Graves looked at her with alarm. “Oh good Lord, Mrs. Westerman! You won’t cry, will you?” he said, sounding much younger again. “You can’t behave so abominably then take such a feminine way out. Unfair!”
Harriet gave a rather damp snort. “No, Graves, I promise you I shall not.” She looked up at him. “I am sorry though. It was wrong to take Susan, and I knew it the moment we arrived, but by then. . though I’m glad I did.” Graves opened his mouth to protest again. “No, truly! She was so wonderful with him, Graves. We would never have managed without her. And when she told that horrid Gaskin she would burn down his house if he destroyed anymore of Leacroft’s music. .”
Graves shook his head with a reluctant laugh. “Oh, she did, did she? I was only told she’d asked the man to send Leacroft’s music here. Of course, she told me about ‘C’e una rosa.’” He turned his head away and fell into a study of the fire. “She is a remarkable girl. I wish I had met her mother. In fact, it seems as if I am surrounded with remarkable women. Verity is planning on buying me out, is she? Giving me the chance to work for my living?”
“You work very hard for your living and your wards. No one thinks otherwise but you. Yes, I believe that is her plan. But I understand she doubts if you still hold her in the same regard.”
Graves smiled gently into the fire. “She is the only person in the world who could do so. Though I cannot ask her to be my wife under the circumstances, I think of her every moment.” Then he added, looking at Harriet with an eyebrow raised, “At least, when I am not trying to save the children from your pernicious influence.”
Harriet let herself smile and placed a hand on his sleeve. Graves nodded to the clock on the mantelpiece. “You should go and dress, Mrs. Westerman. And Stephen made me promise to ask you to come and kiss him good night before you leave. I think he wishes to see his mama in her finery. And he has something to ask you. He has thought about it quite carefully, so I would ask that you listen.”
Harriet rose. “Thank you, Graves. You are a better friend than I deserve.”
“No, Mrs. Westerman. Rather the world does not deserve you. But here you are, you and your dashings, and Mr. Crowther and his knives, and we must learn how to make best use of you. Enjoy the performance. You will not see a better opera in London for five years.”
She left and made her way slowly up to her own chamber.
6
Harriet, Rachel and Crowther were to have the use of Mrs. Service’s box at the opera that night, and Mr. Crumley was provided with papers for the pit. Harriet was a little surprised to find that the coach did not make its way directly to Hay Market, but matters became clear when she realized they were turning into Sutton Street. The carriage paused and Miss Verity Chase was handed into it by one of her father’s servants. Harriet was very pleased to see her. The strained nature of the understanding between this lady and Owen Graves meant that her visits to Berkeley Square to see the children were fleeting, hurried and only to be undertaken when Graves was sure to be away from the house. Mrs. Service took the children to Sutton Street whenever their entreaties reached a fever pitch, but she was unsure if she should be encouraging the bond between the children and Verity to continue to flower, and the visits made her uncomfortable.
Rachel patted Miss Chase’s hand and smiled reassuringly at her. Verity seemed more comfortable at once and began to ask them about Fitzraven and their investigations to date. Harriet and Crowther were happy to tell her what they could without repeating Mr. Palmer’s concerns. Miss Chase was a practical and intelligent woman and her remarks were always to the point, and worth attending to. She was quite as beautiful as Rachel, but had a little less of her yielding femininity. Her nature and humor was rather more dry and exact. For all that she had been raised as a gentlewoman, Harriet could see something of her father, the man of business in her, and admired her for it.
“So Miss Marin discovered yesterday what you did this morning. Do you know if she has spoken to Mr. Bywater? Surely that would be her first thought if she felt for him as Carmichael and Manzerotti suggested. Her distress must have been extreme.”
Harriet was a little shocked. “I had not thought of it till now, Miss Chase. She was certainly distressed by something when I spoke to her last evening.”
Crowther frowned. “Did not Carmichael say she left the party as soon as her portion of his little entertainment was complete?”
Harriet nodded and looked at the elegant reticule she held on her lap. It was a pretty thing, but not practical. “He did. We must speak to Bywater ourselves tonight, Crowther, and challenge him. Do you think if he murdered Mr. Fitzraven he will confess it now?”
Out of the corner of her eye Harriet noticed Rachel shiver a little at the word “murder.” Miss Chase merely watched their discussion with calm interest.
“Possibly. I’ve already told you his behavior seemed to betray guilt of some sort. Though it is just as likely that he was nervous his plagiarism was about to be exposed. He had no great difficulty finding Leacroft. We must assume he realized we would not find it impossible ourselves.”
Harriet nibbled the tip of one of her gloved fingers in thought. “I am very glad you are here, Miss Chase. It may be a night of unpleasant scenes. We shall have our conversations in private, and you and Rachel may remain in the box together.” She flashed her eyes up at the two young women. “I hope you will find more pleasant topics of conversation.” Miss Chase lost her calm demeanor for a moment and blushed. Rachel gave a little gurgling laugh, and patted her knee.
“I am sure we will, Harry,” she said. “After all, we just have to find a way to persuade a proud man to allow himself to be made happy.”
Miss Chase kept her eyes low, but smiled.
Rachel looked past her out of the carriage window. “Dear heavens. It is even more crowded than Saturday evening.”
The Hay Market was jammed with carriages. It seemed that not only Graves would profit from the popularity of “C’e una rosa.” A pair of women in white caps were trying to sell rather tired-looking yellow roses in through the carriage windows from great baskets on their hips, and for those who could not afford fresh blooms, a few young boys were handing out flowers cut from paper for pennies.
Crowther noticed a tall, thin-faced woman in brown emerge from the rear of the theater with a sack over her shoulder. She called a boy over to her, cuffed his ear and gave him from her bag a fresh stack of librettos to sell. He put some coins in her hand and she counted them over carefully, her lips a hard line, while Crowther watched her.
“What an enterprise this is,” he said, turning away from the window again.
Harriet sent a note to Mademoiselle Marin via one of the servants of the place as her party settled into the box. Before the opera commenced she had received a courteous response from Isabella saying indeed there were many things she wished to discuss with Mrs. Westerman, but she did not think she would be equal to such interviews until the performance was complete. Harriet handed the note over to Crowther without comment and he nodded.
“Perhaps it would be best to meet with Mr. Bywater after the performance as well,” he said. “We may send Miss Chase and your sister home in a respectable manner, then confine the unpleasantness to Mr. Harwood’s office.”
“Should we tell Mr. Harwood what we know?” Harriet asked as the musicians began to take their places in the pit. She leaned awkwardly over the edge of the box to try and spot Mr. Bywater. The seat at the harpsichord remained empty.
“Let us find him between acts and speak with him then.”
Harriet was content and settled back in her chair to derive what pleasure she could from the entertainment. The theater was bursting. The chandeliers were brilliant enough for the company to read their librettos and wave at their friends with ease. Everything was in movement. The Quality moved between their boxes and those of their friends, whispering scandal or politics to make the women laugh and the jewels in their hair sparkle. Some breach of etiquette in the pit had
led to a man’s wig being plucked off his head and tossed back and forth among the crowd while he tried to struggle toward it. As the overture began, it seemed the pit felt he had been punished enough and a young man handed it back to him with a slap across his shoulders and an order to mind his manners better. There was a smattering of applause as he took his seat again, pulling the bruised horsehair firmly over his ears. The galleries were clamorous, and all through the pit, people were shouting greetings and comments to one another.
Harriet scanned the boxes around her. The Royal Box was taken by a group of women and men, beautifully dressed, but not anyone she could recognize. Friends of the Prince of Wales perhaps. She caught sight of Sandwich opposite and responded to his polite bow with a gracious nod. She was aware that after she had done so, various other pairs of eyes sought her out from the pit and boxes, and so kept her gaze on the stage and did not risk peering over to see Mr. Bywater again.
There was movement, and to a stately march a large chorus of singers in an approximation of Roman costume gathered on stage. According to the little book in Harriet’s hand that gave both the Italian and a rather free, she suspected, English translation of it, they were now launching into a rousing musical debate on the politics of their day. The audience turned away from their various discussions and conversations and began to pay attention to the performance. A minor god descended in clouds of fury to a call from the horn section and flew to a position at the front of the stage. The device earned some gasps and some applause of its own. The god seemed pleased.
Harriet let her attention wander to Rachel and Verity, sitting with their own libretto open between them. They made a charming study of young womanhood, and Harriet felt fond of them. They had both found men whom they could love and admire, and as far as it was possible to judge such things, Harriet thought they had as much chance of happiness as any pair of young couples. She remembered the pleasure and excitement of the time of her engagement to James and looked at her hands. She had the promissory ring on her finger again. Stephen had handed it over very gravely to her that evening, saying he thought it best she should have it back. She had forgotten she had left it with him, and felt guilty, so when Stephen asked, after taking a deep breath that seemed to lift his little body up like a balloon, if he might visit his father, she had agreed at once and told him they would go the following morning. A week had passed since her last visit-surely Trevelyan would be satisfied she had waited long enough?
Harriet watched Rachel’s pale cheek as she followed the action on stage. She wished her happiness; she wished her comfort and patience and love. She wished she were a better and more generous elder sister to her. If anyone were formed to create domestic harmony, it was her Rachel. All that she could wish for herself was that she might not do too much damage, and from time to time manage to do some good.
The music had lost her. She leaned forward again to look down into the pit, then frowned and touched Crowther’s sleeve. He turned toward her and lifted his eyebrow. “Where is Bywater?” she breathed.
He followed her gaze. The figure directing from the keyboard, though he had his back to them, was certainly not Bywater. This man’s girth was considerable and the little part they could see of his face was red and fleshy.
Crowther nodded, but not being one of those who thought the opera house a place for general conversation, did not reply.
On stage the panels of the Forum pulled back, and in time to the footfall of the music, others replaced them. The scene became pastoral, with a great mountain at the back rearing suddenly over the audience. At its summit, a slender figure dressed all in gold and crowned with great plumes appeared and opened its arms. Manzerotti. The orchestra ceased and he sang a single, simple phrase. The last note began strongly, then faded to a whisper that had each head in the audience craning forward, hardly breathing, then it swelled again to a power that could set the lamps fluttering, and pulling down his hand in a fist, Manzerotti brought the orchestra in again in a thundering restatement of the theme. He made his way down the mountainside to the hysterical approval of the crowd and the ringing of trumpets.
7
“You saw it in a dream, Mrs. Bligh?”
Jocasta and Sam were back in the shoemaker’s cellar. Her work for the night prepared for, Jocasta was more comfortable off the streets and quiet till the time came to meet Molloy. Sam and she spent their leisure looking over the cards and playing with Boyo in a corner while their host cursed and sweated at his leather and molds and his wife cut shapes out of silk and hemmed them narrow and sweet. “I thought you must have asked the cards while I was sleeping.”
Jocasta bent forward to rest her chin in her hands. “Way I see it, boy, the stories and stuff the cards show us are only half the skill of it. Lots depends on opening up and hearing what people are telling you without them knowing they are telling, or even knowing that they’ve got something to tell. Sometimes a fat truth will jump up clear as day without them even twitching. Like Kate’s cards. They had an evil snap to them, but that’s not the usual way. Other times it’s more like the cards are a set of keys and they open up stuff you thought was all dusty and locked in your head, and show you it in a new light.”
Sam looked serious and put his own chin in his hands. “But the dream? Did God send you it?”
“Ha! Don’t recall God ever sending me telling other than through the priest, lad.”
“So how do you know where those writings are?”
“I’m saying the dreams are like the cards. They shuffle stuff about. Reckon I must have seen something when I went to try and warn Kate. Something odd about that ugly furniture when I looked through the window, or maybe she looked at it funny as she went in, or touched it somehow. Then I had the dream.”
Sam looked confused and opened his mouth, but Jocasta cut him off. “Sam, I think there are things the mind knows loud, and things the mind knows quiet. Times I think dreams are you working out what’s important or what’s not. Something in my blood wants me to go and look at that table and guess what’s in it. I’ve gotta listen to that. Maybe my blood’s wrong. But we’ll know.”
She was quiet a space, then put her hand on his shoulder.
“You ain’t coming tonight, Sam.”
He started to speak, but she held his shoulder tight and lifted her other hand. “You ain’t coming.”
He was all white and his eyes looked wet. She could see him searching for words and finding nothing but fear. She narrowed her eyes. “Think, lad. I need you to look after Boyo.” Fear began to change into confusion in his face. She pushed home. “You’re going to be here. Martha will feed you, then shut the lid on you. You’ve got the lock and you don’t open to anyone but me in the night. If in the morning I ain’t back, let Martha in and do as she says.”
Jocasta could tell the cobbler and his wife were paused in their work. “Sam,” she added, “there’s no use fighting me. I’ll bind you to the chair all night, if needs be. You stay here and look after Boyo. Head down. I ain’t risking either of you on the streets.”
Sam pulled away from her and threw himself into the heap of blankets in the corner, face to the wall. Boyo looked up at Jocasta and sneezed. She shrugged at him, and he trotted over to Sam’s side and lay down next to him, crawling under his arm on his belly.
The roars of approval that kept Manzerotti and Marin on stage after the duet were enough to leave Harriet feeling rather deaf and stupid. She was eager to go and find Harwood at once to escape the noise, but as she began to move from her seat, the door to their box was opened and he entered.
He greeted them, then glanced at Verity and Rachel. Miss Chase got to her feet.
“I would like some refreshment, I think. Rachel, will you come with me to the coffee room?”
Rachel was willing, and so with no more loss of time the ladies removed themselves and gave the others the privacy of the box. Mr. Harwood did not waste words on unnecessary preamble.
“Mrs. Westerman, sir. I must ask you i
f you believe this business with Fitzraven might put anyone else in harm’s way?”
Crowther looked at him with a frown. “It is possible. Once a man has become desperate enough to take one life, he may be willing to try and hide the deed by killing others. Such was the case in Sussex last year.”
Harwood looked very serious. “Then I must tell you I am concerned for Richard Bywater.”
“For Richard Bywater!” Harriet repeated in surprise.
Harwood nodded. “You mean. .? No matter. Yes, I am concerned for him. I have not seen him here all day. I sent to his house an hour before the performance to ask him what he was about, but my servant returned empty-handed. He had been seen in the morning in apparent health, and his landlady had thought he had returned to his room, but had had no view of him since then. His door was locked and there was no reply to my servant’s knocks.”
“You think this is cause for concern?” Crowther asked, and tented his fingers together.
Harwood put his hands to his eyes. “I fear so. Bywater may not be the most talented of men but I never doubted his commitment to this place. He has attended every performance of his own work, or that of others, since I first employed him. He has never been late for a rehearsal, nor late delivering the material we have required of him. This is most unlike.”
Crowther continued to consider his fingernails. “I see.”
Harwood turned to Harriet. “But madam, am I to understand that Bywater is under some sort of suspicion himself? I cannot see the man as a murderer.”
Harriet replied seriously, “We have as yet no proof that he is. But we do know he is a plagiarist. The ‘Yellow Rose Duet’ was composed by a gentleman called Leacroft who is confined in a madhouse in Kennington.”
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