I stood up as the car pulled near the steps. The tinted glass shielded the occupants, but when the driver's door swung open and a long leg encased in black leather stepped out, I knew it wasn't Hamilton.
Cece was behind the wheel and Tinkie got out on the passenger side, Chablis in her arms. She put the little fluff of fur down so that Chablis could properly greet Sweetie, who slurped her once, picked her up in her mouth, and trotted off with her.
"We decided that it was pointless to stay mad with you," Tinkie said. "Besides, I wanted to show Cece the terrific office you set up for us."
"Yes, dahling, if you choose to trash your life over and over again, we aren't going to punish you." Cece took my drink from my hand, sniffed it, and made a face.
"Tinkie, what did the doctor say?" I'd been on pins and needles for days, wondering how her appointment had gone.
"I didn't go," Tinkie said. Her blue gaze was serene. "There was no need. I'm perfectly fine."
"You promised," I said, a flush of anger rising in my face. Deep down I'd been afraid something like this would happen.
"The lump is gone," Tinkie said. "I'm positive of it. There's no need for a biopsy."
Cece put her hand on my shoulder and squeezed lightly. "It's her decision to make," she said softly. "Just like we had to let you make your own decision about Hamilton." She turned me slightly so that I was looking at her car.
"How do you like it, dahling?"
"It's a Jaguar. A new one." Not the most brilliant deduction, but I was still trying to get over being angry at Tinkie.
Cece preened. "Yes, I bought it today."
I arched an eyebrow. "You got an advance for your big story on Ellisea?"
"I decided not to do the story on Ellisea."
I took the glass from her hand and took a long swallow. "Say that again," I requested.
"I'm not doing the story."
I looked at Tinkie, who nodded. "Why not?" I asked.
Cece cocked one hip and rolled her eyes. "I suppose it's because—"
"She thought what it would be like if someone wrote that kind of story about her," Tinkie said.
"But Cece was wise enough not to hide her past," I said.
"LeMont told me a little about Ellisea's family," Cece said. "I decided not to write it. It's not a story that helps anyone or illuminates anything. It would only bring heartache."
"So how can you afford a Jag?" I asked.
"I have a job offer from the Times-Picayune." Cece ran her hand over the car's fender. "It's about the largest newspaper in the South, and they want me to be society editor! Can you imagine? After all those years when no one would give me a job! Do you know how long I wanted to work at that paper and live in New Orleans? It's going to be a big pay raise, too."
"That's great, Cece." I forced a big smile. Damn! Cece wasn't afraid to grasp a fantasy and make it real.
"I've dreamed about this for half my life," Cece said. "I just never believed I'd have the chance."
"I don't like it one bit," Tinkie said. "What will we do without Cece?"
Now that was a good question. What would we do?
"Dahling, New Orleans isn't that far away." She lightly gripped my elbow. "Aren't you going to invite us in for a drink? I feel like celebrating."
"Absolutely," I said, leading the way to the front parlor, where I poured generous amounts of liquor into my mother's beautiful highball glasses. "Let me get some ice. Tinkie, why don't you show Cece the office?"
"I heard from Hamilton," Tinkie said.
That stopped me in my tracks. I turned back to face her. "What did he say?"
"You broke his heart, Sarah Booth."
I couldn't tell if she was teasing me or not. "Really, Tinkie, what did he say?"
"He said that if he ever doubted that a fantasy could be real, he'd think of you."
"Did you tell him about... Coleman?"
"Yes. I told him that Coleman had taken his wife to Arizona."
I waited, wondering what it was that I hoped to hear.
"He said he hoped Connie got well and that Coleman left her."
"Did you tell him it wouldn't matter to me?" I held her gaze. In the past couple of days, I'd given it a lot of thought. It was true that I'd made a decision when I left Hamilton at the airport and came home to Zinnia. It was just as true that Coleman had made his choice, too.
"I won't lie to him, Sarah Booth. Besides, he wouldn't believe me. You made a choice."
"So did Coleman. So did Hamilton when he didn't come after me. We've all made choices in our lives, but that doesn't mean we don't regret some of them."
Tinkie walked over to me, her five-inch heels tap-tapping on the hardwood floor. "I know that better than most," she said, taking my hand. "Hamilton is hurt now. Badly hurt. Give him time."
I wanted to tell her that I was hurt, too. But instead I gave her a quick hug and stepped through the door into the dining room. I picked up the ice bucket and went into the kitchen. I heard them both heading toward the new office. In a moment I heard Cece's squeal of approval.
I glanced out the kitchen window and saw Sweetie Pie and Chablis running through the pasture where Reveler grazed.
Sweetie was loping, but Chablis was giving it everything she had to keep up. They ran past the horse and into the small family cemetery where everyone I'd ever loved was buried.
Coleman and Hamilton were gone. My reality was the view from my kitchen window and the sounds of my friends in the office, probably talking about me.
"Time is the biggest illusion of all, Sarah Booth."
I saw Jitty's wavering reflection in the sheen of the refrigerator door and turned around to face her. "Time heals all wounds," I said, remembering Aunt LouLane's favorite, and most foolish, adage. "I wish that were true."
Jitty's laugh was soft and easy. "You suffer from the biggest delusion of all, Sarah Booth. You think things come to an end." She stepped closer to me. "There is no end. Not to what you feel for people, or what they feel for you. Have faith, Sarah Booth."
"Sarah Booth, are you going to talk to yourself or bring us some ice?" Tinkie called. I heard her footsteps fast approaching.
"Faith in what?" I asked Jitty, reaching out to hold her before she vanished. I grasped only air.
Her smile was enigmatic. "In your own ability to love," she said just before she disappeared.
"Who in the world are you talking to?" Tinkie said as she pushed through the swinging door. She glanced around the kitchen.
"Do you believe I'll ever find real love?" I asked Tinkie.
She didn't hesitate. She put her arm around me and gave a squeeze. "You already have, Sarah Booth. You have me. And all the rest of your friends."
1
Dahlia House is haunted. No big revelation for those who know me and my family, but on this cold November morning, as I sit and watch the sun gild the harvested cotton fields with a false show of gold, I am acutely aware of the specters of the past. I suppose in one way or another, we are all haunted, though some of us more than others.
In my haste to get to a predawn murder scene, I accidentally picked up my mother's car coat from the hook by the back door. Standing over the body of a dead twenty-three-year-old woman, I inhaled my mother's scent from the folds of her coat. I heard the words she told me when I was ten, grieving the death of a pet. "Death comes to all of us, Sarah Booth. It is nothing to fear or despair of, merely another journey, like birth. It is the cycle of life."
I hated those words then, and I've come to despise them. My mother and father died two years later, victims of a tragic car wreck. It's an irony that now I make my living with death as my employer. I investigate deaths that are not accidental or natural. I'm an amateur authority on murder, and there's no doubt in my mind that Quentin McGee met murder most foul in the bog of a cotton field.
Sometime during the hours of the harvest moon, someone overpowered Quentin and held her face in the rich gumbo of Delta soil until she suffocated. It was a cruel and g
ruesome death, and I'm still shaken by it. So I sit on the front porch of Dahlia House with a cold wind cutting into me and stare at my riding boots, coated in a three-inch layer of mud, and I remember my mother with a bone-deep longing.
"Sarah Booth Delaney, what are you doin' mopin' out here on the front porch like your best friend has run off with your man?"
It was the voice of Jitty, my resident haint and vocal subconscious. I turned to look at her and did a double take. She was wearing a floor-length gown of gold silk with a bodice cut low enough to show the tops of her nipples. If that weren't enough, her hair was hidden beneath a powdered wig of white curls, and her normally bronzed skin was so pale that a beauty mark stood out in sharp contrast near her mouth. "Where the hell are you going?" I asked.
Jitty stepped closer, and I watched the fluid movement of the dress with awe. She frowned as she spoke. "That's not the question of the moment. What I want to know is where have you been? It's a scandal, you sitting out here in the dawn, covered in mud. You look like a participant in a bad reality show."
The story of my life. I was merely dirty, but I was the one who had to give an explanation. "A young woman, Quentin McGee, was murdered last night. Gordon Walters wanted me to see the crime scene before the body was moved."
"Sarah Booth, you're never gonna catch a man unless you get enough sleep to keep the bags out from under your eyes."
I stood up and faced Jitty. She would never have bags. She was dead. "What's the story behind that getup? I prefer the flapper look."
"I'm way over the Roaring Twenties. I'm headed to a ball."
"I hope everyone else is going in costume, too."
"Sarah Booth, this is the new me. I yearn for a time where there were social conventions. We need rules, structure . . . finesse! It's time people learned there are choices and consequences."
"Let them eat cake!" I thought I was funny, but Jitty gave me a look that would curdle milk.
"Look around. Our country is crumbling on its foundations. When there are no rules, nothing is valued."
"And you think it was better when a king ruled on a whim? Let me just point out that you look French and dressed for the guillotine." Jitty hopped decades and demeanors like commuters hop trains. One month she was a Cosmo girl, and the next a novice for martyrdom. Today she was getting on my nerves.
'There has to be a ruling class. Even the Republicans know that."
I made a chopping motion with my hand. "I hope you picked out a nice basket." I wondered if it was Jitty or me who was remembering history incorrectly. I didn't have time to discuss it. I saw Tinkie's forest green Cadillac pulling down the long drive between the bare sycamore trees.
Sweetie Pie, my noble hound, was underneath one of the rockers on the front porch, and I heard her tail begin to thud a Latin dance rhythm when she saw Tinkie's car. Sweetie rose, yawned, and trotted past me to the lawn to wait for Chablis, Tinkie's dust mop of a canine.
The Cadillac stopped, and Chablis was deposited out the driver's door before Tinkie stepped out. Even though it was just past six in the morning, Tinkie looked like she'd stepped out of the pages of Country Gentry. She wore an umber corduroy skirt and expensive boots that combined both the stables and chic.
"Is it true? Someone murdered Quentin McGee?" She headed toward me at full tilt.
I nodded. "It was a terrible scene."
She came and put her arm around me. Though she was a good seven inches shorter than me, her compassion was never vertically limited. "Come inside and I'll fix us both a Bloody Mary. We can have a little libation on a cold Sunday morning."
She hustled me inside and back to the kitchen. Once I was seated, she prepared two spicy Bloody Marys and put one in my hand. "When I got your message, I was curious as to why Gordon Walters came and got you." She pierced me with her blue gaze.
She had a point. Gordon was acting sheriff of Sunflower County because the elected sheriff, Coleman Peters, had taken an extended leave of absence to take his insane-slash-pregnant wife to a head-shrinking obstetrician. "I think Gordon was covering his bases. He's figuring, what would Coleman do?"
"This could work to our advantage."
I felt Tinkie's sharp gaze on me. She was waiting for my reaction, but I refused to give her one. Only the previous month I'd been in the wretched position of having to choose between my love for Coleman, the sheriff, and my potential love for the wealthy and handsome Hamilton Garrett V. I'd made a muddle of all of it and lost my chance with Hamilton. I'd never really had a chance with Coleman. He was married, and crazy wife or not, he felt obligated to honor that commitment. Tinkie was watching to see if I was backsliding on my vow to keep Coleman out of my heart.
"Having Gordon roust me out at four in the morning could work to our advantage—if you think freezing your butt off in a cotton field is a good thing. We don't have a client in this case."
"But we could have, and you're on the case from the very beginning." Tinkie went to the refrigerator and got out bacon, eggs, heavy whipping cream, and bread. "I'm starving, and I'm sure Oscar has gone on to The Club for an early breakfast with Harold and the boys. I think they're going to play a round of golf. That means we have all morning to figure out what happened to Quentin McGee." She pushed the ingredients toward me, eyebrows arching.
Obediently, I began mixing the batter for French toast, Tinkie's favorite.
Tinkie perched on the edge of her chair. "I hear there was quite a fracas at the bookstore yesterday. Quentin's book has everyone talking, and when she went to her afternoon signing, there were no books to be had. Someone bought all of them and burned them in the alley behind Booking It."
That was a juicy tidbit indeed. 'That must be some book," I said. 'The title, King Cotton Bleeds, was enough to make me steer clear of it."
"Quentin named names. Along with washing some mighty dirty laundry, she even pointed out who has and who doesn't have a legitimate claim to belong to the United Daughters of the Confederacy."
"Do you actually think that matters today?" Tinkie was my touchstone in the world of high society and blue-blood pedigrees.
"You bet it matters. The book has been selling like hot-cakes."
"Quentin was so young." I thought about what I'd witnessed. "Why would she want to write such a book? Gordon was saying that she dissed her own family."
"And everyone else in the Delta." Tinkie handed me the cream. "The McGee family is a prominent part of the book, and I'll bet they're howling. If you're looking for motive, that would be the first place to go."
"It still bewilders me." I got up and put the bacon on to fry.
"When Booking It gets more books, I'm going to buy a copy for you," Tinkie said. "I haven't had a chance to read mine all the way through, but Quentin did a good job of digging up dirt."
While the bacon popped in the pan, I turned to face her. "Now that pisses me off. There comes a time when the past has to be laid to rest. Dragging it up over and over again isn't fair."
She began to soak slices of bread in the batter. "I guess—"
The ringing of the telephone interrupted her. I picked up the receiver on the table as I returned to the bacon. "Hello."
"Sarah Booth Delaney?" The voice on the other end was male, cultured, and high class.
"Speaking."
"This is Humphrey Tatum." A slight pause. "Of Tatum's Corner."
I knew the location, and I gathered this had to be a member of the founding family. "What can I do for you?" I didn't add, "At six forty-five in the morning."
"My sister, Allison Tatum, has been charged with murder in the death of Quentin McGee. I'd like to hire you to represent Al. She's going to need all the help she can get."
I put my hand over the receiver and signaled Tinkie to pick up the extension in the other room. "Hold for a moment while my partner picks up." When I heard Tinkie on the line, I asked him to repeat everything and then said, "Mr. Tatum, why don't you come around to Dahlia House? I think it would be better if we spoke in person
. Say eight o'clock?"
"I'll be there."
Tinkie washed the dishes while I showered and dressed. When I came back downstairs, she'd spruced up our office. I thought, not for the first time, how Tinkie Bellcase Richmond, wealthy and spoiled Daddy's Girl, would never have been my first choice for a partner in a PI agency, and how wrong I would have been. In the year we'd worked together, Tinkie had saved my life more than once, and she was the most loyal, constant friend a woman could ask for.
"Are you okay?" she asked as she handed me the recorder she'd set up with a new tape and batteries.
"I'm better than okay. You're the best, Tinkie."
She blushed becomingly, then gave me a sidelong glance. "You aren't going to be able to sweet-talk me into going to that surgeon."
Tinkie's breast lump was a serious bone of contention. I sighed. "I'm not going to try that tactic. I'm going to drug you, tie you up, and take you there. You're going to have that lump biopsied."
She shook her head. "Not necessary."
Now wasn't the time for a full-tilt head-to-head with Tinkie. For someone who could be as pliable as licorice in the hands of a man, she was more stubborn than a mule. Before I could tackle her need to have her lump seen to, a silver gray Jaguar pulled up in front of the house. "Here's our client." An exceedingly handsome Humphrey Tatum it was, too.
We watched as he took note of the glazed glass that read DELANEY DETECTIVE AGENCY and listed our names as investigators. He swept into the room on a hint of interesting cologne.
"Ladies," he said, nodding at both of us, "I put my sister's fate in your hands."
He was tall and lean, with corn-tassel hair and eyes a blue so pale they looked colorless at first. His skin was bronzed, as if he spent time under a sun unhampered by humidity and haze. The image that came to mind was Apollo.
"What is the exact charge against Allison?" I asked as I showed him a chair.
He sat with grace, taking in the office. "Murder One. Deputy Walters said there were footprints at the murder scene that matched Al's shoes."
I remembered the scene vividly. There had been clear prints around the bog where Quentin was killed. I'd thought it was strange, because the obvious presumption was that the murderer had been careless enough to leave such vital evidence. As if he or she had wanted to be caught. "What does Allison have to say about that?"
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