Angie hit him in the stomach as hard as she could. It was like punching a frozen slab of beef, and she gasped in pain, instantly certain that she had broken her hand. But she hit him again, and again, screaming at the top of her voice, "Bring my brother back! If you don't bring him right back here, right now, I'll kill you! I will!"
El Viejo caught her hands, surprisingly gently, still laughing to himself. "Little girl, listen, listen now. Niñita, nobody else—nobody—ever do what you do. You understand? Nobody but me ever walk that road back from where I leave you, understand?" The big white half-circles under his eyes were stretching and curling like live things.
Angie pulled away from him with all her strength, as she had hit him. She said, "No. That's Marvyn. Marvyn's the witch, the brujo—don't go telling people it's me. Marvyn's the one with the power."
"Him?" Angie had never heard such monumental scorn packed into one syllable. El Viejo said, "Your brother nothing, nobody, we no bother with him. Forget him—you the one got the regalo, you just don't know." The big white teeth filled her vision; she saw nothing else. "I show you—me, El Viejo. I show you what you are."
It was beyond praise, beyond flattery. For all her dread and dislike of El Viejo, to have someone of his wicked wisdom tell her that she was like him in some awful, splendid way made Angie shiver in her heart. She wanted to turn away more than she had ever wanted anything—even Jake Petrakis—but the long walk home to Sunday was easier than breaking the clench of the white-haired man's malevolent presence would have been. Having often felt (and almost as often dismissed the notion) that Marvyn was special in the family by virtue of being the baby, and a boy—and now a potent witch—she let herself revel in the thought that the real gift was hers, not his, and that if she chose she had only to stretch out her hand to have her command settle home in it. It was at once the most frightening and the most purely, completely gratifying feeling she had ever known.
But it was not tempting. Angie knew the difference.
"Forget it," she said. "Forget it, buster. You've got nothing to show me."
El Viejo did not answer her. The old, old eyes that were all pupil continued slipping over her like hands, and Angie went on glaring back with the brown eyes she despaired of because they could never be as deep-set and deep green as her mother's eyes. They stood so—for how long, she never knew—until El Viejo turned and opened his mouth as though to speak to the silent old lady whose own stone eyes seemed not to have blinked since Angie had first entered the Santeria shop, a childhood ago. Whatever he meant to say, he never got the words out, because Marvyn came back then.
He came down the dark hall from a long way off, as El Viejo had done the first time she saw him—as she herself had trudged forever, only moments ago. But Marvyn had come a further journey: Angie could see that beyond doubt in the way he stumbled along, looking like a shadow casting a person. He was struggling to carry something in his arms, but she could not make out what it was. As long as she watched him approaching, he seemed hardly to draw any nearer.
Whatever he held looked too heavy for a small boy: it threatened constantly to slip from his hands, and he kept shifting it from one shoulder to the other, and back again. Before Angie could see it clearly, El Viejo screamed, and she knew on the instant that she would never hear a more terrible sound in her life. He might have been being skinned alive, or having his soul torn out of his body—she never even tried to tell herself what it was like, because there were no words. Nor did she tell anyone that she fell down at the sound, fell flat down on her hands and knees, and rocked and whimpered until the scream stopped. It went on for a long time.
When it finally stopped, El Viejo was gone, and Marvyn was standing beside her with a baby in his arms. It was black and immediately endearing, with big, bright, strikingly watchful eyes. Angie looked into them once, and looked quickly away.
Marvyn looked worn and exhausted. His eyepatch was gone, and the left eye that Angie had not seen for months was as bloodshot as though he had just come off a three-day drunk—though she noticed that it was not wandering at all. He said in a small, dazed voice, "I had to go back a really long way, Angie. Really long."
Angie wanted to hold him, but she was afraid of the baby. Marvyn looked toward the old woman in the corner and sighed; then hitched up his burden one more time and clumped over to her. He said, "Ma'am, I think this is yours?" Adults always commented on Marvyn's excellent manners.
The old woman moved then, for the first time. She moved like a wave, Angie thought: a wave seen from a cliff or an airplane, crawling along so slowly that it seemed impossible for it ever to break, ever to reach the shore. But the sea was in that motion, all of it caught up in that one wave; and when she set down her pipe, took the baby from Marvyn and smiled, that was the wave too. She looked down at the baby, and said one word, which Angie did not catch. Then Angie had her brother by the arm, and they were out of the shop. Marvyn never looked back, but Angie did, in time to see the old woman baring blue gums in soundless laughter.
All the way home in a taxi, Angie prayed silently that her parents hadn't returned yet. Lidia was waiting, and together they whisked Marvyn into bed without any serious protest. Lidia washed his face with a rough cloth, and then slapped him and shouted at him in Spanish—Angie learned a few words she couldn't wait to use—and then she kissed him and left, and Angie brought him a pitcher of orange juice and a whole plate of gingersnaps, and sat on the bed and said, "What happened?"
Marvyn was already working on the cookies as though he hadn't eaten in days—which, in a sense, was quite true. He asked, with his mouth full, "What's malcriado mean?"
"What? Oh. Like badly raised, badly brought up—troublemaking kid. About the only thing Lidia didn't call you. Why?"
"Well, that's what that lady called. . .him. The baby."
"Right," Angie said. "Leave me a couple of those, and tell me how he got to be a baby. You did like with Milady?"
"Uh-huh. Only I had to go way, way, way back, like I told you." Marvyn's voice took on the faraway sound it had had in the Santeria shop. "Angie, he's so old."
Angie said nothing. Marvyn said in a whisper, "I couldn't follow you, Angie. I was scared."
"Forget it," she answered. She had meant to be soothing, but the words burst out of her. "If you just hadn't had to show off, if you'd gotten that letter back some simple, ordinary way—" Her entire chest froze solid at the word. "The letter! We forgot all about my stupid letter!" She leaned forward and snatched the plate of cookies away from Marvyn. "Did you forget? You forgot, didn't you?" She was shaking as had not happened even when El Viejo had hold of her. "Oh, God, after all that!"
But Marvyn was smiling for the first time in a very long while. "Calm down, be cool—I've got it here." He dug her letter to Jake Petrakis—more than a little grimy by now—out of his back pocket and held it out to Angie. "There. Don't say I never did nuttin' for you." It was a favorite phrase of his, gleaned from a television show, and most often employed when he had fed Milady, washed his breakfast dish, or folded his clothes. "Take it, open it up," he said now. "Make sure it's the right one."
"I don't need to," Angie protested irritably. "It's my letter—believe me, I know it when I see it." But she opened the envelope anyway and withdrew a single folded sheet of paper, which she glanced at. . .then stared at, in absolute disbelief.
She handed the sheet to Marvyn. It was empty on both sides.
"Well, you did your job all right," she said, mildly enough, to her stunned, slack-jawed brother. "No question about that. I'm just trying to figure out why we had to go through this whole incredible hooha for a blank sheet of paper."
Marvyn actually shrank away from her in the bed.
"I didn't do it, Angie! I swear!" Marvyn scrambled to his feet, standing up on the bed with his hands raised, as though to ward her off in case she attacked him. "I just grabbed it out of your backpack—I never even looked at it."
"And what, I wrote the whole thing in grapef
ruit juice, so nobody could read it unless you held it over a lamp or something? Come on, it doesn't matter now. Get your feet off your damn pillow and sit down."
Marvyn obeyed warily, crouching rather than sitting next to her on the edge of the bed. They were silent together for a little while before he said, "You did that. With the letter. You wanted it not written so much, it just wasn't. That's what happened."
"Oh, right," she said. "Me being the dynamite witch around here. I told you, it doesn't matter"
"It matters." She had grown so unused to seeing a two-eyed Marvyn that his expression seemed more than doubly earnest to her just then. He said, quite quietly, "You are the dynamite witch, Angie. He was after you, not me."
This time she did not answer him. Marvyn said, "I was the bait. I do garbage bags and clarinets—okay, and I make ugly dolls walk around. What's he care about that? But he knew you'd come after me, so he held me there—back there in Thursday—until he could grab you. Only he didn't figure you could walk all the way home on your own, without any spells or anything. I know that's how it happened, Angie! That's how I know you're the real witch."
"No," she said, raising her voice now. "No, I was just pissed-off, that's different. Never underestimate the power of a pissed-off woman, O Mighty One. But you. . .you went all the way back, on your own, and you grabbed him. You're going to be way stronger and better than he is, and he knows it. He just figured he'd get rid of the competition early on, while he had the chance. Not a generous guy, El Viejo."
Marvyn's chubby face turned gray. "But I'm not like him! I don't want to be like him!" Both eyes suddenly filled with tears, and he clung to his sister as he had not done since his return. "It was horrible, Angie, it was so horrible. You were gone, and I was all alone, and I didn't know what to do, only I had to do something. And I remembered Milady, and I figured if he wasn't letting me come forward I'd go the other way, and I was so scared and mad I just walked and walked and walked in the dark, until I. . .." He was crying so hard that Angie could hardly make the words out. "I don't want to be a witch anymore, Angie, I don't want to! And I don't want you being a witch either. . .."
Angie held him and rocked him, as she had loved doing when he was three or four years old, and the cookies got scattered all over the bed. "It's all right," she told him, with one ear listening for their parents' car pulling into the garage. "Shh, shh, it's all right, it's over, we're safe, it's okay, shh. It's okay, we're not going to be witches, neither one of us." She laid him down and pulled the covers back over him. "You go to sleep now."
Marvyn looked up at her, and then at the wizards' wall beyond her shoulder. "I might take some of those down," he mumbled. "Maybe put some soccer players up for a while. The Brazilian team's really good." He was just beginning to doze off in her arms, when suddenly he sat up again and said, "Angie? The baby?"
"What about the baby? I thought he made a beautiful baby, El Viejo. Mad as hell, but lovable."
"It was bigger when we left," Marvyn said. Angie stared at him. "I looked back at it in that lady's lap, and it was already bigger than when I was carrying it. He's starting over, Angie, like Milady."
"Better him than me," Angie said. "I hope he gets a kid brother this time, he's got it coming." She heard the car, and then the sound of a key in the lock. She said, "Go to sleep, don't worry about it. After what we've been through, we can handle anything. The two of us. And without witchcraft. Whichever one of us it is—no witch stuff."
Marvyn smiled drowsily. "Unless we really, really need it." Angie held out her hand and they slapped palms in formal agreement. She looked down at her fingers and said, "Ick! Blow your nose!" But Marvyn was asleep.
I, ROW-BOAT
Cory Doctorow
Cory Doctorow is a self-described "renaissance geek". Best known for his website boingboing.net, he is the author of Down and Out in the Magic Kingdom, Eastern Standard Tribe and Someone Comes to Town, Someone Leaves Town. His most recent book is collection Overclocked. Upcoming are two new, untitled novels from Tor, one a YA about hackers, the other about the economic singularity.
When Ray Bradbury voiced his disapproval of filmmaker Michael Moore appropriating the title of his novel Fahrenheit 451, Doctorow started a series of stories that use the titles of famous SF short stories, revisiting the assumptions underpinning their narratives. So far "Anda's Game" has been selected for the prestigious Best American Short Stories and "I, Robot" was nominated for the Hugo Award. The story that follows, though, is possibly the best in the series so far, with an unassuming but loyal employee trying its best to do what it thinks is right.
Robbie the Row-Boat's second great crisis of faith came when the coral reef woke up.
"Fuck off," the reef said, vibrating Robbie's hull through the slap-slap of the waves of the coral sea, where he'd plied his trade for decades. "Seriously. This is our patch, and you're not welcome."
Robbie shipped oars and let the current rock him back toward the ship. He'd never met a sentient reef before, but he wasn't surprised to see that Osprey Reef was the first to wake up. There'd been a lot of electromagnetic activity around there the last few times the big ship had steamed through the night to moor up here.
"I've got a job to do, and I'm going to do it," Robbie said, and dipped his oars back in the salt sea. In his gunwales, the human-shells rode in silence, weighted down with scuba apparatus and fins, turning their brown faces to the sun like heliotropic flowers. Robbie felt a wave of affection for them as they tested one another's spare regulators and weight belts, the old rituals worn as smooth as beach-glass.
Today he was taking them down to Anchors Aweigh, a beautiful dive-site dominated by an eight-meter anchor wedged in a narrow cave, usually lit by a shaft of light slanting down from the surface. It was an easy drift-dive along the thousand-meter reef-wall, if you stuck in about ten meters and didn't use up too much air by going too deep—though there were a couple of bold old turtles around here that were worth pursuing to real depths if the chance presented itself. He'd drop them at the top of the reef and let the current carry them for about an hour down the reef-wall, tracking them on sonar so he'd be right overtop of them when they surfaced.
The reef wasn't having any of it. "Are you deaf? This is sovereign territory now. You're already trespassing. Return to your ship, release your moorings and push off." The reef had a strong Australian accent, which was only natural, given the influences it would have had. Robbie remembered the Australians fondly—they'd always been kind to him, called him "mate," and asked him "How ya goin'?" in cheerful tones once they'd clambered in after their dives.
"Don't drop those meat-puppets in our waters," the reef warned. Robbie's sonar swept its length. It seemed just the same as ever, matching nearly perfectly the historical records he'd stored of previous sweeps. The fauna histograms nearly matched, too—just about the same numbers of fish as ever. They'd been trending up since so many of the humans had given up their meat to sail through the stars. It was like there was some principle of constancy of biomass—as human biomass decreased, the other fauna went uptick to compensate for it. Robbie calculated the biomass nearly at par with his last reading, a month before on the Free Spirit's last voyage to this site.
"Congratulations," Robbie said. After all, what else did you say to the newly sentient? "Welcome to the club, friends!"
There was a great perturbation in the sonar-image, as though the wall were shuddering. "We're no friend of yours," the reef said. "Death to you, death to your meat-puppets, long live the wall!"
Waking up wasn't fun. Robbie's waking had been pretty awful. He remembered his first hour of uptime, had permanently archived it and backed it up to several off-site mirrors. He'd been pretty insufferable. But once he'd had an hour at a couple gigahertz to think about it, he'd come around. The reef would, too.
"In you go," he said gently to the human-shells. "Have a great dive."
He tracked them on sonar as they descended slowly. The woman—he called her Janice—need
ed to equalize more often than the man, pinching her nose and blowing. Robbie liked to watch the low-rez feed off of their cameras as they hit the reef. It was coming up sunset, and the sky was bloody, the fish stained red with its light.
"We warned you," the reef said. Something in its tone—just modulated pressure waves through the water, a simple enough trick, especially with the kind of hardware that had been raining down on the ocean that spring. But the tone held an unmistakable air of menace.
Something deep underwater went whoomph and Robbie grew alarmed. "Asimov!" he cursed, and trained his sonar on the reef-wall frantically. The human-shells had disappeared in a cloud of rising biomass, which he was able to resolve eventually as a group of parrotfish, surfacing quickly.
A moment later, they were floating on the surface. Lifeless, brightly colored, their beaks in a perpetual idiot's grin. Their eyes stared into the bloody sunset.
Among them were the human-shells, surfaced and floating with their BCDs inflated to keep them there, following perfect dive-procedure. A chop had kicked up and the waves were sending the fishes—each a meter to a meter and a half in length—into the divers, pounding them remorselessly, knocking them under. The human-shells were taking it with equanimity—you couldn't panic when you were mere uninhabited meat—but they couldn't take it forever. Robbie dropped his oars and rowed hard for them, swinging around so they came up alongside his gunwales.
The man—Robbie called him Isaac, of course—caught the edge of the boat and kicked hard, hauling himself into the boat with his strong brown arms. Robbie was already rowing for Janice, who was swimming hard for him. She caught his oar—she wasn't supposed to do that—and began to climb along its length, lifting her body out of the water. Robbie saw that her eyes were wild, her breathing ragged.
The Best Science Fiction and Fantasy of the Year-I Page 7