by Basil Copper
Imagined or not, there was no doubt that Charles’ business was a pretext, for Philip ran into him in one of the main squares of the city a couple of afternoons later, to their mutual embarrassment. On the Friday of the same week Philip made a startling discovery which did something to disturb the peace of his mind, while the effect on Angele was deeply felt. Philip returned from a walk with Roget and asked Pierre, “I say, did you know there was an old graveyard at the end of the lane?”
Pierre shrugged and answered that he believed that was so; but it was a good way from the house, well screened by trees. He could not see that it was of any importance. In face of this indifference Philip had to agree that the affair seemed of little moment. But the way of its discovery had been a shock to him, though he was loath to admit it.
He and Roget had been out surveying the extent of the property; Philip had wanted to have a closer look at the orchard and the water mill building and there was also the question of repair of walls and fences. When they had gone some way towards their boundary, forcing their way through breast-high nettles in places, Philip was surprised to see a large area of rusted iron railings and the white gleam of marble through the trees.
Roget was almost as surprised as he. The two men, impelled by some curiosity, the source of which was obscure, were soon confronted by an elaborate ironwork gate with a rusted metal scroll, whose hieroglyphs seemed familiar; the stone pillars on either side were covered with lichens and moss and the stone ball on one column had long fallen into the grass.
The gate was ajar and after some hesitation, the two men pushed it open and went on into the cemetery. Its extent was quite small but there was a frightful mouldering stench emanating from the ancient tombs with which they were surrounded, and the long, echoing screech the gate made as it went back on its age-old hinges, set the young men’s teeth on edge.
There seemed to be about thirty tombs in the cemetery and it was evident that a hundred years or more had passed since the latest occupant was laid to rest. As they gazed round, Roget said with a nervous catch in his breath, “This must be the old de Meneval graveyard. They were brought here from the chateau above. They had to be laid in this place, far from the town, because of the public outcry. I seem to remember in the old histories that the townspeople said they were an accursed strain and there was a great ecclesiastical debate over their being interred in the municipal cemetery. So the Bishop of the province had this private cimetiere set aside for the use of the family.”
Philip could not hold back a shiver at these words, reinforced by the melancholy scene around him. He saw now that the dark grove of trees below the orchard had screened the graveyard from view, as no doubt it was meant to do. There was no doubt, however, as to the reasons for the dark mist which rose over the orchard and surrounds at night. The place was unhealthy and Philip would have to seek the advice of the health authorities.
The pair had been traversing the small avenues which bisected the old graveyard and now found themselves in front of an imposing monument which stood in the most secluded part; overgrown hedges of laurel surrounded it and the lower part of the tomb was effaced by the encroachment of brambles and tangled grasses. Philip noticed with interest that the mausoleum was in the form of a great marble portico, in the style of a Greek temple, which evidently covered a vault of considerable proportions below.
On the face of the portico was repeated the escutcheon which appeared below the painting in the Great Hall of The Grey House; he saw the name of Hector de Meneval and others of his house, the dates of birth and death obliterated with time. But as he looked closer, he saw that he had been mistaken; the dates of birth were clearly given, but the remainder of the legend was left blank after each name - there was not even the customary dash. This was decidedly curious.
Roget had left his side for a moment and was puzzling out a massive Latin inscription which extended along the side of the mausoleum. Roughly translated it ran, “Mighty are they, great joy is theirs; they shall taste of Life Everlasting.” Somehow, this inscription left a vaguely unpleasant impression on Philip’s mind and he could not help remembering, for the first time, the sly and cunning expression of the old man in the painting.
He was about to retrace his steps towards the gate when there was a sharp exclamation from Roget. He joined his friend and saw, following the line of Roget’s somewhat unsteady finger, that one side of the tomb had collapsed, after long years of erosion by wind and rain. The earth had fallen in, carrying with it fragments of marble and through the gaping hole in the side of the mausoleum could be seen part of the interior of the vault.
There were dark steps and even what looked like part of a catafalque some distance below. A faint miasma exuded from this charnel place and seemed to poison the air around the tomb. A little farther off, Philip noted another curious feature. The grass around the hole in the marble seemed crushed and torn, as though something heavy had been dragged along; the trail continued for some distance into the dark and sombre bushes which bordered the cemetery gate.
Neither man liked the idea of following that trail and after a few moments, by mutual, unspoken consent they hurried away to the healthy sanity of the upper lanes which led to the house. The gate shrieked mockingly behind them. Philip did not mention their visit to the old cemetery in any detail and after her first shock of alarm, Angele gave the matter no more thought. And the following week there was a minor celebration, culminating in the unveiling of Philip’s surprise.
The principal of Philip’s publishing firm was to be in Burgundy for a few days and had promised to spend a day with them and inspect their new quarters. Philip had laid on a party in his honour and the climax was to be the architectural coup he had planned for the Great Hall. This chamber had been barred to all members of the household and friends for three days beforehand and the noise of hammering and sawing echoed throughout the house all day long; Roget and Philip were in conference behind the locked doors and workmen carrying heavy baulks of timber and elaborately carved beams in and out, smilingly disclaimed all knowledge of the nature of the affair.
The party was a big success and the unlocking of the Great Hall set the seal on a momentous occasion; tables laden with wine and food were set down the middle, an epic fire blazed in the hearth, for the stone hall was a cold place even in summer, despite the wooden panelling; and lights blazed from half a hundred metal wall fittings. But what enchanted the guests was the architectural feature on which Philip and Roget had worked for such a long time.
Completely surrounding the upper part of the hall, like a minstrel gallery, ran an airy balcony which continued over the fireplace round to a point above the huge door. Each side of the entrance, beautifully carved oak balustrades ran up to the balcony, encasing polished oak staircases. The whole length of the balconies themselves, except where the two great picture windows pierced the wall, were a blaze of colour; thousands of books, the cream of Philip’s collection, lined the walls in finely fitted mahogany bookcases. The whole thing was a triumph and the guests could not resist audible murmurs of admiration.
A few minutes later, ascending the first staircase, hand in hand with Philip, Angele had to admit that the idea was the crown of the Great Hall. Thirty feet above the flagged pavement she looked down on the shimmering dazzle of faces and the babble of the guests’ conversation rose like the noise of the sea above the clink of glasses. On the balconies themselves visitors could browse among the books set out row on row, spreading from wall to wall; the views from the picture windows were magnificent and with the stout railing at her back, Angele could see across mile after mile of hazy blue mountain.
The balcony ran across and dipped a little below the great central panel of the fireplace and this was the only unfortunate feature of the affair from her point of view; for whenever the panel was unrolled it must bring the viewer on the balcony in close proximity to the disturbing painting, even though it were still a good half dozen feet above.
It was this which
caused the only disrupting element of the party for Angele. She and Philip were admiring the setting from this point when Roget or another friend in the hall below decided to demonstrate the ingenious panel for an intrigued guest. The button was pressed, the panel slid silently back and there, not two yards away, Angele saw with a shock the same hideous scene. The sight was so unexpected that she gave a gasp and reeled back against the railing.
Philip was beside her in an instant, his face wrinkled with worry.
“What is it?” he asked, looking round him swiftly, in a manner she had never seen before.
“Nothing,” she said. “I just feel faint, that’s all. It must be the height.”
As Philip led her below, a girl who had never had a qualm on even the loftiest mountain top, she looked again at the picture but she did not see repeated the optical illusion which had so unnerved her. That it must be an optical illusion, she did not doubt. But she could have sworn that the baleful eye of the old Vicomte had closed, for just the faintest fraction, in an obscene wink. The effect must be one of the texture of the paint, combined with the light on the glass above it. But she could not recapture the sensation, though she tried again as they went downstairs; and a few minutes later the panel closed again over it, to the wondering murmur of the assembled guests.
IV
It was now again turning towards late summer. Philip was beginning to get into his stride with writing, Roget came seldom to the house, the remaining one or two workmen were pottering amiably on the sunny days, putting the finishing touches to the decor. Angele had been too busy to spare any thoughts for morbid imaginings, and she was well satisfied with the effect of the furniture and hangings she was arranging with such competent art.
But the Abbe came more often to the house than ever. Angele was glad of his company and his benign eye, in which there shone such wisdom and benevolence, gave her a solid feeling of comfort and safety. Monsignor Joffroy spoke little of the matters which so deeply troubled him, but with humorous and interesting discourse kept the little dinner parties gay with laughter, as the night moths fluttered round the lamps as they took their evening ease on the balcony, whose magnificent views never ceased to delight them.
The couple had on two or three occasions been the guests of the Abbe at his quarters in the old university, and had duly marvelled at the extent and antiquity of the great library which was its proudest boast. It was on one of these occasions that Philip asked the old man if he could consult one of the rare and unexpurgated histories of the de Meneval family.
Monsignor Joffroy was reluctant to do this, but assented at last and eventually left Philip alone in his study with a great brass-bound book which had four locks. Translating the crabbed Latin was a long and tiresome task but Philip eventually unravelled a sickening story which explained much that was dark and horrifying about the de Menevals. He replaced the book on the shelf and sat pondering; for the first time he had some doubts about the wisdom of his purchase of The Grey House.
He ever afterwards refused to speak of what he had seen in the locked book, but he did hint to Roget Frey something of the unspeakable practices of the old de Menevals which had led the people of the city a hundred years before to lay siege to the chateau and burn it about the ears of the atrocious occupants. The events which led the citizenry to this extreme measure had concerned the abduction of young girls from the neighbourhood, which the de Menevals were in the habit of procuring for their unspeakable rites.
Philip could not go on - the details were too blasphemous and appalling to contemplate, even in the Latin, but it did explain the curious content of the painting in the Great Hall. Philip was now convinced that the study depicted a literal subject and not an allegorical one and this caused him great disquiet. When he left the Abbe’s library, the old man refused to discuss the subject with him. But Monsignor Joffroy looked him in the eye with great intensity and said with emphasis, “Take care of your wife, Monsieur!”
For some days afterwards Philip was seen to wander about The Grey House with an odd and abstracted air, but he gradually recovered his spirits as the warm and sunny days went by. He had been to see the sanitary authorities regarding the old graveyard and had been promised that the thing would be looked into. But, as is the way in rural France, no action was immediately forthcoming, the weeks went by and Philip eventually forgot about it.
It was in early September, on a day of golden and benevolent splendour, that Angele had an odd experience. She had been standing on the balcony drinking in the beauty of the wild scene, against the backcloth of the far mountains. There was a hush, broken only by the faint tinkle of water. Philip had gone into town to see about some business with Roget and the only other thing which disturbed the silence was the occasional chink of china as Gisele, the hired girl, washed up the crockery from lunch.
She was thinking about nothing in particular, except possibly what they would be having for dinner. As she lowered her gaze from the distant mountain peaks and the white stones of the chateau on the heights above, her eye was arrested by the early leaves of autumn which fell like faint flakes of snow on to the golden foliage of the old orchard. She then heard a faint rustling sound and presently noticed the figure of a man.
He was standing in the far corner of the orchard, near the water mill, and she could not see him at all clearly. He wore a blue coat, like most French workmen wear, and he seemed to be shading his eyes against the sun. She was not at all alarmed and as she cast her eyes on him, he gave her a long, piercing glance back over his shoulder, but owing to the intervening foliage she was not able to see his features with any detail. The gesture reminded her of something, though she could not for the moment place it, and when she looked again the man had gone.
She mentioned the matter to Philip when he arrived home and he only said with studied casualness, “Oh, I expect the sanitary people have got around to doing that work I asked them about.”
This view was reinforced the following day when Pierre and Philip had occasion to go down the far lane on a matter connected with the outfall of the drainage. Philip pointed out to Pierre a long swathe which had been forced through the nettles.
The trail, which was in a different place to the route taken by Philip and Roget on the occasion of their visit, appeared to run from the old graveyard to a point by an ancient, broken-down fence, and then through the orchard below the house. Pierre said nothing but gave Philip a very curious look. The two men made no further reference to the matter.
It was when they were turning to go back that Philip asked Pierre whether they might not visit the orchard. He had never been there since his original inspection of the water mill, but his curiosity had been aroused by the tracks and he wanted to see if the municipal authorities had taken action. Pierre seemed strangely reluctant and mentioned the lateness of the hour; the setting sun was already casting long shadows and a faint swathe of mist could be-seen faintly outlining the furthest trees.
Both men were by now rather disturbed by the atmosphere and Philip started when the long drawn-out yowl of a cat sounded from far away. They stood listening for a moment at the entrance of the orchard but the noise was not repeated. Then Philip went boldly crunching his way through a tangle of brush into the old place, more for his own peace of mind than to impress the builder with his English phlegm.
There was nothing out of the way in the orchard. The trail gave out in the centre. There were only a few rusted agricultural implements, half-hidden in the grass. But Philip was surprised to see that a long iron ladder, wreathed in a tangle of branches and mossy lichen, was stapled to the wall below The Grey House. It led up to a point just below the balcony. This was something he felt he ought to look into.
A few minutes later the two men were back in the sunlit uplands of the inhabited lanes leading to the town and were able to forget the strange, brooding atmosphere of the orchard area. Pierre shook his head when Philip mentioned the matter of the ladder. He imagined it would have been placed there in c
ase of fire. For some reason this gave Philip an enormous peace of mind. He expanded in the glow of the sun and insisted that Pierre accompany him to a cafe for an aperitif.
When he arrived back at the house, he found Angele setting the table on the terrace, with Gisele prattling commonplaces as she bustled to and from the kitchen. On pretext of admiring the view, he looked eagerly for the ladder. Yes, there it was, in a rather different position from what he had imagined below. It must be the foreshortening. He did not know why, but he was disturbed to find that anyone coming from below could gain the balcony by this means, old and rusty as the ladder was. Though this in itself was illogical, for the ladder was surely designed to ensure that people from the house could gain the orchard in case of fire.
This again puzzled him, for the ladder ended about three feet from the balcony, in a tangle of brambles and bushes. He saw something else too, which disturbed him more than he cared to admit. The edges of the ladder were covered with lichen and moss. On all the rungs which he could see, the green of years had been torn away, as though by ascending feet.
Philip slept badly that night, but as day succeeded day and the calm of the Indian summer brought with it nothing but blue skies and contentment, he warmed again to The Grey House.
Angele was in good spirits and the couple made their usual visits. Though the work on the house was finished, their local friends were as before; Pierre, Roget, M. Gasion and the Abbe.
Philip was writing better than ever in the more peaceful atmosphere. A book of demoniac tales which he had finished shortly after arrival in Burgundy in May was having a sensational sale in England and the Continental and American rights were being negotiated. He had reason to feel satisfied. And though the Abbe had attempted to dissuade them from the idea, he had started on his most ambitious novel of the macabre to date, a history based loosely on that of the de Menevals. He had quite recovered his spirits and the odd events which earlier had set his mind on strange and sombre paths, now provided much the same material for his book.