Fetcher’s Song: The Hidden Series 3

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Fetcher’s Song: The Hidden Series 3 Page 1

by Lian Tanner




  Also by Lian Tanner

  The Hidden series

  Ice Breaker

  Sunker’s Deep

  The Keepers trilogy

  Museum of Thieves

  City of Lies

  Path of Beasts

  First published by Allen & Unwin in 2016

  Copyright © Lian Tanner 2016

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or ten per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to the Copyright Agency (Australia) under the Act.

  Allen & Unwin

  83 Alexander Street

  Crows Nest NSW 2065

  Australia

  Phone: (61 2) 8425 0100

  Email: [email protected]

  Web: www.allenandunwin.com

  A Cataloguing-in-Publication entry is available from the National Library of Australia

  www.trove.nla.gov.au

  ISBN 978 1 74331 942 0

  eISBN 978 1 92526 896 6

  Cover and text design by Design by Committee

  Cover illustration by Sebastian Ciaffaglione

  Typeset by Midland Typesetters, Australia

  CONTENTS

  Prologue

  Three hundred years later

  Hilde

  Ariel’s Way

  Listen and obey!

  The mountains

  The attack on the Citadel

  The wild mountain men

  The Bring Back

  The Fetch

  Waiting

  A proper conversation

  A small rough voice

  The Singer and the Song

  He’s been took

  The dreadful idea

  Betrayal

  Everyone she loved

  It cannot be her

  The hidden path

  The ferry

  The first to fall

  Do you think me so gullible?

  The Grand Monument

  That dreadful voice

  Witch

  Downwards

  The door

  Inside the Grand Monument

  Bargains

  Moss and dirt

  The end of the world

  I am not made for fighting

  Our zeppaleen

  The end of the beginning

  For my beloved nieces – Annie, Sal, Meg and Gwyn

  PROLOGUE

  It was the last time they would ever meet, though neither Ariel Fetch nor Professor Serran Coe knew it. Within a week, one of them would be a fugitive, hunted across the country by the Anti-Machinists. The other would be dead.

  But for tonight at least, they were safe. They huddled, deep in the bowels of the ruined university, and finalised their plans. Between them burned a single candle.

  ‘Have you heard from Lin Lin and Admiral Cray?’ whispered Ariel Fetch.

  ‘No,’ replied Serran Coe. He was thinner than when they had last met, and his stiff white collar was frayed at the edges. ‘But I did not expect to. They will be deep beneath the sea by now, beyond the reach of the Anti-Machinists.’

  ‘Such a hard life they have chosen.’

  ‘We have all chosen hardship in one form or another.’

  ‘Not me.’ Ariel Fetch shook her head so that the beads in her hair clacked together. ‘All I have to do is sing and tell stories.’

  They both knew it was far more than that. If anything, she and her family had chosen the most dangerous path of all.

  ‘Have you worked out what to do with the code?’ asked Serran Coe.

  ‘Yes. Do you want to—?’

  The professor raised his hands, as if to ward off danger. ‘No! The fewer people who know about it the better. Just tell me – is it subtle enough? Will it remain hidden until it is needed? Is it strong enough?’

  ‘It is as subtle and strong as I can make it,’ said Ariel Fetch.

  A gust of wind whistled through the broken building and the candle guttered in its jar. There was no more electricity – the Anti-Machinists had destroyed the power stations weeks ago, in this and many other countries. There were no more automobiles or omnibuses, no telephones or wireless stations. The world was being dragged into chaos and no one seemed able to stop it.

  ‘What will you do now?’ asked Ariel Fetch.

  ‘I had thought of going home to the mountains before the city becomes unliveable.’ Serran Coe sighed. ‘Apparently, the Anti-Machinists are forcing people into the countryside, people who have never farmed in their lives. Anyone who refuses to go is killed. It will not be long before the great cities of the world are nothing but ghost towns.’

  A flicker of uncertainty crossed Ariel Fetch’s face. ‘It is worth it, isn’t it, what we are doing? I know that the science must be saved, and everything else that you and Lin Lin have set out to preserve. But what my family and I are doing—’

  Again Serran Coe held up a hand. ‘There is history – true history, not the curdled sort the Anti-Machinists want us to teach – and there is science and medicine and the making of machines. But there is another sort of knowledge too, just as valuable. Lin Lin and I are trying to save the mind of the world. You will save its heart.’

  On a sudden impulse, he reached into his pocket and drew out a watch in a silver case. ‘Please,’ he said, ‘take this. I made it myself; perhaps it will be useful to you in some small way . . .’

  As he handed it over, another gust of wind blew the candle out. The conspirators made no move to relight it. Instead, they sat in the darkness and talked quietly, for the last time, about family and friends. Neither of them said anything more about the greater darkness that was coming.

  They had done what they could. Now it was up to those unknown people of the future.

  THREE HUNDRED YEARS LATER

  Gwin stood in the muddy field outside the village of Swettle, counting the beats. One, two, three—

  ‘Hup!’ she cried, which was the cue for her twin brother Nat to vault onto the shoulders of their ox, Spindle. And, ‘Hup hup!’ which sent Spindle lumbering in a circle with Nat on his back.

  Like all the villages in this part of West Norn, Swettle was dank and miserable. Spring was struggling to gain a foothold, and mud covered everything, including Gwin’s bare feet. She curled her toes in the slush and glanced at Papa, who stood to one side with his fiddle tucked under his chin and his eyes half-closed as he played ‘The Chase of Madden’.

  It was supposed to be a dance tune, and there was a time when the villagers would’ve been stamping their feet and hallooing at the tops of their voices, no matter how tired and hungry they were. Nat would’ve worn a grin a mile wide and Papa would’ve laughed as he sawed at his fiddle.

  And Mama?

  Gwin swallowed the dreadful lump in her throat. Mama would’ve rattled out the beat on her tambour, and danced as if the world was as bright and beautiful as anyone could wish—

  Even now, Papa didn’t play badly; he was too much of a Fetcher for that. But his heart wasn’t in it, and no one in the audience so much as tapped their feet.

  They gaped, though. Everyone gaped when they saw Nat performing. They knew he was blind, knew that what he did would be hard even for someone who could see. But there he was, leaping off Spindle’s sturdy shoulders and back on again, as quick and fierce as a wildcat, w
hile the fiddle music wove around him.

  The old ox lumbered round to the front of the circle again, and Gwin went up on her toes. If I do this next bit perfectly, she thought, everything will be all right. Papa will be happy again. Nat will stop being so angry. Nothing bad will happen to either of them, if I do this perfectly.

  On exactly the right beat, she dashed forward with her beaded plaits flying. ‘Hiii!’ she cried.

  Despite his anger, Nat never got his timing wrong. He reached out in the direction of his sister’s voice, and she grabbed his hand and bounced off the ground onto Spindle’s broad back.

  Her leap wasn’t perfect, of course. She and Nat might be twins; they might have the same strong limbs and the same red hair; they might both wear ragged knee pants and rabbit-fur bands on their upper arms, but Gwin had none of her brother’s natural brilliance. When she jumped, one of her legs always seemed to lag a little way behind. When she somersaulted, she felt more like a bundle of sticks than a wildcat.

  All the same, she sat behind Nat for a count of seven, with a determined smile on her face. Then she leaned forward. ‘Eight, nine, ten,’ she whispered, and as Nat raised his hands in the air, she jumped from a sitting position to standing, gripped his hands and leaped onto his shoulders.

  The audience gasped, and a group of ragged children in the front row opened their mouths and cried, ‘Oooooh!’

  Gwin smiled again, a wide Fetcher smile that covered up everything she was feeling. She smiled at the buds that were just starting to open on an apple tree. She smiled at Nat’s dog, Wretched, sitting in the audience with his head on a little boy’s lap and his tail thumping gently. She smiled at the men and women whose children had died of hunger or been stolen by the Devouts, and who couldn’t take their eyes off Nat and Gwin.

  And all the time she was smiling, she watched for signs of danger.

  She saw nothing out of the ordinary. Swettle was just like every other village they visited. Dismal, hungry and muddy.

  With a whoop, Gwin dropped onto Spindle’s back. And as the old ox skidded to a halt, she and Nat jumped off, landing with their knees bent and their arms wide.

  If things were working the way they were supposed to, Nat would’ve reached for his clarinetto then, and Papa would’ve pushed the wooden box into the circle, then raised his bow, ready to play.

  But hardly anything worked the way it was supposed to these days. Gwin handed the clarinetto to her scowling brother, then grabbed the box and dragged it forward.

  ‘Papa,’ she whispered. ‘It’s the Hope song.’

  Her father started, as if he’d been miles away, and touched bow to fiddle.

  When Gwin was small, Mama used to say, ‘Anyone can sing when they are happy, my darling, and the sun is shining. But to sing in the middle of a storm, when the winds are howling and it feels like the sun will never shine again, that’s different. That’s our job, as Fetchers. We help keep the heart of the world beating.’

  Gwin still found it hard to think about Mama without weeping, especially when she wove the beads into her plaits in the exact same pattern Mama had always used, or stepped up onto the box and began to sing, as she did now.

  ‘How tall the tree,

  The first to fall—’

  Her voice wasn’t anywhere near as beautiful as Mama’s, just as her leaps weren’t as astonishing as Nat’s. But she didn’t even think of stopping. For the last couple of months she had been the only one holding the little family of Fetchers together. If she stopped, everything she knew would come to an end.

  ‘How wise to flee

  The worst of all—’

  The rat appeared halfway through the first verse. Gwin had no idea where it had come from, but it crouched in the shelter of Spindle’s cart, peering up at her.

  She slipped her hand into her pocket, took out a stone and threw it.

  No one in the audience so much as blinked. There were rats everywhere in West Norn, spoiling what little grain the villagers managed to hide from the Devouts, gnawing holes in the thatch so the rain came in, burrowing into cellars and taking bites out of the last few stored apples. Throwing stones at them in the middle of a conversation (or a song) was as ordinary as scratching a flea bite.

  This rat, however, ducked so that the stone flew over its head. Then, instead of running away, as any normal rat would have done, it sat up on its haunches, crossed its front paws like an old man, and made a tsk tsk tsk sound.

  It was so unexpected and so ridiculous that for the first time in weeks Gwin almost smiled. A proper smile. A real one, like a tiny spot of warmth in her overburdened heart.

  ‘But hear the song,’ she sang,

  ‘The singer gives,

  The trunk is gone,

  The root still lives.’

  All the way through that first verse, the rat seemed to listen attentively. Except it’s not really listening, thought Gwin. Someone’s trained it, that’s all. But who’d train a rat? And why?

  And then, because she was being as cautious as possible, to keep what was left of her family safe, she thought, Could it be dangerous? It doesn’t look dangerous, but it’s not ordinary either, not with those silver eyes. How can a rat have silver eyes?

  She was so busy puzzling over it that she didn’t see the real danger signs until it was almost too late.

  Gwin and her family had always lived on a perilous edge, fetching trouble just as surely as they fetched songs and stories out of the distant past. But until two months ago, Gwin had believed that nothing could really touch them.

  Now she knew better; Papa or Nat could be snatched away from her in an instant, just like Mama. And so, wherever she was, she kept her eyes peeled for any sign of approaching disaster—

  Like the woman leaning against the apple tree, her fair hair pulled tight against her head, her face worn almost to the bone by grief and hard work. She was one of those who had been watching Gwin and Nat so hungrily, but she wasn’t watching them now. She was staring at her neighbour, who kept glancing over his shoulder towards the village, as if he was expecting someone.

  The woman took a couple of steps towards him, so she could see the Northern Road. Her body stiffened. She turned back, her face a picture of dismay, and mouthed at Gwin, ‘The Masters! Go! Run!’

  But Gwin couldn’t move. ‘Masters’ was what the villagers called the Devouts, who were the enemies of every Fetcher ever born. Last time her family had run from them, Mama had fallen—

  Gwin tried to catch her breath, and couldn’t.

  Mama had fallen and hit her head. Gwin and Papa had managed to drag her up onto the ox-cart in time to escape, but Mama had never woken up from that fall. A week later she had passed away.

  And now the same thing was happening again. Only this time it might be Papa who fell. Or Nat. Or the Devouts might catch them and hang them—

  Gwin wrenched her thoughts out of that awful spiral and did a quick dance step on the box – thump thumpety thump-thump-thump.

  It was a Fetcher signal, almost as familiar as the hills that surrounded Swettle. As the music cut off, the villagers scrambled to their feet, dragging their children up with them and scattering in all directions.

  The rat ran too, though Gwin didn’t see where it went. She grabbed the box with one hand and Nat’s arm with the other, and dashed towards the ox-cart, with Papa only a step behind them. Spindle, who knew the signal as well as any of them, was already backing between the shafts.

  While Nat scrambled into the cart, and Gwin’s fingers flew over the straps and buckles of Spindle’s harness, Papa jumped into the driver’s seat and grabbed the whip. Wretched was tearing towards them, his ears flat, his tail tucked between his legs. Behind him, the woman who had warned them was struggling to get away from her neighbour, who held her by both wrists.

  Wretched flung himself up onto the cart beside Nat, and Gwin jumped up next to Papa. Spindle threw his massive shoulders against the harness.

  The woman broke free. She looked around f
rantically, then picked up her skirts and bolted for the cart. Behind her, three men in dark brown robes came out from between the huts, leading a mule.

  The neighbour shouted, and pointed to the cart and the running woman. Two of the robed men broke into a sprint.

  If Mama had been there, either she or Papa would have hauled the woman up onto the cart beside them. If there was one thing Gwin’s parents had always loved almost as much as they loved music and laughter, it was snatching someone from the clutches of the Devouts.

  But Mama was gone forever and Papa was not himself. So it was Gwin who grabbed the woman’s outstretched hand and hauled her up onto the seat in a breathless, frantic bundle.

  Papa cracked the whip. Spindle broke into a rocking gallop. And with a strange woman on board and the Devouts hot on their tail, the Fetchers ran for their lives.

  HILDE

  Somewhere along the Northern Road, twelve-year-old Petrel crouched on the lee side of a barn. The stone wall at her back was crumbling and worn, but it kept her out of the wind and away from prying eyes while she waited for her friend Fin.

  Every now and again, she squinted around the corner of the barn in the direction of the village.

  ‘Wish he’d get a move on,’ she muttered to herself. ‘I don’t like these villages one bit. What wouldn’t I give to see a nice bit of ice instead! Proper ice, so deep and thick that even the Oyster couldn’t bully its way through—’

  She fell silent, thinking of the life she’d left behind at the far end of the world. Parts of it had been beautiful, but it had been cold and miserable much of the time, and desperately lonely, too, for someone whom the rest of the Oyster’s crew had known only as Nothing Girl.

  Petrel hadn’t been Nothing Girl for months now; she had true friends and was a valued member of the ancient icebreaker’s crew. But the loneliness was a part of her life that she’d never forget, just as she’d never forget the ice.

  She heard the scuff of footsteps, and Fin rounded the corner, dressed in the light brown robes of an Initiate of the Devouts.

  Petrel leapt to her feet. ‘Did they talk to you? What’d they say?’

 

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