by Mark Twain
Part 3
CHAPTER XXI.
The Pretty Lago di Lecco—A Carriage Drive in the Country—Astonishing Sociability in a Coachman—Sleepy Land—Bloody Shrines—The Heart and Home of Priestcraft—A Thrilling Mediaeval Romance—The Birthplace of Harlequin—Approaching Venice
We voyaged by steamer down the Lago di Lecco, through wild mountain scenery, and by hamlets and villas, and disembarked at the town of Lecco. They said it was two hours, by carriage to the ancient city of Bergamo, and that we would arrive there in good season for the railway train. We got an open barouche and a wild, boisterous driver, and set out. It was delightful. We had a fast team and a perfectly smooth road. There were towering cliffs on our left, and the pretty Lago di Lecco on our right, and every now and then it rained on us. Just before starting, the driver picked up, in the street, a stump of a cigar an inch long, and put it in his mouth. When he had carried it thus about an hour, I thought it would be only Christian charity to give him a light. I handed him my cigar, which I had just lit, and he put it in his mouth and returned his stump to his pocket! I never saw a more sociable man. At least I never saw a man who was more sociable on a short acquaintance.
We saw interior Italy, now. The houses were of solid stone, and not often in good repair. The peasants and their children were idle, as a general thing, and the donkeys and chickens made themselves at home in drawing-room and bed-chamber and were not molested. The drivers of each and every one of the slow-moving market-carts we met were stretched in the sun upon their merchandise, sound a sleep. Every three or four hundred yards, it seemed to me, we came upon the shrine of some saint or other—a rude picture of him built into a huge cross or a stone pillar by the road-side.—Some of the pictures of the Saviour were curiosities in their way. They represented him stretched upon the cross, his countenance distorted with agony. From the wounds of the crown of thorns; from the pierced side; from the mutilated hands and feet; from the scourged body—from every hand-breadth of his person streams of blood were flowing! Such a gory, ghastly spectacle would frighten the children out of their senses, I should think. There were some unique auxiliaries to the painting which added to its spirited effect. These were genuine wooden and iron implements, and were prominently disposed round about the figure: a bundle of nails; the hammer to drive them; the sponge; the reed that supported it; the cup of vinegar; the ladder for the ascent of the cross; the spear that pierced the Saviour's side. The crown of thorns was made of real thorns, and was nailed to the sacred head. In some Italian church-paintings, even by the old masters, the Saviour and the Virgin wear silver or gilded crowns that are fastened to the pictured head with nails. The effect is as grotesque as it is incongruous.
Here and there, on the fronts of roadside inns, we found huge, coarse frescoes of suffering martyrs like those in the shrines. It could not have diminished their sufferings any to be so uncouthly represented. We were in the heart and home of priest craft—of a happy, cheerful, contented ignorance, superstition, degradation, poverty, indolence, and everlasting unaspiring worthlessness. And we said fervently: it suits these people precisely; let them enjoy it, along with the other animals, and Heaven forbid that they be molested. We feel no malice toward these fumigators.
We passed through the strangest, funniest, undreampt-of old towns, wedded to the customs and steeped in the dreams of the elder ages, and perfectly unaware that the world turns round! And perfectly indifferent, too, as to whether it turns around or stands still. They have nothing to do but eat and sleep and sleep and eat, and toil a little when they can get a friend to stand by and keep them awake. They are not paid for thinking—they are not paid to fret about the world's concerns. They were not respectable people—they were not worthy people—they were not learned and wise and brilliant people—but in their breasts, all their stupid lives long, resteth a peace that passeth understanding! How can men, calling themselves men, consent to be so degraded and happy.
We whisked by many a gray old medieval castle, clad thick with ivy that swung its green banners down from towers and turrets where once some old Crusader's flag had floated. The driver pointed to one of these ancient fortresses, and said, (I translate):
"Do you see that great iron hook that projects from the wall just under the highest window in the ruined tower?"
We said we could not see it at such a distance, but had no doubt it was there.
"Well," he said; "there is a legend connected with that iron hook. Nearly seven hundred years ago, that castle was the property of the noble Count Luigi Gennaro Guido Alphonso di Genova——"
"What was his other name?" said Dan.
"He had no other name. The name I have spoken was all the name he had. He was the son of——"
"Poor but honest parents—that is all right—never mind the particulars—go on with the legend."
THE LEGEND.
Well, then, all the world, at that time, was in a wild excitement about the Holy Sepulchre. All the great feudal lords in Europe were pledging their lands and pawning their plate to fit out men-at-arms so that they might join the grand armies of Christendom and win renown in the Holy Wars. The Count Luigi raised money, like the rest, and one mild September morning, armed with battle-ax, portcullis and thundering culverin, he rode through the greaves and bucklers of his donjon-keep with as gallant a troop of Christian bandits as ever stepped in Italy. He had his sword, Excalibur, with him. His beautiful countess and her young daughter waved him a tearful adieu from the battering-rams and buttresses of the fortress, and he galloped away with a happy heart.
He made a raid on a neighboring baron and completed his outfit with the booty secured. He then razed the castle to the ground, massacred the family and moved on. They were hardy fellows in the grand old days of chivalry. Alas! Those days will never come again.
Count Luigi grew high in fame in Holy Land. He plunged into the carnage of a hundred battles, but his good Excalibur always brought him out alive, albeit often sorely wounded. His face became browned by exposure to the Syrian sun in long marches; he suffered hunger and thirst; he pined in prisons, he languished in loathsome plague-hospitals. And many and many a time he thought of his loved ones at home, and wondered if all was well with them. But his heart said, Peace, is not thy brother watching over thy household?
* * * * * * *
Forty-two years waxed and waned; the good fight was won; Godfrey reigned in Jerusalem—the Christian hosts reared the banner of the cross above the Holy Sepulchre!
Twilight was approaching. Fifty harlequins, in flowing robes, approached this castle wearily, for they were on foot, and the dust upon their garments betokened that they had traveled far. They overtook a peasant, and asked him if it were likely they could get food and a hospitable bed there, for love of Christian charity, and if perchance, a moral parlor entertainment might meet with generous countenance—"for," said they, "this exhibition hath no feature that could offend the most fastidious taste."
"Marry," quoth the peasant, "an' it please your worships, ye had better journey many a good rood hence with your juggling circus than trust your bones in yonder castle."
"How now, sirrah!" exclaimed the chief monk, "explain thy ribald speech, or by'r Lady it shall go hard with thee."
"Peace, good mountebank, I did but utter the truth that was in my heart. San Paolo be my witness that did ye but find the stout Count Leonardo in his cups, sheer from the castle's topmost battlements would he hurl ye all! Alack-a-day, the good Lord Luigi reigns not here in these sad times."
"The good Lord Luigi?"
"Aye, none other, please your worship. In his day, the poor rejoiced in plenty and the rich he did oppress; taxes were not known, the fathers of the church waxed fat upon his bounty; travelers went and came, with none to interfere; and whosoever would, might tarry in his halls in cordial welcome, and eat his bread and drink his wine, withal. But woe is me! some two and forty years agone the good count rode hence to fight for Holy Cross, and many a year hath flown since word or to
ken have we had of him. Men say his bones lie bleaching in the fields of Palestine."
"And now?"
"Now! God 'a mercy, the cruel Leonardo lords it in the castle. He wrings taxes from the poor; he robs all travelers that journey by his gates; he spends his days in feuds and murders, and his nights in revel and debauch; he roasts the fathers of the church upon his kitchen spits, and enjoyeth the same, calling it pastime. These thirty years Luigi's countess hath not been seen by any in all this land, and many whisper that she pines in the dungeons of the castle for that she will not wed with Leonardo, saying her dear lord still liveth and that she will die ere she prove false to him. They whisper likewise that her daughter is a prisoner as well. Nay, good jugglers, seek ye refreshment other wheres. 'Twere better that ye perished in a Christian way than that ye plunged from off yon dizzy tower. Give ye good-day."
"God keep ye, gentle knave—farewell."
But heedless of the peasant's warning, the players moved straightway toward the castle.
Word was brought to Count Leonardo that a company of mountebanks besought his hospitality.
"'Tis well. Dispose of them in the customary manner. Yet stay! I have need of them. Let them come hither. Later, cast them from the battlements—or—how many priests have ye on hand?"
"The day's results are meagre, good my lord. An abbot and a dozen beggarly friars is all we have."
"Hell and furies! Is the estate going to seed? Send hither the mountebanks. Afterward, broil them with the priests."
The robed and close-cowled harlequins entered. The grim Leonardo sate in state at the head of his council board. Ranged up and down the hall on either hand stood near a hundred men-at-arms.
"Ha, villains!" quoth the count, "What can ye do to earn the hospitality ye crave."
"Dread lord and mighty, crowded audiences have greeted our humble efforts with rapturous applause. Among our body count we the versatile and talented Ugolino; the justly celebrated Rodolpho; the gifted and accomplished Roderigo; the management have spared neither pains nor expense—"
"S'death! What can ye do? Curb thy prating tongue."
"Good my lord, in acrobatic feats, in practice with the dumb-bells, in balancing and ground and lofty tumbling are we versed—and sith your highness asketh me, I venture here to publish that in the truly marvelous and entertaining Zampillaerostation—"
"Gag him! throttle him! Body of Bacchus! am I a dog that I am to be assailed with polysyllabled blasphemy like to this? But hold! Lucretia, Isabel, stand forth! Sirrah, behold this dame, this weeping wench. The first I marry, within the hour; the other shall dry her tears or feed the vultures. Thou and thy vagabonds shall crown the wedding with thy merry-makings. Fetch hither the priest!"
The dame sprang toward the chief player.
"O, save me!" she cried; "save me from a fate far worse than death! Behold these sad eyes, these sunken cheeks, this withered frame! See thou the wreck this fiend hath made, and let thy heart be moved with pity! Look upon this damosel; note her wasted form, her halting step, her bloomless cheeks where youth should blush and happiness exult in smiles! Hear us and have compassion. This monster was my husband's brother. He who should have been our shield against all harm, hath kept us shut within the noisome caverns of his donjon-keep for lo these thirty years. And for what crime? None other than that I would not belie my troth, root out my strong love for him who marches with the legions of the cross in Holy Land, (for O, he is not dead!) and wed with him! Save us, O, save thy persecuted suppliants!"
She flung herself at his feet and clasped his knees.
"Ha!-ha!-ha!" shouted the brutal Leonardo. "Priest, to thy work!" and he dragged the weeping dame from her refuge. "Say, once for all, will you be mine?—for by my halidome, that breath that uttereth thy refusal shall be thy last on earth!"
"NE-VER?"
"Then die!" and the sword leaped from its scabbard.
Quicker than thought, quicker than the lightning's flash, fifty monkish habits disappeared, and fifty knights in splendid armor stood revealed! fifty falchions gleamed in air above the men-at-arms, and brighter, fiercer than them all, flamed Excalibur aloft, and cleaving downward struck the brutal Leonardo's weapon from his grasp!
"A Luigi to the rescue! Whoop!"
"A Leonardo! 'tare an ouns!'"
"Oh, God, Oh, God, my husband!"
"Oh, God, Oh, God, my wife!"
"My father!"
"My precious!" [Tableau.]
Count Luigi bound his usurping brother hand and foot. The practiced knights from Palestine made holyday sport of carving the awkward men-at-arms into chops and steaks. The victory was complete. Happiness reigned. The knights all married the daughter. Joy! wassail! finis!
"But what did they do with the wicked brother?"
"Oh nothing—only hanged him on that iron hook I was speaking of. By the chin."
"As how?"
"Passed it up through his gills into his mouth."
"Leave him there?"
"Couple of years."
"Ah—is—is he dead?"
"Six hundred and fifty years ago, or such a matter."
"Splendid legend—splendid lie—drive on."
We reached the quaint old fortified city of Bergamo, the renowned in history, some three-quarters of an hour before the train was ready to start. The place has thirty or forty thousand inhabitants and is remarkable for being the birthplace of harlequin. When we discovered that, that legend of our driver took to itself a new interest in our eyes.
Rested and refreshed, we took the rail happy and contented. I shall not tarry to speak of the handsome Lago di Gardi; its stately castle that holds in its stony bosom the secrets of an age so remote that even tradition goeth not back to it; the imposing mountain scenery that ennobles the landscape thereabouts; nor yet of ancient Padua or haughty Verona; nor of their Montagues and Capulets, their famous balconies and tombs of Juliet and Romeo et al., but hurry straight to the ancient city of the sea, the widowed bride of the Adriatic. It was a long, long ride. But toward evening, as we sat silent and hardly conscious of where we were—subdued into that meditative calm that comes so surely after a conversational storm—some one shouted—
"VENICE!"
And sure enough, afloat on the placid sea a league away, lay a great city, with its towers and domes and steeples drowsing in a golden mist of sunset.
CHAPTER XXII.
Night in Venice—The "Gay Gondolier"—The Grand Fete by Moonlight—The Notable Sights of Venice—The Mother of the Republics Desolate
This Venice, which was a haughty, invincible, magnificent Republic for nearly fourteen hundred years; whose armies compelled the world's applause whenever and wherever they battled; whose navies well nigh held dominion of the seas, and whose merchant fleets whitened the remotest oceans with their sails and loaded these piers with the products of every clime, is fallen a prey to poverty, neglect and melancholy decay. Six hundred years ago, Venice was the Autocrat of Commerce; her mart was the great commercial centre, the distributing-house from whence the enormous trade of the Orient was spread abroad over the Western world. To-day her piers are deserted, her warehouses are empty, her merchant fleets are vanished, her armies and her navies are but memories. Her glory is departed, and with her crumbling grandeur of wharves and palaces about her she sits among her stagnant lagoons, forlorn and beggared, forgotten of the world. She that in her palmy days commanded the commerce of a hemisphere and made the weal or woe of nations with a beck of her puissant finger, is become the humblest among the peoples of the earth,—a peddler of glass beads for women, and trifling toys and trinkets for school-girls and children.
The venerable Mother of the Republics is scarce a fit subject for flippant speech or the idle gossipping of tourists. It seems a sort of sacrilege to disturb the glamour of old romance that pictures her to us softly from afar off as through a tinted mist, and curtains her ruin and her desolation from our view. One ought, indeed, to turn away from her rags, her poverty and her hu
miliation, and think of her only as she was when she sunk the fleets of Charlemagne; when she humbled Frederick Barbarossa or waved her victorious banners above the battlements of Constantinople.
We reached Venice at eight in the evening, and entered a hearse belonging to the Grand Hotel d'Europe. At any rate, it was more like a hearse than any thing else, though to speak by the card, it was a gondola. And this was the storied gondola of Venice!—the fairy boat in which the princely cavaliers of the olden time were wont to cleave the waters of the moonlit canals and look the eloquence of love into the soft eyes of patrician beauties, while the gay gondolier in silken doublet touched his guitar and sang as only gondoliers can sing! This the famed gondola and this the gorgeous gondolier!—the one an inky, rusty old canoe with a sable hearse-body clapped on to the middle of it, and the other a mangy, barefooted guttersnipe with a portion of his raiment on exhibition which should have been sacred from public scrutiny. Presently, as he turned a corner and shot his hearse into a dismal ditch between two long rows of towering, untenanted buildings, the gay gondolier began to sing, true to the traditions of his race. I stood it a little while. Then I said:
"Now, here, Roderigo Gonzales Michael Angelo, I'm a pilgrim, and I'm a stranger, but I am not going to have my feelings lacerated by any such caterwauling as that. If that goes on, one of us has got to take water. It is enough that my cherished dreams of Venice have been blighted forever as to the romantic gondola and the gorgeous gondolier; this system of destruction shall go no farther; I will accept the hearse, under protest, and you may fly your flag of truce in peace, but here I register a dark and bloody oath that you shan't sing. Another yelp, and overboard you go."