She liked the craft, liked doing something with her hands. It took patience and concentration, and that was oddly soothing. After supper, she and Edith often sat and talked for hours, late into the night, mugs of cocoa on their workbenches, the rest of the library dark and silent above them.
"What's it like outside?" Dinsy asked one night, while she was waiting for some glue to dry.
Edith was silent for a long time, long enough that Dinsy wondered if she'd spoken too softly, and was about to repeat the question, when Edith replied.
"Chaos."
That was not anything Dinsy had expected. "What do you mean?"
"It's noisy. It's crowded. Everything's always changing, and not in any way you can predict."
"That sounds kind of exciting," Dinsy said.
"Hmm." Edith thought for a moment. "Yes, I suppose it could be."
Dinsy mulled that over and fiddled with a scrap of leather, twisting it in her fingers before she spoke again. "Do you ever miss it?"
Edith turned on her stool and looked at Dinsy. "Not often," she said slowly. "Not as often as I'd thought. But then I'm awfully fond of order. Fonder than most, I suppose. This is a better fit."
Dinsy nodded and took a sip of her cocoa.
A few months later, she asked the Library for a third and final boon.
* * *
The evening that everything changed, Dinsy sat in the armchair in her room, reading Trollope's Can You Forgive Her? (for the third time), imagining what it would be like to talk to Glencora, when a tentative knock sounded at the door.
"Dinsy? Dinsy?" said a tiny familiar voice. "It's Olive, dear."
Dinsy slid her read! bookmark into chapter 14 and closed the book. "It's open," she called.
Olive padded in wearing a red flannel robe, her feet in worn carpet slippers. Dinsy expected her to proffer a book, but instead Olive said, "I'd like you to come with me, dear." Her blue eyes shone with excitement.
"What for?" They had all done a nice reading of As You Like It a few days before, but Dinsy didn't remember any plans for that night. Maybe Olive just wanted company. Dinsy had been meaning to spend an evening in the Children's Room, but hadn't made it down there in months.
But Olive surprised her. "It's Library business," she said, waggling her finger, but smiling.
Now, that was intriguing. For years, whenever the librarians wanted an evening to themselves, they'd disappear down into the Stacks after supper, and would never tell her why. "It's Library business," was all they ever said. When she was younger, Dinsy had tried to follow them, but it's hard to sneak in a quiet place. She was always caught and given that awful cherry tea. The next thing she knew it was morning.
"Library business?" Dinsy said slowly. "And I'm invited?"
"Yes, dear. You're practically all grown up now. It's high time you joined us."
"Great." Dinsy shrugged, as if it were no big deal, trying to hide her excitement. And maybe it wasn't a big deal. Maybe it was a meeting of the rules committee, or plans for moving the 340s to the other side of the window again. But what if it was something special. . .? That was both exciting and a little scary.
She wiggled her feet into her own slippers and stood up. Olive barely came to her knees. Dinsy touched the old woman's white hair affectionately, remembering when she used to snuggle into that soft lap. Such a long time ago.
A library at night is a still but resonant place. The only lights were the sconces along the walls, and Dinsy could hear the faint echo of each footfall on the stairs down to the foyer. They walked through the shadows of the shelves in the Main Room, back to the 600s, and down the metal stairs to the Stacks, footsteps ringing hollowly.
The lower level was dark except for a single caged bulb above the rows of National Geographics, their yellow bindings pale against the gloom. Olive turned to the left.
"Where are we going?" Dinsy asked. It was so odd to be down there with Olive.
"You'll see," Olive said. Dinsy could practically feel her smiling in the dark. "You'll see."
She led Dinsy down an aisle of boring municipal reports and stopped at the far end, in front of the door to the janitorial closet set into the stone wall. She pulled a long, old-fashioned brass key from the pocket of her robe and handed it to Dinsy.
"You open it, dear. The keyhole's a bit high for me."
Dinsy stared at the key, at the door, back at the key. She'd been fantasizing about "Library business" since she was little, imagining all sorts of scenarios, none of them involving cleaning supplies. A monthly poker game. A secret tunnel into town, where they all went dancing, like the twelve princesses. Or a book group, reading forbidden texts. And now they were inviting her in? What a letdown if it was just maintenance.
She put the key in the lock. "Funny," she said as she turned it. "I've always wondered what went on when you—" Her voice caught in her throat. The door opened, not onto the closet of mops and pails and bottles of Pine-Sol she expected, but onto a small room, paneled in wood the color of ancient honey. An Oriental rug in rich, deep reds lay on the parquet floor, and the room shone with the light of dozens of candles. There were no shelves, no books, just a small fireplace at one end where a log crackled in the hearth.
"Surprise," said Olive softly. She gently tugged Dinsy inside.
All the others were waiting, dressed in flowing robes of different colors. Each of them stood in front of a Craftsman rocker, dark wood covered in soft brown leather.
Edith stepped forward and took Dinsy's hand. She gave it a gentle squeeze and said, under her breath, "Don't worry." Then she winked and led Dinsy to an empty rocker. "Stand here," she said, and returned to her own seat.
Stunned, Dinsy stood, her mouth open, her feelings a kaleidoscope.
"Welcome, dear one," said Dorothy. "We'd like you to join us." Her face was serious, but her eyes were bright, as if she was about to tell a really awful riddle and couldn't wait for the reaction.
Dinsy started. That was almost word-for-word what Olive had said, and it made her nervous. She wasn't sure what was coming, and was even less sure that she was ready.
"Introductions first." Dorothy closed her eyes and intoned, "I am Lexica. I serve the Library." She bowed her head once and sat down.
Dinsy stared, her eyes wide and her mind reeling as each of the Librarians repeated what was obviously a familiar rite.
"I am Juvenilia," said Olive with a twinkle. "I serve the Library."
"Incunabula," said Edith.
"Sapientia," said Harriet.
"Ephemera," said Marian.
"Marginalia," said Ruth.
"Melvilia," said Blythe, smiling at Dinsy. "And I too serve the Library."
And then they were all seated, and all looking up at Dinsy.
"How old are you now, my sweet?" asked Harriet.
Dinsy frowned. It wasn't as easy a question as it sounded. "Seventeen," she said after a few seconds. "Or close enough."
"No longer a child," Harriet nodded. There was a touch of sadness in her voice. "That is why we are here tonight. To ask you to join us."
There was something so solemn in Harriet's voice that it made Dinsy's stomach knot up. "I don't understand," she said slowly. "What do you mean? I've been here my whole life. Practically."
Dorothy shook her head. "You have been in the Library, but not of the Library. Think of it as an apprenticeship. We have nothing more to teach you. So we're asking if you'll take a Library name and truly become one of us. There have always been seven to serve the Library."
Dinsy looked around the room. "Won't I be the eighth?" she asked. She was curious, but she was also stalling for time.
"No, dear," said Olive. "You'll be taking my place. I'm retiring. I can barely reach the second shelves these days, and soon I'll be no bigger than the dictionary. I'm going to put my feet up and sit by the fire and take it easy. I've earned it," she said with a decisive nod.
"Here, here," said Blythe. "And well done, too."
There was a murmu
r of assent around the room.
Dinsy took a deep breath, and then another. She looked around the room at the eager faces of the seven librarians, the only mothers she had ever known. She loved them all, and was about to disappoint them, because she had a secret of her own. She closed her eyes so she wouldn't see their faces, not at first.
"I can't take your place, Olive," she said quietly, and heard the tremor in her own voice as she fought back tears.
All around her the librarians clucked in surprise. Ruth recovered first. "Well, of course not. No one's asking you to replace Olive, we're merely—"
"I can't join you," Dinsy repeated. Her voice was just as quiet, but it was stronger. "Not now."
"But why not, sweetie?" That was Blythe, who sounded as if she were about to cry herself.
"Fireworks," said Dinsy after a moment. She opened her eyes. "Six-sixty-two-point-one." She smiled at Blythe. "I know everything about them. But I've never seen any." She looked from face to face again.
"I've never petted a dog or ridden a bicycle or watched the sun rise over the ocean," she said, her voice gaining courage. "I want to feel the wind and eat an ice cream cone at a carnival. I want to smell jasmine on a spring night and hear an orchestra. I want—" she faltered, and then continued, "I want the chance to dance with a boy."
She turned to Dorothy. "You said you have nothing left to teach me. Maybe that's true. I've learned from each of you that there's nothing in the world I can't discover and explore for myself in these books. Except the world," she added in a whisper. She felt her eyes fill with tears. "You chose the Library. I can't do that without knowing what else there might be."
"You're leaving?" Ruth asked in a choked voice.
Dinsy bit her lip and nodded. "I'm, well, I've—" She'd been practicing these words for days, but they were so much harder than she'd thought. She looked down at her hands.
And then Marian rescued her.
"Dinsy's going to college," she said. "Just like I did. And you, and you, and you." She pointed a finger at each of the women in the room. "We were girls before we were librarians, remember? It's her turn now."
"But how—?" asked Edith.
"Where did—?" stammered Harriet.
"I wished on the Library," said Dinsy. "And it left an application in the Unabridged. Marian helped me fill it out."
"I am in charge of circulation," said Marian. "What comes in, what goes out. We found her acceptance letter in the book return last week."
"But you had no transcripts," said Dorothy practically. "Where did you tell them you'd gone to school?"
Dinsy smiled. "That was Marian's idea. We told them I was home-schooled, raised by feral librarians."
* * *
And so it was that on a bright September morning, for the first time in ages, the heavy oak door of the Carnegie Library swung open. Everyone stood in the doorway, blinking in the sunlight.
"Promise you'll write," said Blythe, tucking a packet of sweets into the basket on Dinsy's arm. The others nodded. "Yes, do."
"I'll try," she said. "But you never know how long anything will take around here." She tried to make a joke of it, but she was holding back tears and her heart was hammering a mile a minute.
"You will come back, won't you? I can't put off my retirement forever." Olive was perched on top of the Circulation Desk.
"To visit, yes." Dinsy leaned over and kissed her cheek. "I promise. But to serve? I don't know. I have no idea what I'm going to find out there." She looked out into the forest that surrounded the library. "I don't even know if I'll be able to get back in, through all that."
"Take this. It will always get you in," said Marian. She handed Dinsy a small stiff pasteboard card with a metal plate in one corner, embossed with her name: dinsy carnegie.
"What is it?" asked Dinsy.
"Your library card."
There were hugs all around, and tears and goodbyes. But in the end, the seven librarians stood back and watched her go.
Dinsy stepped out into the world as she had come—with a wicker basket and a book of fairy tales, full of hopes and dreams.
ANOTHER WORD FOR MAP IS FAITH
Christopher Rowe
Christopher Rowe attended both the Clarion West and Sycamore Hill writing workshops. With his wife, writer Gwenda Bond, he runs a small press, The Fortress of Words, which produces a critically acclaimed magazine, Say. . . His story "The Voluntary State" was a Hugo, Nebula and Theodore Sturgeon award finalist. The best of his early short fiction was collected in chapbook Bittersweet Creek.
Rowe published two terrific stories in 2006, the darkly odd "The League of Last Girls," and this quirky look at the literalisation of faith. If religion changes how you see the world, shouldn't your faith change the world?
The little drivers threw baggage down from the top of the bus and out from its rusty undercarriage vaults. This was the last stop. The road broke just beyond here, a hundred yards short of the creek.
With her fingertip, Sandy traced the inked ridge northeast along the map, then rolled the soft leather into a cylinder and tucked it inside her vest. She looked around for her pack and saw it tumbled together with the other Cartographers' luggage at the base of a catalpa tree. Lucas and the others were sorting already, trying to lend their gear some organization, but the stop was a tumult of noise and disorder.
The high country wind shrilled against the rush of the stony creek; disembarkees pawed for their belongings and tried to make sense of the delicate, coughing talk of the unchurched little drivers. On the other side of the valley, across the creek, the real ridge line—the geology, her father would have said disdainfully—stabbed upstream. By her rough estimation it had rolled perhaps two degrees off the angle of its writ mapping. Lucas would determine the exact discrepancy later, when he extracted his instruments from their feather and wax-paper wrappings.
"Third world bullshit," Lucas said, walking up to her. "The transit services people from the university paid these little schemers before we ever climbed onto that deathtrap, and now they're asking for the fare." Lucas had been raised near the border, right outside the last town the bus had stopped at, in fact, though he'd dismissed the notion of visiting any family. His patience with the locals ran inverse to his familiarity with them.
"Does this count as the third world?" she asked him. "Doesn't there have to be a general for that? Rain forests and steel ruins?"
Lucas gave his half-grin—not quite a smirk—acknowledging her reduction. Cartographers were famous for their willful ignorance of social expressions like politics and history.
"Carmen paid them, anyway," he told her as they walked towards their group. "Probably out of her own pocket, thanks be for wealthy dilettantes."
"Not fair," said Sandy. "She's as sharp as any student in the seminar, and a better hand with the plotter than most post-docs, much less grad students."
Lucas stopped. "I hate that," he said quietly. "I hate when you separate yourself; go out of your way to remind me that you're a teacher and I'm a student."
Sandy said the same thing she always did. "I hate when you forget it."
* * *
Against all odds, they were still meeting the timetable they'd drawn up back at the university, all those months ago. The bus pulled away in a cloud of noxious diesel fumes an hour before dark, leaving its passengers in a muddy camp dotted with fire rings but otherwise marked only by a hand-lettered sign pointing the way to a primitive latrine.
The handful of passengers not connected with Sandy's group had melted into the forest as soon as they'd found their packages. ("Salt and sugar," Lucas had said. "They're backwoods people—hedge shamans and survivalists. There's every kind of lunatic out here.") This left Sandy to stand by and pretend authority while the Forestry graduate student whose services she'd borrowed showed them all how to set up their camps.
Carmen, naturally, had convinced the young man to demonstrate tent pitching to the others using her own expensive rig as an example. The olive-s
kinned girl sat in a camp chair folding an onionskin scroll back on itself and writing in a wood-bound notebook while the others struggled with canvas and willow poles.
"Keeping track of our progress?" Sandy asked, easing herself onto the ground next to Carmen.
"I have determined," Carmen replied, not looking up, "that we have traveled as far from a hot water heater as is possible and still be within Christendom."
Sandy smiled, but shook her head, thinking of the most remote places she'd ever been. "Davis?" she asked, watching her student's reaction to the mention of that unholy town.
Carmen, a Californian, shuddered but kept her focus. "There's a naval base in San Francisco, sí? They've got all the amenities, surely."
Sandy considered again, thinking of cold camps in old mountains, and of muddy jungle towns ten days' walk from the closest bus station.
"Cape Canaveral," she said.
With quick, precise movements, Carmen folded a tiny desktop over her chair's arm and spread her scroll out flat. She drew a pair of calipers out from her breast pocket and took measurements, pausing once to roll the scroll a few turns. Finally, she gave a satisfied smile and said, "Only fifty-five miles from Orlando. We're almost twice that from Louisville."
She'd made the mistake Sandy had expected of her. "But Orlando, Señorita Reyes, is Catholic. And we were speaking of Christendom."
A stricken look passed over her student's face, but Sandy calmed her with exaggerated conspiratorial looks left and right. "Some of your fellows aren't so liberal as I am, Carmen. So remember where you are. Remember who you are. Or who you're trying to become."
Another reminder issued, Sandy went to see to her own tent.
* * *
The Forestry student gathered their wood, brought them water to reconstitute their freeze-dried camp meals, then withdrew to his own tent far back in the trees. Sandy told him he was welcome to spend the evening around their fire—"You built it after all," she'd said—but he'd made a convincing excuse.
The Best Science Fiction and Fantasy of the Year-I Page 14