by B. M. Bower
She was going to buy back the Lazy A from her Uncle Carl, and she was going to tear away that atmosphere of emptiness and desolation which it had worn so long. She was going to prove to all men that her father never had killed Johnny Croft. She was going to do it! Then life would begin where it had left off three years ago. And when this deadening load of trouble was lifted, then perhaps she could do some of the glorious, great things she had all of her life dreamed of doing. Or, if she never did the glorious, great things, she would at least have done something to justify her existence. She would be content in her cage if she could go round and round doing things for dad.
A level stretch of country lay at the foot of the long bluff, which farther along held the Lazy A coulee close against its rocky side. The high ridges stood out boldly in the moonlight, so that she could see every rock and the shadow that it cast upon the ground. Little, soothing night noises fitted themselves into her thoughts and changed them to waking dreams. Crickets that hushed while she passed them by; the faint hissing of a half-wakened breeze that straightway slept upon the grasses it had stirred; the sleepy protest of some bird which Pard’s footsteps had startled.
She came into Lazy A coulee, half fancying that it was a real home-coming. But when she reached the gate and found it lying flat upon the ground away from the broad tread of the picture-people’s machine, her mind jarred from dreams back to reality. From sheer habit she dismounted, picked up the spineless thing of stakes and barbed wire, dragged it into place across the trail, and fastened it securely to the post. She remounted and went on, and a little of the hopefulness was gone from her face.
“I’ll just about have to rob a bank, I guess,” she told herself with a grim humor at the tremendous undertaking to which she had so calmly committed herself. “This is what dad would call a man-sized job, I reckon.” She pulled up in the white-lighted trail and stared along the empty, sagging-roofed sheds and stables, and at the corral with its open gate and warped rails and leaning posts. “I’ll just about have to rob a bank,—or write a book that will make me famous.”
She touched Pard with a rein end and went on slowly. “Robbing a bank would be the quickest and easiest,” she decided whimsically, as she neared the place where she always sheltered Pard. “But not so ladylike. I guess I’ll write a book. It should be something real thrilly, so the people will rush madly to all the bookstores to buy it. It should have a beautiful girl, and at least two handsome men,—one with all the human virtues, and the other with all the arts of the devil and the cruel strength of the savage. And—I think some Indians and outlaws would add several dollars’ worth of thrills; or else a ghost and a haunted house. I wonder which would sell the best? Indians could steal the girl and give her two handsome men a chance to do chapters of stunts, and the wicked one could find her first and carry her away in front of him on a horse (they do those things in books!) and the hero could follow in a mad chase for miles and miles—
“But then, ghosts can be made very creepy, with tantalizing glimpses of them now and then in about every other chapter, and mysterious hints here and there, and characters coming down to breakfast with white, drawn faces and haggard eyes. And the wicked one would look over his shoulder and then utter a sardonic laugh. Sardonic is such an effective word; I don’t believe Indians would give him any excuse for sardonic laughter.”
She swung down from the saddle and led Pard into his stall, that was very black next the manger and very light where the moon shone in at the door. “I must have lots of moonlight and several stormy sunsets, and the wind soughing in the branches. I shall have to buy a new dictionary,—a big, fat, heavy one with the flags of all nations and how to measure the contents of an empty hogshead, and the deaf and dumb alphabet, and everything but the word you want to know the meaning of and whether it begins with ph or an f.”
She took the saddle off Pard and hung it up by a stirrup on the rusty spike where she kept it, with the bridle hung over the stirrup, and the saddle blanket folded over the horn. She groped in the manger and decided that there was hay enough to last him till morning, and went out and closed the door. Her shadow fell clean cut upon the rough planks, and she stood for a minute looking at it as if it were a person. Her Stetson hat tilted a little to one side, her hair fluffed loosely at the sides, leaving her neck daintily slender where it showed above the turned-back collar of her gray sweater; her shoulders square and capable and yet not too heavy, and the slim contour of her figure reaching down to the ground. She studied it abstractedly, as she would study herself in her mirror, conscious of the individuality, its likeness to herself.
“I don’t know what kind of a mess you’ll make of it,” she said to her shadow, “but you’re going to tackle it, just the same. You can’t do a thing till you get some money.”
She turned then and went thoughtfully up to the house and into her room, which had as yet been left undisturbed behind the bars she had placed against idle invasion.
The moon shone full into the window that faced the coulee, and she sat down in the old, black wooden rocker and gazed out upon the familiar, open stretch of sand and scant grass-growth that lay between the house and the corrals. She turned her eyes to the familiar bold outline of the bluff that swung round in a crude oval to the point where the trail turned into the coulee from the southwest. Half-way between the base and the ragged skyline, the boulder that looked like an elephant’s head stood out, white of profile, hooded with black shade. Beyond was the fat shelf of ledge that had a small cave beneath, where she had once found a nest full of little, hungry birds and upon the slope beneath the telltale, scattered wing-feathers, to show what fate had fallen upon the mother. Those birds had died also, and she had wept and given them Christian burial, and had afterwards spent hours every day with her little rifle hunting the destroyer of that small home. She remembered the incident now as a small thread in the memory-pattern she was weaving.
While the shadows shortened as the moon swung high, she sat and looked out upon the coulee and the bluff that sheltered it, and she saw the things that were blended cunningly with the things that were not. After a long while her hands unclasped themselves from behind her head and dropped numbly to her lap. She sighed and moved stiffly, and knew that she was tired and that she must get some sleep, because she could not sit down in one spot and think her way through the problems she had taken it upon herself to solve. So she got up and crept under the Navajo blanket upon the couch, tucked it close about her shoulders, and shut her eyes deliberately. Presently she fell asleep.
CHAPTER X
JEAN LEARNS WHAT FEAR IS LIKE
Sometime in the still part of the night which comes after midnight, Jean woke slowly from dreaming of the old days that had been so vivid in her mind when she went to sleep. Just at first she did not know what it was that awakened her, though her eyes were open and fixed upon the lighted square of the window. She knew that she was in her room at the Lazy A, but just at first it seemed to her that she was there because she had always been sleeping in that room. She sighed and turned her face away from the moonlight, and closed her eyes again contentedly.
Half dreaming she opened them again and stared up at the low ceiling. Somewhere in the house she heard footsteps. Very slowly she wakened enough to listen. They were footsteps,—the heavy, measured tread of some man. They were in the room that had been her father’s bedroom, and at first they seemed perfectly natural and right; they seemed to be her dad’s footsteps, and she wondered mildly what he was doing, up at that time of night.
The footsteps passed from there into the kitchen and stopped in the corner where stood the old-fashioned cupboard with perforated tin panels in the doors and at the sides, and the little drawers at the top,—the kind that old people call a “safe.” She heard a drawer pulled out. Without giving any conscious thought to it, she knew which drawer it was; it was the one next the wall,—the one that did not pull out straight, and so had to be jerked out. What was her dad…?
Jean thrill
ed then with a tremor of fear. She had wakened fully enough to remember. That was not her dad, out there in the kitchen. She did not know who it was; it was some strange man prowling through the house, hunting for something. She felt again the tremor of fear that is the heritage of womanhood alone in the dark. She pulled the Navajo blanket up to her ears with the instinct of the woman to hide, because she is not strong enough to face and fight the danger that comes in the dark. She listened to the sound of that drawer being pushed back, and the other drawer being pulled out, and she shivered under the blanket.
Then she reached out her hand and got hold of her six-shooter which she had laid down unthinkingly upon a chair near the couch. She wondered if she had locked the outside door when she came in. She could not remember having done so; probably she had not, since it is not the habit of honest ranch-dwellers to lock their doors at night. She wanted to get up and see, and fasten it somehow; but she was afraid the man out there might hear her. As it was, she reasoned nervously with herself, he probably did not suspect that there was any one in the house. It was an empty house. And unless he had seen Pard in the closed stall.… She wondered if he had heard Pard there, and had investigated and found him. She wondered if he would come into this room. She remembered how securely she had nailed up the door from the kitchen, and she breathed freer. She remembered also that she had her gun, there under her hand. She closed her trembling fingers on the familiar grip of it, and the feel of it comforted her and steadied her.
Yet she had no desire, no slightest impulse to get up and see who was there. She was careful not to move, except to cover the doorway to the kitchen with her gun.
After a few minutes the man came and tried the door, and Jean lifted herself cautiously upon her elbow and waited in grim desperation. If he forced that door open, if he came in, she certainly would shoot; and if she shot,—well, you remember the fate of that hawk on the wing.
The man did not force the door open, which was perhaps the luckiest thing that ever happened to him. He fussed there until he must have made sure that it was fastened firmly upon the inside, and then he left it and went into what had been the living-room. Jean did not move from her half-sitting position, nor did she change the aim of her gun. He might come back and try again.
She heard him moving about in the living-room. Surely he did not expect to find money in an empty house, or anything else of any commercial value. What was he after? Finally he came back to the kitchen, crossed it, and stood before the barred door. He pushed against it tentatively, then stood still for a minute and finally went out. Jean heard him step upon the porch and pull the kitchen door shut behind him. She knew that squeal of the bottom hinge, and she knew the final gasp and click that proved the latch was fastened. She heard him step off the porch to the path, she heard the soft crunch of his feet in the sandy gravel as he went away toward the stable. Very cautiously she got off the couch and crept to the window; and with her gun gripped tight in her hand, she looked out. But he had moved into a deep shadow of the bluff, and she could see nothing of him save the deeper shadow of his swift-moving body as he went down to the corral. Jean gave a long sigh of nervous relaxation, and crept shivering under the Navajo blanket. The gun she slid under the pillow, and her fingers rested still upon the cool comfort of the butt.
Soon she heard a horse galloping, and she went to the window again and looked out. The moon hung low over the bluff, so that the trail lay mostly in the shadow. But down by the gate it swung out in a wide curve to the rocky knoll, and there it lay moon-lighted and empty. She fixed her eyes upon that curve and waited. In a moment the horseman galloped out upon the curve, rounded it, and disappeared in the shadows beyond. At that distance and in that deceptive light, she could not tell who it was; but it was a horseman, a man riding at night in haste, and with some purpose in mind.
Jean had thought that the prowler might be some tramp who had wandered far off the beaten path of migratory humans, and who, stumbling upon the coulee and its empty dwellings, was searching at random for whatever might be worth carrying off. A horseman did not fit that theory anywhere. That particular horseman had come there deliberately, had given the house a deliberate search, and had left in haste when he had finished. Whether he had failed or succeeded in finding what he wanted, he had left. He had not searched the stables, unless he had done that before coming into the house. He had not forced his way into her room, probably because he did not want to leave behind him the evidence of his visit which the door would have given, or because he feared to disturb the contents of Jean’s room.
Jean stared up in the dark and puzzled long over the identity of that man, and his errand. And the longer she thought about it, the more completely she was at sea. All the men that she knew were aware that she kept this room habitable, and visited the ranch often. That was no secret; it never had been a secret. No one save Lite Avery had ever been in it, so far as she knew,—unless she counted those chance trespassers who had prowled boldly through her most sacred belongings. So that almost any one in the country, had he any object in searching the house, would know that this room was hers, and would act in that knowledge.
As to his errand. There could be no errand, so far as she knew. There were no missing papers such as plays and novels are accustomed to have cunningly hidden in empty houses. There was no stolen will, no hidden treasure, no money, no Rajah’s ruby, no ransom of a king; these things Jean named over mentally, and chuckled at the idea of treasure-hunting at the Lazy A. It vas very romantic, very mysterious, she told herself. And she analyzed the sensation of little wet alligators creeping up her spine (that was her own simile), and decided that her book should certainly have a ghost in it; she was sure that she could describe with extreme vividness the effect of a ghost upon her various characters.
In this wise she recovered her composure and laughed at her fear, and planned new and thrilly incidents for her novel.
She would not tell Lite anything about it, she decided. He would try to keep her from coming over here by herself, and that would precipitate one of those arguments between them that never seemed to get them anywhere, because Lite never would yield gracefully, and Jean never would yield at all,—which does not make for peace.
She wished, just the same, that Lite was there. It would be much more comfortable if he were near instead of away over to the Bar Nothing, sound asleep in the bunk-house. As a self-appointed guardian, Jean considered Lite something of a nuisance, when he wasn’t funny. But as a big, steady-nerved friend and comrade, he certainly was a comfort.
CHAPTER XI
LITE’S PUPIL DEMONSTRATES
Jean awoke to hear the businesslike buzzing of an automobile coming up from the gate. Evidently they were going to make pictures there at the house, which did not suit her plans at all. She intended to spend the early morning writing the first few chapters of that book which to her inexperience seemed a simple task, and to leave before these people arrived. As it was, she was fairly caught. There was no chance of escaping unnoticed, unless she slipped out and up the bluff afoot, and that would not have helped her in the least, since Pard was in the stable.
From behind the curtains she watched them for a few minutes. Robert Grant Burns wore a light overcoat, which made him look pudgier than ever, and he scowled a good deal over some untidy-looking papers in his hands, and conferred with Pete Lowry in a dissatisfied tone, though his words were indistinguishable. Muriel Gay watched the two covertly, it seemed to Jean, and she also looked dissatisfied over something.
Burns and the camera man walked down toward the stables, studying the bluff and the immediate surroundings, and still talking together. Lee Milligan, with his paint-shaded eyes and his rouged lips and heavily pencilled eyebrows, came up and stood close to Muriel, who was sitting now upon the bench near Jean’s window.
“Burns ought to cut out those scenes, Gay,” he began sympathetically. “You can’t do any more than you did yesterday. And believe me, you put it over in good style. I don’t see wh
at he wants more than you did.”
“What he wants,” said Muriel Gay dispiritedly, “is for me to pull off stunts like that girl. I never saddled a horse in my life till he ordered me to do it in the scene yesterday. Why didn’t he tell me far enough ahead so I could rehearse the business? Latigo! It sounds like some Spanish dish with grated cheese on top. I don’t believe he knows himself what he meant.”
“He’s getting nutty on Western dope,” sympathized Lee Milligan. “I don’t see where this country’s got anything on Griffith Park for atmosphere, anyway. What did he want to come away up here in this God-forsaken country for? What is there TO it, more than he could get within an hour’s ride of Los Angeles?”
“I should worry about the country,” said Muriel despondently, “if somebody would kindly tell me what looping up your latigo means. Burns says that he’s got to retake that saddling scene just as soon as the horses get here. It looks just as simple,” she added spitefully, “as climbing to the top of the Berry Building tower and doing a leap to a passing airship. In fact, I’d choose the leap.”
A warm impulse of helpfulness stirred Jean. She caught up her hat, buckled her gun belt around her from pure habit, tucked a few loose strands of hair into place, and went out where they were.
“If you’ll come down to the stable with me,” she drawled, while they were staring their astonishment at her unexpected appearance before them, “I’ll show you how to saddle up. Pard’s awfully patient about being fussed with; you can practice on him. He’s mean about taking the bit, though, unless you know just how to take hold of him. Come on.”
The three of them,—Muriel Gay and her mother and Lee Milligan,—stared at Jean without speaking. To her it seemed perfectly natural that she should walk up and offer to help the girl; to them it seemed not so natural. For a minute the product of the cities and the product of the open country studied each other curiously.