-room when my eye fell upon a book bound in serpent skin, standing in a corner of the top shelf of the last bookcase. I did not remember it, and from the floor could not decipher the pale lettering on the back, so I went to the smoking-room and called Tessie. She came in from the studio and climbed up to reach the book.
"What is it?" I asked.
"The King in Yellow."
I was dumfounded. Who had placed it there? How came it in my rooms? I had long ago decided that I should never open that book, and nothing on earth could have persuaded me to buy it. Fearful lest curiosity might tempt me to open it, I had never even looked at it in book-stores. If I ever had had any curiosity to read it, the awful tragedy of young Castaigne, whom I knew, prevented me from exploring its wicked pages. I had always refused to listen to any description of it, and indeed, nobody ever ventured to discuss the second part aloud, so I had absolutely no knowledge of what those leaves might reveal. I stared at the poisonous mottled binding as I would at a snake.
"Don't touch it, Tessie," I said; "come down."
Of course my admonition was enough to arouse her curiosity, and before I could prevent it she took the book and, laughing, danced off into the studio with it. I called to her, but she slipped away with a tormenting smile at my helpless hands, and I followed her with some impatience.
"Tessie!" I cried, entering the library, "listen, I am serious. Put that book away. I do not wish you to open it!" The library was empty. I went into both drawing-rooms, then into the bedrooms, laundry, kitchen, and finally returned to the library and began a systematic search. She had hidden herself so well that it was half-an-hour later when I discovered her crouching white and silent by the latticed window in the store-room above. At the first glance I saw she had been punished for her foolishness. The King in Yellow lay at her feet, but the book was open at the second part. I looked at Tessie and saw it was too late. She had opened The King in Yellow. Then I took her by the hand and led her into the studio. She seemed dazed, and when I told her t
o lie down on the sofa she obeyed me without a word. After a while she closed her eyes and her breathing became regular and deep, but I could not determine whether or not she slept. For a long while I sat silently beside her, but she neither stirred nor spoke, and at last I rose, and, entering the unused store-room, took the book in my least injured hand. It seemed heavy as lead, but I carried it into the studio again, and sitting down on the rug beside the sofa, opened it and read it through from beginning to end.
When, faint with excess of my emotions, I dropped the volume and leaned wearily back against the sofa, Tessie opened her eyes and looked at me… .
We had been speaking for some time in a dull monotonous strain before I realized that we were discussing The King in Yellow. Oh the sin of writing such words,—words which are clear as crystal, limpid and musical as bubbling springs, words which sparkle and glow like the poisoned diamonds of the Medicis! Oh the wickedness, the hopeless damnation of a soul who could fascinate and paralyze human creatures with such words,—words understood by the ignorant and wise alike, words which are more precious than jewels, more soothing than music, more awful than death!
We talked on, unmindful of the gathering shadows, and she was begging me to throw away the clasp of black onyx quaintly inlaid with what we now knew to be the Yellow Sign. I never shall know why I refused, though even at this hour, here in my bedroom as I write this confession, I should be glad to know what it was that prevented me from tearing the Yellow Sign from my breast and casting it into the fire. I am sure I wished to do so, and yet Tessie pleaded with me in vain. Night fell and the hours dragged on, but still we murmured to each other of the King and the Pallid Mask, and midnight sounded from the misty spires in the fog-wrapped city. We spoke of Hastur and of Cassilda, while outside the fog rolled against the blank window-panes as the cloud waves roll and break on the shores of Hali.
The house was very silent now, and not a sound came up from the misty streets. Tessie lay among the cushions, her face a grey blot in the gloom, but her hands were clasped in mine, and I knew that she knew and read my thoughts as I read hers, for we had understood the mystery of the Hyades and the Phantom of Truth was laid. Then as we answered each other, swiftly, silently, thought on thought, the shadows stirred in the gloom about us, and far in the distant streets we heard a sound. Nearer and nearer it came, the dull crunching of wheels, nearer and yet nearer, and now, outside before the door it ceased, and I dragged myself to the window and saw a black-plumed hearse. The gate below opened and shut, and I crept shaking to my door and bolted it, but I knew no bolts, no locks, could keep that creature out who was coming for the Yellow Sign. And now I heard him moving very softly along the hall. Now he was at the door, and the bolts rotted at his touch. Now he had entered. With eyes starting from my head I peered into the darkness, but when he came into the room I did not see him. It was only when I felt him envelope me in his cold soft grasp that I cried out and struggled with deadly fury, but my hands were useless and he tore the onyx clasp from my coat and struck me full in the face. Then, as I fell, I heard Tessie's soft cry and her spirit fled: and even while falling I longed to follow her, for I knew that the King in Yellow had opened his tattered mantle and there was only God to cry to now.
I could tell more, but I cannot see what help it will be to the world. As for me, I am past human help or hope. As I lie here, writing, careless even whether or not I die before I finish, I can see the doctor gathering up his powders and phials with a vague gesture to the good priest beside me, which I understand.
They will be very curious to know the tragedy—they of the outside world who write books and print millions of newspapers, but I shall write no more, and the father confessor will seal my last words with the seal of sanctity when his holy office is done. They of the outside world may send their creatures into wrecked homes and death-smitten firesides, and their newspapers will batten on blood and tears, but with me their spies must halt before the confessional. They know that Tessie is dead and that I am dying. They know how the people in the house, aroused by an infernal scream, rushed into my room and found one living and two dead, but they do not know what I shall tell them now; they do not know that the doctor said as he pointed to a horrible decomposed heap on the floor—the livid corpse of the watchman from the church: "I have no theory, no explanation. That man must have been dead for months!"
I think I am dying. I wish the priest would—
Cordelia's Song from "The King in Yellow"
Vincent Starrett
The moon shines whitely; I shall take
My silk umbrella, lest the moon
Too warmly fall upon the lake
And cause my bridal flowers to swoon.
-*-
The sparrow’s sorrow is in vain,
And so does he his bridge forget.
I wed the long grass and the rain,
And seven sailors dripping wet.
-*-
And shall not you and shall not I
Keep tryst beside this silent stream,
Who thought that we should rather die
Than wed the peacock’s amber dream?
-*-
The moon shines whitely; I shall take
My silk umbrella, lest the moon
Too coldly fall upon the lake
And chill my bridal flowers too soon.
The River of Night's Dreaming
Karl Edward Wagner
Everywhere: grayness and rain.
The activities bus with its uniformed occupants. The wet pavement that crawled along the crest of the high bluff. The storm-fretted waters of the bay far below. The night itself, gauzy with gray mist and traceries of rain, feebly probed by the wan headlights of the bus.
Grayness and rain merged in a slither of skidding rubber and a protesting bawl of brakes and tearing metal.
For an instant the activities bus paused upon the broken guardrail, hung half-swallowed by the grayness and rain upon the edge of the precipice. Then, with thirty voices swelling a chorus to the screams of rubber and steel, the bus plunged over the edge.
Halfway down it struck glancingly against the limestone face, shearing off wheels amidst a shower of glass and bits of metal, its plunge unchecked. Another carom, and the bus began to break apart, tearing open before its final impact onto the wave-frothed jumble of boulders far below. Water and sound surged upward into the night, as metal crumpled and split open, scattering bits of humanity like seeds flung from a bursting melon.
Briefly, those trapped within the submerging bus made despairing noises—in the night they were no more than the cries of kittens, tied in a sack and thrown into the river. Then the waters closed over the tangle of wreckage, and grayness and rain silenced the torrent of sound.
*****
She struggled to the surface and dragged air into her lungs in a shuddering spasm. Treading water, she stared about her—her actions still automatic, for the crushing impact into the dark waters had all but knocked her unconscious. Perhaps for a moment she had lost conciousness; she was too dazed to remember anything very clearly. Anything.
Fragments of memory returned. The rain and the night, the activities bus carrying them back to their prison. Then the plunge into darkness, the terror of her companions, metal bursting apart. Alone in another instant, flung helplessly into the night, and the stunning embrace of the waves.
Her thoughts were clearing now. She worked her feet out of her tennis shoes and tugged damp hair away from her face, trying to see where she was. The body of the bus had torn open, she vaguely realized, and she had been thrown out of the wreckage and into the bay. She could see the darker bulk of the cliff looming out of the grayness not far from her, and dimly came the moans and cries of other survivors. She could not see them, but she could imagine their presence, huddled upon the rocks between the water and the vertical bluff.
Soon the failure of the activities bus to return would cause alarm. The gap in the guardrail would be noticed. Rescuers would come, with lights a
nd ropes and stretchers, to pluck them off the rocks and hurry them away in ambulances to the prison's medical ward.
She stopped herself. Without thought, she had begun to swim toward the other survivors. But why? She took stock of her situation. As well as she could judge, she had escaped injury. She could easily join the others where they clung to the rocks, await rescue—and once the doctors were satisfied she was whole and hearty, she would be back on her locked ward again. A prisoner, perhaps until the end of her days.
Far across the bay, she could barely make out the phantom glimmering of the lights of the city. The distance was great—in miles, two? three? more?—for the prison was a long drive beyond the outskirts of the city and around the sparsely settled shore of the bay. But she was athletically trim and a strong swimmer—she exercised regularly to help pass the long days. How many days, she could not remember. She only knew she would not let them take her back to that place.
The rescue workers would soon be here. Once they'd taken care of those who clung to the shoreline, they'd send divers to raise the bus—and when they didn't find her body among those in the wreckage, they'd assume she was drowned, her body washed away. There would surely be others who were missing, others whose bodies even now drifted beneath the bay. Divers and boatmen with drag hooks would search for them. Some they might never find.
Her they would never find.
She turned her back to the cliff and began to swim out into the bay. Slow, patient strokes—she must conserve her strength. This was a dangerous act, she knew, but then they would be all the slower to suspect when they discovered she was missing. The rashness of her decision only meant that the chances of escape were all the better. Certainly, they would search along the shoreline close by the wreck—perhaps use dogs to hunt down any who might have tried to escape along the desolate stretch of high cliffs. But they would not believe that one of their prisoners would attempt to swim across to the distant city—and once she reached the city, no bloodhounds could seek her out there.