by David Hewson
“What are we going to do?” Costa wondered. “Go after him?”
Falcone shook his head. “Go after what? We only have a number for Neri’s own car, and what’s the money on him being in that? Let’s see who’s still in the house. It’s the son I want to talk to first. Wherever he is. Jesus, the timing. How the hell did Neri know?”
Costa and Peroni looked at each other. Falcone had ordered a big operation: ten vehicles, half of them marked. The DIA had two other cars along for the ride, with Rachele D’Amato at the head. It wasn’t going to be easy keeping something of this size quiet.
They turned into the narrow lane of the Via Giulia, rattling across the cobblestones, and saw the flash of cameras, the lights of the TV men, a full-scale media mob waiting on Neri’s doorstep.
Falcone went rigid with fury at the sight of them. He recalled Rachele D’Amato’s promise to Neri that morning. One way or another, she said, his fall from grace would be a very public event. He swore under his breath, peered ahead and saw her car, saw her slim figure getting out and slipping through the pack of hacks, towards the house.
“Stop here,” he ordered. “We don’t want that mob on our backs. And I’d rather not have her getting into the place before us.”
Costa pulled into the side of the road, next to a medieval fountain, and all three of them watched, with rising trepidation, the melee happening in the street. Broadcast crew fought with press journalists, jostling to be close to the action. The first marked police car had arrived and men were leaping out. D’Amato and some of her team stood by as a bunch of burly uniformed officers went through the motions of waiting to be let in then, in the space of a couple of seconds, began attacking the expensive polished wood door with sledgehammers. There wasn’t much room. A small van marked with the logo of one of the minor cable channels was parked directly outside, its back end almost up against the building. The hammer men had to squeeze behind it to tackle their target. The vehicle cramped their action, made it impossible to get the swing they needed.
Then one of them climbed onto the bonnet and took a hefty lunge at the woodwork. The door crumpled. Hands shot through to tackle the locks inside. Rachele D’Amato was over the door first, a couple of DIA men on her heels as the cops stood back, open-mouthed, wondering.
“Shit,” Falcone hissed and started running towards the mob followed closely by Costa and Peroni. When they got there the uniforms were stuck outside the shattered door, looking for direction.
“Next time wait for me,” Falcone barked at them. “Don’t let anyone else in. Don’t let anyone out without my permission.”
Falcone in the lead, they went up the stairs. The DIA crew had a good start on them. The first-floor room, where they’d seen Neri’s hoods that morning, was empty. The butt of a cigarette still smoked in an ashtray. There was a half-full coffee cup on the low table.
Peroni picked it up. “Still warm. They really did cut this fine.”
“They knew what they were doing,” Falcone murmured then stopped. The DIA team were clattering downstairs, arguing among each other until a female voice told them to clam up. Rachele D’Amato walked into the room with her team, stood in front of Falcone and his men, and folded her arms, furious.
“There’s not a soul in the house, Leo. Is the Questura leaking again or what?”
“Don’t start,” Falcone snapped back at her. “Who the hell do you think you are, jumping in ahead of us? And this joke out on the street? You had the nerve to call the media? This is a police investigation. Not yours. The DIA don’t even have warrants—”
She reached into her bag and pulled out a sheaf of papers. “You want to read them?”
He glowered at the documents. “You said—”
“I changed my mind. The information we got from the accountant’s office this morning is like gold dust. We can lock this fat creep away for years, and scores of others too.”
“If you can find him . . . What do you think the media will make of that?”
“Leo!” she screeched. “I didn’t call the media. No one inside the DIA did. This was as secret as we get. Don’t look to me.”
Falcone stared at her. “No. You people are all so clean, aren’t you?”
“Leo—?”
Costa was on the phone, talking to the ops room. He finished the call. “They’ve found Neri’s car. It just had a couple of his hoods in it. They were riding around, no destination in particular, down in Testaccio. It was just a blind.”
“Where the hell are they?” Falcone demanded. “The son? The wife? He didn’t pack for a family holiday. What’s he doing?”
“Getting ready for a war maybe,” D’Amato suggested. “We still have the house. We’ve got free run of it. We can tear the place apart. It’s a gift.”
Peroni gingerly placed a hand on her slender shoulder. “We appear to have a conflict of interest, lady. We’re looking for a missing girl, in case you forgot. Right now we don’t care about finding Mr. Neri’s cooked books. They can wait for another day.”
“We need the son,” Falcone said, then walked over to the long window and gazed down into the street. The hubbub was dying. The media crews were starting to pack their bags. They’d been cheated too. There was a story for them. A failed raid on a city hoodlum. But there was no real action, nothing to splash over the front pages and the newscasts. A bunch of cops hammering down a door in the Via Giulia was second division news. Whoever tipped them off surely knew they would be disappointed, which pointed the finger at Neri himself, though Falcone couldn’t begin to fathom the reason.
He looked at Rachele D’Amato. “You can do what you like here. If you find something that has a material bearing on the Julius case, call me. That isn’t a request. If you delay what we’re doing by a single second I’ll be talking to the media about why we’ve been hampered unnecessarily. We’ve got to look for Mickey Neri and that girl. We’ve got to find someone to talk to.”
She wagged a long, elegant finger at him. “No, no, no, Leo. Don’t try and pass that responsibility on to me. We do DIA business, not yours. Leave some men if you want that.”
“I don’t have the damned men,” Falcone yelled at her, so loud even the cops outside stopped talking for a moment. “Don’t you get it? We’ve a day to find that girl. Maybe less. We haven’t a clue where she might be. We don’t even know where to begin looking. But it isn’t here. It’s not in your damned books. It’s wherever Mickey Neri is.”
Maybe, he thought. Leo Falcone didn’t know anymore. All he understood was that it was important to cling to the human side of the investigation. You only got results by finding the right people and making them talk.
“Leo? Leo!”
Her voice dogged them halfway down the stairs, arguing all the way. Then she turned back to join her team, to get on with the job. Her job. Falcone didn’t get it. Rachele D’Amato had won what she wanted. Neri was on the run. She had carte blanche to investigate every last aspect of the old crook’s empire. What was it to her to repay a little of the debt? Why was this vendetta the DIA had with Neri more important than the life of a teenage girl?
They stormed out of the house, out into the street, pushing past the TV van which was still backed up against the ruined door. The media mob was almost gone now. There were just a handful of cops, in uniform and out, waiting outside, looking uncomfortable, guilty that they’d overheard the argument.
“You can stand down,” Falcone told them. “This is a DIA deal for the time being. Let’s get back to the Questura. See what’s happening with the phones.”
The men nodded. They’d caught the atmosphere.
“Stupid, stupid, stupid,” Falcone repeated as they walked to the car.
“They just got their priorities, Leo,” Peroni observed and got a cold, hard glance for his pains. “Sorry, sir. You can’t expect anything else. The kid and me could go back in there and watch for a while.”
“No point,” Falcone said. “She’ll let us know if she finds something. Ho
w would it look otherwise? Besides—” He needed to get this clear in his own head too. “There can’t be a damn thing there that’s any use to us. Neri had this planned, right down to the last detail. He’s making monkeys of us. He’d love it if we stayed in that place, peeking under the carpet, scraping through dust.”
“Yeah,” Peroni agreed. “I can see that. Sorry, I still find it hard trying to think like you people. It’s all so damn sneaky.”
Costa’s phone rang. He stepped aside so that he could hear the anxious voice on the other end.
“Why did Neri set this up?” Falcone wondered. It was all too small. It just caused the police some embarrassment, and Neri had to be above that. The media didn’t even hang around once they realized there was no big arrest coming, no sign of the fat old hood being led out in handcuffs, bundled into a car, head down for the cameras. They’d disappeared altogether.
Apart from the van.
“Boss,” Costa said anxiously. “I think we’ve got something. An anonymous call just came in. Someone looking just like Suzi. No more than half an hour ago.”
“Where?” Falcone asked, still thinking about what had just happened, trying to make some connections.
“Somewhere along Cerchi. Didn’t get an exact position.”
“Quite some road,” Peroni said. “We could spend all night going up and down there.”
Cerchi ran the length of the Circus Maximus, now an empty, stadium-shaped field behind the Palatine Hill, overlooked by the ruins of Augustus’s palaces.
Costa remembered what Teresa had said about Regina Morrison. “Kirk and Mickey could have used old archaeological digs if they wanted to. We can talk to his boss at the university. She should have a list of everywhere he worked.”
“Get her,” Falcone ordered. He reached the car, put his hand on the door, still thinking. “Chase it, Nic. Let’s go there straightaway. This place is dead.”
He looked back at the street. They were parked a good fifty metres from Neri’s door. There wasn’t a TV crew in sight. The van was still there, up at an angle over the pavement.
“See the vehicle at the front door?” Falcone asked. “Either of you notice someone using it? Any of those TV bastards go near at all?”
“Not me,” Peroni answered, puzzled.
Falcone looked at Costa, his mind full of possibilities.
“Me neither,” Costa replied. “What do you think—”
He didn’t finish the sentence. The earth began to tremble beneath their feet, cobblestones shaking as if hit by an earthquake. Then came a roar so loud it was unreal, a physical wall of audible fury burying itself deep in their heads.
A fierce, fiery tongue leapt out of the rear end of the van. The vehicle rose off the ground as if tugged towards the sky by an invisible force. For a brief moment the world stood still, then a cacophony of furious noise hit them, followed by a vicious, punishing force as hard as a fist.
When it ended Costa was on the cold hard ground, holding his hands to his ears, stunned, panting too. Peroni leaned against the car, mouth open, looking shell-shocked, gasping for air. And Falcone was running, frantically, as fast as he could, back towards Neri’s house where a firestorm now raged out of the blackened, torn tangle of wreckage that was the van, flames licking greedily up into the shattered remains of the building.
Costa staggered in his footsteps, Peroni behind him. The air stank of smoke and the chemical smell of spent explosives. Car alarms, triggered by the shock wave of the blast, sounded all around. A man was screaming in the gutter, clutching at his stomach. Two others lay still on the ground. A team of uniformed officers materialized from a riot van around the corner, wondering where to begin.
It was impossible to think. Nic Costa looked at the faces of the men around him, faces locked hard in shock, and found it impossible to recognize any of them. In this sudden burst of insanity the world had become anonymous, simply a receptacle for its victims.
The blast had taken out two floors of the building. As the dust and debris cleared Costa could see, in the dim streetlights, entire rooms in Neri’s house now laid open to the elements: tables and chairs, a TV set, a kitchen cut in half by the savagery of the explosion. Flames raged in and out of the severed quarters. Somewhere on the second floor a dark figure danced crazily, as if trying to dodge the blaze that engulfed him, until he fell to the floor, rolled right off the edge and into the dust storm milling around the van.
Leo Falcone was fighting at the mountain of rubble which occupied the spot that, moments before, had been Emilio Neri’s front door, clawing at the bricks, snatching them out of his way one by one.
There was a broken body in front of him, poised at an impossible angle, a slender arm, bloodied, blackened by the blast, quite still in the smoking debris.
A small, calm voice spoke at the back of Nic Costa’s head and it said: think.
As the ambulances arrived, as a screaming fire engine bathed in blue light wove through the cars thrown into the road by the bomb, Nic Costa scanned his notes, found the number, then walked into the relative quiet of an antiques shop doorway to place the call.
“Miss Morrison,” he said when he heard the clipped female voice answer. “You don’t know me but I’m a friend of Teresa Lupo’s, a detective. I really need to talk—”
There was live football on the TV: Roma versus Lazio. The big local derby. Roma were beating the crap out of their neighbours. Again. Toni Martelli could hear people yelling with delight in the neighbouring apartments. He was a Lazio man himself. For him Roma were still the team of the lower classes, the rabble, the people who ran things these days. Not that Martelli had been to a game in years. Now that he was out of the force he’d lost all the favours. With Barbara gone, he couldn’t even sponge a few off her.
Falcone had been on the phone earlier saying he could probably release the body for cremation within a week. Sooner if Martelli had something to say. Martelli had told him where he could shove his offer. The girl was dead. What else was there to talk about?
Then came another call with news he half expected to hear. And so he locked himself in the over-large apartment, snuggling up to some cigarettes and a bottle of grappa he’d had sent round from the bar on the corner, waiting, watching the game on the TV, war disguised as sport, brute humanity pretending it was something else, something noble and elegant, like a savage trying to dance ballet.
The key started to turn in the door just after ten, rattling around clumsily as someone fumbled trying to get in.
“Cowboys,” Martelli sniffed. “They don’t even have the decency to send a real man.”
He turned off the TV and the light by his side, making the room appear the way he had planned. He now sat in his wheelchair in the dark. It was not easy to see. He’d angled the two big standard lamps in the living room so they shone towards the door at the end of the corridor. The man would have to walk straight into the light, maybe shade his eyes a little. Toni Martelli had thought this through. He half-guessed what the outcome would be but he didn’t plan on making it easy.
A figure blundered down the corridor, too scared to hit the lights. Martelli had the remote control the social work people had given him. You had to work your advantages when you were a cripple. He waited for the figure in the shadows to get close to the door then he hit the corridor light. Three big bulbs running the length of the long passageway came on in tandem. Mickey Neri stood there, dressed in black, hands empty, waving stupidly in front of him.
“I got a gun, asshole,” Martelli grunted from the pool of darkness in the corner of the living room. “I got a big shotgun. You want to see me use it?”
Mickey turned round, ready to run. Martelli pumped the twelve-bore noisily, ramming one of the four remaining cartridges he owned into the chamber.
“Sit down, sonny,” he bawled. “Let me take a good look at you.”
Mickey Neri moved cautiously into the room and fell into the chair Martelli had nodded towards.
“Mickey,” Ma
rtelli sighed. “Your old man sent you? That right?”
“Yeah.” There was a pathetic snarl beneath the fear. “We met before?”
“A long time ago. When we were all up to things we hoped were dead and buried. I’m offended you don’t remember. I seem to think—” Martelli started coughing, couldn’t help it, and the fit went on and on until he fought back the phlegm. When it was over, he said, simply, “I seem to recall that, when I gave my daughter up for you and your pop, not quite knowing what was on the cards, you were one of those who got to taste the goods.”
“Like you said,” Mickey grumbled, face screwed up, looking as if it were a struggle to remember. “It was a long time ago. Lots of people got confused memories about what happened then.”
“Not me.”
Mickey nodded. He was staring frankly at Martelli, who knew exactly what he was wondering. How sick was this frail old man really? “Also,” he added, “I don’t recall you pulling out of what you got, Mr. Martelli. I seem to think you had your fun too. All you old guys . . . You just wanted to get into something fresh and young. You were as greedy as the rest of them.”
Martelli waved the barrel then coughed again, not quite so bad this time. “You kids are all the same. No respect.”
Then he jerked the barrel and fired. The shotgun exploded a metre or so to the right of the terrified Mickey Neri, blowing a huge tear in the dining room table. And Toni Martelli started counting. This was an apartment block. Someone would hear. Someone would call the cops.
“You fucking madman!” Mickey whined. “You—”
“Shut up. We got a deal, your old man and me. Not that he told you, naturally. If you walk out of here alive, then everything’s square with you. If you’re a piece of meat on the floor by the time the cops come, then I’m just sweet. I killed some creep who was trying to rob my apartment. I got Emilio Neri in my debt. And I took his scummy little kid out too. What d’ya think, Mickey? Is your old man pissed off with you or what? Where’s your money going?”