So Fulbra’s heart grew sick with a darker despair than any he had yet known. The brief, piteous love that had been born amid sorrow and agony perished within him, leaving but ashes steeped in gall. Yet, gazing at Ilvaa with sad eyes, he uttered no word of reproach. He wished to live no longer; and, yearning for swift death, he bethought him of the wizard ring of Vemdeez and of that which Vemdeez had said would follow its removal from his finger. He still wore the ring, which the Torturers had deemed a bauble of small value. But his hands were bound tightly to the wheel, and he could not remove it. So, with a bitter cunning, knowing full well that the islanders would not take away the ring if he should offer it to them, he feigned a sudden madness and cried wildly:
“Steal my memories, if ye will, with your accursed wine—and send me through a thousand hells and bring me back again to Uccastrog; but take not the ring that I wear on my middle finger; for it is more precious to me than many kingdoms or the pale breasts of love.”
Hearing this, King Ildrac rose from his brazen seat; and, bidding Ilvaa to delay the administration of the wine, he came forward and inspected curiously the ring of Vemdeez, which gleamed darkly, set with its rayless gem, on Fulbra’s finger. And all the while, Fulbra cried out against him in a frenzy, as if fearing that he would take the ring.
So Ildrac, deeming that he could plague the prisoner thereby and could heighten his suffering a little, did the very thing for which Fulbra had planned. And the ring came easily from the shrunken finger; and Ildrac, wishing to mock the royal captive, placed it on his own middle digit.
Then, while Ildrac regarded the captive with a more deeply graven smile of evil on the pale, gilded mask of his face, there came to King Fulbra of Yoros the dreadful and longed-for thing. The Silver Death, that had slept so long in his body beneath the magical abeyance of the ring of Vemdeez, was made manifest even as he hung on the adamantine wheel. His limbs stiffened with another rigor than that of agony; and his face shone brightly with the coming of the Death; and so he died.
Then, to Ilvaa and to many of the Torturers who stood wondering about the wheel, the chill and instant contagion of the Silver Death was communicated. They fell even where they had stood; and the pestilence remained like a glittering light on the faces and hands of the men, and shone forth from the nude bodies of the women. And the plague passed along the immense hall; and the other captives of King Ildrac were released thereby from their various torments; and the Torturers found surcease from the dire longing that they could assuage only through the pain of their fellow men. And through all the palace, and throughout the Isle of Uccastrog, the Death flew swiftly, visible in those upon whom it had breathed, but otherwise unseen and impalpable.
But Ildrac, wearing the ring of Vemdeez, was immune. And, guessing not the reason of his immunity, he beheld with consternation the doom that had overtaken his followers, and watched in stupefaction the freezing of his victims. Then, fearful of some inimic sorcery, he rushed from the hall; and, standing in the early sun on a palace terrace above the sea, he tore the ring of Vemdeez from his finger and hurled it to the foamy billows far below, deeming in his terror that the ring was perhaps the source or agent of the unknown hostile magic.
So Ildrac, in his turn, when all the others had fallen, was smitten by the Silver Death; and its peace descended upon him where he lay in his robes of blood-brightened purple, with features shining palely to the unclouded sun. And oblivion claimed the Isle of Uccastrog; and the Torturers were one with the tortured.
A Night in Malnéant
My sojourn in the city of Malnéant occurred during a period of my life no less dim and dubious than that city itself and the misty regions lying thereabout. I have no precise recollection of its locality, nor can I remember exactly when and how I came to visit it. But I had heard vaguely that such a place was situated along my route; and when I came to the fog-enfolded river that flows beside its walls, and heard beyond the river the mortuary tolling of many bells, I surmised that I was approaching Malnéant.
On reaching the gray, colossal bridge that crosses the river, I could have continued at will on other roads leading to remoter cities: but it seemed to me that I might as well enter Malnéant as any other place. And so it was that I set foot on the bridge of shadowy arches, under which the black waters flowed in stealthy division and were joined again in a silence as of Styx and Acheron.
That period of my life, I have said, was dim and dubious: all the more so, mayhap, because of my need for forgetfulness, my persistent and at times partially rewarded search for oblivion. And that which I needed to forget above all was the death of the lady Mariel, and the fact that I myself had slain her as surely as if I had done the deed with my own hand. For she had loved me with an affection deeper and purer and more stable than mine; and my changeable temper, my fits of cruel indifference or ferocious irritability, had broken her gentle heart. So it was that she had sought the anodyne of a lethal poison; and after she was laid to rest in the somber vaults of her ancestors, I had become a wanderer, followed and forever tortured by a belated remorse. For months, or years, I am uncertain which, I roamed from old-world city to city, heeding little where I went if only wine and the other agents of oblivion were available . . . And thus I came, some while in my indefinite journeying, to the dim environs of Malnéant.
The sun (if ever there was a sun above this region) had been lost for I knew not how long in a sky of leaden vapors; the day was drear and sullen at best. But now, by the thickening of the shadows and the mist, I felt that evening must be near; and the bells I had heard, however heavy and sepulchral their tolling, gave at least the assurance of prospective shelter for the night. So I crossed the long bridge and entered the grimly yawning gate with a quickening of my footsteps even if with no alacrity of spirit.
The dusk had gathered behind the gray walls, but there were few lights in the city. Few people were abroad, and these went upon their way with a sort of solemn haste, as if on some funereal errand that would permit no delay. The streets were narrow, the houses high, with overhanging balconies and heavily curtained or shuttered windows. All was very silent, except for the bells, which tolled recurrently, sometimes faint and far off, and sometimes with a loud and startling clangor that seemed to come almost from overhead.
As I plunged among the shadowy mansions, along the streets from which a visible twilight issued to envelop me, it seemed that I was going farther and farther away from my memories at every step. For this reason I did not at once inquire my way to a tavern but was content to lose myself more and more in the gray labyrinth of buildings, which grew vaguer and vaguer amid the ever-mounting darkness and fog, as if they were about to dissolve in oblivion.
I think that my soul would have been almost at peace with itself, if it had not been for the re-iterant ringing of the bells, which were like all bells that toll for the repose of the dead, and therefore set me to remembering those that had rung for Mariel. But whenever they ceased, my thoughts would drift back with an indolent ease, a recovered security, to the all-surrounding vagueness . . .
I had no idea how far I had gone in Malnéant, nor how long I had roamed among those houses that hardly seemed as if they could be peopled by any but the sleeping or the dead. At last, however, I became aware that I was very tired, and bethought me of food and wine and a lodging for the night. But nowhere in my wanderings had I noticed the sign-board of an inn; so I resolved to ask the next passer-by for the desired direction.
As I have said before, there were few people abroad. Now, when I made up my mind to address one of them, it appeared that there was no one at all; and I walked onward through street after street in my futile search for a living face.
At length I met two women, clothed in gray that was cold and dim as the folds of the fog, and veiled withal, who were hurrying along with the same funereal intentness I had perceived in all other denizens of that city. I made bold to accost them, asking if they could direct me to an inn.
Scarcely pausing or even t
urning their heads, they answered: “We cannot tell you. We are shroud-weavers, and we have been busy making a shroud for the lady Mariel.”
Now, at that name, which of all names in the world was the one I should least have expected or cared to hear, an unspeakable chill invaded my heart, and a dreadful dismay smote me like the breath of the tomb. It was indeed strange that in this dim city, so far in time and space from all I had fled to escape, a woman should have recently died who was also named Mariel. The coincidence appeared so sinister that an odd fear of the streets through which I had wandered was born suddenly in my soul. The name had evoked, with a more irrevocable fatality than the tolling of the bells, all that I had vainly wished to forget; and my memories were like living coals in my heart.
As I went onward, with paces that had become more hurried, more feverish than those of the people of Malnéant, I met two men, who were likewise dressed from head to foot in gray; and I asked of them the same question I had asked of the shroud-weavers.
“We cannot tell you,” they replied. “We are coffin-makers, and we have been busy making a coffin for the lady Mariel.”
As they spoke, and hastened on, the bells rang out again, this time very near at hand, with a more dismal and sepulchral menace in their leaden tolling. And everything about me, the tall and misty houses, the dark, indefinite streets, the rare and wraith-like figures, became as if part of the obscure confusion and fear and bafflement of a nightmare. Moment by moment, the coincidence on which I had stumbled appeared all too bizarre for belief, and I was troubled now by the monstrous and absurd idea that the Mariel I knew had only just died, and that this fantastic city was in some unsurmisable manner connected with her death. But this, of course, my reason rejected summarily, and I kept repeating to myself: “The Mariel of whom they speak is another Mariel.” And it irritated me beyond all measure that a thought so enormous and ludicrous should return when my logic had dismissed it.
I met no more people of whom to inquire my way. But at length, as I fought with my shadowy perplexity and my burning memories, I found that I had paused beneath the weather-beaten sign of an inn, on which the lettering had been half effaced by time and the brown lichens. The building was obviously very old, like all the houses in Malnéant; its upper stories were lost in the swirling fog, except for a few furtive lights that glowed obscurely down; and a vague and musty odor of antiquity came forth to greet me as I mounted the steps and tried to open the ponderous door. But the door had been locked or bolted; so I began to pound upon it with my fists to attract the attention of those within.
After much delay, the door was opened slowly and grudgingly, and a cadaverous-looking individual peered forth, frowning with portentous gravity as he saw me.
“What do you desire?” he queried, in tones that were both brusk and solemn.
“A room for the night, and wine,” I requested.
“We cannot accommodate you. All the rooms are occupied by people who have come to attend the obsequies of the lady Mariel; and all the wine in the house has been requisitioned for their use. You will have to go elsewhere.”
He closed the door quickly upon me with the last words. I turned to resume my wanderings, and all that had troubled me before was now intensified a hundredfold. The gray mists and the grayer houses were full of the menace of memory: they were like traitorous tombs from which the cadavers of dead hours poured forth to assail me with envenomed fangs and talons. I cursed the hour when I had entered Malnéant, for it seemed to me now that in so doing I had merely completed a funereal, sinister circle through time, and had returned to the day of Mariel’s death. And certainly, all my recollections of Mariel, of her final agony and her entombment, had assumed the frightful vitality of present things. But my reason still maintained, of course, that the Mariel who lay dead somewhere in Malnéant, and for whom all these obsequial preparations were being made, was not the lady whom I had loved, but another.
After threading streets that were even darker and narrower than those before traversed, I found a second inn, bearing a similar weather-beaten sign, and in all other respects very much like the first. The door was barred, and I knocked thereon with trepidation and was in no manner surprised when a second individual with a cadaverous face informed me in tones of sepulchral solemnity:
“We cannot accommodate you. All the rooms have been taken by musicians and mourners who will serve at the obsequies of the lady Mariel; and all the wine has been reserved for their use.”
Now I began to dread the city about me with a manifold fear: for apparently the whole business of the people in Malnéant consisted of preparations for the funeral of this lady Mariel. And it began to be obvious that I must walk the streets of the city all night because of these same preparations. All at once, an overwhelming weariness was mingled with my nightmare terror and perplexity.
I had not long continued my peregrinations, after leaving the second inn, when the bells were tolled once more. For the first time, I found it possible to identify their source: they were in the spires of a great cathedral which loomed immediately before me through the fog. Some people were entering the cathedral, and a curiosity, which I knew to be both morbid and perilous, prompted me to follow them. Here, I somehow felt, I should be able to learn more regarding the mystery that tormented me.
All was dim within, and the light of many tapers scarcely served to illumine the vast nave and altar. Masses were being said by priests in black whose faces I could not see distinctly; and to me, their chanting was like words in a dream; and I could hear nothing, and nothing was plainly visible in all the place, except a bier of opulent fabrics on which there lay a motionless form in white. Flowers of many hues had been strewn upon the bier, and their fragrance filled the air with a drowsy languor, with an anodyne that seemed to drug my heart and brain. Such flowers had been cast on the bier of Mariel; and even thus, at her funeral, I had been overcome by a momentary dulling of the senses because of their perfume.
Dimly I became aware that someone was at my elbow. With eyes still intent on the bier, I asked:
“Who is it that lies yonder, for whom these masses are being said and these bells are rung?” And a slow, sepulchral voice replied:
“It is the lady Mariel, who died yesterday and who will be interred tomorrow in the vaults of her ancestors. If you wish, you may go forward and gaze upon her.”
So I went down the cathedral aisle, even to the side of the bier, whose opulent fabrics trailed on the cold flags. And the face of her who lay thereon, with a tranquil smile upon the lips, and tender shadows upon the shut eyelids, was the face of the Mariel I had loved and of none other. The tides of time were frozen in their flowing; and all that was or had been or could be, all of the world that existed aside from her, became as fading shadows; and even as once before (was it eons or instants ago?) my soul was locked in the marble hell of its supreme grief and regret. I could not move, I could not cry out nor even weep, for my very tears were turned to ice. And now I knew with a terrible certitude that this one event, the death of the lady Mariel, had drawn apart from all other happenings, had broken away from the sequence of time, and had found for itself a setting of appropriate gloom and solemnity; or perhaps had even built around itself the whole enormous maze of that spectral city, in which to abide my destined return among the mists of a deceptive oblivion.
At length, with an awful effort of will, I turned my eyes away; and leaving the cathedral with steps that were both hurried and leaden, I sought to find an egress from the dismal labyrinth of Malnéant to the gate by which I had entered. But this was by no means easy, and I must have roamed for hours in alleys blind and stifling as tombs, and along the tortuous, self-reverting thoroughfares, ere I came to a familiar street and was able henceforward to direct my paces with something of surety. And a dull and sunless daylight was dawning behind the mists when I crossed the bridge and came again to the road that would lead me away from that fatal city.
Since then, I have wandered long and in many plac
es. But never again have I cared to revisit those old-world realms of fog and mist, for fear that I should come once more to Malnéant, and find that its people are still busied with their preparations for the obsequies of the lady Mariel.
The Chain of Aforgomon
It is indeed strange that John Milwarp and his writings should have fallen so speedily into semi-oblivion. His books, treating of Oriental life in a somewhat flowery, romantic style, were popular a few months ago. But now, in spite of their range and penetration, their pervasive verbal sorcery, they are seldom mentioned; and they seem to have vanished unaccountably from the shelves of bookstores and libraries.
Even the mystery of Milwarp’s death, baffling to both law and science, has evoked but a passing interest, an excitement quickly lulled and forgotten.
I was well acquainted with Milwarp over a term of years. But my recollection of the man is becoming strangely blurred, like an image in a misted mirror. His dark, half-alien personality, his preoccupation with the occult, his immense knowledge of Eastern life and lore, are things I remember with such effort and vagueness as attends the recovery of a dream. Sometimes I almost doubt that he ever existed. It is as if the man, and all that pertains to him, were being erased from human record by some mysterious acceleration of the common process of obliteration.
In his will, he appointed me his executor. I have vainly tried to interest publishers in the novel he left among his papers: a novel surely not inferior to anything he ever wrote. They say that his vogue has passed. Now I am publishing as a magazine story the contents of the diary kept by Milwarp for a period preceding his demise.
The Return of the Sorcerer Page 19