Dragonfly Bones

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Dragonfly Bones Page 24

by David Cole


  Policemen and ambulance drivers spent ten minutes trying to get our attention, gently working at pulling our bodies apart.

  revelations

  “Final call for American Airlines Flight 9492 to Las Vegas. Now boarding at Gate Twenty-eight. Final call.”

  Brittles stood at least twenty feet away, hands crossed in front of him, head bowed so low his chin touched his chest.

  “I don’t want to lose you now,” I said.

  “You never really had me,” Spider said, her eyes bright with tears. “Well. Not since I was two. And I hardly remember that.”

  “You’ll call me?”

  “I don’t think so.”

  “Email. You’ve got my email address. Fax number.”

  “Don’t wait for anything,” she said

  “You’ve got Nathan’s number. I’ll be living with him. You can call or email or do anything, any way you want. Just talk to me.”

  “Spider.”

  I waited, expecting her to rebel against my use of the name. Nothing.

  “You’re my daughter. I’ve been looking for you for twenty years.”

  “I forgot you twenty years ago.”

  “Isn’t there any way?” I sobbed.

  “For god’s sakes, don’t make this any more melodramatic than it is already.”

  “You don’t know me,” I pleaded. “At least give me some time so you get to know me. So I get to know you.”

  The boarding agent came over to us. I tried to turn my back on her, turn my back on the other boarding agent who was waiting to shut the door to the ramp.

  “Please, ma’am. You’ll have to board now or we’ll have to close the door.”

  A bright-faced young Asian girl, a broad smile with teeth as white and straight as dominos, a small bronze plaque pinned to her shirt with the name TEQUILA.

  “Tequila.” I laughed, a hard thing to do while I was sobbing. “Your dad and I, we had this thing for Cuervo Gold.”

  “Good-bye. Mom.”

  “After twenty years, is that all I’m going to get? A single word? Mom?”

  “It’s just too late, mom. Way way too late.”

  She turned abruptly and went through the ramp door and the agent quickly closed it behind her. I slumped into a bank of chairs, sobbing. I felt Brittles’s hand on my shoulder. The boarding agents started to move to another counter for a flight to Los Angeles. Somebody thumped on the ramp door. The agents exchanged looks. One of them opened the door and Spider ran through to put a hand on my cheek.

  “Well, maybe not,” she said. “Maybe not too late. I’ll think about it.”

  She ran back down the ramp. The door closed again.

  I wanted to see the plane take off, wanted to see her face at a window, but Brittles took my hands, pulled me to my feet, turned me around, held my hand as we walked away. I turned back once as the tug started pushing the plane back from the loading ramp, but Brittles cradled my head in his hands, held my hand against his shirt for a long, long time until I heard the engines roar and the plane move away.

  “Come on, sweet pea,” Brittles said. “Let’s go home.”

  laura’s rap

  I’m alone on my own,

  On a road with no map to where I’m going

  But my ambition’s growing

  Not knowing where I’ll end up but welcoming adventure

  And freed from dependence indenture

  Rid of my affliction

  Ritalin addiction

  I center my mind on steps, not sure what I’m going to find next

  As I climb this hill I’m resigned to let

  Things unfold, unsure of some of the things I’ve been told

  Or what the future might hold

  I’ve decided to escape my fate

  Can’t sit around and wait

  For something I don’t know, with ten miles to go

  On a cold desert road, with my mind in a mode

  Dwelling on the fact that

  The futures a dream you can never get back

  …Once you get there

  So I’m taking small steps with my eyes on

  The western horizon

  Even when the sun’s rising I’m trying

  To envision a sunset that hasn’t come yet

  And a truth that I’ve been denying

  On a path that I’ve been defying

  As I pass another butterfly flying

  I’m thinking about a place where my heart can rest

  And my mind can be resigned to consider the time

  While I’m taking my time instead of racing to find

  A world that I’ll never get ahead of

  I’m keeping my head up

  And looking to begin from all I’ve taken in

  Too many mistakes to make amends

  Too many enemies to be making friends easily

  Too many times that I think I might have acted unreasonably

  With the weather unseasonably cold and gray

  I’m trying to stay warm and weather each storm that unfolds this way

  Like a normal day from the comforts of home

  With a life that’s my own, organically grown

  In the garden of variety, I try to be satisfied

  And abide by the ratified guidelines

  That decide my immediate timeline

  I find mine unstable

  And though I’ve put many things under the legs of the table

  I’m unable to balance, lacking the talent of contentment

  At length meant harboring resentment

  To maintain my strength to escape the entrenchment

  From a life, that I’m not sure I like

  I’m tired of rolling the dice

  And about to start selecting my slice through listening to my own advice

  Written by Kwame Harrison, AKA Mad Squirrel

  Acknowledgments

  I owe great debts to many people for helping me with this book. One of the true joys of writing a series character comes from real insights from fans and new contacts in Arizona. Their comments made for real challenges and changes.

  Two people provided so much help that I’ve used their names as characters. Ian S. Friedlander helped enormously with Arizona prison details. Ian is a Special Investigator in the Criminal Investigations Unit, Arizona Department of Corrections. Rich Thompson, a mineral physicist in Tucson, helped with details about archeology, paleontology, and bones. The fictional characters bearing these names are entirely my own.

  Carol Ellick, of Statistical Research, Inc. in Tucson, provided essential guidance about NAGPRA, the Arizona Burial Agreement, and many other details of recovering ancient bones and artifacts. Carol also introduced me to other people in this field, including Dave Winchester, Park Ranger at Casa Grande National Monument.

  Kwame Harrison wrote original rap lyrics, after delighting and convincing me that alternative hiphop/rap and rap music offered more than gangsta/thug material.

  Thanks also to Theresa May, Nancy Priest, and Rosemary Pooler, for their insights and support.

  Sarah Durand, my exceptional editor at Morrow/Avon, offered continual guidance and made key suggestions about both plot and character. More thanks to my agent, Jessica Lichtenstein.

  And finally, my gratitude to the EMT crew of Green Valley, Arizona, and the ER and ICU staffs at St. Mary’s Hospital in Tucson. Without them, I might not even be here.

  Although most place names are real, this is a work of fiction. All mistakes are mine alone.

  About the Author

  DAVID COLE is the author of four previous books featuring Laura Winslow—Butterfly Lost, The Killing Maze, Stalking Moon, and Scorpion Rain. He is the co-founder of NativeWeb (www.nativeweb.org), an Internet corporation for Native Americans and indigenous peoples of the world. A longtime political activist, he lives in Syracuse, New York, with his wife and six cats. You can visit him on the web at www.decole.com.

  Visit www.AuthorTracker.com for exclusive information on your favorite H
arperCollins author.

  Other books by

  David Cole

  SCORPION RAIN

  STALKING MOON

  THE KILLING MAZE

  BUTTERFLY LOST

  Copyright

  This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

  DRAGONFLY BONES. Copyright © 2003 by David Cole. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  ePub edition April 2008 ISBN 9780061732645

  10 9 8 7 6 5 4 3 2 1

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