Now it seemed that the tongue of Zotulla froze in his mouth, as a mandrake freezes in the rime-bound soil of winter; and he found no reply to Namirrha’s courtesy.
“Prithee, make trial of this meat,” quoth Namirrha, “for it is very choice, being the flesh of that boar which the Torturers of Uccastrog are wont to pasture on the well-minced leavings of their wheels and racks; and, moreover, my cooks have spiced it with the powerful balsams of the tomb, and have farced it with the hearts of adders and the tongues of black cobras.”
Naught could the emperor say; and even Obexah was silent, being sorely troubled in her turpitude by the presence of that flayed and piteous thing which had the likeness of her lover from Cyntrom. And her dread of the necromancer grew prodigiously; for his knowledge of this old, forgotten crime, and the raising of the fantasm, appeared to her a more baleful magic than all else.
“Now, I fear,” said Namirrha, “that you find the meat devoid of savor, and the wine without fire. So, to enliven our feasting, I shall call forth my singers and my musicians.”
He spoke a word unknown to Zotulla or Obexah, which sounded throughout the mighty hall as if a thousand voices in turn had taken it up and prolonged it. Anon there appeared the singers, who were she-ghouls with shaven bodies and hairy shanks, and long yellow tushes full of shredded carrion curving across their chaps from mouths that fawned hyena-wise on the company. Behind them entered the musicians, some of whom were male devils pacing erect on the hind-quarters of sable stallions and plucking with the fingers of white apes at lyres of the bone and sinew of cannibals from Naat; and others were pied satyrs pulling their goatish cheeks at hautboys made from the femora of young witches, or bagpipes formed from the bosom-skin of negro queens and the horn of rhinoceri.
They bowed before Namirrha with grotesque ceremony. Then, without delay, the she-ghouls began a most dolorous and execrable howling, as of jackals that have sniffed their carrion; and the satyrs and devils played a lament that was like the moaning of desert-born winds through forsaken palace harems. And Zotulla shivered, for the singing filled his marrow with ice, and the music left in his heart a desolation as of empires fallen and trod under by the iron-shod hooves of time. Ever, amid that evil music, he seemed to hear the sifting of sand across withered gardens, and the windy rustling of rotted silks upon couches of bygone luxury, and the hissing of coiled serpents from the low fusts of shattered columns. And the glory that had been Ummaos seemed to pass away like the blown pillars of the simoom.
“Now that was a brave tune,” said Namirrha when the music ceased and the she-ghouls no longer howled. “But verily I fear that you find my entertainment somewhat dull. Therefore, my dancers shall dance for you.”
He turned toward the great hall, and described in the air an enigmatic sign with the fingers of his right hand. In answer to the sign, a hueless mist came down from the high roof and hid the room like a fallen curtain for a brief interim. There was a babel of sounds, confused and muffled, beyond the curtain, and a crying of voices faint as if with distance.
Then, dreadfully, the vapor rolled away, and Zotulla saw that the laden tables were gone. In the wide interspaces of the columns, his palace-inmates, the chamberlains, the eunuchs, the courtiers and odalisques and all the others, lay trussed with thongs on the floor, like so many fowls of gorgeous plumage. Above them, in time to a music made by the lyrists and flutists of the necromancer, a troupe of skeletons pirouetted with light clickings of their toe-bones; and a rout of mummies bounded stiffly; and others of Namirrha’s creatures moved with monstrous caperings. To and fro they leapt on the bodies of the emperor’s people, in the paces of an evil saraband. At every step they grew taller and heavier, till the saltant mummies were as the mummies of Anakim, and the skeletons were boned like colossi; and louder the music rose, drowning the faint cries of Zotulla’s people. And huger still became the dancers, towering far into vaulted shadow among the vast columns, with thudding feet that wrought thunder in the room; and those whereon they danced were as grapes trampled for a vintage in autumn; and the floor ran deep with a sanguine must.
As a man drowning in a noisome, night-bound fen, the emperor heard the voice of Namirrha:
“It would seem that my dancers please you not. So now I shall present you a most royal spectacle. Arise and follow me, for the spectacle is one that requires an empire for its stage.”
Zotulla and Obexah rose from their chairs in the fashion of night-walkers. Giving no backward glance at their ministering phantoms, or the hall where the dancers bounded, they followed Namirrha to an alcove beyond the altar of Thasaidon. Thence, by the upward-coiling stairways, they came at length to a broad high balcony that faced Zotulla’s palace and looked forth above the city roofs toward the bourn of sunset.
It seemed that several hours had gone by in that hellish feasting and entertainment; for the day was near to its close, and the sun, which had fallen from sight behind the imperial palace, was barring the vast heavens with bloody rays.
“Behold,” said Namirrha, adding a strange vocable to which the stone of the edifice resounded like a beaten gong.
The balcony pitched a little, and Zotulla, looking over the balustrade, beheld the roofs of Ummaos lessen and sink beneath him. It seemed that the balcony flew skyward to a prodigious height, and he peered down across the domes of his own palace, upon the houses, the tilled fields, and the desert beyond, and the huge sun brought low on the desert’s verge. And Zotulla grew giddy; and the chill airs of the upper heavens blew upon him. But Namirrha spoke another word, and the balcony ceased to ascend.
“Look well,” said the necromancer, “on the empire that was yours, but shall be yours no longer.” Then, with arms outstretched toward the sunset, and the gulfs beyond the sunset, he called aloud the twelve names that were perdition to utter, and after them the tremendous invocation: Gna padambis devompra thungis furidor avoragomon.
Instantly, it seemed that great ebon clouds of thunder beetled against the sun. Lining the horizon, the clouds took the form of colossal monsters with heads and members somewhat resembling those of stallions. Rearing terribly, they trod down the sun like an extinguished ember; and racing as in some hippodrome of Titans, they rose higher and vaster, coming toward Ummaos. Deep, calamitous rumblings preceded them, and the earth shook visibly, till Zotulla saw that these were not immaterial clouds, but actual living forms that had come forth to tread the world in macrocosmic vastness. Throwing their shadows for many leagues before them, the coursers charged as if devil-ridden into Xylac, and their feet descended like falling mountain crags upon far oases and towns of the outer waste.
Like a many-turreted storm they came, and it seemed that the world sank gulfward, tilting beneath the weight. Still as a man enchanted into marble, Zotulla stood and beheld the ruining that was wrought on his empire. And closer drew the gigantic stallions, racing with inconceivable speed, and louder was the thundering of their footfalls, that now began to blot the green fields and fruited orchards lying for many miles to the west of Ummaos. And the shadow of the stallions climbed like an evil gloom of eclipse, till it covered Ummaos; and looking up, the emperor saw their eyes half way between earth and zenith, like baleful suns that glare down from soaring cumuli.
Then, in the thickening gloom, above that insupportable thunder, he heard the voice of Namirrha, crying in mad triumph:
“Know, Zotulla, that I have called up the coursers of Thamorgorgos, lord of the abyss. And the coursers will tread your empire down, even as your palfrey trod and trampled in former time a beggar-boy named Narthos. And learn also that I, Namirrha, was that boy.” And the eyes of Namirrha, filled with a vainglory of madness and bale, burned like malign, disastrous stars at the hour of their culmination.
To Zotulla, wholly mazed with the horror and tumult, the necromancer’s words were no more than shrill, shrieked overtones of the tempest of doom; and he understood them not. Tremendously, with a rending of staunch-built roofs, and an instant cleavage and crumbling down of mi
ghty masonries, the hooves descended upon Ummaos. Fair temple-domes were pashed like shells of the haliotis, and haughty mansions were broken and stamped into the ground even as gourds; and house by house the city was trampled flat with a crashing as of worlds beaten into chaos. Far below, in the darkened streets, men and camels fled like scurrying emmets but could not escape. And implacably the hooves rose and fell, till ruin was upon half the city, and night was over all. The palace of Zotulla was trodden under, and now the forelegs of the coursers loomed level with Namirrha’s balcony, and their heads towered awfully above. It seemed that they would rear and trample down the necromancer’s house; but at that moment they parted to left and right, and a dolorous glimmering came from the low sunset; and the coursers went on, treading under them that portion of Ummaos which lay to the eastward. And Zotulla and Obexah and Namirrha looked down on the city’s fragments as on a shard-strewn midden, and heard the cataclysmic clamor of the hooves departing toward eastern Xylac.
“Now that was a goodly spectacle,” quoth Namirrha. Then, turning to the emperor, he added malignly: “Think not that I have done with thee, however, or that doom is yet consummate.”
It seemed that the balcony had fallen to its former elevation, which was still a lofty vantage above the sharded ruins. And Namirrha plucked the emperor by the arm and led him from the balcony to an inner chamber, while Obexah followed mutely. The emperor’s heart was crushed within him by the trampling of such calamities, and despair weighed upon him like a foul incubus on the shoulders of a man lost in some land of accursed night. And he knew not that he had been parted from Obexah on the threshold of the chamber; and that certain of Namirrha’s creatures, appearing like shadows, had compelled the girl to go downward with them by the stairs and had stifled her outcries with their rotten cerements as they went.
The chamber was one that Namirrha used for his most unhallowed rites and alchemies. The rays of the lamps that illumed it were saffron-red like the spilt ichor of devils, and they flowed on aludels and crucibles and black athanors and alembics whereof the purpose was hardly to be named by mortal man. The sorcerer heated in one of the alembics a dark liquid full of star-cold lights, while Zotulla looked on unheeding. And when the liquid bubbled and sent forth a spiral vapor, Namirrha distilled it into goblets of gold-rimmed iron, and gave one of the goblets to Zotulla and retained the other himself. And he said to Zotulla with a stern imperative voice: “I bid thee quaff this liquor.”
Zotulla, fearing that the draft was poison, hesitated. And the necromancer regarded him with a lethal gaze, and cried loudly: “Fearest thou to do as I?” and therewith he set the goblet to his lips.
So the emperor drank the draft, constrained as if by the bidding of some angel of death, and a darkness fell upon his senses. But, ere the darkness grew complete, he saw that Namirrha had drained his own goblet. Then, with unspeakable agonies, it seemed that the emperor died; and his soul floated free; and again he saw the chamber, though with bodiless eyes. And discarnate he stood in the saffron-crimson light, with his body lying as if dead on the floor beside him, and near it the prone body of Namirrha and the two fallen goblets.
Standing thus, he beheld a strange thing: for anon his own body stirred and arose, while that of the necromancer remained still as death. And Zotulla looked on his own lineaments and his figure in its short cloak of azure samite sewn with black pearls and balas-rubies; and the body lived before him, though with eyes that held a darker fire and a deeper evil than was their wont. Then, without corporeal ears, Zotulla heard the figure speak, and the voice was the strong, arrogant voice of Namirrha, saying:
“Follow me, O houseless phantom, and do in all things as I enjoin thee.”
Like an unseen shadow, Zotulla followed the wizard, and the twain went downward by the stairs to the great banquet hall. They came to the altar of Thasaidon and the mailed image, with the seven horse-skull lamps burning before it as formerly. Upon the altar, Zotulla’s beloved leman Obexah, who alone of women had power to stir his sated heart, was lying bound with thongs at Thasaidon’s feet. But the hall beyond was deserted, and nothing remained of that Saturnalia of doom except the fruit of the treading, which had flowed together in dark pools among the columns.
Namirrha, using the emperor’s body in all ways for his own, paused before the dark eidolon; and he said to the spirit of Zotulla: “Be imprisoned in this image, without power to free thyself or to stir in any wise.”
Being wholly obedient to the will of the necromancer, the soul of Zotulla was embodied in the statue, and he felt its cold, gigantic armor about him like a strait sarcophagus, and he peered forth immovably from the bleak eyes that were overhung by its carven helmet.
Gazing thus, he beheld the change that had come on his own body through the sorcerous possession of Namirrha: for below the short azure cloak, the legs had turned suddenly to the hind legs of a black stallion, with hooves that glowed redly as if heated by infernal fires. And even as Zotulla watched this prodigy, the hooves glowed white and incandescent, and fumes mounted from the floor beneath them.
Then, on the black altar, the hybrid abomination came pacing haughtily toward Obexah, and smoking hoofprints appeared behind it as it came. Pausing beside the girl, who lay supine and helpless regarding it with eyes that were pools of frozen horror, it raised one glowing hoof and set the hoof on her naked bosom between the small breast-cups of golden filigree begemmed with rubies. And the girl screamed beneath that atrocious treading as the soul of one newly damned might scream in Hell; and the hoof glared with intolerable brilliance, as if freshly plucked from a furnace wherein the weapons of demons were forged.
At that moment, in the cowed and crushed and sodden shade of the emperor Zotulla, close-locked within the adamantine image, there awoke the manhood that had slumbered unaroused before the ruining of his empire and the trampling under of his retinue. Immediately a great abhorrence and a high wrath were alive in his soul, and mightily he longed for his own right arm to serve him, and a sword in his right hand.
Then it seemed that a voice spoke within him, chill and bleak and awful, and as if uttered inwardly by the statue itself. And the voice said: “I am Thasaidon, lord of the seven hells beneath the earth, and the hells of man’s heart above the earth, which are seven times seven. For the moment, O Zotulla, my power is become thine for the sake of a mutual vengeance. Be one in all ways with the statue that has my likeness, even as the soul is one with the flesh. Behold! there is a mace of adamant in thy right hand. Lift up the mace, and smite.”
Zotulla was aware of a great power within him, and giant thews about him that thrilled with the power and responded agilely to his will. He felt in his mailed right hand the haft of the huge spiky-headed mace; and though the mace was beyond the lifting of any man in mortal flesh, it seemed no more than a goodly weight to Zotulla. Then, rearing the mace like a warrior in battle, he struck down with one crashing blow the impious thing that wore his own rightful flesh united with the legs and hooves of a demon courser. And the thing crumpled swiftly down and lay with the brain spreading pulpily from its shattered skull on the shining jet. And the legs twitched a little and then grew still; and the hooves glowed from a fiery, blinding white to the redness of red-hot iron, cooling slowly.
For a space there was no sound, other than the shrill screaming of the girl Obexah, mad with pain and the terror of those prodigies which she had beheld. Then, in the soul of Zotulla, grown sick with that screaming, the chill, awful voice of Thasaidon spoke again:
“Go free, for there is nothing more for thee to do.” So the spirit of Zotulla passed from the image of Thasaidon and found in the wide air the freedom of utter nothingness and oblivion.
But the end was not yet for Namirrha, whose mad, arrogant soul had been loosened from Zotulla’s body by the blow, and had returned darkly, not in the manner planned by the magician, to its own body lying in the room of accursed rites and forbidden transmigrations. There Namirrha woke anon, with a dire confusion in his mind, and a
partial forgetfulness: for the curse of Thasaidon was upon him now because of his blasphemies.
Nothing was clear in his thought except a malign, exorbitant longing for revenge; but the reason thereof, and the object, were as doubtful shadows. And still prompted by that obscure animus, he arose; and girding to his side an enchanted sword with runic sapphires and opals in its hilt, he descended the stair and came again to the altar of Thasaidon, where the mailed statue stood impassive, as before, with the poised mace in its immovable right hand, and below it, on the altar, the double sacrifice.
A veil of weird darkness was upon the senses of Namirrha, and he saw not the stallion-legged horror that lay dead with slowly blackening hooves; and he heard not the moaning of the girl Obexah, who still lived beside it. But his eyes were drawn by the diamond mirror that was upheld in the claws of black iron basilisks beyond the altar; and going to the mirror, he saw therein a face that he knew no longer for his own. And because his eyes were shadowed and his brain filled with shifting webs of delusion, he took the face for that of the emperor Zotulla. Insatiable as Hell’s own flame, his old hatred rose within him; and he drew the enchanted sword and began to hew therewith at the reflection. Sometimes, because of the curse laid upon him, and the impious transmigration which he had performed, he thought himself Zotulla warring with the necromancer; and again, in the shiftings of his madness, he was Namirrha smiting at the emperor; and then, without name, he fought a nameless foe. And soon the sorcerous blade, though tempered with formidable spells, was broken close to the hilt, and Namirrha beheld the image still unharmed. Then, howling aloud the half-forgotten runes of a most tremendous curse, made invalid through his forgettings, he hammered still with the heavy sword-hilt on the mirror, till the runic sapphires and opals cracked in the hilt and fell away at his feet in little fragments.
Obexah, dying on the altar, saw Namirrha battling with his image, and the spectacle moved her to mad laughter like the pealing of bells of ruined crystal. And above her laughter, and above the cursings of Namirrha, there came anon like a rumbling of swift-risen storm the thunder made by the macrocosmic stallions of Thamorgorgos, returning gulfward through Xylac over Ummaos, to trample down the one house that they had spared aforetime.
The Return of the Sorcerer Page 24