by Fritz Leiber
And then without warning she had spun around, bent over, and was looking at him from between her spread legs, and her hand came back around her side to jab a finger twice at the shadowed sallow pucker of her anus, as if she were saying, "And here's my asshole, see? My God, how long does it take you dumb bastards to get things straight?"
Really, it was more like an anatomy lesson taught by a bored, clown-white cadaver than any sort of spicy erotic cocktail. Where was the faintest hint of the flirtatious teasing that in old times, Ryker recalled, gave such performances a point? Why, this girl had come in almost naked and divested herself of the scant remainder with all the romance of someone taking out dental plates before retiring. My God, was that how they got ready for the full act in private? Where was the slow unbuttoning, the sudden change of mind and buttoning up again? Where was the enthusiastic self-peek down her pulled-forward bodice followed by the smile and knowing wink that said, "Oh, boy, what I got down there! Don't you wish . . . ?" Where was the teasing that overreached itself, the accidental exposure of a goody, pretended embarrassment, and the overhasty hiding of it, leading to further revelations, as one who covering her knees bares her rear end? Where the feigned innocence, prudish or naive? the sense of wicked play, precocious evil? Above all, where was the illusion that her body's treasures were just that? her choicest possessions and her chiefest pride, secret 'tween her and you, hoarded like miser's gold, though shared out joyously and generously at the end?
The girl, instead of graciously overhearing his racing thoughts (they must be audible!) and at least attempting to make some corrections for them in her behavior, last of all seized handholds at the corners of the window and set the soles of her feet against the sides and dangled there spread open and bent for a short while, rocking back and forth, like a poker-faced slender ape, so he could see it all at once after a fashion: asshole, cunt, and clitoris—and urethra—wherever that was.
That was the show's highpoint of excitement, or shock at any rate, for Ryker. Although a third girl appeared and the other two got her undressed and strung up by the padded straps on the velvet ropes, and did some things to her with their lips and tongues and the lightly brushing velvet paddles, that was the high point—or whatever.
Afterward he slipped out into the street feeling very conspicuous, but even more relieved. He swore he'd never visit the ignorant place again. But that night he had awakened ejaculating in a wet dream. Afterward he couldn't be quite sure whether his hand mightn't have helped and what sort of dream it had been otherwise, if any—certainly not one of his troll-haunted, buried-alive nightmares.
No, they were gone forever, or at any rate for the next five months.
And then when they did come back, against all his hopes, and when they continued on, and when he found himself balanced between the nightmares and Ultrabooth, and the days seemed dry as dust, there had come the welcome interruption of the Vanishing Lady.
The first time Ryker had seen her, so far as he could recall, they'd been at opposite ends of the long, low entry hall, a good forty feet apart. He had been fumbling for his key outside the street door, which was thick oak framing a large glass panel backed by metal tracery. She'd been standing in profile before the gray elevator door, the small window of which was lit, indicating the cage was at this floor. His gaze approved her instantly (for some men life is an unceasing beauty contest); he liked the way her dark knee-length coat was belted in trimly and the neat look of her head, either dark hair drawn in rather closely or a cloche hat. Automatically he wondered whether she was young and slender or old and skinny.
And then as he continued to look at her, key poised before the lock, she turned her head in his direction and his heart did a little fillip and shiver. She looked at me, was what he felt, although the corridor was dimly lit and from this far away a face was little more than a pale oval with eye-smudges—and now her hair or hat made it a shadowed oval. It told you no more about her age than her profile had. Just the same, it was now turned toward him.
All this happened quite swiftly.
But then he had to look down at the lock in order to fit his key into it (a fussy business that seemed to take longer with each passing year) and turn it (he sometimes forgot which way) and shove the door open with his other hand, and by that time she'd moved out of sight.
She couldn't have taken the elevator up or down, he told himself as he strode the corridor a little more briskly than was his wont, for the small glass window in its door still shone brightly. She must have just drifted out of sight to the right, where the stairs were and the brass-fronted mailboxes and the window and door to the manager's office and, past those, the long and short back corridors of the ground floor.
But when he reached that foyer, it was empty and the manager's window unoccupied, though not yet dark and shuttered for the night. She must have gone up the stairs or to a back apartment on this floor, though he'd heard no receding footsteps or shutting door confirm that theory.
Just as he opened the elevator door he got the funniest hunch that he'd find her waiting for him there—that she'd entered the cage while he'd been unlocking the front door, but then not pushed a button for a floor. But the cage was as empty as the foyer. So much for hunches! He pushed the 14 button at the top of the narrow brass panel, and by the time he got there, he'd put the incident out of his mind, though a certain wistfulness clung to his general mood.
And he probably would have forgotten it altogether except that late the next afternoon, when he was returning from a rather long walk, the same thing happened to him all over again, the whole incident repeating itself with only rather minor variations. For instance, this time her eyes seemed barely to stray in his direction; there wasn't the same sense of a full look. And something flashed faintly at her chest level, as if she were wearing jewelry of some sort, a gemmed pendant—or brooch more likely, since her coat was tightly shut. He was sure it was the same person, and there was the same sense of instant approval or attraction on his part, only stronger this time (which was natural enough, he told himself later). And he went down the hall faster this time and hurried on without pausing to check the stairs and the back corridor, though his chance of hearing footsteps or a closing door was spoiled by the siren of an ambulance rushing by outside. Returning thoughtfully to the foyer, he found the cage gone, but it came down almost immediately, debarking a tenant he recognized—third or fourth floor, he thought—who said rather puzzledly in answer to a question by Ryker that he thought he'd summoned the elevator directly from One and it had been empty when it had reached his floor.
Ryker thanked him and boarded the elevator.
The cage's silvered gray paper and polished fittings made it seem quite modern. Another nice touch was the little window in its door, which matched those in the floor doors when both were shut, so that you got a slow winking glimpse of each floor as you rose past—as Ryker now glimpsed the second floor go down. But actually it was an ancient vehicle smartened up, and so was the system that ran it. You had to hold down a button for an appreciable time to make the cage respond, because it worked by mechanical relays in the elevator room on the roof, not by the instant response to a touch of electronic modern systems. Also, it couldn't remember several instructions and obey them in order as the modern ones could; it obeyed one order only and then waited to be given the next one manually.
Ryker was very conscious of that difference between automatic and manual. For the past five years he had been shifting his own bodily activities from automatic to manual: running (hell, trotting was the most you could call it!—a clumping trot), going down stairs, climbing them, walking outside, even getting dressed and—almost—writing. Used to be he could switch on automatic for those and think about something else. But now he had to do more and more things a step at a time, and watching and thinking about each step too, like a baby learning (only you never did learn; it never got automatic again). And it took a lot more time, everything did. Sometimes you had to stand very still ev
en to think.
Another floor slowly winked by. Ryker caught the number painted on the shaft side of its elevator door just below that door's little window—5. What a slow trip it was!
Ryker did a lot of his real thinking in this elevator part of the apartment tree. It wasn't full of loneliness and ambushing memories the way his apartment was, or crawling with the small dangers and hostilities that occupied most of his mind when he was in the street world outside. It was a world between those, a restful pause between two kinds of oppression, inhabited only by the mostly anonymous people with whom he shared his present half-life, his epilogue life, and quite unlike the realer folk from whom he had been rather purposefully disengaging himself ever since his wife's and his job's deaths.
They were an odd lot, truly, his present fellow-inhabitants of the apartment tree. At least half of them were as old as he, and many of them engaged in the same epilogue living as he was, so far as he could judge. Perhaps a quarter were middle-aged; Ryker liked them least of all—they carried tension with them, things he was trying to forget. While rather fewer than a quarter were young. These always hurried through the apartment tree on full automatic, as if it were a place of no interest whatever, a complete waste of time.
He himself did not find it so, but rather the only place where he could think and observe closely at the same time, a quiet realm of pause. He saw nothing strange in the notion of ghosts (if he'd believed in such) haunting the neighborhood where they'd died—most of them had spent their last few years studying that area in greatest detail, impressing their spirits into its very atoms, while that area steadily grew smaller, as if they were beetles circling a nail to which they were tethered by a thread that slowly wound up, growing shorter and shorter with every circumambulation they made.
Another floor numeral with its little window slid into and out of view—8 only. God, what snail-like, well-frog pace!
The only denizen of the apartment tree with whom Ryker had more than a recognition acquaintance (you could hardly call the one he had with the others nodding, let alone speaking) was Clancy, rough-cut manager-janitor of the building, guardian of the gates of the apartment tree and its historian, a retired fireman who managed to make himself available and helpful without becoming oppressive or officious. Mrs. Clancy was an altogether more respectable and concierge-like character who made Ryker feel uncomfortable. He preferred always to deal with her husband, and over the years a genuine though strictly limited friendship (it never got beyond "Clancy" and "Mr. Ryker") had sprung up between them.
The figure 12 appeared and disappeared in the window. He kept his eyes on the empty rectangle and gave an accustomed chuckle when the next figure was 14, with none intervening. Superstition, how mighty, how undying! (Though somehow the travel between the last two floors, Twelve and Fourteen, always seemed to take longest, by a fraction. There was food for thought there. Did elevators get tired?—perhaps because the air grew more rarified with increased altitude?)
The window above the 14 steadied. There was a clicking; the gray door slid open sideways, he pushed through the outer door, and as he did so, he uttered another chuckle that was both cheerful and sardonic. He'd just realized that after all his journeying in the apartment tree, he'd at last become interested in one of his nameless traveling companions. The elevator-tree world also held the Vanishing Lady.
It was surprising how lighthearted he felt.
As if in rebuke for this and for his springing hopes not clearly defined, he didn't see the Vanishing Lady for the next three days, although he devised one or two errands for himself that would bring him back to the apartment tree at dusk, and when he did spot her again on the fourth day, the circumstances were altered from those of their first two encounters.
Returning from another of his little twilight outings and unlocking the heavy street door, he noted that the hall and distant foyer were a little bit dimmer than usual, as if some small, normal light source were gone, with the effect of a black hole appearing suddenly in the fabric of reality.
As he started forward warily, he discerned the explanation. The doors to the elevator were wide open, but the ceiling light in the cage had been switched (or gone) off, so that where a gray door gleaming by reflection should have been, there was an ominous dark upright rectangle.
And then, as he continued to advance, he saw that the cage wasn't empty. Light angling down into it from the foyer's ceiling fixture revealed the slender figure of the Vanishing Lady leaning with her back against the cage's wall just behind the column of buttons. The light missed her head, but showed the rest of her figure well enough, her dejected posture, her motionless passivity.
As he imperceptibly quickened his stride straight toward her, the slanting light went on, picking up bits of detail here and there in the gloom, almost as if summoning them: the glossy gleam of black oxfords, the muted one of black stockings, and the in-between sheen of her sleek coat. The nearest black-gloved hand appeared to be clutching that together snugly, and from the closure there seemed to come faint diamond glimmers like the faintest ghost of a sparkler shower, so faint he couldn't be sure whether it was really there, or just his own eyes making the churning points of light there are in darkness. The farthest jetty hand held forward a small brass object which he first took for an apartment door key got out well in advance (as some nervous people will) but then saw to be a little too narrow and too long for that.
He was aware of a mounting tension and breathlessness—and sense of strangeness too. And then without warning, just as he was about to enter the cage and simultaneously switch its light on, he heard himself mutter apologetically, "Sorry, I've got to check my mailbox first," and his footsteps veered sharply but smoothly to the right with never a hesitation.
For the next few seconds his mind was so occupied with shock at this sudden rush of timidity, this flinching away from what he'd thought he wanted to do, that he actually had his keys out, was advancing the tiny flat one toward the brass-fronted narrow box he'd checked this noon as always, before he reversed his steps with a small growl of impatience and self-rebuke and hurried back past the manager's shuttered window and around the stairs.
The elevator doors were closed and the small window glowed bright. But just as he snatched at the door to open it, the bright rectangle narrowed from the bottom and winked out, the elevator growled softly as the cage ascended, and the door resisted his yank. Damn! He pressed himself against it, listening intently. Soon—after no more than five or six seconds, he thought—he heard the cage stop and its door clump open. Instantly he was thumbing the button. After a bit he heard the door clump shut and the growling recommence. Was it growing louder or softer—coming down or going away? Louder! Soon it had arrived, and he was opening the door—rather to the surprise of its emerging occupant, a plump lady in a green coat.
Her eyebrows rose at his questions, rather as had happened on the previous such occasion. She'd been on Three when she'd buzzed for the elevator, she said. No, there'd been no one in it when it arrived, no one had got off, it had been empty. Yes, the light had been off in the elevator when it had come up, but she hadn't missed anyone on account of that—and she'd turned it on again. And then she'd just gotten in and come down. Had he been buzzing for it? Well, she'd been pushing the button for One, too. What did it matter?
She made for the street door, glancing back at Ryker dubiously, as if she were thinking that, whatever he was up to, she didn't ever want that excited old man tracking her down.
Then for a while Ryker was so busy trying to explain that to himself (Had there been time for her to emerge and shut the doors silently and hurry down the long hall or tiptoe up the stairs before the cage went up to Three? Well, just possibly, but it would have had to be done with almost incredible rapidity. Could he have imagined her—projected her onto the gloom inside the cage, so to speak? Or had the lady in green been lying? Were she and the Vanishing Lady confederates? And so on . . . ) that it was some time before he began to try to analyz
e the reasons for his self-betrayal.
Well, for one thing, he told himself, he'd been so gripped by his desire to see her close up that he'd neglected to ask himself what he'd do once he'd achieved that, how he'd make conversation if they were alone together in the cage—and that these questions popping up in his mind all at once had made him falter. And then there was his lifelong habit, he had to admit, of automatically shrinking from all close contact with women save his mother and wife, especially if the occasion for it came upon him suddenly. Or had he without knowing it become just a little frightened of this mysterious person who had stirred him erotically—the apartment tree was always dimly lit, there'd never been anyone else around when she'd appeared, there'd been something so woeful-melancholy about her attitude (though that was probably part of her attraction), and finally she had vanished three times unaccountably—so that it was no wonder he had veered aside from entering the elevator, its very lightlessness suggesting a trap. (And that made him recall another odd point. Not only had the light inside the elevator been switched off but the door, which always automatically swung shut unless someone held it open or set a fairly heavy object, such as a packed suitcase or a laden-large shopping bag, against it, had been standing open. And he couldn't recall having seen any such object or other evidence of propping or wedging. Mysterious. In fact, as mysterious as his suffocation dreams, which at least had lessened in number and intensity since the Vanishing Lady had turned up.)
Well, he told himself with another effort at being philosophical, now that he'd thought all these things through, at least he'd behave more courageously if a similar situation arose another time.
But when the Vanishing Lady next appeared to Ramsey, it was under conditions that did not call for that sort of courage. There were others present.