by Jeff Pinkney
Jeff Pinkney
illustrations by
Darlene Gait
O R C A B O O K P U B L I S H E R S
Text copyright © 2014 Jeff Pinkney
Illustrations copyright © 2014 Darlene Gait
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system now known or to be invented, without permission in writing from the publisher.
Library and Archives Canada Cataloguing in Publication
Pinkney, Jeffrey R. (Jeffrey Richard), 1962-, author
Soapstone signs / Jeff Pinkney ; illustrated by Darlene Gait.
(Orca echoes)
Issued in print and electronic formats.
ISBN 978-1-4598-0400-5 (pbk.).--ISBN 978-1-4598-0401-2 (pdf).--
ISBN 978-1-4598-0402-9 (epub)
I. Gait, Darlene, 1968-, illustrator II. Title. III. Series: Orca echoes
PS8631.I535S62 2014jC813’.6C2014-901954-8
C2014-901955-6
First published in the United States, 2014
Library of Congress Control Number: 2014936071
Summary: A young Cree boy learns about soapstone carving from a master carver.
Orca Book Publishers gratefully acknowledges the support for its publishing programs provided by the following agencies: the Government of Canada through the Canada Book Fund and the Canada Council for the Arts, and the Province of British Columbia through the BC Arts Council and the Book Publishing Tax Credit.
Cover artwork and interior illustrations by Darlene Gait
Author photo by Julie Gagné
Illustrator photo by Frances Litman
ORCA BOOK PUBLISHERS
PO Box 5626, Stn. B
Victoria, BC Canada
V8R 6S4 ORCA BOOK PUBLISHERS
PO Box 468
Custer, WA USA
98240-0468
www.orcabook.com
Printed and bound in Canada.
17 16 15 14 • 4 3 2 1
To Mom and Dad, for sending me out in April and calling me back in September
Contents
Soapstone Signs and Whispers: A Spring Arrival
Blueberries, Blackflies and Belugas: A Summer Encounter
Powder and Bits: A Fall Journey
River Weasels: A Winter Discovery
Acknowledgments
Soapstone Signs and Whispers:
A Spring Arrival
Lindy travels opposite to the geese. Every spring after the ice breaks up on the river, he walks in from the north along the tracks. Even though his name is Lindbergh, everyone calls him Lindy. Even me. He has a way of being polite without saying anything. He smells like campfires and the outdoors.
Lindy carries a big burlap sack of soapstone pieces. Folks ask where he’s found all that soapstone. He just laughs and tells them, “Somewhere between here and there.”
Our place is one of the stops on his yearly journey to the south. We operate the lodge between the river and the train tracks. Lindy trades his carving in return for a place to sleep and food to eat. Each year, Mom puts the one he carves for us in the glass display case. Our guests sometimes ask to buy them, but Mom always says, “Not these ones—they are special to us.”
When someone asks, “Whatcha working on?” Lindy smiles and says, “Work in progress.” He leaves his finished carvings on the ground beside him, and the tourists can look and touch and buy those ones if they want. He carves bears, loons, owls, ospreys, beavers, walrus, seals and even fish.
Lindy has a place he likes to sit by the riverbank. I like to sit with him and watch him carve. Sometimes he hands me what he is working on. I look and then hand it back without saying a word. Really, that is saying a lot.
Today, when Lindy finishes a carving, I become curious. “How do you know what you will carve next?”
He pauses, looking thoughtful. “You ask the stone,” he says. “Whatever it is going to be, it is already there.”
“How does the stone answer you?”
“Sometimes, you might be given a sign, and then you will know what to carve.”
“Do you mean signs like the ones where the train stops?”
“Those are important signs too, but a sign can be any way that the world gives you a message. Signs come to you when your thoughts mix with your senses.”
I know what all the senses are. I ask Lindy, “If you mix your thoughts with your sight, can you see what is inside the stone?”
He lifts the piece he is working on, turns his hand and studies it against the clouds. “Sometimes it feels like I can see into the stone.”
“Does the stone talk to you?”
“Sometimes I feel like the stone is whispering to me.”
“Can you ever tell by the smell and the taste?”
Lindy laughs. “Sometimes the smells and tastes of the world around me give me signs about what is inside the stone.”
“Can you tell what is waiting inside by touching the stone?”
“Sometimes if I hold it just so, it’s like I can feel what is inside.”
“What if the stone won’t tell you?”
Lindy reaches into his burlap sack and holds a small piece out to me. “This is for you—ask for yourself.”
My very first piece of soapstone. It is dull gray and feels powdery before it is carved. I know from watching Lindy that the soapstone will look different after it is made into a carving. It will polish to a beautiful dark green with black swirls and white shimmers like the northern lights.
I am not sure my ears are sharp enough to hear the soapstone whisper. “Will you tell me what is inside, so I can try to carve it out?”
“That piece of stone has chosen you. Only the one who is to be the carver will know.”
“What if it never tells me?”
He laughs again. “Take it with you and be ready for a sign.”
I hold the soapstone to my ear all the way home, but it does not speak to me. I ask it lots of questions, but it doesn’t reply. I hold it up to a lamp, but I still can’t see into it. I cradle the stone until it is as warm as I am, but I still don’t know what it’s meant to be.
At suppertime, I show off my soapstone and tell everyone about how the carving is already inside it.
“Give it here,” my big brother says. “I’ll smash it open, and then we’ll see what’s inside it.”
I hold it tightly. After all, it chose me, not him.
I put it under my pillow. I wonder if it will ever speak to me or give me a sign.
That night I dream of the bear cub that comes to the garbage pails out back, and I wake up very excited. I wonder if that counts as a sign.
When I join Lindy on the riverbank, I tell him about my dream. He nods, then hands me a rasp file. “You’d better carve that bear cub out of there.”
“Will my signs always come in dreams?” I say.
“Not always, but sometimes.”
“Where else will I get my signs?”
“Everywhere, from everything. Stay open to the world around you. You will learn to understand your signs.”
I work with Lindy all day. Mom brings us lunch by the riverbank. Tourists come to watch us. Some of them want to know what I am carving, but I just smile and say, “Work in progress.”
By suppertime, Lindy has made an owl and a walrus. He has already sold them, plus all the other ones he’s made since he arrived at our lodge.
I finally finish my carving. The bear’s head is crooked, and its neck too short. I have not left enough stone for one of the ears, and I’ve forgotten that bear cubs have small tails. I am feeling a bit ashamed of it. Then Lindy takes my stone carving i
n his hands. “That is a very good bear cub,” he says. I start to feel better.
My brother says it looks like roadkill. Dad looks it over carefully, then digs through his toolbox and gives me a rasp file for keeps. Mom asks my permission to put the bear cub in the display case, and I feel very proud.
Lindy stays for as many days as it takes to carve the soapstone pieces in his sack. Mom and Dad always invite him to stay longer, but he never does. Mom packs him some sandwiches. Dad lets me walk him down the tracks to the marker line that tells the train our stop is coming.
At the marker, Lindy stops and shakes my hand like I am a grown-up. He hands me his burlap sack. There are still three nice pieces of soapstone in it.
“I think you are going to be a very good carver,” he tells me.
“Meegwetch,” I say.
“Thank you also,” he says.
I watch him disappear to the south. I will practice listening to the stone. I will be ready for the signs. I will wait for the ice to break up on the river and for the geese to fly back home. Most of all, I will watch for Lindy to arrive again. When he does, I will show him my carvings.
Blueberries, Blackflies and Belugas:
A Summer Encounter
I saw wapamegwak from the school boat in the last week of school before the summer holiday. I’m sure I did, because sometimes beluga whales swim in from the bay to spend time in the river. But there was just a hint of them way off in the distance toward the bay. “There’s the whales!” I yelled. Everyone looked, but no one else saw them. Some big kids said I was only seeing the whitecaps on faraway waves. They asked me on the way home where my “invisible belugas” were.
Lindy uses white stones called gypsum that he’s found along the riverbank to carve beluga whales that the tourists love to buy. Except he would say “wapameg,” or “wapamegwak” for more than one. That’s beluga and whale in one Cree word.
Every year after the blueberries come out, Mom paddles downriver and camps overnight. She usually goes alone so she can spend some special time remembering. When she gets home, it’s blueberry bannock and pies for everyone. This year is different. She has invited me to go with her, and I am excited. I’ve been camping with the whole family but never just with Mom. We will pick some berries and make a campfire. If I am lucky, maybe I will hear some stories. But I am mostly excited because I know that wapamegwak are out there somewhere.
We make our journey in Mom’s canoe. Mom’s canoe is made of cedar strips and covered in white canvas. She takes very good care of it.
Mom and I have packed bannock mix, strips of smoked whitefish and some water. We have a first-aid kit, bedrolls and a small tent. She has also packed her rifle in case our camping gets interrupted by wapask, the white bear. I have never seen her take her rifle out of its cover, but Dad once told me she is a better mark than he is and that’s one of the reasons he’s so good to her.
I have packed one of the soapstone pieces from Lindy. I will be ready to start a new carving as soon as my signs and whispers tell me what is waiting for me inside the stone.
“What if we run out of food?” I ask Mom.
“Then we hunt and we gather. Food is all around us.”
“What if the fish won’t bite?”
“Then we learn to be hungry—that will make us better hunters.”
The blackflies are biting. “I wish there were no bugs!”
“Without the insects, there would be no blueberries or belugas,” Mom says. “The insects help turn the blueberry flowers into berries. They also act as food for the fish, and those fish go on to feed the belugas.”
“Okay,” I say, “but I wish the blackflies would just eat the blueberries instead of biting us.”
“Me too,” says Mom as she passes me some bug spray.
We paddle out onto the river. With the current flowing toward the bay and the tides pulling in the opposite direction, the river creates tiny “tut-tut” waves. The waves don’t go one way or the other but lift straight up into tiny peaks and drop back down again. Little drops are left hanging in the air for a split second. If you listen, it sounds like the gentle tut-tutting of a hundred tongues. It’s like the river is thinking but can’t make up its mind about something.
I have tut-tuts in my ears and blueberries and blackflies in my thoughts. But mostly I’m thinking about belugas and keeping an eye peeled over the water. We are paddling to a place called an estuary, where the salt water of the bay and the fresh water from the rivers inland meet.
There is lots of time to think when you are paddling a canoe.
I think about being a human being, and how when I breathe the air I can feel the breath come in and out of me. I can feel the wind against my body, and I know that it is gravity holding me to the ground. I can see when it is light or dark, and I can feel when it is hot or cold or wet or dry.
Lindy taught me to use my senses to be aware of signs and messages from the world around me. I wonder about the beluga whales who breathe the air like we do, and I wonder about all the signs that they can feel, smell, taste, see and hear in the water.
I think about the fresh water from the river mixing with the salt water in the bay. And I think that must be an important sign for the whales.
I think about how belugas can see, hear, feel, smell and taste just like we can. But they also have an extra sense that lets them bounce sound through the water around them. This is how they know what else is in the water, like friends, food or danger. I think the belugas must know secrets about the water that people have not thought of yet.
At first, I think we’ve paddled up beside a long gray river rock. Then I realize that the long gray river rock swam up beside us!
The wapameg is almost as long as our canoe and gently breaks the water beside us. I am tingling with excitement but do not feel scared.
I look up at Mom, who is paddling gently while the whale swims beside us. She motions for me to look across to where a bigger beluga is gliding slowly toward us. This whale is longer and wider, white like snow and floating as gently as a cloud in the sky.
“She is the mother,” my mom whispers as the big white wapameg comes slowly alongside. Little Wapameg must have separated and mistook the round white underside of our canoe for the mother’s belly.
The small gray wapameg is sounding in trills, squeaks and clicks that we can hear from the water. Mother Wapameg answers in a voice of whistles and calls. It sounds like the little one is asking questions and the mother is patiently answering.
Little Wapameg gets close enough to brush the side of our canoe. Then the whale rolls slightly sideways so that one eye breaks the surface and looks up. Right up at me!
Little Wapameg’s eye is big, wet and round. The color is a deep gray, nearly black, shimmering like a mirror and bottomless too. The eye shines like a polished carving stone. I feel Little Wapameg look at me and it’s as if we are sharing all the wonder from inside both of us. I feel still and calm.
Mother Wapameg starts to move away from the canoe. She sounds a whistle and makes some clicking noises. Little Wapameg rolls back into the water, clicks in answer and moves slowly forward to catch up. I reach down and touch Little Wapameg on the back—the skin is gray-blue and slippery smooth. The texture makes me imagine how the whale could be cozy and warm inside the cold water.
We can still hear the echoes of the belugas as they slowly move away from the canoe.
Lindy says that whales are magical because you never see them coming—they just appear. Now I know what he means.
“Why do they come here?” I ask Mom. I want to know everything about wapamegwak.
“They like to scratch on the gravelly river bottom while they get ready to molt their old skin. They also like to eat the whitefish that are found here this time of year.”
“Is Little Wapameg a new baby?” I whisper.
“No, I have seen them together before. Mother Wapameg has raised a beautiful child.”
“Is Little Wapameg a boy or a girl?�
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“What do you think?”
“I think Little Wapameg must be a boy.”
“I think maybe you are right.”
“How will Little Wapameg know when he is all grown up?”
“Little Wapameg is about the same age as you. But what takes wapamegwak one year takes us two. He will turn from gray to white and then will know it is time to swim on his own. Mother Wapameg will soon have to say goodbye.”
Mom and I stay floating there until the wapamegwak are out of sight. “We’d better go make camp,” Mom says. “We may see them again tomorrow. They will not come to the shallows of the river after the tide is high.”
“Why not?” I ask.
“Why do you think?”
I think about that for a whole lot of paddle strokes. “So they don’t get stuck when the tide drops?”
“You are getting wise, my son,” Mom says. I feel proud to have figured that out.
Soon it will be twilight. We beach our canoe on a gravelly island and pull it up just beyond the high-tide mark. There is a place where fires have been before and a smooth flat spot for the tent.
Mom sets our fire with sticks and dried bark. Out beyond the sedge grass, I can see the bay opening wide and curving with the Earth. Mom says we will stay here until the tide is low and maybe we will see wapamegwak again. While we wait and watch, we will fill our baskets with berries.
I help Mom put the tent up and then pick enough fresh blueberries for the bannock. I gather enough wood to keep a small fire burning all night long and choose some long sticks for the bannock. Mom mixes berries into the batter and packs it onto the ends of the sticks. I set the pail for tea with a few wintergreen leaves for flavor.
I remember the slippery feel of Little Wapameg in the cold river and the warm feeling that went through me when we looked at each other. I make a wish that we can share this river forever. I think of Lindy and then check the soapstone he gave me. I see a beluga whale inside the soapstone, waiting to be carved. Not a big white one and not a baby, but a wapameg who is growing up and getting ready to be on his own.