Already, other workers are lining up and grabbing loads from within the broken wagon. As the new man comes out with his first sack, his eyes dart to Tranh and then flick away, hiding his relief at Tranh's incapacity.
Potato God watches with satisfaction and heads back to the warehouse.
"Double pay," Tranh calls after Potato God's retreating back. "Give me double pay. I lost my leg for you."
The manager looks back at Tranh with pity, then glances at Hu's body and shrugs. It is an easy acquiescence. Hu will demand no reparation.
* * *
It is better to die insensate than to feel every starving inch of collapse; Tranh pours his leg-wreck money into a bottle of Mekong whiskey. He is old. He is broken. He is the last of his line. His sons are dead. His daughter mouths are long gone. His ancestors will live uncared for in the underworld with no one to burn incense or offer sweet rice to them.
How they must curse him.
He limps and stumbles and crawls through the sweltering night streets, one hand clutching the open bottle, the other scrabbling at doorways and walls and methane lampposts to keep himself upright. Sometimes his knee works; sometimes it fails him completely. He has kissed the streets a dozen times.
He tells himself that he is scavenging, hunting for the chance of sustenance. But Bangkok is a city of scavengers, and the crows and devil cats and children have all come before him. If he is truly lucky, he will encounter the white shirts and they will knock him into bloody oblivion, perhaps send him to meet the previous owner of this fine Hwang Brothers suit that now flaps ragged around his shins. The thought appeals to him.
An ocean of whiskey rolls in his empty belly and he is warm and happy and carefree for the first time since the Incident. He laughs and drinks and shouts for the white shirts, calling them paper tigers, calling them dog fuckers. He calls them to him. Casts baiting words so that any within earshot will find him irresistible. But the Environment Ministry's patrols must have other yellow cards to abuse, for Tranh wanders the green-tinged streets of Bangkok alone.
Never mind. It doesn't matter. If he cannot find white shirts to do the job, he will drown himself. He will go to the river and dump himself in its offal. Floating on river currents to the sea appeals to him. He will end in the ocean like his scuttled clipper ships and the last of his heirs. He takes a swig of whiskey, loses his balance and winds up on the ground once again, sobbing and cursing white shirts and green headbands, and wet machetes.
Finally he drags himself into a doorway to rest, holding his miraculously unbroken whiskey bottle with one feeble hand. He cradles it to himself like a last bit of precious jade, smiling and laughing that it is not broken. He wouldn't want to waste his life savings on the cobblestones.
He takes another swig. Stares at the methane lamps flickering overhead. Despair is the color of approved burn methane flickering green and gaseous, vinous in the dark. Green used to mean things like coriander and silk and jade and now all it means to him is bloodthirsty men with patriotic headbands and hungry scavenging nights. The lamps flicker. An entire green city. An entire city of despair.
Across the street, a shape scuttles, keeping to the shadows. Tranh leans forward, eyes narrowed. At first he takes it for a white shirt. But no. It is too furtive. It's a woman. A girl. A pretty creature, all made up. An enticement that moves with the stuttery jerky motion of. . .
A windup girl.
Tranh grins, a surprised skeleton rictus of delight at the sight of this unnatural creature stealing through the night. A windup girl. Ma Ping's windup girl. The impossible made flesh.
She slips from shadow to shadow, a creature even more terrified of white shirts than a yellow card geriatric. A waifish ghost-child ripped from her natural habitat and set down in a city which despises everything she represents: her genetic inheritance, her manufacturers, her unnatural competition—her ghostly lack of a soul. She has been here every night as he has pillaged through discarded melon spines. She has been here, tottering through the sweat heat darkness as he dodged white shirt patrols. And despite everything, she has been surviving.
Tranh forces himself upright. He sways, drunken and unsteady, then follows, one hand clutching his whiskey bottle, the other touching walls, catching himself when his bad knee falters. It's a foolish thing, a whimsy, but the windup girl has seized his inebriated imagination. He wants to stalk this unlikely Japanese creature, this interloper on foreign soil even more despised than himself. He wants to follow her. Perhaps steal kisses from her. Perhaps protect her from the hazards of the night. To pretend at least that he is not this drunken ribcage caricature of a man, but is in fact a tiger still.
The windup girl travels through the blackest of back alleys, safe in darkness, hidden from the white shirts who would seize her and mulch her before she could protest. Devil cats yowl as she passes, scenting something as cynically engineered as themselves. The Kingdom is infested with plagues and beasts, besieged by so many bioengineered monsters that it cannot keep up. As small as gray fa' gan fringe and as large as megodonts, they come. And as the Kingdom struggles to adapt, Tranh slinks after a windup girl, both of them as invasive as blister rust on a durian and just as welcome.
For all her irregular motion, the windup girl travels well enough. Tranh has difficulty keeping up with her. His knees creak and grind and he clenches his teeth against the pain. Sometimes he falls with a muffled grunt, but still he follows. Ahead of him, the windup girl ducks into new shadows, a wisp of tottering motion. Her herky-jerky gait announces her as a creature not human, no matter how beautiful she may be. No matter how intelligent, no matter how strong, no matter how supple her skin, she is a windup and meant to serve—and marked as such by a genetic specification that betrays her with every unnatural step.
Finally, when Tranh thinks that his legs will give out for a final time and that he can continue no longer, the windup girl pauses. She stands in the black mouth of a crumbling highrise, a tower as tall and wretched as his own, another carcass of the old Expansion. From high above, music and laughter filter down. Shapes float in the tower's upper-story windows, limned in red light, the silhouettes of women dancing. Calls of men and the throb of drums. The windup girl disappears inside.
What would it be like to enter such a place? To spend baht like water while women danced and sang songs of lust? Tranh suddenly regrets spending his last baht on whiskey. This is where he should have died. Surrounded by fleshly pleasures that he has not known since he lost his country and his life. He purses his lips, considering. Perhaps he can bluff his way in. He still wears the raiment of the Hwang Brothers. He still appears a gentleman, perhaps. Yes. He will attempt it, and if he gathers the shame of ejection on his head, if he loses face one more time, what of it? He will be dead in a river soon anyway, floating to the sea to join his sons.
He starts to cross the street but his knee gives out and he falls flat instead. He saves his whiskey bottle more by luck than by dexterity. The last of its amber liquid glints in the methane light. He grimaces and pulls himself into a sitting position, then drags himself back into a doorway. He will rest, first. And finish the bottle. The windup girl will be there for a long time, likely. He has time to recover himself. And if he falls again, at least he won't have wasted his liquor. He tilts the bottle to his lips then lets his tired head rest against the building. He'll just catch his breath.
Laughter issues from the highrise. Tranh jerks awake. A man stumbles from its shadow portal: drunk, laughing. More men spill out after him. They laugh and shove one another. Drag tittering women out with them. Motion to cycle rickshaws that wait in the alleys for easy drunken patrons. Slowly, they disperse. Tranh tilts his whiskey bottle. Finds it empty.
Another pair of men emerges from the highrise's maw. One of them is Ma Ping. The other a farang who can only be Ma's boss. The farang waves for a cycle rickshaw. He climbs in and waves his farewells. Ma raises his own hand in return and his gold and diamond wristwatch glints in the methane light. Tranh's wri
stwatch. Tranh's history. Tranh's heirloom flashing bright in the darkness. Tranh scowls. Wishes he could rip it off young Ma's wrist.
The farang's rickshaw starts forward with a screech of unoiled bicycle chains and drunken laughter, leaving Ma Ping standing alone in the middle of the street. Ma laughs to himself, seems to consider returning to the bars, then laughs again and turns away, heading across the street, toward Tranh.
Tranh shies into the shadows, unwilling to let Ma catch him in such a state. Unwilling to endure more humiliation. He crouches deeper in his doorway as Ma stumbles about the street in search of rickshaws. But all the rickshaws have been taken for the moment. No more lurk below the bars.
Ma's gold wristwatch glints again in the methane light.
Pale forms glazed green materialize on the street, three men walking, their mahogany skin almost black in the darkness, contrasting sharply against the creased whites of their uniforms. Their black batons twirl casually at their wrists. Ma doesn't seem to notice them at first. The white shirts converge, casual. Their voices carry easily in the quiet night.
"You're out late."
Ma shrugs, grins queasily. "Not really. Not so late."
The three white shirts gather close. "Late for a yellow card. You should be home by now. Bad luck to be out after yellow card curfew. Especially with all that yellow gold on your wrist."
Ma holds up his hands, defensive. "I'm not a yellow card."
"Your accent says differently."
Ma reaches for his pockets, fumbles in them. "Really. You'll see. Look."
A white shirt steps close. "Did I say you could move?"
"My papers. Look—"
"Get your hands out!"
"Look at my stamps!"
"Out!" A black baton flashes. Ma yelps, clutches his elbow. More blows rain down. Ma crouches, trying to shield himself. He curses, "Nimade bi!"
The white shirts laugh. "That's yellow card talk." One of them swings his baton, low and fast, and Ma collapses, crying out, curling around a damaged leg. The white shirts gather close. One of them jabs Ma in the face, making him uncurl, then runs the baton down Ma's chest, dragging blood.
"He's got nicer clothes than you, Thongchai."
"Probably snuck across the border with an assful of jade."
One of them squats, studies Ma's face. "Is it true? Do you shit jade?"
Ma shakes his head frantically. He rolls over and starts to crawl away. A black runnel of blood spills from his mouth. One leg drags behind him, useless. A white shirt follows, pushes him over with his shoe and puts his foot on Ma's face. The other two suck in their breath and step back, shocked. To beat a man is one thing. . . "Suttipong, no."
The man called Suttipong glances back at his peers. "It's nothing. These yellow cards are as bad as blister rust. This is nothing. They all come begging, taking food when we've got little enough for our own, and look," he kicks Ma's wrist. "Gold."
Ma gasps, tries to strip the watch from his wrist. "Take it. Here. Please. Take it."
"It's not yours to give, yellow card."
"Not. . . yellow card," Ma gasps. "Please. Not your Ministry." His hands fumble for his pockets, frantic under the white shirt's gaze. He pulls out his papers and waves them in the hot night air.
Suttipong takes the papers, glances at them. Leans close. "You think our countrymen don't fear us, too?"
He throws the papers on the ground, then quick as a cobra he strikes. One, two, three, the blows rain down. He is very fast. Very methodical. Ma curls into a ball, trying to ward off the blows. Suttipong steps back, breathing heavily. He waves at the other two. "Teach him respect." The other two glance at each other doubtfully, but under Suttipong's urging, they are soon beating Ma, shouting encouragement to one another.
A few men come down from the pleasure bars and stumble into the streets, but when they see white uniforms they flee back inside. The white shirts are alone. And if there are other watching eyes, they do not show themselves. Finally, Suttipong seems satisfied. He kneels and strips the antique Rolex from Ma's wrist, spits on Ma's face and motions his peers to join him. They turn away, striding close past Tranh's hiding place.
The one called Thongchai looks back. "He might complain."
Suttipong shakes his head, his attention on the Rolex in his hand. "He's learned his lesson."
Their footsteps fade into the darkness. Music filters down from the highrise clubs. The street itself is silent. Tranh watches for a long time, looking for other hunters. Nothing moves. It is as if the entire city has turned its back on the broken Malay-Chinese lying in the street. Finally, Tranh limps out of the shadows and approaches Ma Ping.
Ma catches sight of him and holds up a weak hand. "Help." He tries the words in Thai, again in farang English, finally in Malay, as though he has returned to his childhood. Then he seems to recognize Tranh. His eyes widen. He smiles weakly, through split bloody lips. Speaks Mandarin, their trade language of brotherhood. "Lao pengyou. What are you doing here?"
Tranh squats beside him, studying his cracked face. "I saw your windup girl."
Ma closes his eyes, tries to smile. "You believe me, then?" His eyes are nearly swollen shut, blood runs down from a cut in his brow, trickling freely.
"Yes."
"I think they broke my leg." He tries to pull himself upright, gasps and collapses. He probes his ribs, runs his hand down to his shin. "I can't walk." He sucks air as he prods another broken bone. "You were right about the white shirts."
"A nail that stands up gets pounded down."
Something in Tranh's tone makes Ma look up. He studies Tranh's face. "Please. I gave you food. Find me a rickshaw." One hand strays to his wrist, fumbling for the timepiece that is no longer his, trying to offer it. Trying to bargain.
Is this fate? Tranh wonders. Or luck? Tranh purses his lips, considering. Was it fate that his own shiny wristwatch drew the white shirts and their wicked black batons? Was it luck that he arrived to see Ma fall? Do he and Ma Ping still have some larger karmic business?
Tranh watches Ma beg and remembers firing a young clerk so many lifetimes ago, sending him packing with a thrashing and a warning never to return. But that was when he was a great man. And now he is such a small one. As small as the clerk he thrashed so long ago. Perhaps smaller. He slides his hands under Ma's back, lifts.
"Thank you," Ma gasps. "Thank you."
Tranh runs his fingers into Ma's pockets, working through them methodically, checking for baht the white shirts have left. Ma groans, forces out a curse as Tranh jostles him. Tranh counts his scavenge, the dregs of Ma's pockets that still look like wealth to him. He stuffs the coins into his own pocket.
Ma's breathing comes in short panting gasps. "Please. A rickshaw. That's all." He barely manages to exhale the words.
Tranh cocks his head, considering, his instincts warring with themselves. He sighs and shakes his head. "A man makes his own luck, isn't that what you told me?" He smiles tightly. "My own arrogant words, coming from a brash young mouth." He shakes his head again, astounded at his previously fat ego, and smashes his whiskey bottle on the cobbles. Glass sprays. Shards glint green in the methane light.
"If I were still a great man. . ." Tranh grimaces. "But then, I suppose we're both past such illusions. I'm very sorry about this." With one last glance around the darkened street, he drives the broken bottle into Ma's throat. Ma jerks and blood spills out around Tranh's hand. Tranh scuttles back, keeping this new welling of blood off his Hwang Brothers fabrics. Ma's lungs bubble and his hands reach up for the bottle lodged in his neck, then fall away. His wet breathing stops.
Tranh is trembling. His hands shake with an electric palsy. He has seen so much death, and dealt so little. And now Ma lies before him, another Malay-Chinese dead, with only himself to blame. Again. He stifles an urge to be sick.
He turns and crawls into the protective shadows of the alley and pulls himself upright. He tests his weak leg. It seems to hold him. Beyond the shadows, the street is silent. Ma
's body lies like a heap of garbage in its center. Nothing moves.
Tranh turns and limps down the street, keeping to the walls, bracing himself when his knee threatens to give way. After a few blocks, the methane lamps start to go out. One by one, as though a great hand is moving down the street snuffing them, they gutter into silence as the Public Works Ministry cuts off the gas. The street settles into complete darkness.
When Tranh finally arrives at Surawong Road, its wide black thoroughfare is nearly empty of traffic. A pair of ancient water buffalo placidly haul a rubber-wheeled wagon under starlight. A shadow farmer rides behind them, muttering softly. The yowls of mating devil cats scrape the hot night air, but that is all.
And then, from behind, the creak of bicycle chains. The rattle of wheels on cobbles. Tranh turns, half expecting avenging white shirts, but it is only a cycle rickshaw, chattering down the darkened street. Tranh raises a hand, flashing newfound baht. The rickshaw slows. A man's ropey limbs gleam with moonlit sweat. Twin earrings decorate his lobes, gobs of silver in the night. "Where you going?"
Tranh scans the rickshaw man's broad face for hints of betrayal, for hints that he is a hunter, but the man is only looking at the baht in Tranh's hand. Tranh forces down his paranoia and climbs into the rickshaw's seat. "The farang factories. By the river."
The rickshaw man glances over his shoulder, surprised. "All the factories will be closed. Too much energy to run at night. It's all black night down there."
"It doesn't matter. There's a job opening. There will be interviews."
The man stands on his pedals. "At night?"
"Tomorrow." Tranh settles deeper into his seat. "I don't want to be late."
POL POT'S BEAUTIFUL DAUGHTER (FANTASY)
Geoff Ryman
Geoff Ryman is the author of The Warrior Who Carried Life, novella "The Unconquered Country", The Child Garden, Was, Lust, and Air. His work 253, or Tube Theatre was first published as hypertext fiction. A print version was published in 1998 and won the Philip K. Dick Memorial Award. He has also won the World Fantasy Award, Campbell Memorial Award, James Tiptree Award, Arthur C. Clarke Award, British Science Fiction Association Award, Sunburst, and Gaylactic Spectrum awards. His most recent novel, The King's Last Song, is set in Cambodia, both at the time of Angkorean emperor Jayavarman VII, and in the present period. He currently lectures in Creative Writing for University of Manchester's English Department.
The Best Science Fiction and Fantasy of the Year-I Page 35