Mandy O’Toole, in scrubs and examination gloves, is arranging a pair of children’s pajamas on white butcher paper that covers the conference room table, the case records I started looking at yesterday out of the way, stacked on a chair.
“It’s the kids’ stuff that’s really, really hard for me,” she says, and I recognize most of what I’m seeing from photographs I began to review yesterday.
Neatly spread out on the white paper are two sets of children’s pajamas, one SpongeBob, the other a football design with helmets of the Georgia Bulldogs. A pair of men’s boxer shorts and a T-shirt must have been what Clarence Jordan was sleeping in when he was stabbed to death in bed, and a blue floral and lace nightgown obviously was his wife’s. All of the garments are stained dark brown with old blood, and riddled with small slits and punctures from at least one sharp instrument, and there are multiple small holes where fabric was removed for DNA analysis.
I pull gloves out of a box on the table and put them on, then pick up evidence labeled and marked by the court: a knife, and I leave it inside its bag, examining it through the plastic. The blade is approximately six inches in length, the wooden handle smudged with old blood. White, filmy partial fingerprints and an intact one are permanently fixed in superglue on the nonporous smooth surfaces of the steel and lacquered wood, and while the knife may have been used by the killer to make a sandwich in the kitchen, I don’t believe it killed anyone.
The kitchen knife is a clip point, or “granny,” used for such tasks as removing the eyes from potatoes or peeling vegetables and fruits, and as suggested by the name, the blade has been clipped off from the middle of the spine all the way to the point, leaving a dull edge for resting your thumb. Any knife with a false curved edge will be less effective in piercing, and therefore not a good choice in stabbings. Furthermore, the blade at its widest point is almost two inches, which is inconsistent with what I saw on body diagrams in the autopsy reports. I walk to the other end of the table and look through the thick files on the chair, sifting through documents until I find what I remember looking at yesterday morning, a description of the wounds.
The cause of death in all four cases is multiple sharp force injuries, and I’m particularly interested in the stab wounds to the chest and neck, because areas of the body that offer a thickness of tissue and hollow spaces can be a good indication of the length of the blade. On Clarence Jordan’s right lateral chest, the wound measures one inch long and extends to a depth of three inches, penetrating the pericardial sac and the heart. On his right lateral neck, the wound track travels front to back and downward, and to a depth of three inches, severing his carotid artery.
Other measurements of the other victims’ wounds suggest the blade was at most three inches in length and an inch wide, with some sort of guard at the top of the handle that left four parallel but irregular abraded contusions spaced one-eighth of an inch apart. Such a pattern injury couldn’t have been inflicted by the granny knife or any kitchen knife I can think of, and it was Colin’s conclusion at the time that the weapon was unknown and inconsistent with anything recovered from the scene. It would seem that the killer carried in what must have been an unusual cutting instrument, and afterward left with it.
Clarence Jordan has no incised wounds or defensive injuries of the arms or hands, arguing against him struggling or even being awake when he was attacked. Toxicology findings of a blood alcohol concentration of.04 and what would be considered a therapeutic level of clonazepam paint a picture of him having a drink or two and taking a modest dose, perhaps a milligram of the benzodiazepine, to calm anxieties or to help him sleep. That thought leads me around to the other side of the table, where a plastic evidence bag that isn’t marked for court contains half a dozen prescription bottles, only one of them with Clarence Jordan’s name on it, the beta blocker propranolol. Other bottles belonged to his wife, including antibiotics, an antidepressant, and clonazepam, and while it isn’t uncommon for someone to take another person’s medication, it surprises me that Clarence Jordan would.
He was a physician with easy access to samples, to any medication he wanted, and it is illegal to share prescription drugs. That doesn’t mean he didn’t get into his wife’s clonazepam the night of January 5 when he returned home from his volunteer work at an area men’s emergency shelter around dinnertime. It also doesn’t preclude the possibility that he didn’t take the sedative willingly. It would be easy to crush pills to mix in someone’s drink, and I continue to think about the security system event logs I reviewed.
According to the actual data from the alarm company’s internal archives, the Jordans armed and disarmed the alarm repeatedly through November of 2001, but something changed in December, when it appears the false alarms, allegedly caused by the Jordan children, began to be a problem. The last month the Jordans were alive, there were five faults that set off the alarm, all involving the same zone, the kitchen door. The police did not respond, and the alarms were cleared because the subscriber, when called by the service, said the alarms were false. The arming of the security system became increasingly erratic through the holidays, based on my review of the logs, but it continued to be set most nights, which is why I find the data for Saturday, January 5, rather odd. The alarm wasn’t set at all that day until almost eight o’clock at night. Then it was disarmed at not quite eleven and never reset, and this seems to be contrary to what has been supposed by journalists and the police over the years.
In fact, it would appear that Dr. Jordan returned home from his volunteer work and set the alarm, then three hours later someone disarmed it, and that detail in addition to his having a sedative on board not prescribed to him disturbs me. I spread out scene photographs of the bloody massacre in the Jordans’ master bedroom, looking at images of the couple’s bodies in the bed, the covers pulled up to their necks, and that bothers me, too. People aren’t manikins when they’re being murdered, and bedcovers aren’t neatly arranged over their dead bodies unless the killer or someone does so for psychological reasons, to restore order or cover up what they’ve done. Colin has commented that the bodies may have been displayed to mock the victims, and I sort through more photos that were taken after he removed the top covers so he could examine Dr. and Mrs. Jordan’s bodies in situ.
He is on his back, his head on a pillow, staring straight up with an open mouth, his arms straight down by his sides, his genitals protruding through the slit in his boxer shorts, and I doubt this was his position at death. Someone rearranged him, and the more I see, the more I understand the hatred that the police, the prosecutor, and others must feel toward Lola Daggette as they imagined her inside this room, enjoying herself after she’s slaughtered everyone, demonstrating blatant degradation and contempt.
The T-shirt and the waistband of Dr. Jordan’s white boxer shorts are completely saturated with blood that has soaked the sheet under him, spreading in a stain that extends to the edge of the mattress and under the body of his wife, the entire fitted sheet bloody. He was stabbed a total of nine times in his chest and neck, and there is no indication he struggled or attempted to ward off the vicious attacks of a knife with an unusual guard that left parallel contusions on his skin. His wife is on her right side, her hands tucked under her chin, facing away from her husband, toward the window that overlooks the street in front and the old cemetery on the other side of it, and I certainly don’t believe she was in this position when she died. Her body was rearranged, staged to look almost pious, as if she is praying, yet her gown is hiked up to her waist and her breasts are exposed.
I pick up her flannel gown, long-sleeved, with buttons up to the neck and a lacy collar that seems to fit with the demure serious-looking woman in the Christmas portrait taken not even a month before she was to be photographed again, this time vulgarly positioned on her blood-soaked bed. Flakes of old dark blood drift to the white paper covering the table as I look at every perforation and cut left by a blade that stabbed her a total of twenty-seven times, her face, her head,
her chest, her back, her neck, her throat slashed for good measure. The gown is stained front and back, so saturated with blood that only areas of the sleeves and the bottom of the hem indicate the flannel is a pattern of floral blue.
I’m aware of Mandy O’Toole sitting in a chair she’s moved near a window to stay out of my way. She’s watching me intently, curiously, as I arrange the gown on top of the paper, putting it back the way I found it, dried blood making some areas of the fabric as stiff as petticoat netting. Mandy doesn’t say a word or interfere, and I don’t offer my thoughts, which are getting darker and uglier by the minute. I check Gloria Jordan’s case file again. I study body diagrams and review laboratory reports of blood samples taken from her gown, confirming the presence of her DNA, as one would expect, but also her husband’s and their five-year-old daughter’s. Why Brenda’s blood?
I notice from Colin’s measurements and descriptions that the wound to Gloria’s neck begins behind her left ear and travels down in one clean incision, under the chin, below the right earlobe, consistent with her having her throat cut from behind. If she didn’t see it coming and her carotid was severed, that would explain the lack of defensive injuries Colin mentioned, but it raises more questions than it answers. Next I notice another photograph of her on the bed, a close-up taken from the foot of it. Blood spatters are on the tops of her feet, and the soles of them are bloody, which doesn’t seem possible if she was lying down when she was cut and stabbed. But it’s hard to say. There was so much blood everywhere, and I try to imagine an assailant cutting Mrs. Jordan’s throat from behind if she was lying down, sound asleep, drugged out on clonazepam.
I follow blood that is streaked, smeared, pooled, stepped in, and splashed on the stairs, and then the arterial pattern that may have been from the slashing of the knife, perhaps to the neck, perhaps Gloria Jordan’s neck, the spatter arching in rhythm to the beating of a heart that was about to quit. But whose heart, and which direction was the person heading, up or down, in or out? Crime scene investigators, even good ones like Sammy Chang, can’t swab every blood drop or streak or mop up every pool and puddle at a scene, and the labs couldn’t possibly analyze all of it.
Down the stairs to the landing at the bottom, and I pause in the area near the entryway and front door where Brenda collapsed as I try to come up with an explanation for why her blood would have been transferred to the nightgown of her mother, who supposedly died in bed. I look for any evidence that efforts were made to clean up blood in the foyer, on the stairs, in the hallway, or anywhere in the house, but I see nothing that hints of it, and there is nothing to suggest it in any of the reports I’ve seen. I continue going back to the area of the entryway, to Brenda’s body, a sight that must have horrified police when they arrived at the house after the next-door neighbor discovered the broken glass in the kitchen door and called 911.
No normal person likes to look at dead children, and it’s a temptation not to look closely enough. The flooring in the area of the entryway is a chaotic pattern of drips and spatters cast off by a weapon, and smears and puddles, and bloody prints left by footwear and also marks that appear to have been made by bare feet. Toe prints and a heel that are too large for a child’s, and I pick up the SpongeBob pajamas again. They have footies. The marks left by bare feet could not have been left by Brenda when she was fleeing downstairs toward the front of the house and the door, and I find myself back to the same conundrum, the cut, which is significant, on her mother’s left hand.
Colin speculates Mrs. Jordan sliced open her thumb while pruning in her garden, and I follow the thread of this theory through photographs, returning to the sunporch and the garden in back. I revisit the round drops of dried blood, approximately eighteen inches apart on terra-cotta tile and flagstone and foliage, Mrs. Jordan’s blood, believed to be unrelated to the case and excluded from evidence at the trial. If what Colin suggests is correct, and I don’t think it is, she must have injured herself almost immediately after she began pruning. But there’s no tool anywhere in any of the pictures I review, not a cut branch or side shoot or sucker in sight, the garden bleak and in need of a winter cleanup it never got.
When Marino questioned Lenny Casper, the former next-door neighbor who happened to notice Mrs. Jordan in her garden the Saturday afternoon of January 5, Casper made no mention of her appearing to have hurt herself. Maybe he didn’t notice, but most people taking their dog out or looking through a window might be aware of someone hurrying back into the house, dripping blood. A casual observation by a neighbor and drops of Gloria Jordan’s blood that didn’t make sense in the context of such gory homicides led to the conclusion that she cut her thumb earlier in the day. She returned to the house, forgot to clean up the sunporch and the hallway near the guest bath, and didn’t bandage her injury or let her physician husband tend to it when he arrived home from the men’s shelter. I just don’t believe it.
According to her toxicology report, when Mrs. Jordan died she had alcohol and clonazepam on board, higher blood levels than her husband’s, and she was taking the antidepressant sertaline. After the murders, these prescription drugs were collected from the master bathroom, from what appears to be her side of the sink, and I look at them again in their evidence bag, noticing a detail that eluded me earlier.
“You want to help me with something?” I ask Mandy, who is observing everything I do with her cobalt blue stare.
“You bet.” She’s already out of her chair.
“The Barrie Lou Rivers case file? I believe it’s electronic, not printed, because her death occurred after the office became paperless.”
“Want me to print it?” she asks.
“Not necessary. But I’m interested in a document, if you can find it in her file.”
“Can you wait one minute so I can get my laptop?”
“I’ll stand in the hallway.” I step outside the conference room.
33
Mandy O’Toole returns from the histology lab with a laptop and begins a search of Barrie Lou Rivers’s records while I search Lola Daggette’s clothing for anything that might have been missed.
I examine the Windbreaker, the blue turtleneck and tan corduroys that she was washing in her shower, an incriminating act that was the sole basis for her being charged with multiple counts of first-degree murder and sentenced to death. Much of the blood was washed away, only traces of a pattern left, areas of dark discoloration on the thighs of the pants, and drips and smears on the cuffs and on the front of the Windbreaker and its sleeves. Lola would have had blood on her shoes, and my thoughts keep going back to that.
“Got her file. Tox and other lab reports, autopsy records,” Mandy says, sitting in the chair by the window, the computer in her lap. “What are you looking for, exactly?”
“Something you might not have but Jaime Berger did. A one-page document included with the autopsy protocol and tox reports,” I reply. “A chain-of-custody form from the GPFW relating to the execution drugs. The prescription was filled but never used because Barrie Lou Rivers died before they could execute her. Just a strange piece of paper that doesn’t belong with the autopsy record but somehow ended up in there.”
“My favorite thing,” she says. “Details that aren’t supposed to be included. But they are.”
As I continue looking at Lola Daggette’s clothing, I think about what the victims had on when they died and how much blood there was. The crazed trail of footwear prints on the black-and-white checkered kitchen tile and the fir wood floor indicate that the killer was tracking blood throughout the house or someone was or more than one person was. Not all of the tread patterns look the same. Contamination by people disrupting the crime scene after the police got there, or did Dawn Kincaid have a partner in her hideous crimes?
It wasn’t Lola. Had she been walking around the Jordans’ house that early morning, her shoes would have been bloody. Yet she wasn’t washing shoes in the shower when the volunteer healthcare worker walked in. She wasn’t washing her underwear
or socks. She was never examined for injuries, such as scratches, and it wasn’t her DNA or fingerprints recovered from the victims’ bodies or the scene, and it’s tragic no one paid attention to these facts. Dawn Kincaid’s DNA but her fingerprints aren’t a match, and I remember what Kathleen Lawler said about giving her childrenaway. As if she had more than one.
“Paydirt,” Mandy says, and I think of Payback.
A monster most assume Lola made up.
“Yes, exactly what I’m looking for,” I reply, as I read the form on the screen, a lethal prescription filled by a pharmacist named Roberta Price, the drugs delivered to the GFPW and signed for by Tara Grimm at noon on the day of Barrie Lou Rivers’s execution, two years ago, March first.
Boxes checked on the form and blanks filled in indicate the sodium thiopental and pancuronium bromide were stored in the warden’s office, then moved into the execution room at five p.m. but never used.
“Mean something? You’re looking like you’re thinking something,” Mandy can’t resist asking, as I hand the computer notebook back to her.
“As far as you know, these are the only items of clothing belonging to Lola Daggette?” I answer her question with one of my own, as I pick up the evidence bag of prescription drugs, checking labels on the orange plastic bottles. “In other words, no shoes.”
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