Next morning it was still snowing. The British couple left their hotel early to find the right bus stop, which was at the other end of the city in a poor suburb. The snow fell listlessly from a low grey sky, and fine shreds of dingy snow lay sparse on the dark earth. The bombs of the recent war had laid the streets here flat for miles around. The streets were etched in broken outlines, and the newly laid railway lines ran clean and shining through them. The station had been bombed, and there was a wooden shed doing temporary duty until another could be built. A dark-wrapped, dogged crowd stood bunched around the bus stop. Nearby a mass of workmen were busy on a new building that rose fine and clean and white out of the miles of damaged houses. They looked like black and energetic insects at work against the stark white of the walls. The British couple stood hunching their cold shoulders and shifting their cold feet with the German crowd, and watched the builders. They thought that it was the bombs of their country which had created this havoc; thought of the havoc created in their country by the bombs of the people they now stood shoulder to shoulder with, and sank back slowly into a mood of listless depression. The bus was a long time coming. It seemed to grow colder. From time to time people drifted past to the station shed or added themselves to the end of the bus queues, or a woman went past with a shopping basket. Behind the ruined buildings rose the shapes and outlines of the city that had been destroyed and the outlines of the city that would be rebuilt. It was as if they stood solid among the ruins and ghosts of dead cities and cities not yet born. And Hamish’s eyes were at work again on the faces of the people about them, fixed on the face of an old shawled woman who was passing; and it seemed as if the crowd, like the streets, became transparent and fluid, for beside them, behind them, among them stood the dead. The dead of two wars peopled the ruined square and jostled the living, a silent snowbound multitude.
The silence locked the air. There was a low, deep thudding that seemed to come from under the earth. It was from a machine at work on the building site. The machine, low in the dirty snow, lifted black grappling arms like a wrestler or like someone in prayer; and the sound of its labouring travelled like a sensation of movement through the cold earth, as if the soil were hoarsely breathing. And the workmen swarmed and worked around the machine and over the steep sides of the new building. They were like children playing with bricks. Half an hour before a giant of a man in black jackboots had strode past their block building and carelessly kicked it down. Now the children were building it again, under the legs of a striding race of great black-booted giants. At any moment another pair of trampling black legs might come straddling over the building and down it would go, down into ruin, to the accompaniment of crashing thunder and bolts of lightning. All over the soil of patient Europe, soil soaked again and again by blood, soil broken again and again by angry metal, the small figures were at work, building their bright new houses among the shells and the ruins of war; and in their eyes was the shadow from the great marching jackbooted feet, and beside each of them, beside every one of them, their dead, the invisible, swarming, memoried dead.
The crowd continued to wait. The machine kept up its hoarse breathing. From time to time a shabby bus came up, a few people climbed in, the bus went off, and more people came dark-clothed through the thinly falling snow to join the crowd, which was very similar to a British crowd in its stolid disciplined quality of patience.
At last a bus with the number they had been told to look for drew up, and they got into it with a few other people. The bus was half empty. Almost at once it left the city behind. Dr Kroll’s hospital, like so many of the similar hospitals in Britain, was built well outside the city boundaries so that the lives of healthy people might not be disturbed by thoughts of those who had to retreat behind the shelter of high walls. The way was straight on a good narrow road, recently rebuilt, over flat black plains streaked and spotted with snow. The quiet, windless air was full of fine particles of snow that fell so slowly it seemed that the sky was falling, as if the slow weight of the snow dragged the grey covering over the black flat plains down to the earth. They travelled forward in a world without colour.
Dr Kroll’s hospital made itself visible a long way off over the plain. It consisted of a dozen or more dark, straight buildings set at regular angles to each other, like the arrangement of the sheds in the concentration camps of the war. Indeed, at a distance, the resemblance to the mechanical order of a concentration camp was very great; but as the bus drew nearer the buildings grew and spread into their real size and surrounded themselves with a regular pattern of lawns and shrubs.
The bus set them down outside a heavy iron gate; and at the entrance of the main building, which was high and square, they were welcomed by a doctor whose enthusiasm was expressly delegated from Dr Kroll, who was impatiently waiting for them upstairs. They went up several staircases and along many corridors, and though that whatever bleak impression this place might give from the outside, great care had been given to banishing bleakness from within. The walls were all covered by bright pictures, which there was no time to examine now, as they hurried after their busy guide; flowers stood on high pedestals at every turning of the corridor, and the walls and ceiling and woodwork were painted in clean white and blue. They were thinking sympathetically of the storm-driven Lear whom they were so soon to meet, as they passed through these human and pleasant corridors; they were even thinking that perhaps it was an advantage to have as director of a mental hospital a man who knew what it was like to spend time inside it as a victim. But their guide remarked, ‘This is, of course, the administrative block and the doctors’ quarters. Dr Kroll will be happy to show you the hospital itself later.’
With this he shook them by the hand, nodded a goodbye and went, leaving them outside the half-open door of what looked like a middle-class living room.
A hearty voice called out that they must come in; and they went into a suite of two rooms, half-divided by sheets of sliding glass, brightly lighted, pleasantly furnished, and with nothing in it reminiscent of an office but a single small desk in the farther of the two rooms. Behind the desk sat a handsome man of late middle age who was rising to greet them. It occurred to them, much too late, that this must be Dr Kroll; and so their greetings, because they were shocked, were much less enthusiastic than his. His greetings were in any case much more like a host’s than a colleague’s. He was apparently delighted to see them and pressed them to sit down while he ordered them some coffee. This he did by going to the house telephone on the desk in the room beyond the pane of glass; and the two looked at each other, exchanging surprise, and then, finally, pleasure.
Dr Kroll was, to begin with, extremely distinguished, and they remembered something Dr Schröder had said the night before, to the effect that he came from an old and respected family; that he was, in short, an aristocrat. They had to accept the word when looking at Dr Kroll himself, even though they could not conceivably take it from Dr Schröder. Dr Kroll was rather tall and managed to combine heaviness and leanness in a remarkable way, for while he was a man of whom one instinctively wondered how much he must weigh when he stood on a scale, he was not fat, or even plump. But he was heavy; and his face, which had strong and prominent bones, carried a weight of large-pored flesh. Yet one would have said, because of the prominent dome of pale forehead and because of the large, commanding nose, and because of the deep dark lively eyes, that it was a lean face. And his movements were not those of a heavy man; he had quick impatient gestures and his large, handsome hands were in constant movement. He returned, smiling, from giving orders about the coffee, sat down in an easy chair opposite the two British doctors, and proceeded to entertain them in the most urbane and pleasant way in the world.
He spoke admirable English, he knew a good deal about Britain, and he now discussed the present state of affairs in Britain with assurance.
His admiration for Britain was immense. And this time the British couple were flattered. This was something very different from hearing praise fr
om that appalling Dr Schröder. Until the coffee came, and while they were drinking it, and for half an hour afterwards, they discussed Britain and its institutions. The British couple listened to a view of Britain that they disagreed with profoundly, but without irritation, since it was natural that a man like this should hold conservative ideas. Dr Kroll believed that a limited monarchy was the best guarantee against disorder and was, in fact, the reason for the well-known British tolerance, which was a quality he admired more than any other. Speaking as a German, and therefore peculiarly equipped to discuss the dangers of anarchy, he would say that the best thing the Allied Armies could have done would have been to impose upon Germany a royal family, created, if necessary, from the shreds and fragments of the unfortunately dwindling royal families of Europe. Further, he believed that this should have been done at the end of the First World War, at the Treaty of Versailles. When Britain, usually so perspicacious in matters of this kind, had left Germany without a royal safeguard, they had made the worst mistake of their history. For a royal family would have imposed good conduct and respect for institutions and made an upstart like Hitler impossible.
At this point the eyes of the British pair met again, though briefly. There was no doubt that to hear Hitler described as an upstart revived some of the sensations they felt when listening to Dr Schröder or Frau Länge. A few seconds later they heard him being referred to as a mongrel upstart, an unease definitely set in, beneath the well-being induced by the good coffee and their liking for their host.
Dr Kroll developed his theme for some time, darting his lively and intelligent glances at them, offering them more coffee, offering them cigarettes, and demanded from them an account of how the Health Service worked in Britain. He took it for granted that neither would approve of a scheme which gave people something for nothing, and he commiserated with them for their subjection to state tyranny. They ventured to point out to him certain advantages they felt it had; and at last he nodded and admitted that a country as stable and well-ordered as their own might very well be able to afford extravagant experiments that would wreck other countries – his own, for instance. But he did feel disturbed when he saw their country, which he regarded as the bulwark of decency against socialism in Europe, giving in to the mob.
Here they suggested that they did not want to take up more of his time than was necessary; he must be very busy. For surely the director of such a large hospital could not possibly afford to devote so much time to every foreign doctor who wished to see over it? Or could it be his devotion to Britain that made him so ready to devote his time to them?
At any rate, he seemed disappointed at being reminded of what they had come for. He even sighed and sat silent a little, so that Dr Anderson, out of politeness, mentioned the paper he had received from him so that they might, if Dr Kroll wished it, discuss the subject of their research. But Dr Kroll merely sighed again, and said that these days he had very little time for original work; such was the penalty one must pay for accepting the burdens of administration. He rose, all his animation gone, and invited them to step into the other room beyond the glass panel where he would collect his keys. So the three of them went into the inner drawing room, which was an office because of the desk and the telephone; and there Mary Parrish’s attention was drawn to a picture on the wall above the desk. At a distance of six or eight feet it was a gay fresh picture of a cornfield painted from root-vision, or field-mouse view. The sheaves of corn rose startlingly up, bright and strong, mingled with cornflowers and red poppies, as if one were crouching in the very centre of a field. But as one walked towards the picture it vanished, it became a confusion of bright paint. It was finger-painted. The surface of the canvas was as rough as a ploughed field. Mary Parrish walked up to it, into the bright paint, took a few steps back, and back again; and, behold, the picture recreated itself, the cornfield strong and innocent, with something of the sensual innocence of Renoir’s pictures. She was so absorbed, that she started when Dr Kroll dropped a heavy hand on her shoulder and demanded, Was she fond of painting? Instantly both she and Hamish assured him that they were enthusiastically fond of pictures.
Dr Kroll dropped back on the surface of his very neat desk – so neat one could not help wondering how much it was used – the very large black bunch of keys he had removed from it; and he stood in front of the cornfield picture, his hands on Mary’s shoulder.
‘This,’ he said, ‘is what I am really interested in. Yes, yes; this, you must agree, is more interesting than medicine.’
They agreed, since they had just understood that this was the artist in person. Dr Kroll proceeded to take out from a large cupboard set into the wall a thick stack of pictures, all finger-painted, all with the rough staring surface of thick paint, all of which created themselves at ten paces into highly organized and original pictures.
Soon both rooms were full of pictures that leaned against chairs, tables, walls and along the sliding glass panels. Dr Kroll, his fine hands knotted together in anxiety because of their possible reception of his work, followed them around as they gazed at one picture after another. It became evident that the pictures separated themselves into two categories. There were those, like the cornfield, done in bright clear colours, very fresh and lyrical. Then there were those which, close up, showed grim rutted surfaces of dirty black, grey, white, a sullen green and – recurring again and again – a characteristic sullen shade of red – a dark, lightless, rusty red like old blood. These pictures were all extraordinary and macabre, of graveyards and skulls and corpses, of war scenes and bombed buildings and screaming women and houses on fire with people falling from burning windows like ants into flames. It was quite extraordinary how, in the space of a few seconds, these two conventional and pretty rooms had been transformed by these pictures into an exhibition of ghoulishness, particularly as the scenes of the pictures were continually vanishing altogether into areas of thick paint that had been smeared, rubbed, piled, worked all over the canvas an inch or so thick by the handsome fingers of Dr Kroll. Standing at six feet from one picture, the proper distance to view the work of Dr Kroll, the picture they had been examining five moments before, and which they had now moved away from, lost its meaning and disintegrated into a surface of jumbled and crusted colour. They were continually stepping forward or stepping back from chaos into moments of brief, clear, startling illumination. And they could not help wondering if Dr Kroll was gifted with a peculiar vision of his own, a vision perhaps of his fingertips, which enabled him to see his work as he stood up against it, rubbing and plastering the thick paint on to the canvas; they even imagined him as a monster with arms six feet long, standing back from his canvas as he worked on it like a clambering spider. The quality of these pictures was such that, as they examined them, they could not help picturing the artist as a monster, a maniac, or kind of gifted insect. Yet, turning to look at Dr Kroll, there he stood, a handsome man who was the very essence of everything that was conservative, correct, and urbane.
Mary, at least, was feeling a little giddy. She sought out the battling blue eyes of her partner, Hamish, and understood that he felt the same. For this was an exact repetition of their encounter with Dr Schröder with his scarred face that demanded compassion. In saying what they thought of his work to Dr Kroll, they must remember that they were speaking to a man who gallantly and bravely volunteered to hand the keys of sanity over to a subordinate and retired into madness for six months of the year, when, presumably, he painted these horrible pictures, whose very surfaces looked like the oozing, shredding substance of decomposing flesh.
Meanwhile, there he stood beside them, searching their faces anxiously.
They said, in response to his appeal, that this was obviously a real and strong talent. They said that his work was striking and original. They said they were deeply impressed.
He stood silent, not quite smiling, but with a quizzical look behind the fine eyes. He was judging them. He knew what they were feeling and was condemning them, in the sa
me way as the initiated make allowances for the innocent.
Dr Anderson remarked that it must be admitted that the pictures were rather strong? Not to everybody’s taste, perhaps? Perhaps rather savage?
Dr Kroll, smiling urbanely, replied that life tended sometimes to be savage. Yes, that was his experience. He deepened his smile and indicated the cornfield on the wall behind his desk and said that he could see Dr Anderson preferred pictures like that one?
Dr Anderson took his stand, and very stubbornly, on the fact that he preferred that picture to any of the others he had seen.
Mary Parrish moved to stand beside Dr Anderson and joined him in asserting that to her mind this picture was entirely superior to all the others; she preferred the few bright pictures, all of which seemed to her to be loaded with a quality of sheer joy, a sensuous joy, to the others which seemed to her – if he didn’t mind her saying so – simply horrible.
Dr Kroll turned his ironical, dark gaze from one face to the other and remarked: ‘So.’ And again, accepting their bad taste: ‘So.’
He remarked, ‘I am subject to fits of depression. When I am depressed, naturally enough, I paint these pictures.’ He indicated the lightless pictures of his madness. ‘And when I am happy again, and when I have time – for, as I have said, I am extremely busy – I paint pictures such as these …’ His gesture towards the cornfield was impatient, almost contemptuous. It was clear that he had hung the joyous cornfield on the wall of his reception room because he expected all his guests or visiting colleagues to have the bad taste to prefer it.
To Room Nineteen Page 23