THE DEVIL'S DICTIONARY

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by Ambrose Bierce


  Your throat and shake you like a rat. You know

  That empires are ungrateful; are you certain

  Republics are less handy to get hurt in?

  REVEILLE, n. A signal to sleeping soldiers to dream of battlefields no more, but get up and have their blue noses counted. In the American army it is ingeniously called "rev-e-lee," and to that pronunciation our countrymen have pledged their lives, their misfortunes and their sacred dishonor.

  REVELATION, n. A famous book in which St. John the Divine concealed all that he knew. The revealing is done by the commentators, who know nothing.

  REVERENCE, n. The spiritual attitude of a man to a god and a dog to a man.

  REVIEW, v.t.

  To set your wisdom (holding not a doubt of it,

  Although in truth there's neither bone nor skin to it)

  At work upon a book, and so read out of it

  The qualities that you have first read into it.

  REVOLUTION, n. In politics, an abrupt change in the form of misgovernment. Specifically, in American history, the substitution of the rule of an Administration for that of a Ministry, whereby the welfare and happiness of the people were advanced a full half-inch. Revolutions are usually accompanied by a considerable effusion of blood, but are accounted worth it-this appraisement being made by beneficiaries whose blood had not the mischance to be shed. The French revolution is of incalculable value to the Socialist of to-day; when he pulls the string actuating its bones its gestures are inexpressibly terrifying to gory tyrants suspected of fomenting law and order.

  RHADOMANCER, n. One who uses a divining-rod in prospecting for precious metals in the pocket of a fool.

  RIBALDRY, n. Censorious language by another concerning oneself.

  RIBROASTER, n. Censorious language by oneself concerning another. The word is of classical refinement, and is even said to have been used in a fable by Georgius Coadjutor, one of the most fastidious writers of the fifteenth century-commonly, indeed, regarded as the founder of the Fastidiotic School.

  RICE-WATER, n. A mystic beverage secretly used by our most popular novelists and poets to regulate the imagination and narcotize the conscience. It is said to be rich in both obtundite and lethargine, and is brewed in a midnight fog by a fat which of the Dismal Swamp.

  RICH, adj. Holding in trust and subject to an accounting the property of the indolent, the incompetent, the unthrifty, the envious and the luckless. That is the view that prevails in the underworld, where the Brotherhood of Man finds its most logical development and candid advocacy. To denizens of the midworld the word means good and wise.

  RICHES, n.

  A gift from Heaven signifying, "This is my beloved son, in whom I am well pleased."

  John D. Rockefeller

  The reward of toil and virtue.

  J.P. Morgan

  The savings of many in the hands of one.

  Eugene Debs

  To these excellent definitions the inspired lexicographer feels that he can add nothing of value.

  RIDICULE, n. Words designed to show that the person of whom they are uttered is devoid of the dignity of character distinguishing him who utters them. It may be graphic, mimetic or merely rident. Shaftesbury is quoted as having pronounced it the test of truth-a ridiculous assertion, for many a solemn fallacy has undergone centuries of ridicule with no abatement of its popular acceptance. What, for example, has been more valorously derided than the doctrine of Infant Respectability?

  RIGHT, n. Legitimate authority to be, to do or to have; as the right to be a king, the right to do one's neighbor, the right to have measles, and the like. The first of these rights was once universally believed to be derived directly from the will of God; and this is still sometimes affirmed in partibus infidelium outside the enlightened realms of Democracy; as the well known lines of Sir Abednego Bink, following:

  By what right, then, do royal rulers rule?

  Whose is the sanction of their state and pow'r?

  He surely were as stubborn as a mule

  Who, God unwilling, could maintain an hour

  His uninvited session on the throne, or air

  His pride securely in the Presidential chair.

  Whatever is is so by Right Divine;

  Whate'er occurs, God wills it so. Good land!

  It were a wondrous thing if His design

  A fool could baffle or a rogue withstand!

  If so, then God, I say (intending no offence)

  Is guilty of contributory negligence.

  RIGHTEOUSNESS, n. A sturdy virtue that was once found among the Pantidoodles inhabiting the lower part of the peninsula of Oque. Some feeble attempts were made by returned missionaries to introduce it into several European countries, but it appears to have been imperfectly expounded. An example of this faulty exposition is found in the only extant sermon of the pious Bishop Rowley, a characteristic passage from which is here given:

  "Now righteousness consisteth not merely in a holy state of mind, nor yet in performance of religious rites and obedience to the letter of the law. It is not enough that one be pious and just: one must see to it that others also are in the same state; and to this end compulsion is a proper means. Forasmuch as my injustice may work ill to another, so by his injustice may evil be wrought upon still another, the which it is as manifestly my duty to estop as to forestall mine own tort. Wherefore if I would be righteous I am bound to restrain my neighbor, by force if needful, in all those injurious enterprises from which, through a better disposition and by the help of Heaven, I do myself restrain."

  RIME, n. Agreeing sounds in the terminals of verse, mostly bad. The verses themselves, as distinguished from prose, mostly dull. Usually (and wickedly) spelled "rhyme."

  RIMER, n. A poet regarded with indifference or disesteem.

  The rimer quenches his unheeded fires,

  The sound surceases and the sense expires.

  Then the domestic dog, to east and west,

  Expounds the passions burning in his breast.

  The rising moon o'er that enchanted land

  Pauses to hear and yearns to understand.

  Mowbray Myles

  RIOT, n. A popular entertainment given to the military by innocent bystanders.

  R.I.P. A careless abbreviation of requiescat in pace, attesting to indolent goodwill to the dead. According to the learned Dr. Drigge, however, the letters originally meant nothing more than reductus in pulvis.

  RITE, n. A religious or semi-religious ceremony fixed by law, precept or custom, with the essential oil of sincerity carefully squeezed out of it.

  RITUALISM, n. A Dutch Garden of God where He may walk in rectilinear freedom, keeping off the grass.

  ROAD, n. A strip of land along which one may pass from where it is too tiresome to be to where it is futile to go.

  All roads, howsoe'er they diverge, lead to Rome,

  Whence, thank the good Lord, at least one leads back home.

  Borey the Bald

  ROBBER, n. A candid man of affairs.

  It is related of Voltaire that one night he and some traveling companion lodged at a wayside inn. The surroundings were suggestive, and after supper they agreed to tell robber stories in turn. "Once there was a Farmer-General of the Revenues." Saying nothing more, he was encouraged to continue. "That," he said, "is the story."

  ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, as a domestic horse to the hitching-post, but in romance it ranges at will over the entire region of the imagination-free, lawless, immune to bit and rein. Your novelist is a poor creature, as Carlyle might say-a mere reporter. He may invent his characters and plot, but he must not imagine anything taking place that might not occur, albeit his entire narrative is candidly a lie. Why he imposes this hard condition on himself, and "drags at each remove a lengthening chain" of his own forging he can explain in ten thick volumes without illuminating by so much as a candle's ray the black profound
of his own ignorance of the matter. There are great novels, for great writers have "laid waste their powers" to write them, but it remains true that far and away the most fascinating fiction that we have is "The Thousand and One Nights."

  ROPE, n. An obsolescent appliance for reminding assassins that they too are mortal. It is put about the neck and remains in place one's whole life long. It has been largely superseded by a more complex electrical device worn upon another part of the person; and this is rapidly giving place to an apparatus known as the preachment.

  ROSTRUM, n. In Latin, the beak of a bird or the prow of a ship. In America, a place from which a candidate for office energetically expounds the wisdom, virtue and power of the rabble.

  ROUNDHEAD, n. A member of the Parliamentarian party in the English civil war-so called from his habit of wearing his hair short, whereas his enemy, the Cavalier, wore his long. There were other points of difference between them, but the fashion in hair was the fundamental cause of quarrel. The Cavaliers were royalists because the king, an indolent fellow, found it more convenient to let his hair grow than to wash his neck. This the Roundheads, who were mostly barbers and soap-boilers, deemed an injury to trade, and the royal neck was therefore the object of their particular indignation. Descendants of the belligerents now wear their hair all alike, but the fires of animosity enkindled in that ancient strife smoulder to this day beneath the snows of British civility.

  RUBBISH, n. Worthless matter, such as the religions, philosophies, literatures, arts and sciences of the tribes infesting the regions lying due south from Boreaplas.

  RUIN, v. To destroy. Specifically, to destroy a maid's belief in the virtue of maids.

  RUM, n. Generically, fiery liquors that produce madness in total abstainers.

  RUMOR, n. A favorite weapon of the assassins of character.

  Sharp, irresistible by mail or shield,

  By guard unparried as by flight unstayed,

  O serviceable Rumor, let me wield

  Against my enemy no other blade.

  His be the terror of a foe unseen,

  His the inutile hand upon the hilt,

  And mine the deadly tongue, long, slender, keen,

  Hinting a rumor of some ancient guilt.

  So shall I slay the wretch without a blow,

  Spare me to celebrate his overthrow,

  And nurse my valor for another foe.

  Joel Buxter

  RUSSIAN, n. A person with a Caucasian body and a Mongolian soul. A Tartar Emetic.

  S

  SABBATH, n. A weekly festival having its origin in the fact that God made the world in six days and was arrested on the seventh. Among the Jews observance of the day was enforced by a Commandment of which this is the Christian version: "Remember the seventh day to make thy neighbor keep it wholly." To the Creator it seemed fit and expedient that the Sabbath should be the last day of the week, but the Early Fathers of the Church held other views. So great is the sanctity of the day that even where the Lord holds a doubtful and precarious jurisdiction over those who go down to (and down into) the sea it is reverently recognized, as is manifest in the following deep-water version of the Fourth Commandment:

  Six days shalt thou labor and do all thou art able,

  And on the seventh holystone the deck and scrape the cable.

  Decks are no longer holystoned, but the cable still supplies the captain with opportunity to attest a pious respect for the divine ordinance.

  SACERDOTALIST, n. One who holds the belief that a clergyman is a priest. Denial of this momentous doctrine is the hardest challenge that is now flung into the teeth of the Episcopalian church by the Neo-Dictionarians.

  SACRAMENT, n. A solemn religious ceremony to which several degrees of authority and significance are attached. Rome has seven sacraments, but the Protestant churches, being less prosperous, feel that they can afford only two, and these of inferior sanctity. Some of the smaller sects have no sacraments at all-for which mean economy they will indubitable be damned.

  SACRED, adj. Dedicated to some religious purpose; having a divine character; inspiring solemn thoughts or emotions; as, the Dalai Lama of Thibet; the Moogum of M'bwango; the temple of Apes in Ceylon; the Cow in India; the Crocodile, the Cat and the Onion of ancient Egypt; the Mufti of Moosh; the hair of the dog that bit Noah, etc.

  All things are either sacred or profane.

  The former to ecclesiasts bring gain;

  The latter to the devil appertain.

  Dumbo Omohundro

  SANDLOTTER, n. A vertebrate mammal holding the political views of Denis Kearney, a notorious demagogue of San Francisco, whose audiences gathered in the open spaces (sandlots) of the town. True to the traditions of his species, this leader of the proletariat was finally bought off by his law-and-order enemies, living prosperously silent and dying impenitently rich. But before his treason he imposed upon California a constitution that was a confection of sin in a diction of solecisms. The similarity between the words "sandlotter" and "sansculotte" is problematically significant, but indubitably suggestive.

  SAFETY-CLUTCH, n. A mechanical device acting automatically to prevent the fall of an elevator, or cage, in case of an accident to the hoisting apparatus.

  Once I seen a human ruin

  In an elevator-well,

  And his members was bestrewin'

  All the place where he had fell.

  And I says, apostrophisin'

  That uncommon woful wreck:

  "Your position's so surprisin'

  That I tremble for your neck!"

  Then that ruin, smilin' sadly

  And impressive, up and spoke:

  "Well, I wouldn't tremble badly,

  For it's been a fortnight broke."

  Then, for further comprehension

  Of his attitude, he begs

  I will focus my attention

  On his various arms and legs-

  How they all are contumacious;

  Where they each, respective, lie;

  How one trotter proves ungracious,

  T'other one an alibi.

  These particulars is mentioned

  For to show his dismal state,

  Which I wasn't first intentioned

  To specifical relate.

  None is worser to be dreaded

  That I ever have heard tell

  Than the gent's who there was spreaded

  In that elevator-well.

  Now this tale is allegoric-

  It is figurative all,

  For the well is metaphoric

  And the feller didn't fall.

  I opine it isn't moral

  For a writer-man to cheat,

  And despise to wear a laurel

  As was gotten by deceit.

  For 'tis Politics intended

  By the elevator, mind,

  It will boost a person splendid

  If his talent is the kind.

  Col. Bryan had the talent

  (For the busted man is him)

  And it shot him up right gallant

  Till his head begun to swim.

  Then the rope it broke above him

  And he painful come to earth

  Where there's nobody to love him

  For his detrimented worth.

  Though he's livin' none would know him,

  Or at leastwise not as such.

  Moral of this woful poem:

  Frequent oil your safety-clutch.

  Porfer Poog

  SAINT, n. A dead sinner revised and edited.

  The Duchess of Orleans relates that the irreverent old calumniator, Marshal Villeroi, who in his youth had known St. Francis de Sales, said, on hearing him called saint: "I am delighted to hear that Monsieur de Sales is a saint. He was fond of saying indelicate things, and used to cheat at cards. In other respects he was a perfect gentleman, though a fool."

  SALACITY, n. A certain literary quality frequently observed in popular novels, especially in those written by women and young girls, who give it an
other name and think that in introducing it they are occupying a neglected field of letters and reaping an overlooked harvest. If they have the misfortune to live long enough they are tormented with a desire to burn their sheaves.

  SALAMANDER, n. Originally a reptile inhabiting fire; later, an anthropomorphous immortal, but still a pyrophile. Salamanders are now believed to be extinct, the last one of which we have an account having been seen in Carcassonne by the Abbe Belloc, who exorcised it with a bucket of holy water.

  SARCOPHAGUS, n. Among the Greeks a coffin which being made of a certain kind of carnivorous stone, had the peculiar property of devouring the body placed in it. The sarcophagus known to modern obsequiographers is commonly a product of the carpenter's art.

  SATAN, n. One of the Creator's lamentable mistakes, repented in sashcloth and axes. Being instated as an archangel, Satan made himself multifariously objectionable and was finally expelled from Heaven. Halfway in his descent he paused, bent his head in thought a moment and at last went back. "There is one favor that I should like to ask," said he.

  "Name it."

  "Man, I understand, is about to be created. He will need laws."

  "What, wretch! you his appointed adversary, charged from the dawn of eternity with hatred of his soul-you ask for the right to make his laws?"

  "Pardon; what I have to ask is that he be permitted to make them himself."

  It was so ordered.

  SATIETY, n. The feeling that one has for the plate after he has eaten its contents, madam.

  SATIRE, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are "endowed by their Creator" with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a soul-spirited knave, and his ever victim's outcry for codefendants evokes a national assent.

 

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