by Mark Twain
I wish here to mention an inscription I have seen, before I forget it:
"Glory to God in the highest, peace on earth TO MEN OF GOOD WILL!" It is not good scripture, but it is sound Catholic and human nature.
This is in letters of gold around the apsis of a mosaic group at the side of the 'scala santa', church of St. John Lateran, the Mother and Mistress of all the Catholic churches of the world. The group represents the Saviour, St. Peter, Pope Leo, St. Silvester, Constantine and Charlemagne. Peter is giving the pallium to the Pope, and a standard to Charlemagne. The Saviour is giving the keys to St. Silvester, and a standard to Constantine. No prayer is offered to the Saviour, who seems to be of little importance any where in Rome; but an inscription below says, "Blessed Peter, give life to Pope Leo and victory to king Charles." It does not say, "Intercede for us, through the Saviour, with the Father, for this boon," but "Blessed Peter, give it us."
In all seriousness—without meaning to be frivolous—without meaning to be irreverent, and more than all, without meaning to be blasphemous,—I state as my simple deduction from the things I have seen and the things I have heard, that the Holy Personages rank thus in Rome:
First—"The Mother of God"—otherwise the Virgin Mary.
Second—The Deity.
Third—Peter.
Fourth—Some twelve or fifteen canonized Popes and martyrs.
Fifth—Jesus Christ the Saviour—(but always as an infant in arms.)
I may be wrong in this—my judgment errs often, just as is the case with other men's—but it is my judgment, be it good or bad.
Just here I will mention something that seems curious to me. There are no "Christ's Churches" in Rome, and no "Churches of the Holy Ghost," that I can discover. There are some four hundred churches, but about a fourth of them seem to be named for the Madonna and St. Peter. There are so many named for Mary that they have to be distinguished by all sorts of affixes, if I understand the matter rightly. Then we have churches of St. Louis; St. Augustine; St. Agnes; St. Calixtus; St. Lorenzo in Lucina; St. Lorenzo in Damaso; St. Cecilia; St. Athanasius; St. Philip Neri; St. Catherine, St. Dominico, and a multitude of lesser saints whose names are not familiar in the world—and away down, clear out of the list of the churches, comes a couple of hospitals: one of them is named for the Saviour and the other for the Holy Ghost!
Day after day and night after night we have wandered among the crumbling wonders of Rome; day after day and night after night we have fed upon the dust and decay of five-and-twenty centuries—have brooded over them by day and dreampt of them by night till sometimes we seemed moldering away ourselves, and growing defaced and cornerless, and liable at any moment to fall a prey to some antiquary and be patched in the legs, and "restored" with an unseemly nose, and labeled wrong and dated wrong, and set up in the Vatican for poets to drivel about and vandals to scribble their names on forever and forevermore.
But the surest way to stop writing about Rome is to stop. I wished to write a real "guide-book" chapter on this fascinating city, but I could not do it, because I have felt all the time like a boy in a candy-shop—there was every thing to choose from, and yet no choice. I have drifted along hopelessly for a hundred pages of manuscript without knowing where to commence. I will not commence at all. Our passports have been examined. We will go to Naples.
CHAPTER XXIX.
Naples—In Quarantine at Last—Annunciation—Ascent of Mount Vesuvius—A Two Cent Community—The Black Side of Neapolitan Character—Monkish Miracles—Ascent of Mount Vesuvius Continued—The Stranger and the Hackman—Night View of Naples from the Mountain-side—-Ascent of Mount Vesuvius Continued
The ship is lying here in the harbor of Naples—quarantined. She has been here several days and will remain several more. We that came by rail from Rome have escaped this misfortune. Of course no one is allowed to go on board the ship, or come ashore from her. She is a prison, now. The passengers probably spend the long, blazing days looking out from under the awnings at Vesuvius and the beautiful city—and in swearing. Think of ten days of this sort of pastime!—We go out every day in a boat and request them to come ashore. It soothes them. We lie ten steps from the ship and tell them how splendid the city is; and how much better the hotel fare is here than any where else in Europe; and how cool it is; and what frozen continents of ice cream there are; and what a time we are having cavorting about the country and sailing to the islands in the Bay. This tranquilizes them.
ASCENT OF VESUVIUS.
I shall remember our trip to Vesuvius for many a day—partly because of its sight-seeing experiences, but chiefly on account of the fatigue of the journey. Two or three of us had been resting ourselves among the tranquil and beautiful scenery of the island of Ischia, eighteen miles out in the harbor, for two days; we called it "resting," but I do not remember now what the resting consisted of, for when we got back to Naples we had not slept for forty-eight hours. We were just about to go to bed early in the evening, and catch up on some of the sleep we had lost, when we heard of this Vesuvius expedition. There was to be eight of us in the party, and we were to leave Naples at midnight. We laid in some provisions for the trip, engaged carriages to take us to Annunciation, and then moved about the city, to keep awake, till twelve. We got away punctually, and in the course of an hour and a half arrived at the town of Annunciation. Annunciation is the very last place under the sun. In other towns in Italy the people lie around quietly and wait for you to ask them a question or do some overt act that can be charged for—but in Annunciation they have lost even that fragment of delicacy; they seize a lady's shawl from a chair and hand it to her and charge a penny; they open a carriage door, and charge for it—shut it when you get out, and charge for it; they help you to take off a duster—two cents; brush your clothes and make them worse than they were before—two cents; smile upon you—two cents; bow, with a lick-spittle smirk, hat in hand—two cents; they volunteer all information, such as that the mules will arrive presently—two cents—warm day, sir—two cents—take you four hours to make the ascent—two cents. And so they go. They crowd you—infest you—swarm about you, and sweat and smell offensively, and look sneaking and mean, and obsequious. There is no office too degrading for them to perform, for money. I have had no opportunity to find out any thing about the upper classes by my own observation, but from what I hear said about them I judge that what they lack in one or two of the bad traits the canaille have, they make up in one or two others that are worse. How the people beg!—many of them very well dressed, too.
I said I knew nothing against the upper classes by personal observation. I must recall it! I had forgotten. What I saw their bravest and their fairest do last night, the lowest multitude that could be scraped up out of the purlieus of Christendom would blush to do, I think. They assembled by hundreds, and even thousands, in the great Theatre of San Carlo, to do—what? Why, simply, to make fun of an old woman—to deride, to hiss, to jeer at an actress they once worshipped, but whose beauty is faded now and whose voice has lost its former richness. Every body spoke of the rare sport there was to be. They said the theatre would be crammed, because Frezzolini was going to sing. It was said she could not sing well, now, but then the people liked to see her, anyhow. And so we went. And every time the woman sang they hissed and laughed—the whole magnificent house—and as soon as she left the stage they called her on again with applause. Once or twice she was encored five and six times in succession, and received with hisses when she appeared, and discharged with hisses and laughter when she had finished—then instantly encored and insulted again! And how the high-born knaves enjoyed it! White-kidded gentlemen and ladies laughed till the tears came, and clapped their hands in very ecstacy when that unhappy old woman would come meekly out for the sixth time, with uncomplaining patience, to meet a storm of hisses! It was the cruelest exhibition—the most wanton, the most unfeeling. The singer would have conquered an audience of American rowdies by her brave, unflinching tranquillity (for she answered encore after
encore, and smiled and bowed pleasantly, and sang the best she possibly could, and went bowing off, through all the jeers and hisses, without ever losing countenance or temper:) and surely in any other land than Italy her sex and her helplessness must have been an ample protection to her—she could have needed no other. Think what a multitude of small souls were crowded into that theatre last night. If the manager could have filled his theatre with Neapolitan souls alone, without the bodies, he could not have cleared less than ninety millions of dollars. What traits of character must a man have to enable him to help three thousand miscreants to hiss, and jeer, and laugh at one friendless old woman, and shamefully humiliate her? He must have all the vile, mean traits there are. My observation persuades me (I do not like to venture beyond my own personal observation,) that the upper classes of Naples possess those traits of character. Otherwise they may be very good people; I can not say.
ASCENT OF VESUVIUS—CONTINUED.
In this city of Naples, they believe in and support one of the wretchedest of all the religious impostures one can find in Italy—the miraculous liquefaction of the blood of St. Januarius. Twice a year the priests assemble all the people at the Cathedral, and get out this vial of clotted blood and let them see it slowly dissolve and become liquid—and every day for eight days, this dismal farce is repeated, while the priests go among the crowd and collect money for the exhibition. The first day, the blood liquefies in forty-seven minutes—the church is crammed, then, and time must be allowed the collectors to get around: after that it liquefies a little quicker and a little quicker, every day, as the houses grow smaller, till on the eighth day, with only a few dozens present to see the miracle, it liquefies in four minutes.
And here, also, they used to have a grand procession, of priests, citizens, soldiers, sailors, and the high dignitaries of the City Government, once a year, to shave the head of a made-up Madonna—a stuffed and painted image, like a milliner's dummy—whose hair miraculously grew and restored itself every twelve months. They still kept up this shaving procession as late as four or five years ago. It was a source of great profit to the church that possessed the remarkable effigy, and the ceremony of the public barbering of her was always carried out with the greatest possible eclat and display—the more the better, because the more excitement there was about it the larger the crowds it drew and the heavier the revenues it produced—but at last a day came when the Pope and his servants were unpopular in Naples, and the City Government stopped the Madonna's annual show.
There we have two specimens of these Neapolitans—two of the silliest possible frauds, which half the population religiously and faithfully believed, and the other half either believed also or else said nothing about, and thus lent themselves to the support of the imposture. I am very well satisfied to think the whole population believed in those poor, cheap miracles—a people who want two cents every time they bow to you, and who abuse a woman, are capable of it, I think.
ASCENT OF VESUVIUS—CONTINUED.
These Neapolitans always ask four times as much money as they intend to take, but if you give them what they first demand, they feel ashamed of themselves for aiming so low, and immediately ask more. When money is to be paid and received, there is always some vehement jawing and gesticulating about it. One can not buy and pay for two cents' worth of clams without trouble and a quarrel. One "course," in a two-horse carriage, costs a franc—that is law—but the hackman always demands more, on some pretence or other, and if he gets it he makes a new demand. It is said that a stranger took a one-horse carriage for a course—tariff, half a franc. He gave the man five francs, by way of experiment. He demanded more, and received another franc. Again he demanded more, and got a franc—demanded more, and it was refused. He grew vehement—was again refused, and became noisy. The stranger said, "Well, give me the seven francs again, and I will see what I can do"—and when he got them, he handed the hackman half a franc, and he immediately asked for two cents to buy a drink with. It may be thought that I am prejudiced.
Perhaps I am. I would be ashamed of myself if I were not.
ASCENT OF VESUVIUS—CONTINUED.
Well, as I was saying, we got our mules and horses, after an hour and a half of bargaining with the population of Annunciation, and started sleepily up the mountain, with a vagrant at each mule's tail who pretended to be driving the brute along, but was really holding on and getting himself dragged up instead.
I made slow headway at first, but I began to get dissatisfied at the idea of paying my minion five francs to hold my mule back by the tail and keep him from going up the hill, and so I discharged him. I got along faster then.
We had one magnificent picture of Naples from a high point on the mountain side. We saw nothing but the gas lamps, of course—two-thirds of a circle, skirting the great Bay—a necklace of diamonds glinting up through the darkness from the remote distance—less brilliant than the stars overhead, but more softly, richly beautiful—and over all the great city the lights crossed and recrossed each other in many and many a sparkling line and curve. And back of the town, far around and abroad over the miles of level campagna, were scattered rows, and circles, and clusters of lights, all glowing like so many gems, and marking where a score of villages were sleeping. About this time, the fellow who was hanging on to the tail of the horse in front of me and practicing all sorts of unnecessary cruelty upon the animal, got kicked some fourteen rods, and this incident, together with the fairy spectacle of the lights far in the distance, made me serenely happy, and I was glad I started to Vesuvius.
ASCENT OF MOUNT VESUVIUS—CONTINUED.
This subject will be excellent matter for a chapter, and tomorrow or next day I will write it.
CHAPTER XXX.
Ascent of Mount Vesuvius Continued—Beautiful View at Dawn—Less Beautiful in the Back Streets—Ascent of Vesuvius Continued—Dwellings a Hundred Feet High—A Motley Procession—Bill of Fare for a Peddler's Breakfast—Princely Salaries—Ascent of Vesuvius Continued—An Average of Prices—The wonderful "Blue Grotto"—Visit to Celebrated Localities in the Bay of Naples—The Poisoned "Grotto of the Dog"—A Petrified Sea of Lava—Ascent of Mount Vesuvius Continued—The Summit Reached—Description of the Crater—Descent of Vesuvius
ASCENT OF VESUVIUS—CONTINUED.
"See Naples and die." Well, I do not know that one would necessarily die after merely seeing it, but to attempt to live there might turn out a little differently. To see Naples as we saw it in the early dawn from far up on the side of Vesuvius, is to see a picture of wonderful beauty. At that distance its dingy buildings looked white—and so, rank on rank of balconies, windows and roofs, they piled themselves up from the blue ocean till the colossal castle of St. Elmo topped the grand white pyramid and gave the picture symmetry, emphasis and completeness. And when its lilies turned to roses—when it blushed under the sun's first kiss—it was beautiful beyond all description. One might well say, then, "See Naples and die." The frame of the picture was charming, itself. In front, the smooth sea—a vast mosaic of many colors; the lofty islands swimming in a dreamy haze in the distance; at our end of the city the stately double peak of Vesuvius, and its strong black ribs and seams of lava stretching down to the limitless level campagna—a green carpet that enchants the eye and leads it on and on, past clusters of trees, and isolated houses, and snowy villages, until it shreds out in a fringe of mist and general vagueness far away. It is from the Hermitage, there on the side of Vesuvius, that one should "see Naples and die."
But do not go within the walls and look at it in detail. That takes away some of the romance of the thing. The people are filthy in their habits, and this makes filthy streets and breeds disagreeable sights and smells. There never was a community so prejudiced against the cholera as these Neapolitans are. But they have good reason to be. The cholera generally vanquishes a Neapolitan when it seizes him, because, you understand, before the doctor can dig through the dirt and get at the disease the man dies. The upper classes take a sea-bath ever
y day, and are pretty decent.
The streets are generally about wide enough for one wagon, and how they do swarm with people! It is Broadway repeated in every street, in every court, in every alley! Such masses, such throngs, such multitudes of hurrying, bustling, struggling humanity! We never saw the like of it, hardly even in New York, I think. There are seldom any sidewalks, and when there are, they are not often wide enough to pass a man on without caroming on him. So everybody walks in the street—and where the street is wide enough, carriages are forever dashing along. Why a thousand people are not run over and crippled every day is a mystery that no man can solve. But if there is an eighth wonder in the world, it must be the dwelling-houses of Naples. I honestly believe a good majority of them are a hundred feet high! And the solid brick walls are seven feet through. You go up nine flights of stairs before you get to the "first" floor. No, not nine, but there or thereabouts. There is a little bird-cage of an iron railing in front of every window clear away up, up, up, among the eternal clouds, where the roof is, and there is always somebody looking out of every window—people of ordinary size looking out from the first floor, people a shade smaller from the second, people that look a little smaller yet from the third—and from thence upward they grow smaller and smaller by a regularly graduated diminution, till the folks in the topmost windows seem more like birds in an uncommonly tall martin-box than any thing else. The perspective of one of these narrow cracks of streets, with its rows of tall houses stretching away till they come together in the distance like railway tracks; its clothes-lines crossing over at all altitudes and waving their bannered raggedness over the swarms of people below; and the white-dressed women perched in balcony railings all the way from the pavement up to the heavens—a perspective like that is really worth going into Neapolitan details to see.