Soulsmith (Cradle Book 2)

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Soulsmith (Cradle Book 2) Page 14

by Wight,Will


  He took the hammer from her without a word, caressing it in gloved hands. Before Gesha could say a word, without warning, he turned and slammed the icy head into the planks of the barn.

  Ice bloomed from the center of the impact, blasting away like waves that froze instantly. Lindon jumped at the sound, but a moment later he stopped in awe. A flower of ice had bloomed in the barn.

  It could have been the man's own sacred arts that had created the ice, but he suspected that wasn't the case. The man could have tested his own technique anywhere, without the hammer. No, he was trying out this weapon...with the binding inside. He'd seen one produce water, so why not ice?

  The sword Yerin had inherited from her master was white and unnaturally cold, and her techniques seemed more deadly with it than without it. Did it have a binding in it too?

  Gesha beat the stranger around the shoulders for ruining her barn floor, and made him pay extra scales to fix it. Lindon had heard of other transactions before, but this was the first time he'd seen one, and therefore the first time he'd actually seen a scale.

  It was a little disappointing. It was nothing more than a coin, though one Forged of madra to be sure, translucent and threaded with blue. Fifty scales for the hammer, twenty more for her floor, and five because he'd made her get up early. He paid gladly, whistling as he carried his new weapon out over his shoulder.

  When Gesha noticed Lindon's interest in the scales, she nodded to him. “You're curious? Hm? Good, because this will be your job now. Once you clean up that ice.”

  ***

  Sandviper Tern was a thin man, not tall, with a tendency to avoid Jai Long's gaze. He shifted his weight nervously with every word, and even the serpent Goldsign on his arm was smaller than usual. He gave the impression of a frightened child even when he was perfectly confident.

  Which, today, he was not.

  “The Copper is with one of the Fisher Soulsmiths,” Tern said to Jai Long's boots. “We had him observed in shifts, but he didn't leave her foundry. She must have taken him in.”

  Jai Long looked over Tern's head to the cages full of captured miners. There were two rows of scripted cages, framing a strip of grass that led directly into the cavernous entrance of the Transcendent Ruins. He didn't open his spiritual senses, but the signs of gathered vital aura were everywhere: each blade of grass blew in different directions, a patch of frost clustered like mold onto the edge of one cage while the inhabitants of another sweated, and the clouds over the Ruins churned like they were being stirred by a giant hand.

  The heavens and the earth overflowed with power. And here were his miners, shaking the bars of their cages in fear and anger.

  Not mining.

  “She likely wants him to sweep the foundry, clean up after botched constructs, sort boxes, that kind of thing,” Tern continued, raising his voice to be heard over the racket behind him and shifting his gaze to Jai Long's shoulder. “If she throws him out in the next few days, we'll see it. No need to worry about that. His companion might be more of a problem, considering she—”

  “What is happening here?”

  Tern straightened and very nearly looked Jai Long in the eyes. “Just a bit of trouble, nothing to concern you, Highgold. A little dissent in the ranks, that's all.”

  One of the cages shook forward under the weight of its occupants, threatening to tip over.

  “Where did this trouble come from, Sandviper Tern?”

  Tern winced, shifting from foot to foot on the grass. “The dreadbeasts, they're...getting worse. We don't know where they're coming from, but there's no end to them. And the Remnants...at the start, they acted like Remnants. A good few of them attacked, but some of them just climbed back into the tunnels, or sat down, or started counting clouds, or what have you. Now, they all want blood.”

  Jai Long stared him down, waiting for a further explanation. His masked face disturbed some people—it disturbed everyone, in reality—but it was nothing compared to how they'd react if he walked around with face bare. He was considering giving Tern a nice big grin.

  “...the miners won't go back in,” Tern said finally. “The Remnants cut into them last night, and we lost more than one team. Now they won't listen to us. We picked the one that was screaming the loudest, speared him up in front of them, made them watch as he died. Still didn't get them into the tunnel.”

  Jai Long hefted his spear. “I see.”

  “We could shove them in, but I don't know how we'd get them to work.”

  “No,” Jai Long said, “you don't.” He stalked forward, weapon in one hand, gathering Stellar Spear madra into the steel head as he walked. More eyes turned to him with every step, agitated miners and overwhelmed Sandviper guards alike.

  By the time he reached the middle of the row, the noise had settled into what—in this crowded camp—passed for silence.

  “Take whatever you can keep,” Jai Long announced, and though his voice was even, it carried to every cage. “It's the law of the Wilds. The Sandvipers took you because you could not repay a debt, because you lost a duel, because you challenged us and failed. One and all, it was because you were too weak. Would any among you dispute that truth?”

  A few angry voices shouted out in response.

  “If you are dissatisfied, if you believe that bad fortune is to blame rather than your own weakness, I will give you a chance to prove it.” Jai Long ground the butt of his spear into the earth and let his spearhead glow like a beacon next to his eyes. “Step forward, and I will have your collar removed. You will face me with honor, like a sacred artist, and show me your strength.”

  This silenced most of the voices, but one bulky man stepped up. He was twice as wide across the shoulders as Jai Long, with his muscular neck straining against his restrictive collar. “I have confidence in facing any Lowgold,” he rumbled. “Send one as your champion, and I will face him. There is no sense in fighting a Highgold.”

  Only duels between those of the same stage could possibly prove anything, otherwise Jai Long may as well be slaughtering sheep. He looked to Tern.

  “Sandviper Tern, remove this man's collar.”

  The Sandviper did so, with a glare and unnecessary shove to the prisoner. For his part, the big man gave a deep breath and flexed his hands, no doubt feeling the madra passing through his body unobstructed for the first time since his capture.

  “Now place it on me,” Jai Long said, eyes on his opponent.

  Every Sandviper stared at him. So did the bulky miner.

  Sandviper Tern's mouth gaped. “Highgold, don't you think it would be better for me to face him?”

  Jai Long did not move his gaze or adjust his inflection as he said, “You are one mistake away from filling a cage yourself. Your safest path forward is to do what I tell you, precisely when I tell you to do it. Starting now.”

  Tern tripped over himself to snap the collar around Jai Long's neck.

  The light of his spear dimmed dramatically, and the flow of madra within his core squeezed tight. The restriction of the collar wasn't anything so straightforward as reducing his power to the levels of a Lowgold; it hobbled him in every way, leaving him with nothing more than the physical strength of his Iron body, his combat skills, and the most basic of techniques.

  “If this man wins, he goes free of whatever debts he owes to the Sandviper sect,” Jai Long said. “If he does not, his life is mine to do with as I will.”

  The big man nodded, signaling his own agreement, and a Sandviper handed him a spear of his own. He ran a hand down the shaft and took the weapon in both hands, feeling its balance, holding it ready.

  When the opponent was prepared, Jai Long moved.

  It was a simple thrust, honed from millions of repetitions and glowing with the last embers of a weak Stellar Spear technique. The bulky man's dodge was a hair out of place, his counterstrike a beat too slow.

  The glowing spearhead passed through his heart and emerged from the other side.

  Jai Long withdrew his weapon even a
s a Remnant—creamy off-white, like fresh butter—peeled itself out of the man's body with a couple of shovel-shaped hands.

  It cocked a head like a bucket, staring at the Ruins, and then lumbered away from Jai Long. It followed the flow of aura in the air until it disappeared into the darkness of the entrance.

  In the cages, the miners were quiet.

  “Your lives belong to me,” Jai Long said, without raising his voice. “When the Five Factions Alliance disperses, I have no more use for them. You will be set free, safe, your debts clear, and encouraged to return home. At that time, you may consider your time in the Ruins little more than a dream.”

  He tapped his collar, and Tern removed it with shaking hands. “That is my will. To you, it is law. There is no alternative. There is no escape. If you die in the Ruins, it will be for the same flaw that brought you here in the first place: your own weakness.”

  Jai Long turned and walked away, gesturing for Tern to follow him.

  Behind him, the cages began to murmur.

  “They'll go into the Ruins with you now, but watch for runaways. Have guards return any that escape, don't kill them.”

  Tern nodded frantically.

  “And what did you learn today, Tern?”

  The man stumbled, then hustled to catch up. “How impressive you are, Highgold. Your reputation does not do you justice.”

  “So when I tell you to capture a Copper...”

  Tern swallowed loudly.

  “You wait for an opportunity,” Jai Long said, fixing Tern with his gaze. “If you die of old age, you will do so at your post. The second the Copper leaves, or the Fisher leaves him, you will be there with a sack ready to pull over his head. And, Tern?”

  The Sandviper quivered with the effort of looking him in the eye.

  “This is not important to me. This is the least of my priorities. But it should be very, very important to you.”

  Sandviper Tern dropped to his knees and bowed until his head reached the ground.

  ***

  Lindon lost his appreciation for that beautiful, wild ice sculpture after he scraped every inch of it away from the floor with a shovel. When he'd finished, both sweating and freezing, Gesha walked him over to a new corner of the foundry. Something that looked like a metal barrel with handles stood there, with script covering every inch and a few gleaming jewels studding an otherwise unremarkable lid. After close examination, he identified them as crystal chalices.

  “This,” she said, slapping the barrel, “is mining equipment. You've heard us talking about miners in the Ruins, have you? Well, there's nothing to it. All a 'miner' has to do is go where the aura is thick, funnel madra into the handles, and the script does the rest. A trained dog could do it. When it purifies enough aura, it comes out the other end...”

  She flipped a scale into the pan at the bottom, where it landed with a hollow ping. “...as a scale. You see? Scales come out at the bottom.”

  He thought for a moment, looking over the process. “It seems like it’s…cycling.”

  “Oh, so even a Copper has eyes. Bulky device and all, that's all it is. Just a way to cycle.”

  He was missing something important here, he was sure. “I'm sorry. Why? Doesn’t everyone cycle on their own?”

  The scale flew from the pail back into her hands, and she held it up between two fingers. “You don't think this looks familiar? Hm?”

  He squinted at it. “I’m untrained, I know, but it only looks like madra to me.”

  “Close. It looks like your madra. It's clean, it's pure. You see? Anyone can use pure madra.” She inhaled sharply, and the scale dissolved into what looked like liquid light and streamed straight into her core. She slapped her belly afterward. “For anybody on a Path, cycling pure madra is like adding water to wine. You add a little, and there's more wine, you see? Doesn't affect the flavor much. Add too much, and it's nothing but watery.”

  She waved a hand. “Mostly you don't absorb them, it's a waste. You use them on your weapons, or on constructs, or you give a handful to young children. Get them to Copper quicker,” she said, poking him in the ribs. “Everybody can use scales, and nobody can make them directly, so we use them as coins. Works for everyone that way.”

  “Nobody can make them...” he began, but she finished for him.

  “But you can. You start to see, hm? Mining is dangerous work. When you run the equipment, you're helpless, and places with enough vital aura are very dangerous. The aura in the Ruins is so thick you can practically pinch scales from the air, so Remnants and dreadbeasts will be thick as grass down there. If three miners out of ten comes back alive, I'll shave my head.”

  “Then, if you'll forgive another question, why are you doing it?”

  She gestured with her curved sword, which Lindon had come to realize was called a Fisher's hook. “We are not. We're trading with those who are. When the Arelius family Underlord comes to visit, he'll take the Ruins and everything inside. Until he does, we're all scrambling to make as much money as we can.”

  “Underlord?” he asked, but she clicked her tongue.

  “Questions? More questions? You're nothing but a little mine.” She jabbed him with the dull back of her hook. “When a sacred artist reaches the realm beyond Truegold, we call them Underlord. Or Underlady. If you ever see one in your lifetime, you can thank the good fortune of your ancestors. Now, you want questions? You want more questions? Then give me some scales.”

  She left him sitting at the bench, figuring out how to Forge madra.

  He'd tried before, sneaking tips from his mother as he tried to move his madra in just the right way that meant he was secretly a Forger and not a reject. He'd never had any success, and his failures had always left his spirit exhausted and his body sweating.

  This time, he was a Copper.

  He started by slipping on his parasite ring and cycling for a while, running his madra through the burden of the ring until it was as strong and pure as he could make it without exhausting himself. Then he held his palms a few inches apart, focusing on the space between.

  He gathered all his madra into that space, packing it thicker and thicker. At first, he could only visualize the flow of madra in the same half-imaginary way he saw when he was cycling. But after his third attempt, he was sure he saw something; a flash of blue against the rough wooden tabletop.

  Then he stopped, panting, wiping sweat from his forehead. He had to cycle again, pumping his spirit, generating every scrap of madra he could.

  He didn’t sleep for most of the night, trying again and again to condense madra into reality. When his spirit failed him, he cycled until he had enough strength to try again.

  Just before dawn, he finally collapsed as exhaustion overtook him.

  Gesha was disappointed in his failure, but she took it in stride. She couldn’t expect much from a Copper, she said. He maintained constructs during the day, but then he was too tired to try Forging at night.

  So he used less power.

  Instead of spilling his madra into the whole construct and letting it repair itself, he began directing his power where it was needed. If there was a crack, he focused a line of madra and sealed the crack. If it was simply fading away, becoming weak, he fed power directly into it drop by drop until the part was whole again.

  After three days, he finally got the knack. He used so much less energy on his chores that he could try Forging again, allowing him more attempts each day. He stayed up that night alternating between forcing his madra out and cycling to recover, over and over until he finally collapsed.

  A single scale, round and crystalline blue, gleamed on his lap.

  Chapter 11

  Information requested: the role of a Soulsmith.

  Beginning report…

  Soulsmiths are craftsmen who work with the stuff of spirits. They form constructs, steal bindings from Remnants and transplant them into sacred artists, and forge weapons. The art of a Soulsmith is honored and distinguished, and it requires no qualities m
ore highly than a sharp memory and a dedication to experimentation.

  Every aspect of Forged madra and dead matter—the severed body parts of a destroyed Remnant—must be handled differently. Some can only be manipulated by goldsteel tools, others must be chilled, others wrapped. Some types of madra shatter under the least pressure, only to re-form when unobserved. Others dissolve in daylight, or turn to liquid when pierced.

  It is the job of a Soulsmith to know which is which. To know what part of a Remnant can be removed and used, and what part is useless.

  Experience is the most useful tool in this process, but a drudge is indispensible.

  A drudge is a Soulsmith's most valued construct. It is their assistant, their toolbox, their encyclopedia of information. Even two Remnants from the same Path can look identical but be subtly different on the inside—maybe one holds the most valuable binding in the left side of its chest, while the other carries it on the right. A careless Soulsmith may ruin the work by making assumptions, but drudges are designed to scan the structure of a dead Remnant and look for concentrations of power: bindings.

  Drudges have many functions, some unique to the Soulsmiths that created them, but most of their abilities are analytical in nature. The more precisely a Soulsmith can determine the structure of a Remnant, the lower the chance of a ruined product.

  Before creating their own drudge, would-be Soulsmiths are expected to practice certain core skills. They must familiarize themselves with a Soulsmith's foundry, practice their own Forging—in order to fill in the gaps of dead matter and create a functional shell around valuable bindings—memorize a set of basic scripts, and test dozens of different madra aspects to prove that they can spot the difference.

  A Soulsmith's training takes years of dedication, and is sometimes underestimated because the skills acquired do not translate directly to combat. But a sacred artist with some ability in Soulsmithing is a valuable commodity for any clan or sect, and Soulsmiths can often earn the bulk of a family's income.

 

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