by Dan Kavanagh
‘McKay’s,’ said Gleeson by way of explanation. The same name probably also explained why Duffy’s overalls were over-generously cut.
‘There’s room for another in here,’ he said. But Gleeson was already moving on.
‘You drive a forkie?’ he said suddenly.
‘What?’
‘You drive a forkie?’ Ah, a fork-lift truck.
‘I’m sure I’ll pick it up.’
‘Well, you can start with a trolley, or a barrer. McKay could drive a forkie. Very neat. We reckoned he could pick an apple off your head with it, like whatsisname.’
‘Tell.’
‘I just told.’
Gleeson walked him round the shed, pointing out various areas: Perishables, Dries, Refrigerated, and so on. Occasionally he’d introduce him: there was someone called Tan who appeared to be Chinese; someone called Casey, tall, long-haired and even surlier than Gleeson; a couple of drivers, and someone who’s name Duffy forgot. Then Gleeson told him to wait around in a corner of the shed until someone asked him to do something. Like being stood in the dunce’s corner, Duffy thought. Occasionally throughout the morning Gleeson gave him orders: he had to load and unload things; a couple of times he was asked to move a large packing case just a few yards, to a point which seemed no more sensible or useful than where it had started from. Duffy didn’t ask; he just did it. Maybe it was some sort of initiation; maybe they were just buggering him about.
When the dinner whistle went he had just finished loading up a Transit van with Casey, who muttered what sounded like ‘Canteen’, and sloped off. Duffy followed and soon found himself hunched over pie and beans. Casey was eating double pie and double beans. Duffy stared at Casey’s hands. The first joint of each finger of his right hand had a letter tattooed on it: H A T E was what they spelt. Always on the right hand, of course, on the fist used for persuading people. Duffy knew what he’d see on the other hand – L O V E it read – but this time there was a slight variation. The ‘O’ on the second finger of the hand had a sophisticated addition, a cross on the top of it: O. Pretty high-class tattooist, thought Duffy; wonder if he knows what it means. Casey did. As he tumbled his knife and fork on to his plate at the end of the pie and beans, he leaned across to Duffy and wiggled his second finger up and down in front of Duffy’s nose.
‘Courting finger,’ he said, laughed, and squeaked back his chair. Two minutes later he was back, with a double sago pudding and custard. Duffy watched in silence (he felt it tactful not to be too gabby with this one) as Casey slurped it down. When he had finished putting it away he exhaled loudly.
‘You courting?’ he said.
‘Yes,’ replied Duffy straight away.
‘My mistake.’ But Casey’s tone was still closer to belligerence than apology. ‘Picked you for a wrong ’un.’
‘Sorry, can’t help you there,’ said Duffy. He sensed that it wouldn’t help him to wear a big pink star on his back around this place.
It was comforting to see Carol. For one thing, she was always so keen that it was now. She insisted by her natural mood that it wasn’t the past any more, and that it wouldn’t be the future until at least tomorrow. And that you didn’t deserve the future until you’d made a reasonable job of the present. It was odd that she had this effect so forcefully on Duffy, because in many ways she did represent the past – the time when they were colleagues in the force, when they were going around together, when they were sleeping together successfully, before Duffy was framed out of his job and his girlfriend one nasty evening that he mostly tried to forget. And Carol helped him with this, refused to let him brood, insisted that he think about today, worried with him about his work. Sometimes she stayed the night, sometimes she didn’t; though since he’d moved further west, out to Acton, she stayed a bit more often than when he’d been in Paddington.
They were sitting in his kitchen eating cheese on toast, and Carol was trying to stop Duffy leaping up every minute to tidy things away. Duffy was anal: there was no doubt at all about that. If he could, he’d do the washing up before the meal; Carol knew he’d secretly prefer her to hold the cheese on toast in her fingers so that he could wash up the plate. And then, when he’d done that, he’d probably hover near her with a damp J-cloth in his hand to catch any crumbs she might drop. And as for the refrigerator – it was just as bad as the last one, the one in which all the food was double-wrapped as if it were trying to escape and had to be straightjacketed; the fridge she’d called Colditz. This one, in his new flat, was no better: you opened it and saw nothing but plastic everywhere. No food, just plastic: Tupperware boxes, plastic bags, sometimes Tupperware boxes inside plastic bags, sometimes plastic bags inside Tupperware boxes.
‘What’s the distinction, Duffy,’ she’d once asked, ‘between the things that go in polythene bags and then into Tupperware boxes, and the things that go into Tupperware boxes and then into polythene bags?’
‘Ah,’ he’d said. ‘Ah. Now, I’m sure there’s a reason. I’m positive there’s a reason.’ He gazed at the ceiling, trying to remember.
‘Duffy,’ she bellowed at him after three seconds of his reverie, ‘you really think I want to know, don’t you? You really think I want to know.’
‘But you asked,’ he replied, puzzled and mildly offended.
‘Forget it. For-get. For-get. O.K.?’
‘O.K.’ He still couldn’t work it out.
That evening he told her about Hendrick (though he didn’t mention how he’d been put on to him), and about his first two days at the shed.
‘Sounds like it could be a long job.’
He grunted. She felt apprehensive when he grunted. It usually meant he was about to say something she might not like.
‘Can you do a couple of things?’
‘I might.’
‘Lend me your car in the evenings. I might need to follow someone and they’d know my van from work.’
‘Maybe.’
‘I mean, swop. You can have mine.’
There was a bit of a silence. Duffy had vaguely broken the rules. How would he know how to give it back at the end of the evening? Or where to give it back?
‘Maybe, Duffy. But it’d have to be day-to-day. You’d have to ask each time.’
‘O.K. And can you get me the traffic report on the accident this McKay had?’
‘I shouldn’t think so.’
‘You could, though, couldn’t you?’
‘I might be able to get someone to read it to me. But it’s not in our rules.’
‘I just thought,’ said Duffy quietly, ‘that someone might want to do the same to me.’ God he was unfair. She went and fetched her overnight bag. He knew what he’d done and felt shitty. Not about using her to get information, but about frightening her.
‘Please stay.’
‘No, sorry. Busy day tomorrow, beauty sleep and all that.’ She ruffled his hair as if to say, It’s all right really, it’s just that it’s not all right enough now. ‘And I hope they’re nicer to you at work tomorrow.’
‘Oh, yes, I forgot to say – they were quite nice to me today. I mean, they weren’t, as I told you, for almost all the day, and then they were.’
‘Explain.’
‘Well, I had to do most of the work, like yesterday, and nobody spoke to me much, and they made me do things I knew weren’t necessary, and they knew I knew weren’t necessary. And then at the end of the day, guess what? I looked in my locker and what did I find? Fifty quid. In very used notes.’
Buy Fiddle City Now!
About the Author
Dan Kavanagh was born in County Sligo, Ireland, in 1946. After an uncompromising adolescence, he left Ireland when he was nineteen and roamed the world. He has been an entertainment officer on a Japanese supertanker, a waiter on roller skates at a drive-in eatery in Tucson, and a bouncer in a gay bar in San Francisco. He boasts of having flown light planes on the Colombian cocaine route, but all that is known for certain is that he was once a baggage handler at Toronto Inte
rnational Airport. He lives in Islington, North London, and works in jobs that (with mild paranoia) he declines to specify.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1980 by Dan Kavanagh
Cover design by Michael Vrana
978-1-4804-6747-7
This edition published in 2014 by Open Road Integrated Media, Inc.
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New York, NY 10014
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Table of Contents
Title Page
Contents
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Preview: Fiddle City
About the Author
Copyright