“These questions answered themselves in about thirty seconds. Or rather Rex answered them. He had become restless again, and was straining against his mistress’ hand on his collar. Suddenly his restlessness changed to violent excitement; he broke away; and was off along the top of the cliff like a flash. What he was after became clear in a moment. About a hundred yards away a ragged fellow with a largish bundle on a stick was walking briskly towards Sheercliff. He might have been a tramp who had paused on the outskirts of the little crowd to see what had happened, and who was now going on his way.
“Rex was up with him like lightning. For an instant I thought he was going to fly at the fellow’s throat. But all he did was to leap up at him in mere joy and affection. And the fellow pushed him off with a quick thrust…
“I’d have recognised that gesture anywhere, and I put on a turn of speed that wouldn’t have disgraced Rex himself. As I came up on him the fellow turned and faced me. He was dark and clean-shaven – for a tramp, quite absurdly clean-shaven. Our eyes met, and he knew that I knew. Horror and despair flooded his face. Then he took the simplest course open to him. He turned, ran, and jumped. This time I didn’t see the body fall. But the result could be in no doubt. Robert Lorio had gone to join his victim. Monica Lorio had not the same courage. She was hanged.”
“I think,” said the philosopher, “that you said there was no mystification in this story?”
“There wasn’t very much. Robert and Monica Lorio were devoted to each other – and in penury. Their only possible resource was a very substantial insurance policy on Robert Lorio’s life. That was the position when one day a tramp turned up at Mrs Lorio’s back door. He was of about her husband’s build, dark, and of very low intelligence. He was also, as it turned out, open to suggestion – criminal suggestion.
“Her plan must have come to her instantaneously. She housed him in the barn, pretending to conceal his presence from her husband. She admitted him as a lover. Hence the occasion upon which I awakened that afternoon by the sea. And hence, too, the malignity of her glance at him earlier that day, when I had taken him for her husband. She didn’t much like what she had been subdued to.
“By that time he was already groomed for his part – wearing Lorio’s beard, wearing Lorio’s old clothes. You can see what she had persuaded him would happen. They would lurk together in a little cave below the brow of the cliff when Lorio was taking one of his regular walks; they would use Rex as a decoy to lure him down; they would pitch him over the precipice and that would be an end of him. She was very well able to persuade her miserable accomplice, no doubt, that if the body was ever discovered it would be unrecognisable. And meanwhile there would simply be a new Robert Lorio.
“So from the tramp’s point of view, you see, it really was a special sort of respectability murder that was going forward. But in actual fact it was nothing of the sort. It was a mercenary murder. And the wretched man was cast for the role not of accomplice but of victim.
“The Lorios’ plan was complex – but it was feasible. There was to be an observer; and nothing less than a rising young officer from Scotland Yard! The veritable Robert Lorio was to go to the rescue of his dog, disappear for a moment, and then seem to fall to his death. But really it was to be the tramp – whose body would almost certainly be recovered some days afterwards and identified as Lorio’s. Meanwhile Lorio in the cave was to shave and change, and he and his wife were severally to slip quietly back to ground level. And while she distracted attention by making a scene, he was simply to clear out. When she had collected the insurance money they would have joined up again in Canada.
“Well, it nearly worked. From the moment that Lorio began looking nervously at his watch the timing of the thing was perfect. So was whatever scheme they had down there for instantaneously turning the tables on their miserable dupe – getting him off-balance and over the edge. One can’t be very sorry for him. His death was decidedly a case of the would-be biter being bit. But the last bite, so to speak, was Rex’s. He betrayed the whole thing when it appeared to be all over except the shouting.”
Appleby paused. “The memory of those two deaths is horrible to me still. But not, in retrospect, so horrible as waking up that afternoon and hearing the murmuring voices of Monica Lorio and the man she was preparing to murder.”
A DERBY HORSE
“Such curious names,” Mrs Mutter murmured, and let an eye travel vaguely down her card. “Gay Time and Postman’s Path and Summer Rain. Often witty, of course – one sees that when one looks at the names of the dear creatures’ fathers and mothers – but inadequately equine, if you understand me.”
“Nonsense, m’dear.” Mrs Mutter’s husband had tipped back his chair the better to scan through his binoculars the vast carpet of humanity covering the downs. “You couldn’t call a likely colt Dobbin, or a well-bred filly Dapple or Daisy… But what a tremendous turn-out there is. Biggest crowd, if you ask me, since ’forty-six – Airborne’s race.”
“And the time’s creeping on, and the excitement’s creeping up.” Lady Appleby had glanced at her watch.
“Anxious about your husband – eh?” Mr Mutter shook his head. “Exacting, being high up in the police. Hope he hasn’t been detained by somebody’s pinching the favourite. Or perhaps–”
“Nothing of that sort.” A new voice was heard – that of Sir John Appleby himself as he strolled up to join his party. “But I did not long ago have to do with a Derby horse that went rather badly missing. Have you ever known, Mutter, a strong colt, closely knit and with the quarters of a sprinter, disappear into thin air? Disconcerting experience.”
“But no doubt instructive.” Mutter dropped his binoculars. “And you’ve just got time to tell us about it.”
Appleby sat down. “It began with a frantic telephone call from a certain Major Gunton, who trains near Blandford. Pantomime had vanished.”
Mrs Mutter made one of her well-known charming gestures. “What did I say? Such curious names. Who could take seriously a horse called that?”
“Gunton did, and so did the brute’s owner. They had entered Pantomime for this very Derby.”
“Hasn’t that to be done very young?” Mrs Mutter was eager for knowledge. “Like Eton boys, and that sort of thing?”
Mutter groaned. “As yearlings, m’dear. Appleby, go on.”
“Pantomime was being sent from Blandford to Newbury. The journey, which was to be made by road–”
“It would be in one of those horrid little boxes.” Mrs Mutter was expressive. “Almost like coffins, supposing horses to have coffins. The poor things can’t so much as turn round.”
“It wouldn’t be to their advantage to do so.” Appleby took the point seriously. “Bumpy, you know. But the box was certainly what you describe – a simple, open affair, hitched to the back of an estate-wagon. Gunton had a reliable man called Merry, who saw to getting Pantomime into the thing at about dusk one fine autumn evening. Gunton himself came out and saw that the creature was safely locked in; and then Merry and a stable-lad got into the wagon and drove off. Short of a road accident, Pantomime seemed as safe as houses. And until Salisbury, if Merry could be believed, he was safe. After that, it grew dark. And in the dark – again if Merry could be believed – some mysterious violation of the very laws of nature took place. In other words, when the box arrived in Newbury, Pantomime had disappeared.”
Mutter raised his eyebrows. “Lock tampered with?”
“No. And they hadn’t had to pull up during the whole journey.”
“Then Pantomime must have jumped.” Mrs Mutter was horrified.
Appleby shook his head. “Quite impossible. Those boxes give a horse no room for tricks. There seemed only one conceivable explanation: that some Brobdingnagian bird had descended on poor little Pantomime and carried him off in his beak.
“I was working on a case in Oxford when I got the message asking me to take over this queer affair. There wasn’t much more information forthcoming than what I’ve gi
ven you, but of course there was a description of the horse: a chestnut with black spots on the hind quarters – like Eclipse and Pantaloon, I was told by a man at the Yard who specialises in the Stud-Book. With this I set out very early on the morning following the disappearance, intending to drive straight to Blandford, and from there retrace Pantomime’s last journey if it should be necessary.
“I had got to Newbury, and was wondering whether Andover would be a good place to stop for breakfast, when I ran into fog. It seemed best to press on – and I must confess that probably I pressed on pretty fast. Still, policemen do well always to drive with a bit of extra care; and I was doing nothing that any normal contingency could render dangerous. Nevertheless, I had an accident. At one moment I had been staring into empty air – or fog. The next, there was a solid object plumb in front of my bonnet, and this was followed by a slight but ominous impact before I brought the car to a stop. For a second I wondered whether I’d fallen asleep at the wheel. For what I had seen in that moment decidedly suggested a dream. It had been a substantial chestnut mass, diversified with black spots.
“I climbed out and ran back. There, sure enough – and with all the appearance of having been hurled violently into a high hedge – I glimpsed the figure of a chestnut colt. But it was only for a moment; the wretched fog was getting worse, with drifting patches as thick as a horse blanket. Pantomime was obscured for a couple of seconds – and when the place cleared again he had vanished.
“That was all to the good, since it meant he could scarcely have broken any bones. The road was empty, so I concluded he had forced his way through the hedge. I followed suit – it wasn’t a comfortable dive – and there he was. But by there I mean a quarter of a mile off. He seemed to have done that in about twenty seconds.”
Mutter chuckled. “A Derby horse, decidedly. Mahmoud’s record for the twelve furlongs–”
“Quite so. Well, off I went in pursuit – and presently the dream had turned to nightmare. It’s an odd bit of country – open, undulating, and covered with scattered patches of gorse which seem to have been blown into all sorts of fantastic shapes by the wind. What with the fog thrown in, it was easy to feel oneself hunting the hapless Pantomime amid a sort of menagerie of prehistoric monsters. And Pantomime was – well, illusive. For one thing, he had more than flat-racing in him. At one moment I even had a confused notion that he had cleared a hay-stack. And this was the more surprising, since he did now appear to have injured himself. I was getting no more than peeps at him, but his gait was certainly queer. And if horses get concussion – well, Pantomime was badly concussed.
“The end came quickly. Somewhere near by there was a chap out with a shotgun after rabbits – a silly employment in those conditions – and he was coming near enough to worry me. Suddenly I rounded a clump of gorse and came upon Pantomime apparently cornered and at bay. I had just time to feel that there was something pretty weirdly wrong when the creature rose in air like a tiger and came sailing down at me. At the same instant I heard a patter of shot at my feet – it was the silly ass with the gun blazing away at goodness knows what – and Pantomime just faded out. I found myself looking down, not at a horse, but at the punctured and deflated remains of a highly ingenious balloon.”
“Not Pantomime but Pegasus.” Mrs Mutter offered this unexpected piece of classical learning with a brilliant smile.
“Quite so. The thieves’ object, of course, had been to gain time. They managed to substitute their extraordinary contrivance for the real Pantomime just before Gunton came out in the dusk, locked the horse-box, and told Merry to drive off. The thing was tethered by no more than a nicely-calculated fraying cord, so that eventually it freed itself and simply soared up into the night. Probably it was designed that it should blow out to sea. Poor Merry and his lad were going to look very like the guilty parties – and while the trail was thus hopelessly confused at the start, the real Pantomime could be smuggled abroad.”
“And it was?”
“Certainly. The colt was discovered some months later in France. I believe there may be a good deal of litigation.”
Mutter, who had for some minutes been engaged in applying the friction of a silk handkerchief to his top-hat, paused from this important labour. “Haven’t you told us rather a tall story?”
Appleby nodded. “I’m assured the false Pantomime may have gone up to something like twenty thousand feet. So I suppose it is tall.”
“Perhaps you could say something about Pantomime’s pedigree?”
This time it was Lady Appleby who spoke. “By Airborne, without a doubt,” she said. “And from Chimera.”
“Chimera? I don’t believe there was ever any such–”
“No more do I.”
WILLIAM THE CONQUEROR
“Judith”, Appleby said, “is fond of theatre people. She even continues to be fond of them when they take to films. That is how we came to be at the Bullions’ house party.”
“But of course!” Mrs Crisparkle glowed. “Lady Appleby is so at home in the larger world of art.”
“Perhaps the Bullions’ was that. Their concern at that time was certainly with art on the large scale. The film people, it seems, have gone back to enormities. Vast crowds and illimitable vistas are the things to plug on the screen if you want to keep television in its place. And the real trump card is a pitched battle, preferably with a great deal of cavalry, and chain-mail, and improbable-looking tents.”
“I know those tented fields.” Mrs Crisparkle nodded brightly. “Like a counter covered with lamp-shades in an art-and-crafty shop.”
“Quite so. Well, the Bullions were to be starred in a tremendous film called William the Conqueror. And one of its highlights, needless to say, was to be the Battle of Hastings.”
“Ten-sixty-six.” The fine certainty of Mrs Crisparkle’s expression gave way to misgiving. “But were there cavalry at Hastings?”
“I’ve no idea. But there were no end of archers, and in the film their arrows were going to darken the heavens. That’s why archery was all the go at the Bullions during that fatal weekend.”
Mrs Crisparkle was sympathetic. “Those fatal weekends! My dear Sir John, how well I know them.”
But Appleby shook his head. “This,” he said gravely, “was a fatal weekend. It led to murder.
“I doubt whether Mark Bullion or any of his guests was actually going to draw a long-bow in the film. Most of them must have been booked for nobler roles – dashing about on horseback, chiefly, and encouraging their vassals with heroic cries. Nevertheless, everybody was fooling about with bows and arrows at some improvised butts. And that went for the women too. Claire Bullion, as a matter of fact, was uncommonly good – the best even of the scattering of people with whom archery was a regular sport. She spent most of Saturday instructing a handsome chap called Giles Barcroft. You may recall his name. He had left the London stage for Hollywood about five years before, and now he was back in this country with a considerable reputation. He was to play a big part – one of King Harold’s principal nobles, torn between loyalty and his reawakened love for a great Norman lady.”
Mrs Crisparkle nodded intelligently. “The Norman lady being played by Claire Bullion?”
“Precisely. And now I must tell you about the Sunday evening. The Bullions had rather a grand house, which I suppose they had rented – furniture, servants, and all – from some impoverished peer. Half-a-dozen of us were drinking cocktails on a terrace before the west front. Beneath us was a long, narrow sunken garden in what used to be called the Dutch taste, and immediately beyond that was the park – of which, however, we could see no more than a line of rising ground, parallel to our terrace and rather higher, with two magnificent oaks at either end of it. Beyond, there was simply the sunset sky.”
“It sounds rather impressive, Sir John. I get the suggestion of a natural theatre.”
“That describes it very well.” Appleby glanced at Mrs Crisparkle with approval. “We might have been an audience looking a
cross the orchestra-pit of that sunken garden and through the great proscenium-arch constituted by those tremendous oaks. What we were viewing was an empty stage, closed by the vast luminous backcloth of the evening sky.
“What was in fact concealed from us by the line of rising ground that formed our immediate horizon, was that part of the park in which the archery mostly went on. I could hear a couple of my fellow-guests rather maliciously discussing what else might be going on there at that moment. ‘They were fooling round together all yesterday.’ ‘True enough. But it’s my guess they’ve had a glorious row.’ ‘So what, my dear fellow? Before Giles went to the Coast they were always having rows, but everybody knew that that was just by the way.’ ‘I can’t make out what Mark thinks about it – can you? Have another of the poor old chap’s drinks.’
“All this wasn’t exactly obscure – and decidedly it wasn’t edifying. The people concerned were talking the more freely because Bullion himself was securely out of hearing – down in the sunken garden in front of us, in fact, playing the lord of the manor and showing off his roses to some enraptured old woman.
“So much for the setting. In another moment, the thing happened.
“Barcroft’s head and shoulders appeared silhouetted on that horizon – plumb centre, you might say, of that natural stage. He had the motions of a man scrambling up a bank – and indeed the ground did, as I knew, fall away sharply on the other side. Then he was on the ridge, and suddenly raising an arm. I believe we all supposed that he was going to wave to us. But he was raising both arms – flinging them above his head – and at the same moment his knees collapsed under him. With a horrible cry – I can hear it with an effect of terror yet, and I’ve heard some nasty noises in my time – with a single horrible cry, Giles Barcroft tumbled backwards and disappeared.
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