"We prefer," said the German coldly, "that you should remain here. One of our number will carry out your instructions minutely. If the operations are complicated, he will return to you with a report and you can instruct him further."
"You're tying my hands," complained Tommy. "It's a very delicate affair, and the other fellow will muff it up as likely as not, and then where shall I be? I don't believe one of you has got an ounce of tact."
The German rapped the table.
"Those are our terms. Otherwise, death!"
Tommy leaned back wearily.
"I like your style. Curt, but attractive. So be it, then. But one thing is essential, I must see the girl."
"What girl?"
"Jane Finn, of course."
The other looked at him curiously for some minutes, then he said slowly, and as though choosing his words with care:
"Do you not know that she can tell you nothing?"
Tommy's heart beat a little faster. Would he succeed in coming face to face with the girl he was seeking?
"I shall not ask her to tell me anything," he said quietly. "Not in so many words, that is."
"Then why see her?"
Tommy paused.
"To watch her face when I ask her one question," he replied at last.
Again there was a look in the German's eyes that Tommy did not quite understand.
"She will not be able to answer your question."
That does not matter. I shall have seen her face when I ask it."
"And you think that will tell you anything?" He gave a short disagreeable laugh. More than ever, Tommy felt that there was a factor somewhere that he did not understand. The German looked at him searchingly. "I wonder whether, after all, you know as much as we think?" he said softly.
Tommy felt his ascendancy less sure than a moment before. His hold had slipped a little. But he was puzzled. What had he said wrong? He spoke out on the impulse of the moment.
"There may be things that you know which I do not. I have not pretended to be aware of all the details of your show. But equally I've got something up my sleeve that you don't know about. And that's where I mean to score. Danvers was a damned clever fellow--" He broke off as if he had said too much.
But the German's face had lightened a little.
"Danvers," he murmured. "I see--" He paused a minute, then waved to Conrad. "Take him away. Upstairs-you know."
"Wait a minute," said Tommy. "What about the girl?"
"That may perhaps be arranged."
"It must be."
"We will see about it. Only one person can decide that."
"Who?" asked Tommy. But he knew the answer.
"Mr. Brown--"
"Shall I see him?"
"Perhaps."
"Come," said Conrad harshly.
Tommy rose obediently. Outside the door his gaoler motioned to him to mount the stairs. He himself followed close behind. On the floor above Conrad opened a door and Tommy passed into a small room. Conrad lit a hissing gas burner and went out. Tommy heard the sound of the key being turned in the lock.
He set to work to examine his prison. It was a smaller room than the one downstairs, and there was something peculiarly airless about the atmosphere of it. Then he realized that there was no window. He walked round it. The walls were filthily dirty, as everywhere else. Four pictures hung crookedly on the wall representing scenes from Faust. Marguerite with her box of jewels, the church scene, Siebel and his flowers, and Faust and Mephistopheles. The latter brought Tommy's mind back to Mr. Brown again. In this sealed and closed chamber, with its close-fitting heavy door, he felt cut off from the world, and the sinister power of the arch-criminal seemed more real. Shout as he would, no one could ever hear him. The place was a living tomb…
With an effort Tommy pulled himself together. He sank on to the bed and gave himself up to reflection. His head ached badly; also, he was hungry. The silence of the place was dispiriting.
"Anyway," said Tommy, trying to cheer himself, "I shall see the chief-the mysterious Mr. Brown and with a bit of luck in bluffing I shall see the mysterious Jane Finn also. After that--"
After that Tommy was forced to admit the prospect looked dreary.
Chapter XVII. Annette
THE troubles of the future, however, soon faded before the troubles of the present. And of these, the most immediate and pressing was that of hunger. Tommy had a healthy and vigorous appetite. The steak and chips partaken of for lunch seemed now to belong to another decade. He regretfully recognized the fact that he would not make a success of a hunger strike.
He prowled aimlessly about his prison. Once or twice he discarded dignity, and pounded on the door. But nobody answered the summons.
"Hang it all!" said Tommy indignantly. "They can't mean to starve me to death." A new-born fear passed through his mind that this might, perhaps, be one of those "pretty ways" of making a prisoner speak, which had been attributed to Boris. But on reflection he dismissed the idea.
"It's that sour faced brute Conrad," he decided. "That's a fellow I shall enjoy getting even with one of these days. This is just a bit of spite on his part. I'm certain of it."
Further meditations induced in him the feeling that it would be extremely pleasant to bring something down with a whack on Conrad's egg-shaped head. Tommy stroked his own head tenderly, and gave himself up to the pleasures of imagination. Finally a bright idea flashed across his brain. Why not convert imagination into reality? Conrad was undoubtedly the tenant of the house. The others, with the possible exception of the bearded German, merely used it as a rendezvous. Therefore, why not wait in ambush for Conrad behind the door, and when he entered bring down a chair, or one of the decrepit pictures, smartly on to his head. One would, of course, be careful not to hit too hard. And then-and then, simply walk out! If he met anyone on the way down, well--Tommy brightened at the thought of an encounter with his fists. Such an affair was infinitely more in his line than the verbal encounter of this afternoon. Intoxicated by his plan, Tommy gently unhooked the picture of the Devil and Faust, and settled himself in position. His hopes were high. The plan seemed to him simple but excellent.
Time went on, but Conrad did not appear. Night and day were the same in this prison room, but Tommy's wrist-watch, which enjoyed a certain degree of accuracy, informed him that it was nine o'clock in the evening. Tommy reflected gloomily that if supper did not arrive soon it would be a question of waiting for breakfast. At ten o'clock hope deserted him, and he flung himself on the bed to seek consolation in sleep. In five minutes his woes were forgotten.
The sound of the key turning in the lock awoke him from his slumbers. Not belonging to the type of hero who is famous for awaking in full possession of his faculties, Tommy merely blinked at the ceiling and wondered vaguely where he was. Then he remembered, and looked at his watch. It was eight o'clock.
"It's either early morning tea or breakfast," deduced the young man, "and pray God it's the latter!"
The door swung open. Too late, Tommy remembered his scheme of obliterating the unprepossessing Conrad. A moment later he was glad that he had, for it was not Conrad who entered, but a girl. She carried a tray which she set down on the table.
In the feeble light of the gas burner Tommy blinked at her. He decided at once that she was one of the most beautiful girls he had ever seen. Her hair was a full rich brown, with sudden glints of gold in it as though there were imprisoned sunbeams struggling in its depths. There was a wild-rose quality about her face. Her eyes, set wide apart, were hazel, a golden hazel that again recalled a memory of sunbeams.
A delirious thought shot through Tommy's mind.
"Are you Jane Finn?" he asked breathlessly.
The girl shook her head wonderingly.
"My name is Annette, monsieur."
She spoke in a soft, broken English.
"Oh!" said Tommy, rather taken aback. "Francaise?" he hazarded.
"Oui, monsieur. Monsieur parle francais?"
"No
t for any length of time," said Tommy. "What's that? Breakfast?"
The girl nodded. Tommy dropped off the bed and came and inspected the contents of the tray. It consisted of a loaf, some margarine, and a jug of coffee.
"The living is not equal to the Ritz," he observed with a sigh. "But for what we are at last about to receive the Lord has made me truly thankful. Amen."
He drew up a chair, and the girl turned away to the door.
"Wait a sec," cried Tommy. "There are lots of things I want to ask you, Annette. What are you doing in this house? Don't tell me you're Conrad's niece, or daughter, or anything, because I can't believe it."
"I do the SERVICE, monsieur. I am not related to anybody."
"I see," said Tommy. "You know what I asked you just now. Have you ever heard that name?"
"I have heard people speak of Jane Finn, I think."
"You don't know where she is?"
Annette shook her head.
"She's not in this house, for instance?"
"Oh no, monsieur. I must go now-they will be waiting for me."
She hurried out. The key turned in the lock.
"I wonder who 'they' are," mused Tommy, as he continued to make inroads on the loaf. "With a bit of luck, that girl might help me to get out of here. She doesn't look like one of the gang."
At one o'clock Annette reappeared with another tray, but this time Conrad accompanied her.
"Good morning," said Tommy amiably. "You have NOT used Pear's soap, I see."
Conrad growled threateningly.
"No light repartee, have you, old bean? There, there, we can't always have brains as well as beauty. What have we for lunch? Stew? How did I know? Elementary, my dear Watson-the smell of onions is unmistakable."
"Talk away," grunted the man. "It's little enough time you'll have to talk in, maybe."
The remark was unpleasant in its suggestion, but Tommy ignored it. He sat down at the table.
"Retire, varlet," he said, with a wave of his hand. "Prate not to thy betters."
That evening Tommy sat on the bed, and cogitated deeply. Would Conrad again accompany the girl? If he did not, should he risk trying to make an ally of her? He decided that he must leave no stone unturned. His position was desperate.
At eight o'clock the familiar sound of the key turning made him spring to his feet. The girl was alone.
"Shut the door," he commanded. "I want to speak to you." She obeyed.
"Look here, Annette, I want you to help me get out of this." She shook her head.
"Impossible. There are three of them on the floor below."
"Oh!" Tommy was secretly grateful for the information. "But you would help me if you could?"
"No, monsieur."
"Why not?"
The girl hesitated.
"I think-they are my own people. You have spied upon them. They are quite right to keep you here."
"They're a bad lot, Annette. If you'll help me, I'll take you away from the lot of them. And you'd probably get a good whack of money."
But the girl merely shook her head.
"I dare not, monsieur; I am afraid of them."
She turned away.
"Wouldn't you do anything to help another girl?" cried Tommy. "She's about your age too. Won't you save her from their clutches?"
"You mean Jane Finn?"
"Yes."
"It is her you came here to look for? Yes?"
"That's it."
The girl looked at him, then passed her hand across her forehead.
"Jane Finn. Always I hear that name. It is familiar."
Tommy came forward eagerly.
"You must know SOMETHING about her?"
But the girl turned away abruptly.
"I know nothing-only the name." She walked towards the door. Suddenly she uttered a cry. Tommy stared. She had caught sight of the picture he had laid against the wall the night before. For a moment he caught a look of terror in her eyes. As inexplicably it changed to relief. Then abruptly she went out of the room. Tommy could make nothing of it. Did she fancy that he had meant to attack her with it? Surely not. He rehung the picture on the wall thoughtfully.
Three more days went by in dreary inaction. Tommy felt the strain telling on his nerves. He saw no one but Conrad and Annette, and the girl had become dumb. She spoke only in monosyllables. A kind of dark suspicion smouldered in her eyes. Tommy felt that if this solitary confinement went on much longer he would go mad. He gathered from Conrad that they were waiting for orders from "Mr. Brown." Perhaps, thought Tommy, he was abroad or away, and they were obliged to wait for his return.
But the evening of the third day brought a rude awakening.
It was barely seven o'clock when he heard the tramp of footsteps outside in the passage. In another minute the door was flung open. Conrad entered. With him was the evil-looking Number 14. Tommy's heart sank at the sight of them.
"Evenin', gov'nor," said the man with a leer. "Got those ropes, mate?"
The silent Conrad produced a length of fine cord. The next minute Number 14's hands, horribly dexterous, were winding the cord round his limbs, while Conrad held him down.
"What the devil--?" began Tommy.
But the slow, speechless grin of the silent Conrad froze the words on his lips.
Number 14 proceeded deftly with his task. In another minute Tommy was a mere helpless bundle. Then at last Conrad spoke:
"Thought you'd bluffed us, did you? With what you knew, and what you didn't know. Bargained with us! And all the time it was bluff! Bluff! You know less than a kitten. But your number's up now all right, you b--swine."
Tommy lay silent. There was nothing to say. He had failed. Somehow or other the omnipotent Mr. Brown had seen through his pretensions. Suddenly a thought occurred to him.
"A very good speech, Conrad," he said approvingly. "But wherefore the bonds and fetters? Why not let this kind gentleman here cut my throat without delay?"
"Garn," said Number 14 unexpectedly. "Think we're as green as to do you in here, and have the police nosing round? Not 'alf! We've ordered the carriage for your lordship to-morrow mornin', but in the meantime we're not taking any chances, see!"
"Nothing," said Tommy, "could be plainer than your words-unless it was your face."
"Stow it," said Number 14.
"With pleasure," replied Tommy. "You're making a sad mistake-but yours will be the loss."
"You don't kid us that way again," said Number 14. "Talking as though you were still at the blooming Ritz, aren't you?"
Tommy made no reply. He was engaged in wondering how Mr. Brown had discovered his identity. He decided that Tuppence, in the throes of anxiety, had gone to the police, and that his disappearance having been made public the gang had not been slow to put two and two together.
The two men departed and the door slammed. Tommy was left to his meditations. They were not pleasant ones. Already his limbs felt cramped and stiff. He was utterly helpless, and he could see no hope anywhere.
About an hour had passed when he heard the key softly turned, and the door opened. It was Annette. Tommy's heart beat a little faster. He had forgotten the girl. Was it possible that she had come to his help?
Suddenly he heard Conrad's voice:
"Come out of it, Annette. He doesn't want any supper to-night."
"Oui, oui, je sais bien. But I must take the other tray. We need the things on it."
"Well, hurry up," growled Conrad.
Without looking at Tommy the girl went over to the table, and picked up the tray. She raised a hand and turned out the light.
"Curse you"-Conrad had come to the door-"why did you do that?"
"I always turn it out. You should have told me. Shall I relight it, Monsieur Conrad?"
"No, come on out of it."
"Le beau petit monsieur," cried Annette, pausing by the bed in the darkness. "You have tied him up well, hein? He is like a trussed chicken!" The frank amusement in her tone jarred on the boy; but at that moment, to his
amazement, he felt her hand running lightly over his bonds, and something small and cold was pressed into the palm of his hand.
"Come on, Annette."
"Mais me voila."
The door shut. Tommy heard Conrad say:
"Lock it and give me the key."
The footsteps died away. Tommy lay petrified with amazement. The object Annette had thrust into his hand was a small penknife, the blade open. From the way she had studiously avoided looking at him, and her action with the light, he came to the conclusion that the room was overlooked. There must be a peep-hole somewhere in the walls. Remembering how guarded she had always been in her manner, he saw that he had probably been under observation all the time. Had he said anything to give himself away? Hardly. He had revealed a wish to escape and a desire to find Jane Finn, but nothing that could have given a clue to his own identity. True, his question to Annette had proved that he was personally unacquainted with Jane Finn, but he had never pretended otherwise. The question now was, did Annette really know more? Were her denials intended primarily for the listeners? On that point he could come to no conclusion.
But there was a more vital question that drove out all others. Could he, bound as he was, manage to cut his bonds? He essayed cautiously to rub the open blade up and down on the cord that bound his two wrists together. It was an awkward business, and drew a smothered "Ow" of pain from him as the knife cut into his wrist. But slowly and doggedly he went on sawing to and fro. He cut the flesh badly, but at last he felt the cord slacken. With his hands free, the rest was easy. Five minutes later he stood upright with some difficulty, owing to the cramp in his limbs. His first care was to bind up his bleeding wrist. Then he sat on the edge of the bed to think. Conrad had taken the key of the door, so he could expect little more assistance from Annette. The only outlet from the room was the door, consequently he would perforce have to wait until the two men returned to fetch him. But when they did… Tommy smiled! Moving with infinite caution in the dark room, he found and unhooked the famous picture. He felt an economical pleasure that his first plan would not be wasted. There was now nothing to do but to wait. He waited.
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