"You want a face-to-face, Dragovic?" he shouts to the streaked windshield as he heads for the Fifty-ninth Street Bridge. "You got it!"
Rearview mirror is angled toward him and he starts when he sees a stranger in it. Face in the mirror is blackened with soot, eyebrows and hairline singed. And then he realizes the face is his own.
"Damn you, Dragovic!" he shouts, pounding the steering wheel. "You're gonna pay for this!"
Soon as Jack hits the bridge he puts his foot in the tank and cranks up the speed. Taxi doesn't exactly leap ahead, but it moves. Sunlight seems extra bright, but the birds fly more lazily than usual, and the other cars around him seem slow and ponderous, as if time is passing at a different rate for them.
Then it comes to him. He's not Moreau. He's gone beyond Moreau. His reflexes are superhuman now. He may have a crummy ride, but his newfound powers can more than compensate. He is a new deity.
King of the Road.
Traffic's not so heavy in this direction—most of it's heading into his city—but still pretty thick. The King begins weaving in and out, darting into openings where mere mortals would not dare, earning angry honks and gestures as he cuts across lanes and threads narrow divides.
Screw 'em.
Sees daylight ahead, a nice long stretch of open left lane, and the only thing blocking him from that direct line to infinity is a dark blue Volvo. Jack pulls up behind, riding its bumper. Sees the driver, a woman, idly twirling her hair with a finger as she dallies along in the lane, oblivious to him.
"Lay-deeee!" he shouts, honking. "King of the Road to lay-deeee! Listen to Joan Hamburg in another lane!"
But she makes no move to get over, gives no sign that she's even aware of the King's presence, and this only ups his rage.
He's boxed in, can't go around her, so he leans on the horn.
"Lay-deeeeeeeeeee!" He feels like he's gonna explode now and he's shouting through clenched teeth. "Stop twirling your goddamn hair and get outta the King's way!"
But still no move to the side, let alone acknowledgement of his existence.
That does it. Jack stomps the gas pedal and it feels good, it feels so good when he rams her rear fender.
That gets her attention. The woman jumps as her car swerves left, then right. She glances quickly over her shoulder. Got both hands on the wheel now and she knows, goddamn does she know, that the King is on her tail.
"Move! Move!" he's shouting as he waves his arm to the right.
But still she hangs in the lane, no blinker, no nothing. Jack leans on the horn and hits the gas again. She must see him coming because this time she swerves right just in time.
"Finally!"
As he pulls parallel he wants to sideswipe her, wants to slam into her lousy Volvo and send it careening all the way across the lanes—bam!—into and over the guardrail. And he should; he really should. As King of the Road he owes it to the other drivers on the bridge, owes it to other drivers everywhere in his asphalt domain to send her into screaming free fall, let her drink a little eau du East River, but he can't spare the time. For there's a larger blot on his world, a dark festering sore on the eastern horizon, a foul smudge named Dragovic, and it's Jack's divinely ordained mission to journey to East Hampton and clean it up.
So instead of ramming her he scoots by. You are spared, lady—this time. In his rearview he sees she's got a cell phone to her ear.
That's right, lady; call the cops. Call the fire department. Call anyone you want. Tell them the King of the Road moved you out of the left lane but spared your life. They'll just tell you how lucky you are. So learn from this, lady: the King catches you squatting in the left lane again, no more Mr. Nice Guy.
Makes good time from there and even does well on Queens Boulevard for a while, but he's still seething—at the woman, at the men who tried to kidnap him, at Dragovic, at all the damn cars on the road. Hates them all with equal intensity, which he's dimly aware shouldn't be, but somehow is.
But he's OK. Got it all under control. Saving it for Dragovic.
Then comes a traffic tie-up. Construction on Queens Boulevard, just before the Brooklyn-Queens Expressway. At least the sign says construction but Jack can't see a single soul working. No matter, the barriers are up, and all traffic has to funnel down to one lane.
Which has Jack steaming. If there was a way to drive this cab over the tops of the cars in front of him he would, but he's got to wait in line and crawl and merge, and then crawl and merge again. So humiliating for a king. Has to close his eyes and take deep breaths every so often to keep from ripping the steering wheel off the column.
A quarter-mile ahead he can see the cars cruising along the BQE overpass and he longs to be up there. Not much farther now. Just a few more car lengths and he can be up there too. A short jog south will put him on the LIE; he'll be trucking toward the Hamptons and Dragovic in no time. But right now he's got to—
Suddenly this big brand-new black Mercedes is angling into the gap in front of him.
"Where'd you come from?"
Obviously it scooted down the shoulder on Jack's left and cut in front of him while he was staring at the overpass. Jack is confounded… can't believe someone would do this to the King.
Instantly the world takes on this cranberry tint.
Venting an inarticulate cry somewhere between a scream and a growl, Jack hits the pedal and rams the Merc's front passenger door. The Merc rocks back and forth. And while the driver, vaguely visible through the tinted glass, is staring his way in shock, Jack reverses a couple of feet, angles the wheel a little left, and caves in the rear passenger door, but harder. Then he kicks open his door and jumps out of his cab.
Behind him he hears cheers and applause from other drivers, but he ignores them. He's focused on this son-of-a-bitch with his blow-dried salt-and-pepper hair and his multi-thousand-dollar suit getting out of his Mercedes, guy who thinks he's gonna give the King some attitude. Well, listen, buddy, you don't know attitude, you've never seen, never dreamed attitude like you're gonna get right now.
Guy's eyes widen at his first glimpse of Jack, probably because with his singed hair, scorched skin, and torn bloody clothing he must look like someone who's just walked through a burning building for fun. And of course the fact that Jack is screaming and his outstretched hands are curved into claws does not make him look particularly amiable.
"You think 'cause you drive a Mercedes you can just cut in front of anybody whenever you damn well please? 'Snooze, you lose'—is that what you were thinking? Well this time you cut off the King of the Road and you do not ever cut off the King of the fucking Road!"
Jack jumps up on the Merc's trunk and comes for the driver. Wants to tear this guy apart with his bare hands and can see by the look on the guy's face, florid outrage blanching to oh-shit-what-have-I-got-myself-into? pallor, that the guy knows it. Leaps onto the car roof and slides across feetfirst as the guy ducks back in behind the wheel. Driver door is closing but Jack catches its upper edge with both sneakers, kicking it back open.
Now he's down inside the door with his feet on the pavement, pulling the guy out of the car, and the guy's kicking and clawing at Jack, whimpering please don't hurt him and how it was a mistake, a dumb careless mistake, and he's sorry, he's so terribly sorry.
Yeah, now you're sorry, Mr. Mercedes, but you weren't sorry a minute ago, were you, no, you weren't sorry at all then, and Jack wants to punch his face in but the guy proceeds to wet his pants and that's so pathetic and now he's burping and gagging and oh jeez he's gonna puke.
Jack turns the guy a quick one-eighty and lets him blow breakfast onto the concrete divider. Not gonna punch him out now, not with barf all over him.
All right, tell you what, Mr. Mercedes, we're gonna do a little trade, you and me. That's right, I'm going to be Mr. Mercedes now and you're gonna be Mr. Cabbie. Either that or you're gonna walk from here to wherever you're going.
Jack shoves him and sends him stumbling away, then gets in. Have a nice day. Slams
the Merc into gear and peels rubber into the space that's opened up in the logjam while they've been having their little discussion. Smells good in here and it's cool. These are the sort of wheels he should always have, a full flash ride—except for the annoying little seat belt warning light. If he had one of his guns right now he'd shoot it out.
Seat belt? The King of the Road doesn't wear a seat belt.
Ooh, and looky here. Nifty little black driving gloves.
Slips them on, like a second skin, and thirty seconds later he's in the clear, gunning for the ramp to the BQE. And just like he knew, takes him no time to reach the Long Island Expressway. Once on that it's clear sailing.
Gets the Merc up to eighty and he's rolling maybe fifteen minutes like this when the sign for the Glen Cove Road exit looms large in the windshield—coming up in two miles.
Whoa. Glen Cove Road. That's the way to Monroe. And Monroe's where that dumb-ass freak show's keeping big bad Scar-lip the rakosh caged up.
Jack slips his hand inside his torn shirt and fingers the three thick scars that ridge the scorched skin of his chest. Scar-lip scars. Never paid back the big ugly for these. Matter of fact, went and stopped those two carny guys from poking him. Why the hell'd he do that? What was he thinking? Scar-lip scarred him—scarred the King. Can't let something like that go. What would people say? Got to go back and straighten it out, and now's as good a time as any. Yes, sir, overdue for a little side trip to kick some rakosh donkey.
Jack yanks the wheel to the right, cutting off a Lincoln and a Chevy as he zips across three lanes to the exit. But the going on Glen Cove Road is a lot slower. Pushes it as much as he can with his dodge-and-weave thing and makes decent time, but then the divided highway ends and it's down to two-lane blacktopville and he's steaming because nobody knows how to drive around here.
Hey, it's not Sunday afternoon you jerks so move your fat automotive asses or get off a my road!
And so he's riding bumpers, leaning on the horn, blinking his high beams, pushing the yellow traffic lights to the max, and zipping through a couple of reds until he sees other red lights, the bubble-gum kind, flashing in his rearview mirror.
A hick Glen Cove cop. Obviously he doesn't know who he's dealing with. You don't pull over the King of the Road.
Jack ignores him for a few blocks but then the guy has the nerve to hit his siren. Just a single woop but it sets off a rage bomb in Jack. Time to set this fool straight. Instead of slowing, Jack speeds up. Not too fast—doing forty in a twenty-five—but enough to make it plain that this big black Mercedes is giving Offissa Pupp an automotive single-digit salute.
Jack can't see the cop's face but he's got to be pissed because he's cranked his siren up to full blast now and not only are his flashers doing the dervish but his headlights are strobing like it's disco time as he crawls up the butt of Jack's Mercedes.
You like driving close? How's this?
Jack presses back against the headrest as he slams on the brakes and is jolted as the cop car plows into his rear bumper. Jack pauses long enough to see the cop disappear behind a billow of white; then he roars off, laughing.
Eat hot flaming air bag, Deputy Dawg!
But a mile or so farther on he's got another wooping flashing Glen Cove policemobile on his tail and it doesn't seem to matter that Jack's in Monroe now; the cop keeps coming. Jack speeds up, hoping to catch this guy same as the last, but Cop One must've put out the word because Cop Two hangs back. Jack's slowing down and speeding up, trying to reel him in, and maybe just maybe he's paying too much attention to the rear-view, because when he focuses back through the windshield during the next speedup he sees this Pacer driven by an Oriental dude turning in front of him so he stands on the brake and hauls the steering wheel left and skids across the road and everything would be fine except this brand new Chevy Suburban the size of Yonkers is barreling down the other lane and it catches him broadside like a high-velocity ninety-thousand-caliber hardball, flipping the Merc onto its side and bouncing Jack in half a dozen directions at once around the front compartment. He's a human pinball between a set of power bumpers and as he sees the front right windshield post coming in fast for a face kiss he remembers the seat-belt warning light with sudden wistful fondness; then memory and consciousness take a breather…
6
Luc fidgeted anxiously in his chair in his book-lined study and decided he could put it off no longer. He'd stayed home today but had been checking the employee sign-in list at the GEM offices via his home computer. Nadia's name was still absent.
He glanced at his watch. Almost eleven. If she hadn't signed in by now, she wasn't going to. Time to call the clinic. He punched in the number.
"Diabetes clinic," said a woman's voice.
"Yes. Is Dr. Radzminsky there?"
"No. She's gone for the day."
"Do you know when she left?"
"Who's calling, please?"
"This is Dr. Monnet. She works for me as a researcher."
"Of course. She's mentioned you."
Has she? I wonder what she said.
"Well, she hasn't shown up for work yet and I was wondering…"
Luc listened patiently while the receptionist related how Dr. Radzminsky was upset because of her fiance's disappearance and so on, and he made properly sympathetic noises. The important thing here was to establish his concern for a missing employee.
After learning that Nadia had left later than usual—almost nine-thirty—Luc told the receptionist to ask her to please call his office immediately should she return.
He leaned back and sipped his coffee and thought of Nadia's coffee. Undoubtedly she'd drunk from her NADJ mug by now and was presently wandering about somewhere, firmly in the grip of Loki madness.
Luc sighed with relief and a touch of regret as he wondered where she was and what she was doing. He confessed to a certain professional curiosity as to what behaviors the Loki would bring out in a sweet, even-tempered person like Nadia. He remembered reading about a meek mousy little housewife who, after taking a heavy dose from a well-meaning friend, cut her abusive husband to ribbons. Nothing so gory from Nadia, he hoped. Just enough to get her arrested and charged… and her credibility ruined.
He rose and returned to the living room. He surveyed the crates of wine neatly stacked and ready for shipment. He'd personally packed every one of them. Only four more to go.
He glanced at the television and saw that Headline News was replaying the Dragovic videotape. Luc had already seen it three times but he sat down now, eager for a fourth viewing. He could not help grinning at the close-up of Dragovic firing wildly at the Coast Guard helicopter. Oh, this was delicious, utterly delicious.
He tried to imagine how small, how utterly humiliated Dragovic must feel right now and could not. He wondered who was behind this marvelous prank. Whoever he was, Luc could kiss him.
Much as he would dearly love to search the channels for more replays, he had to keep moving. The calendar on this, his last day in America, was pretty well filled. He had to finish packing the very last of his wine before the shippers arrived at three. Once the cases were safely on their way to France, he would have an early dinner, his last in New York, and then head out to the airport. A tingle of anticipation ran up the center of his chest. He was booked first class on the ten o'clock to Charles de Gaulle. A mere eleven hours and—
The phone rang. Luc checked the caller ID. If it was anyone from GEM, especially his partners, they could talk to his voice mail. His heart dropped a beat when he saw "N. Radzminsky" on the readout. He snatched up the receiver.
"Hello?" His suddenly dry mouth made his voice sound strange.
"Dr. Monnet, this is Nadia. I tried your office but—"
"Yes, Nadia. How are you?"
The question was not conversational routine—he truly wanted to know.
"I'm terrible," she said, her voice edging toward a sob. "I just got back from Brooklyn after spending an hour in the Eighty-fourth Precinct talking to the
police. They've got no leads on Doug."
She sounded upset, her voice quavering, but she was undeniably rational. How could mat be? The Loki…
"I'm so sorry, Nadia. Is there anything I can do?"
"Yes," she said, a hint of steel creeping into her voice. "I just got off the subway and I'm two blocks from you. I've got a few things I want to talk to you about."
Dear God! Coming here? No, she couldn't! She'd see the boxed-up wine, she'd guess—
"I-I was just leaving. Can't we—?"
"This isn't going to wait." Her voice grew more sharply edged. "Either I get answers from you or I have my new friends at the Eight-four do the asking."
Luc dropped into a chair, his heart thudding, the living room spinning. Was this the way her dose of Loki was taking her? Whatever the case, he could not allow her up here.
"I don't understand this. You sound so upset. I'll meet you outside. We can talk while I wait for a cab."
"All right," she said, then cut the connection.
Luc was wearing a light sweater and slacks. He threw on a blue blazer and hurried to meet her. He reached the sidewalk just as Nadia arrived. She wore a shapeless beige raincoat and looked terrible—puffy face, red-rimmed eyes—but not deranged.
But just in case…
"Walk with me," he said, taking her arm and guiding her up Eighty-seventh, away from his building. "What do you think I can tell you?"
"You can tell me if you had anything to do with Doug's disappearance."
Luc almost tripped. His first attempt at speech failed. On his second he managed, "What? How… how can you ask such a thing?"
"Because Doug knew things. He hacked into your company computers. He found out where your R and D funds were going."
"I had no idea!" Did he look surprised enough? "Why on earth—?"
"And I know things too. I know that Loki is being sold on the street. And I know you're involved with Milos Dragovic."
He glanced around at the lunchtime crowds beginning to fill the streets. "Please, Nadia. Not so loud!"
"All right," she said, lowering her voice a trifle. "But tell me… let me hear it straight from your lips: did you have anything to do with Doug's disappearance?"
All the Rage rj-4 Page 28