‘I’m breaking my fingers,’ she said.
Vance continued his bending work.
Feather snapped her little finger and waved it at everyone.
‘Now the next,’ she said. ‘And the next.’
‘No, no, no!’ said Bodger.
‘What the hell is going on?’ cried Vance. ‘Get her out of here!’
Bodger rushed into the centre of the fight and threw himself on Vance.
Rocco had thought, somehow, that he would never get home again and had no idea that he’d be so glad to be back. The books, records and pictures in his house and the light outside seemed new to him. He thought he might read, listen to music and then go and look at the sea. Vance had been right, the fight had done him good.
Lisa, pale and thin, didn’t understand why he was being so gentle. Somehow she had thought he would never come back. She was prepared for that. But he had returned.
He stroked her face and hair, looked into her eyes and said, ‘I’ve only got you.’
After, they sat in the garden.
16
It had been raining. A strong sea was running. It was early evening when Bodger, Feather and Vance came up the lane past Lisa and Rocco’s house. Bodger carried a couple of bottles of wine and Feather some other provisions. They were on their way to her place. She had arranged to massage both Bodger and Vance, but now her right hand was bandaged. All day Vance had been fussing around her, both contrite and annoyed, and kept touching her reassuringly, as if to massage her.
‘I’m not apologising to them,’ said Vance.
‘I wonder what they’re doing,’ said Feather. ‘Stop for a minute.’
‘Just for a second,’ said Bodger.
They all looked over the hedge.
‘Well, well,’ Vance said, ‘Who would have believed it?’
Rocco had dragged a couple of suitcases outside and was attempting to throw the contents – papers and notebooks – onto a shambolic bonfire. As the papers caught fire, the wind blew them across the garden. In the doorway Lisa, with a cardigan thrown over her shoulders, was folding her clothes and placing them in a pile. As they worked, she and Rocco chatted to one another and laughed.
‘It’s true,’ said Feather.
Bodger turned to Vance. ‘You’re a bloody fucking fool.’
Vance said, ‘What’s wrong with you?’
‘This didn’t have to happen!’
Feather said, ‘Go and tell them.’
‘It’s too late,’ Vance said.
‘Tell me if this pleases you!’ Bodger cried. ‘Be glad then – and dance!’
‘Bodger, they’ve been wanting to get out for weeks. And I’m paying for it.’ Vance added, ‘It’s amazing, he’s actually doing something. And we’re left behind.’
He turned and saw Moon scurrying up the lane, calling out, ‘I’m not too late, am I?’
‘You’re always late, you little shite. Who’s minding the shop?’
‘Vance, please,’ said Moon. ‘I’ve shut it for a few minutes.’
‘Get back there and open up – before I open you up!’
Moon looked over the hedge. Vance was about to grab him when Feather gave him a look; Vance noticed that Moon was crying under his shades.
Rocco had seen them by now, but he didn’t look up. He stood by the fire flinging balls of paper into the flames.
Wearing her black dress and straw hat Lisa stood in the doorway smiling. In a strange, abstract motion, she raised her flat hand and waved to all of them. Vance turned and walked away up the lane, lowering his head and shoulders into the wind. Lisa went back into the house. Without moving, the others stood in a line watching Rocco until it began to drizzle and the fire went out. At last they went away, wondering what they would do now. It was raining hard.
The Flies
‘We hadn’t the pleasure now of feeling we were starting a new life, only a sense of dragging on into a future full of new troubles.’
Italo Calvino, ‘The Argentine Ant’
One morning after a disturbed night, a year after they moved into the flat, and with their son only a few months old, Baxter goes into the box-room where he and his wife have put their wardrobes, opens the door to his, and picks up a pile of sweaters. Unfolding them one by one, he discovers that they all appear to have been crocheted. Not only that, the remaining threads are smeared with a viscous yellow deposit, like egg yolk, which has stiffened the remains of the ruined garments.
He shakes out the moths or flies that have gorged on his clothes, and stamps on the tiny crisp corpses. Other flies, only stupefied, dart out past him and position themselves on the curtains, where they appear threateningly settled, just out of reach.
Baxter hurriedly rolls up the clothes in plastic bags, and, retching, thrusts them into the bottom of a dustbin on the street. He goes to the shops and packs his wardrobe with fly killer; he sprays the curtains; he disinfects the rugs. He stands in the shower a long time. With water streaming down him nothing can adhere to his skin.
He doesn’t tell his wife about the incident, thinking, at first, that he won’t bother her with such an unimportant matter. He has, though, spotted flies all over the flat, which his wife, it seems, has not noticed. If he puts mothballs in his pockets, and has to mask this odour with scents, and goes about imagining that people are sniffing as he passes them, he doesn’t care, since the attack has troubled him.
He wants to keep it from himself as much as from her. But at different times of the day he needs to check the wardrobe, and suddenly rips open the door as if to surprise an intruder. At night he begins to dream of ragged bullet-shaped holes chewed in fetid fabric, and of creamy white eggs hatching in darkness. In his mind he hears the amplified rustle of gnawing, chewing, devouring. When this wakes him he rushes into the box-room to shake his clothes or stab at them with an umbrella. On his knees he scours the dusty corners of the flat for the nest or bed where the contamination must be incubating. He is convinced, though, that while he is doing this, flies are striking at the bedsheets and pillows.
When one night his wife catches him with his nose against the skirting board, and he explains to her what has happened, she isn’t much concerned, particularly as he has thrown away the evidence. Telling her about it makes him realise what a slight matter it is.
He and his wife acquired the small flat in a hurry and consider themselves fortunate to have it. For what they can afford, the three rooms, with kitchen and bathroom, are acceptable for a youngish couple starting out. Yet when Baxter rings the landlord to enquire whether there have been any ‘outbreaks’ before, he is not sympathetic but maintains they carried the flies with them. If it continues he will review their contract. Baxter, vexed by the accusation, counters that he will suspend his rent payments if the contagion doesn’t clear up. Indeed, that morning he noticed one of his child’s cardigans smeared and half-devoured, and only just managed to conceal it from his wife.
Still, he does need to discuss it with her. He asks an acquaintance to babysit. They will go out to dinner. There was a time when they would have long discussions about anything – they particularly enjoyed talking over their first impressions of one another – so happy were they just to be together. As he shaves, Baxter reflects that since the birth of their child they have rarely been to the theatre or cinema, or even to coffee shops. It has been months since they ate out. He is unemployed and most of their money has been spent on rent, bills, debts, and the child. If he were to put it plainly, he’d say that they can hardly taste their food; they can’t even watch TV for long. They rarely see their friends or think of making new ones. They never make love; or, if one of them wants to, the other doesn’t. Never does their desire coincide – except once, when, at the climax, the screams of their child interrupted. Anyhow, they feel ugly and their bodies ache. They sleep with their eyes open; occasionally, while awake, they are actually asleep. While asleep they dream of sleep.
Before the birth, they’d been together for a few month
s, and then serious lovers for a year. Since the child their arguments have increased, which Baxter imagines is natural as so much has happened to them. But their disagreements have taken on a new tone. There was a moment recently when they looked at one another and said, simultaneously, that they wished they had never met.
He had wanted a baby because it was something to want; other people had them. She agreed because she was thirty-five. Perhaps they no longer believed they’d find the one person who would change everything.
Wanting to feel tidy, Baxter extracts a suit from his wardrobe. He holds it up to the light on its hanger. It seems complete, as it did the last time he looked, a couple of hours before. In the bathroom his wife is taking longer than ever to apply her make-up and curl her hair.
While removing his shoes, Baxter turns his back. When he looks again, only the hanger remains. Surely a thief has rushed into the room and filched his jacket and trousers? No; the suit is on the floor, a small pyramid of charred ash. His other suits disintegrate at one touch. Flies hurl themselves at his face before chasing into the air.
He collects the ash in his hands and piles it on the desk he’s arranged in the box-room, where he has intended to study something to broaden his understanding of life now that he goes out less. He has placed on the desk several sharpened but unused pencils. Now he sniffs the dirt and sifts it with the pencils. He even puts a little on his tongue. In it are several creamy ridged eggs. Within them something is alive, hoping for light. He crushes them. Soot and cocoon soup sticks to his fingers and gets under his nails.
Over dinner they drink wine, eat good food and look around, surprised to see so many people out and about, some of whom are smiling. He tells her about the flies. However, like him, she has become sarcastic and says she’s long thought it time he acquired a new wardrobe. She hopes the involuntary clear-out will lead to sartorial improvement. Her own clothes are invariably protected by various guaranteed ladies’ potions, like lavender, which he should try.
That night, tired by pettiness and their inability to amuse one another, she sits in the box-room and he walks the child up and down in the kitchen. He hears a cry and runs to her. She has unlocked her wardrobe to discover that her coats, dresses and knitwear have been replaced by a row of yellowish tatters. On the floor are piles of dead flies.
She starts to weep, saying she has nothing of her own left. She implies that it is his fault. He feels this too, and is ready to be blamed.
He helps her to bed, where the child sleeps between them. Just as they barely kiss now when they attempt love, he rarely looks into her eyes; but as he takes her arm, he notices a black fly emerge from her cornea and hop onto her eyelash.
Next morning he telephones a firm of exterminators. With unusual dispatch, they agree to send an Operative. ‘You need the service,’ they say before Baxter has described the symptoms. He and his wife obviously have a known condition.
They watch the van arrive; the Operative opens its rear doors and strides into their hall. He is a big and unkempt man, in green overalls, with thick glasses. Clearly not given to speaking, he listens keenly, examines the remains of their clothes, and is eager to see the pyramidal piles of ash which Baxter has arranged on newspaper. Baxter is grateful for the interest.
At last the Operative says, ‘You need the total service.’
‘I see,’ says Baxter. ‘Will that do it?’
In reply the man grunts.
Baxter’s wife and the baby are ordered out Baxter runs to fetch a box in order to watch through the window.
The Operative dons a grey mask. A transparent bottle of greenish liquid is strapped to his side. From the bottle extends a rubber tube with a metal sieve on the end. Also feeding into the sieve is a flat-pack of greyish putty attached to a piece of string around the man’s neck. On one thigh is a small engine which he starts with a bootlace. While it runs, he strikes various practised poses and holds them like a strangely attired dancer. The rattling noise and force is terrific; not a living cretin could proceed through the curtains of sprayed venom.
The Operative leaves behind, in a corner, an illuminated electrified blue pole in a flower pot, for ‘protection’.
‘How long will we need that?’ Baxter enquires.
‘I’ll look at it the next couple of times. It’ll have to be recharged.’
‘We’ll need the full Operative service again?’
The Operative is offended. ‘We’re not called Operatives now. We’re Microbe Consultants. And we are normally invited back, when we are available. Better make an appointment.’ He adds, ‘We’re hoping to employ more qualified people. By the way, you’ll be needing a pack too.’
‘What is that?’
From the van he fetches a packet comprised of several sections, each containing different potions. Baxter glances over the interminable instructions.
‘I’ll put it on the bill,’ says the Operative. ‘Along with the curtain atomiser, and this one for the carpet. Better take three packs, eh, just in case.’
‘Two will be fine, thanks.’
‘Sure?’ He puts on a confidential voice. ‘I’ve noticed, your wife looks nice. Surely you want to protect her?’
‘I do.’
‘You won’t want to run out at night.’
‘No. Three then.’
‘Good.’
The total is formidable. Baxter writes the cheque. His wife leans against the door jamb. He looks with vacillating confidence into her tense but hopeful eyes, wanting to impress on her that it will be worth it.
She puts out the potions. The caustic smell stings their eyes and makes them cough; the baby develops red sores on its belly. But they rub cream into the marks and he sleeps contentedly. Baxter goes to the shops; his wife cooks a meal. They eat together, cuddle, and observe with great pleasure the saucers in which the dying flies are writhing. The blue pole buzzes. In the morning they will clear out the corpses. They are almost looking forward to it, and even laugh when Baxter says, ‘Perhaps it would have been cheaper to play Bulgarian music at the flies. We should have thought of that!’
The next morning he clears the mess away and, as there are still flies in the air, puts out more saucers and other potions. Surely, though, they are through the worst. How brought down he has been!
Lately, particularly when the baby cries, he has been dawdling out on the street. A couple of the neighbours have suggested that the new couple stop by for a drink. He has noticed lighted windows and people moving across holding drinks. Leaving his wife and child in safety, he will go out more, that very night in fact, wearing whatever he can assemble, a suit of armour if need be.
His wife won’t join him and she gives Baxter the impression that he hasn’t brought them to the right sort of neighbourhood. But as he is only going to be five minutes away, she can’t object. He kisses her, and after checking that the blue pole is functioning correctly, he begins at the top of the street, wearing an acrylic cardigan purchased from the charity shop, inedible combat trousers and a coat.
The first couple Baxter visits have three young children. Both adults work, designing household objects of some kind. Kettles, Baxter presumes, but it could be chair legs. He can’t remember what his wife has said.
He rings the bell. After what seems a considerable amount of hurried movement inside, a bearded man opens the door, breathing heavily. Baxter introduces himself, offering, at the same time, to go away if his visit is inconvenient. The man demurs. In his armchair he is drinking. Baxter, celebrating that night, joins him, taking half a glass of whisky. They discuss sport. But it is a disconcerting conversation, since it is so dark in the room that Baxter can barely make out the other man.
The woman, harassed but eager to join in, comes to the foot of the stairs before the children’s yells interrupt. Then she stomps upstairs again, crying out, ‘Oh right, right, it must be my turn again!’
‘Will they never stop?’ shouts the man.
‘How can they sleep?’ she replies. ‘The at
mosphere is suffocating them.’
‘All of us!’ says the man.
‘So you’ve noticed!’
‘How could I not?’
He drinks in silence. Baxter, growing accustomed to the gloom, notices a strange gesture he makes. Dipping his fingers into his glass, the bearded man flicks the liquid across his face, and in places rubs it in. He does the same with his arms, even as they talk, as if the alcohol is a lotion rather than an intoxicant.
The man stands up and thrusts his face towards his guest.
‘We’re getting out.’
‘Where?’
He is hustling Baxter by the arm of his black PVC coat towards the door. Immediately the woman flies down the stairs like a bat and begins to dispute with her husband. Baxter doesn’t attend to what they are saying, although other couples’ arguments now have the ability to fascinate him. He is captivated by something else. A fly detaches itself from the end of the man’s protuberant tongue, crawls up the side of his nose, and settles on his eyebrow, where it joins a companion, unnoticed until now, already grazing on the hairy ridge. It is time to move on.
Taking a wrong turn in the hall, Baxter passes through two rooms, following a smell he recognises but can’t identify. He opens a door and notices an object standing in the bath. It is a glowing blue pole, like the one in his flat, and it seems to be pulsating. He looks closer and realises that this effect is caused by the movement of flies. He is reaching out to touch the thing when he hears a voice behind him, and turns to see the bearded man and his wife.
‘Looking for something?’
‘No, sorry.’
He doesn’t want to look at them but can’t help himself. As he moves past they drop their eyes. At that moment the woman blushes, for shame. They give off a sharp bleachy odour.
He isn’t ready to go home but can’t stay out on the street. Further down the road he sees figures in a window, before a hand drags the curtain across. He has barely knocked on the door before he is in the room with a glass in his hand.
Love in a Blue Time Page 19