BAAZ
ANUJA CHAUHAN
Jai Jawaan
Jai Kisaan
CONTENTS
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Epilogue
A Note On Historical Accuracy
Acknowledgements
About the Book
About the Author
Copyright
ONE
Ishaan starts baiting the trains when he is ten. They steam past on a line about a twenty-minute walk from his stepfather’s small, crumbly pista-green haveli in Chakkahera, and whenever the embittered man starts turning on his children to vent his many frustrations, the skinny boy, small for his age, backs quietly out of the aangan, slips on his too-large Bata chappals and makes for the train tracks, defiantly humming a jaunty tune.
The Republic of India is but ten years old, and Chakkahera is just a large village in Punjab province, named for its many tyre factories – smoke-spewing monstrosities that drown out the sweet rural scents of harshringaar, dung fires and mustard flowers with the aggressive smell of burning rubber.
Well accustomed to this odour, the boy emerges from a muddy lane, trots past the ancient banyan tree and the unblinking, wallowing buffaloes in the village pond, takes a sharp left at the government school and plunges into the fields of sarson.
A brisk run through the cool green fronds, heavy with ripening mustard, and he is at a rocky cliff. Looking down, he can see the vast vista of countryside below – rolling earth, white sky, blue hills – all just a pale backdrop for the main attraction, a set of gleaming, parallel steel tracks snaking across the broad bosom of India, linking Dilli to Kalkatta.
Not even a little out of breath, he picks his way down to the tracks and squats beside them, one hand on the cool steel, waiting for it to start humming. The humming begins a good ten minutes before the train arrives. It is followed by strong vibrations, a queer rushing noise and the sound of a whistle blowing, and then the train turns the corner, a pulsating iron monster, the fastest, most powerful thing in the child’s universe, hurtling towards him with all it’s got – huge, indestructible, unstoppable.
Ishaan leaps up to straddle the tracks, arms thrown out to keep his balance, body tense as a drawn bow, heart thudding faster and faster, pupils dilating, muscles contracting, concentration pinpointing onto just one thing – the massive iron face of the engine rushing at him.
He is standing there one afternoon, cotton shirt billowing in the wind, heart pumping like a piston, when he is jerked roughly off the steel blades and thrown onto the side of the tracks.
As the train khata-khats by at eardrum-popping speed, Ishaan looks up to see a wizened, bald figure – the wind from the rushing train has wrenched the pagdi away – staring down at him. Its gold earrings are gleaming, its eyes are red, its face slick with sweat. It is nanaji, father of his dead mother.
‘Baawda hai ke, Shaanu!’
‘I jump off as soon as I can read Bhaartiye Rail,’ Shaanu explains immediately, not wanting to be mistaken for some pathetic, suicidal nutcase.
The old man rolls his eyes, a scary sight.
‘You’ve made a habit of this!’
Shaanu scrambles to his feet, shrugging.
‘Sort of.’
Then he smiles. It is a heart-stoppingly beautiful smile, lighting up his curiously slate-grey eyes and scrunching up his straight, even features. ‘It’s fun.’
The old man stares at him for a moment, still breathing hard, then turns away to spit. After sending an impressive gob of phlegm shooting through the air in a graceful arc, he curses long and thoroughly, grabs the boy by the collar of his shirt, shakes him till his bones rattle, then lets him drop.
Bending to retrieve his pagdi, he jams it back on his head and grunts, ‘Walk!’
They make their way up from the tracks to the mustard fields atop the cliff, the young boy moving lithely, the old man stumping behind him on his lathia, breathing laboriously.
‘Who told you?’ Shaanu asks after a while. ‘About me and the trains, I mean.’
‘Goatherds,’ comes the old man’s brusque reply. ‘First they thought you were just coming out here to do your morning job, but then they realized you’d gone stark raving mad. So they came to me and said, your grandson’s mad, poora baawda, pack him off to the paagal-khana in Agra.’
‘I’m not mad,’ Shaanu replies indignantly.
‘No?’ says the old man. ‘Have you thought about how your brothers and sisters would feel if you got squashed by a maal gaadi like a dog tick beneath a camel’s foot?’
‘Dog ticks don’t squash that easy,’ the boy tells him knowledgeably. ‘They just pull in their legs and pretend to be dead – and once you think they’re done for, they quickly crawl off again.’
This remark earns him another whack on the side of his head. He takes it stolidly, not even bothering to duck, and says, in a more placatory voice, ‘Everybody would feel bad if I died, of course. They all love me best. But I won’t die. I’m too fast. I whip my body sideways just before the train hits me – sataaack! like this—’
‘Enough!’ thunders nanaji.
And this time, the fury in his voice moves the boy to silence.
They march through the sarson for a time, then the old man asks, in a calmer, more conversational voice, ‘Kyon, chhore?’
‘Hmm?’
Nanaji tchs impatiently.
‘Why do you do it?’
Shaanu looks up, grey eyes sparkling.
‘I like the feeling of my heart going dhookk-dhookk-dhoookk,’ he confides.
This artless revelation makes the old man lunge forward to slap him again, but the boy skips out of reach, laughing.
Nanaji grunts, stumps along silently, then asks, ‘What else makes that happen?’
Shaanu frowns, thinking, sliding his thumbs into the waistband of his worn cotton pyjamas. ‘Sometimes on Diwali, when I’m lighting a very big bomb?’ he offers. ‘That’s pretty dhookk-dhookk-dhookky. Because the rich kids, they can afford the big bombs all right, but they don’t have the guts to light them, ne? So they make me do it.’
‘Rich boys, eh?’ his grandfather says. ‘You’re rich too. Your family owns fifty acres of very fertile land. I should know, I gifted thirty of it to your stepfather as your mother’s dowry.’
‘Yeah, but Chimman is so stingy.’
‘Don’t call your stepfather by his name!’
Shaanu shrugs disdainfully.
‘Pitaji is so stingy, then. Anyway, I like lighting patakas. And long-jumping over the wells is fun too.’
‘Long-jumping over the wells?’
‘Yeah. Some of the big ones don’t have any wall around them, ne, just a wooden cover. So you take off the cover, take a running start and whooomp, you long-jump over the open well!’
He gets a sharp crack across the back of his head.
‘Idiot!’ grunts nanaji. ‘Fool! Son of a fool!’
Shaanu draws himself to his full height and squares his skinny shoulders.
‘Ay nana, don’t call my father a fool!’
‘Nanaji to you, miserable rat!’
Shaanu tucks his hand placatingly into his irate grandparent’s.
‘The reason I do it,’ he confesses finally, ‘is because I like to be happy. And Chimman Si—pitaji toh, you know, he’s always pulling a long face and grumbling about something. When I do these things, I can tune his voice out.’
The old man absorbs this for a
while, thinking long, dark thoughts of his own.
‘Never do dangerous things except for a very, very good reason!’ he says at last. ‘Do them only when there’s something worthwhile at stake.’
‘What’s worthwhile?’
The old man tilts back his head and thinks some more.
‘Eiiiii … saving some bosomy chhori’s honour from bad people,’ he hazards. ‘Like a fillum-ka-hero, you know? But if there’s no chhori, why take risks, ne?’
The boy looks at him like he’s a moron. ‘If I don’t practise taking risks when there’s no chhori, how will I be able to save the chhori when the time comes?’
‘That is also true,’ the old man admits.
They walk on in silence, until the drone of a plane flying past causes their eyes to turn skyward.
‘You know what you should do?’ nanaji says, suddenly inspired. ‘You should learn to fly one of those! They will make your heart race like nobody’s business!’
Shaanu stares up at a sky the colour of his eyes, watching the plane threading through the clouds like a flashing silver needle.
‘Can anybody fly them?’
‘Only very brave lads,’ says nanaji cunningly. ‘And clever ones, the ones who do well in school. And they do it not just for bloody dhookk-dhookk-dhookk, but to defend Mother India.’
‘Like my father.’
‘Er, yes! Like your father. Ah, there is no higher honour! You get a smart uniform – tight-fitting, city-tailored, with shiny buttons made of solid, twenty-four-carat – and you get into one of those pilanes and vrrrrooooooom, you’re the king of the world!’
Shaanu savours this wonderful image.
‘Twenty-four-carat gold?’
‘Then what!’
‘And every time you fly your heart beats superfast?’
‘Every single time,’ swears the old man. ‘It’s the fastest thudding ever. Except when you meet your real, true love, of course. That is even faster. The fastest.’
Shaanu’s clear grey eyes turn to his. ‘Do girls like pilane drivers?’ he enquires.
‘They’re called pie-lutts,’ says his grandfather. ‘And girls love ’em! Can’t get enough of them! They’re always following them around, trying to unbutton their shirts…’
‘To steal their buttons?’
‘To make love to them!’
The boy is quiet for a moment.
‘Even if they’re not very tall?’
It is the old man’s turn to fall silent now. Then he bends, a painful thing for his arthritic joints to have to do.
‘Dekh, Shaanu,’ he says, his voice a rough caress. ‘You’re only ten. I don’t know yet whether you’ll grow up to be tall or short…’
‘I’m the shortest kid in my class.’
‘Well, in that case, I’ll let you in on a big secret. It’s a God secret, actually – an enjuneering secret – one of the main geometrical principles on which human beings are designed.’
Shaanu leans in.
Nanaji whispers into his ear, at the same time moving his hand in a very specific gesture.
Shaanu’s eyes grow huge. He holds up his hand and repeats the gesture several times, his grey eyes sparkling brighter with every repetition. Then he throws back his head and lets out a crow of laughter, a whooping, joyous sound that echoes through the rolling mustard fields and merges with the drone of the plane still flying overhead.
• • •
‘Where’s Shaanu?’ Choudhary Chimman Singh Faujdaar demands ten years later. ‘Shaanu kitt se?’
His ruddy-cheeked, round-eyed band of children stare back at him disingenuously.
‘Shaanu bhaiyya?’
‘Just now he was here.’
‘Must be guarding the fields.’
‘Or studying.’
‘Or praying.’
‘Chuppp karo sab ke sab!’ snarls Chimman Singh, his livid face twitching with suspicion. ‘I haven’t seen the fellow since last night. I know he’s up to something! What?’
This is met with silence and some scuffling. Finally Sneha, the eldest of the girls, shakes back her heavy plait and puts down her mending. ‘Should I make you a cup of tea, pitaji?’
The Choudhary’s gaze softens and he pulls on his hookah. Daughters. So much better than sons. Sweet and loving and biddable, they light up the house and make it comfortable – unlike sons, who challenge your authority, defy you and disappoint you, have a huge sense of entitlement and make you feel old.
Unfortunately, Sneha is getting married next month.
‘Yes, I’ll have tea,’ he says politely. ‘And a lice of cake.’
‘Si-lice,’ giggles Sulochana.
The Choudhary smiles a tolerant, toothy smile.
‘Silice,’ he says amiably. Then his voice grows sharp again. ‘But where is Shaanu?’
Shaanu, as the entire Faujdaar brat-pack knows, has borrowed a cycle and pedalled off early this morning for Bengali Market – which is in New Delhi – which is eighty-five whole kilometres away. There has been no news of him since.
The five of them immediately swing into action. Sneha brings her father tea and cake, Sulo and Sari, the two little girls, start to squabble over the severed arm of a plastic doll, pulling each other’s plaits. Surinder, the brains of the family, with aspirations of being a doctor, asks his father if he knows that the average human intestine is fifteen kilometres long, and Shelly, the youngest boy, turns up the volume on the leather-covered radio to the maximum.
Chimman Singh sips his tea and ruminates, not for the first time, on the unfairness of the cosmos.
It is unfair that he was forced into marriage with a skinny, pregnant widow by his bully of a father when he was barely sixteen. He’d just started frequenting the kothas then and had fantasies of travelling to the big cities, landing a big job in a mill or factory and marrying a well-endowed city mem. He’d wept bitterly on his wedding day, the kajal they’d put in his eyes running down to merge with his chapped, dark brown cheeks, but there had been no escaping the nuptials. The widow brought with her thirty acres of land to sweeten the deal, and his father, in the age-old tradition of zamindar fathers everywhere, had threatened to cut him off without a penny if he defied him, and that, of course, had been that.
It was unfair that after they had lived together in mutual discontent for several years, the widow (he’d continued to think of her as such, even though she’d come to him clad in red and borne him four children) had upped and died, leaving him to bring up a brood of pesky brats alone, when all he wanted to do was celebrate his newly single status by sleeping with as many sturdy chamari women as possible.
And the height of unfairness was that the eldest of these brats was the light-skinned, grey-eyed Ishaan (a new-fangled name the widow had chosen out of some wretched book or the other). Mother and son had shared a bond that had always made Chimman Singh feel excluded. They were both fair-complexioned, read books and laughed – all three were things he couldn’t aspire to. And it didn’t help that the younger children hero-worshipped Shaanu.
When Shaanu was thirteen he got behind the wheel of the family tractor and flattened half the wheat crop. When he was fourteen he helped a high-caste boy elope with an untouchable girl. At fifteen, the school masterni got obsessed with him, much to the embarrassment of her husband and teenaged children. At sixteen, when Chimman Singh was beating him with a leather belt for daring to spray himself with Chimman’s much-prized bottle of scent, he wrested the belt from his stepfather’s grasp with a throaty roar and glared at him with such anger that Chimman spat on the ground, cursed and walked away. They have maintained a wary distance since.
The Choudhary pulls on his hookah and works himself into a state of righteous indignation. There’s the arhar standing ripe in the fields, needing constant rakhwaali, and the kanji-eyed cuckoo has left its nest and gone off gallivanting somewhere! The Choudhary’s best white shirt is missing too! Hundred per cent, he thinks as he pulls at his hookah agitatedly, our fine fellow has star
ted frequenting the kothas in Tanki Bazaar.
‘Bachhaaaa paaaarty! Where are you?’
Startled, the Choudhary swallows smoke the wrong way and starts to cough, even as the double doors of the haveli are thrown open with a flourish to reveal Shaanu Faujdaar framed in the door, grey eyes blazing with excitement, every clean line of his lean muscular body radiating triumph.
‘I’m in,’ he says, his low, vibrant voice trembling. ‘I’ve been selected! I took the written tests and I passed the physical and…’ He pauses, looks around the courtyard and finishes in a hushed, proud whisper, ‘I’m going to the Air Force Flying College in Jodhpur!’
All the children immediately set up a roar.
Sneha gets to her feet with a gasp and runs across the aangan to throw her arms around him. ‘Shaanu Bhaisaab! What great news!’
‘I know,’ he replies simply, receiving her full weight upon his breast without staggering even a little. ‘It’s my dream come true.’
She laughs and places a smacking kiss on his cheek. Shaanu twinkles.
‘Learn to kiss properly, Sneha behenji,’ he tells her gravely. ‘If you make such a loud, dehati puuchh! sound your husband will disown you!’
‘They didn’t mind about your height, then?’ Sari wants to know.
‘No, Sari behenji!’ Shaanu’s cocky grin blooms. ‘They said it didn’t matter, that I’d fit into the fighter planes better!’
‘They’ll pay for everything then, Shaanu bau?’ Surinder asks excitedly. ‘Your fees, the uniform, food – sab kuch?’
Shaanu nods. ‘Everything, Surinder bau!’ he says proudly. ‘They said not to worry about anything, you’re a sarkar-ka-damad now – a pampered son-in-law of Bharat Mata!’
Shelly cackles gleefully and leaps onto a moodha.
‘Bhaaaarat Mataaaa kiiii…’
‘Jai!’ chorus the others as they rush to hug Shaanu. He buckles a little under their collective weight, but manages to stay standing, laughing, and dashing the sudden wetness from his eyes.
‘Bharat Mata kiiii…’
‘Jai!’
Surrounded by his siblings, Ishaan looks towards his stepfather, a question and hope burning bright in his eyes, but the older man just mutters something incoherent and looks away, knocking the ash out of his earthenware pipe. The bright hope dims, then dies.
Baaz Page 1