Many articles have recently appeared in the press, claiming the superior advantages of the Gardner and other machine guns over the Gatling gun.
In order to decide which is the best gun, the undersigned offers to fire his gun (the Gatling) against any other gun, on the following wagers, viz:
First, $500 that the Gatling can fire more shots in a given time, say one minute.
Second, $500 that the Gatling can give more hits on a target, firing, say, one minute—at a range of 800 or 1000 yards.
The winner will contribute the money won to some charitable object.
The time and place to be mutually agreed upon.
R. J. Gatling
Of Hartford, Conn.63
The advertisement appeared in 1881. In a similar advertisement published a few weeks later in England, Gatling added a line suggesting the depth of his annoyance. “The trials of the above character,” it read, “will do more to determine the efficiency of the guns than newspaper articles so cleverly written.”64
Twenty years after designing the first Gatling gun, Gatling was white-haired and wealthy, an elder statesman in the machine-gun trade whose name was known round the land. He wanted his life’s most successful work to be above all challengers. It was a sentiment that was unnecessary in the short term, and pointless in the long.
In the short term, the British were still taking his weapon on colonial campaigns, mounting them on the seagoing vessels, boats, outposts, and armored trains. The problems with ammunition used by European forces had been largely solved, and there would be little more talk of jams. The naysayers in officers’ circles could block their armies from purchasing Gatling guns for continental service. But there were other markets—for navies, for police forces, for yachts, for mines, and for penitentiaries—all of which his company would try to tap. And yet his dream of assigning the Gatling to the world’s ground forces was soon to end. Gatling had spent two decades designing and marketing rapid-fire arms. Through official indifference and hostility, and the perplexity of friends, he had set the stage for machine guns. And Hiram Maxim was about to take it.
i The underlined words retain the underlines in Gatling’s handwriting. The [and] replaces an addition sign.
CHAPTER 3
Hiram Maxim Changes War
That Patent Music Box for Perforating Men1
HIRAM MAXIM WORKED A CARTRIDGE INTO THE ACTION OF HIS prototype gun. It was an unusual-looking device: a narrow and dull metal box with a single protruding rifled barrel. For a trigger it had a small metal bar at the back end of the gun, and on its right side was a lever, resembling a switch, that could be used to adjust the rate of fire. Maxim had obtained the necessary Royal Laboratory machine-gun cartridges, the sort fired by a Gardner gun, and he intended to use them in his creation’s first firing test.
Powerfully built and dark-eyed at forty-four, Maxim had started his career in industry in rural New England. He was a picture of supreme confidence. As a young man he had earned his living as a maker of bedposts, wheelbarrows, wagons, and rakes, and as a decorative carriage painter. But his mind outpaced both the lifestyle and products the local mills offered, and he had become a prolific inventor and successful businessman in the electric and gas industries in New York. A few years earlier he claimed to have beaten Thomas Edison in the race to invent the light bulb, only to have Edison submit the necessary patent papers first. Had Maxim won that race, everything might have been different. He might have remained in the United States and enjoyed a life of fame and wealth, as Edison did. Instead he had moved to Europe, and in a professional lull in London had begun to work on machine guns that would not need a man to do more than depress a trigger to produce continuous fire. His weapon had no hand crank to turn. It did not need one.
He had the six cartridges in place,2 and he gave it a try. In roughly half a second, all of the cartridges were gone. The bullets had been fired in a little more than a blink. This was a new kind of gunfire, automatic fire, the manifestation of the vision Gatling had had almost a quarter-century before. Everything was about to change.
Hiram Maxim was a designer with a story, and an ego, like almost no other. He was born in 1840 on a small farm in central Maine, an isolated and impoverished region. By his own long and often unverifiable account of his life, his excellence had begun with birth. “For many years there has been a tradition that there was always one very strong member in the Maxim family,” he said. “And I think I am entitled to be recognized as the strong member of the generation in which I was born.” His attraction to labor started early, as did his sense of mischief. At the age of eight, he said, he felled a gigantic fir tree with a butcher’s knife, chipping at a groove around its base all day for a week. The tree toppled and fell. The little Maxim watched with awe. A farmer soon complained to him that he had robbed his cows of their pasture’s only shade. Maxim was unmoved. “This was the proudest moment of my long and eventful life,” he wrote shortly before he died. “Nothing since has equaled it.” After he became famous in Europe he was remembered back in Maine as “the worst boy for miles around.”3
His confidence, which veered into arrogance, was beyond measure. By the time he was a teenager, Maxim considered himself an “expert in geography” and “a natural all-round mechanic.” He claimed to be so handy that he could do all the work of the experienced craftsmen in the workshops of Maine, and in less time. And he was growing into the strongest man in town. Accounts of his strength were Bunyanesque. As a young man, he singlehandedly moved a row of enormous pork barrels from a sled, lifting barrel after barrel. Each barrel, he said, weighed six hundred pounds. His strength became such a curiosity that townsmen urged him to fight, examining him the way a buyer examines a horse. “All agreed that I had the make-up of a successful boxer,” he wrote. “I had already thought of taking up the art, feeling convinced that I could very soon become a champion.”4 The local men arranged a match on Independence Day between Maxim and the town’s best boxer. Within minutes, he had beaten the reigning champion senseless and was fighting the next-most-feared man. Maxim claimed he punched his second opponent into unconsciousness, too.
Maxim and his son’s memoirs are busy with accounts of fights. Between descriptions of his inventions and his travels, they are an inventory of brawls and beatings worthy of a Victorian-era comic hero, invincible but reluctant, who always defeats those who provoked his peaceful genius to feats of strength. In one episode Maxim laughed into the face of a man who menaced him with a pistol. In another he hoisted a robber who tried to waylay him. Maxim casually tossed the criminal over a fence. He insisted fighting was a distraction that was beneath him, yet he reveled in telling of it smugly, and saw himself as the best man at it he ever met.
Maxim never attended university. But he educated himself by reading scientific literature and books, from which he taught himself chemistry, physics, and mathematics—complements to the tool-handling and design skills he was learning in his father’s shop. His mind was undistracted by most vices: at the end of his life, he claimed never once to have smoked tobacco, tasted alcohol, or consumed caffeine. (Women were another matter. He was hounded with allegations of deceiving and abandoning women as he moved in search of work. As he neared the age of sixty, three different women claimed to have been married to him—at the same time. In the end, he left three separate families.)5 He held himself above the common man and ordinary pursuits. While he was at the mill in Maine, the Civil War began. The young men organized into a company, which marched on the streets. Maxim briefly joined them, but he loathed the marching and found the military mentality of his peers grating (he later compared them to the Boy Scouts). Contemptuous of soldiering, he returned to the mill. A local doctor told him he had made the right decision. Military service, by Maxim’s account, was beneath a man of Maxim’s gifts.
He thought that I was altogether the most promising young man in Dexter; that I was a very hard worker, without any bad habits; that it might be all right for those less gifted th
an myself to go to the war, but it was my duty to stay at home and work; also that I would find soldiering a very hard job indeed. So I made up my mind to give it up and refused to go on.6
Early in the war, Maxim left the United States for Huntingdon, Quebec, and he found jobs as a mill worker, sign painter, and briefly as bartender at a small hotel, where he delighted in serving diluted whiskey to customers and in watching the patrons fight.7 Next he moved to Fitchburg, Massachusetts, and took a position in an uncle’s metal works, learning the machinist’s trade. Later he became a draftsman in Boston, making precision drawings of gas machines. He was collecting modern skills, and an insider’s knowledge and appreciation of business and of leading industries of the day. “I left no stone unturned,” he said, “to become expert at everything I had to do.”8
When he was not engaged by his bosses, he was inventing products and widgets of every sort. He had begun tinkering as a boy. As a teenager, he designed a mousetrap that reset itself automatically. From then on, he said, he was “a chronic inventor.” And so it went: first mousetraps, then tricycle wheels and silicate blackboard for a schoolhouse, later pumps and guns and curling irons and an early model airplane. He moved to Brooklyn for a machinist’s job at the Novelty Iron Works, and made his home near Carroll Park.9 He opened a side business as a gas fitter and then invented a gas-distributing machine. Its promise enabled him to form a company with an office on Broadway, across from City Hall, that manufactured and installed his gas-distributing machines in buildings, bringing them a new means of having light and heat. His inventing continued, to his success and dismay. After Maxim claimed to have beaten Edison in the race to design the electric light, Edison’s fame and wealth filled him with jealousy and pique. When he displayed his own lamp, and people asked him if it was Edison’s, he grew angry enough that he told a business partner that “the next time anyone said, ‘Is it Edison’s?’ I would kill him on the spot.” He nearly had the chance. One day, while Maxim was traveling, a New Jersey farmer saw him carrying a lamp.
He sat down on the opposite side of the ferry-boat and stared at me. Finally, he came over and said, “Excuse me sir, but what is that ’ere machine—what is it for?” I looked at the fellow and made up my mind that he had a wife and family at home, so I replied, “It is only a sausage stuffer,” and thus saved the poor fellow’s life.10
Practical jokes and Maxim went together. Some of his antics were little more than mischief. In Brooklyn, he enlisted the help of his young son, Hiram Percy, to harry a police officer who was paying Sunday visits to a housemaid who worked for a family across the street. The officer and the maid met behind an entryway gate. Maxim was suspicious. He told his son that the two of them were “sparking” over there, and that this would have to stop. “If they spark on Sundays, how do we know that they will not spark on other days,” he said. “We cannot have this policeman spending his time sparking when he should be watching for bad people.” He unfolded his plans before the boy. When the policeman returned the following Sunday, hidden in the umbrella basket of the Maxims’ home was a long brass tube, similar to a blowgun, which Maxim had made. Maxim took a position behind the curtain of an open window, loaded a dried white bean into the pipe, aimed, and expelled the little missile high into the air, banking it off the upper facade of a three-story building directly above the suspected dalliance. After a half-dozen shots, the policeman stepped from behind the gate and looked up at the windows of the three-story building. He thought someone was dropping beans from above. Seeing no one, the officer returned to the pleasures behind the gate. The bean blower opened fire anew. The officer reappeared and walked about the sidewalk purposefully, staring at the windows with his back to Maxim’s window. The police officer saw nothing and went back to his business with the maid. Maxim fired a third time. As the officer ran out the gate, Maxim was “rolling around in gales of merriment.”11
Maxim’s foxing of the police officer and the maid was tricky, and it had risks. But it was not cruel. His household staff suffered worse. Maxim churned through employees and was frequently annoyed “by the stupidity of the average cook or housemaid.” He gave them nicknames, including a series of people he assigned the name Stupid. “I remember Stupid the Fifth very distinctly,” his son recalled. “I thought this was her real name.” Maxim had read an item claiming that the skin perceives contact with very cold objects and very hot objects in the same way. One weekend at their home, he decided to test the theory on one of the Stupids, an Irish woman in his employ. He heated a metal poker above an oven grate until it glowed red and placed a duplicate poker in a container of alcohol and snow, chilling it to a temperature below freezing. As his intended victim worked nearby, he paced about the kitchen with the glowing poker, testing it on firewood, which produced smoke. In a voice the maid could not miss, he told his son that such irons were used to burn brands into the necks of cattle, and how painful that would be. He put the poker back on the burner, left the room, and returned, having hidden the chilled poker in his coat. Everything had been prepared for the maid’s confusion. Maxim lifted the heated poker from the stove again, and suddenly acted as if it were too hot to hold. He waved it about and stepped toward the maid, bringing it close enough for her to see its glow and feel its heat. He backed up. When the maid looked away from her employer’s odd spectacle, he withdrew the cold poker from under his jacket, slapped it against her neck, and gave a shout—“Look out!” Then he hissed, as if she had been seared. The cook screamed, bunched her apron where the poker had touched, and collapsed. Maxim’s wife rushed into the room. The cook shrieked. She thought he had branded her. She shrieked again. Maxim, with his two pokers, was laughing.
After a great amount of effort my mother succeeded in getting the woman’s hand down from her neck, and the surprising fact was disclosed that there was not even a mark visible, which threw my mother into complete confusion. She was very excitable and for some time she and my father and the cook shouted at cross purposes at one another, nobody listening to anybody else and nobody being able to make head or tail of what the others were talking about. My father saw that he must have gone too far, and did his best to explain that it was an experiment he had been conducting, that nobody had been hurt, and that it was all very funny if only the others would see it in that light; and besides, things had come to a pretty pass if a man could not experiment in his own house.12
The cook quit on the spot.
This is the man who would give the world automatic weapons, those most efficient killing tools. Not surprisingly, disputes followed Maxim wherever he went. One of his brothers loathed him so much that there was talk in London of arranging a duel. His son, or rather, the one son he acknowledged in public, labeled him a bad father. Maxim weathered court cases that accused him of misdeeds ranging from patent infringement to trigamy. He was accused of having evaded Civil War service, an embarrassing charge for an arms designer and salesman. (The history is unclear here and the dispute remains unsettled. Maxim claimed that because two of his brothers served, he, as the last remaining son, was exempt. But available census records in Maine show that Maxim had more than two brothers, and one, Leander, who was four years old in 1850, would have been too young to serve as the war began and Maxim decamped for Quebec. This does not prove that Hiram evaded military service, but it suggests that his explanations for not serving, aside from seeing military service as beneath him, do not square with facts.)13 Later, after his automatic weapons were in mass production, he quarreled with Alfred Nobel, just as Richard Gatling had. Maxim and Nobel both claimed to have been the first to patent smokeless gunpowder, which, as it allowed gunners to remain concealed when they fired upon an enemy from a distance, became an essential military product after it was introduced. (British courts ruled that Maxim had settled upon the chemical formula first.)
For all of the arguments and struggles that surrounded him, no credible counterclaim about the invention of the automatic weapon ever emerged. The claim was Hiram Maxim’s alone,
and he cherished it.
This is not to say that Hiram Maxim necessarily told the truth.
Maxim gave different accounts about the origins of his interest in automatic weapons. In the more commonly cited account, machine-gun design became his personal project while he was on assignment in Europe. His employer, the United States Electric Lighting Company, had transferred him to an affiliate in London but asked him first to visit Paris and Brussels. There he was to undertake the tedious task of reviewing copies of European patents related to electricity. The work required many months. At an industry exposition in Vienna, Maxim met an American who offered bizarre advice. The electric business was getting crowded; the man recommended that the inventor open another line of work. “Maxim, hang your electrical machines!” he said. “If you wish to make your everlasting fortune and pile up gold by the ton, invent a killing machine, something that will enable these Europeans to cut each other’s throats with greater facility—that is what they want.” In another account, he identified the American who made the suggestion as a “Jew” he knew previously from the United States.14
Whether the account is true remains anyone’s guess. Maxim was comfortable with embellishment, and in published accounts of the exchange he did not share the other man’s name. He did say that the man was not serious. That did not matter. Maxim was serious enough.
At the time, all of the weapons sold in the machine-gun class were manually operated. The Gardner, the Gatling, the Nordenfelt—with each of these weapons, continuous fire was realized by continuous turning of a hand crank or movement of a mechanical arm. The effect was like that of a manual pump. As long as the gunner’s arm kept cranking, and cartridges were in the feed system, bullets would be fired. If the gunner’s arm stopped working, so did everything else. By 1884, these technologies were mature, well machined, and impressive for what they were. Maxim had a different approach. He had fired a rifle before, and felt its kick. The recoil was enough to bruise a shoulder. It was also evidence of wasted energy: Only a portion of the powder’s energy was used to force a bullet down the barrel and out the muzzle. Could not some of this unused energy be harnessed, cartridge by cartridge, blast by blast, to do the tasks performed by the crank?
The Gun Page 9