“You are too pessimistic, my dear fellow; you set up too high a standard. Certainly, I agree with you that the times are decadent in many ways. I admit a general appearance of squalor; it needs much philosophy to extract the wonderful and the beautiful from the Cromwell Road or the Nonconformist conscience. Australian wines of fine Burgundy character, the novels alike of the old women and the new women, popular journalism,—these things indeed make for depression. Yet we have our advantages. Before us is unfolded the greatest spectacle the world has ever seen,—the mystery of the innumerable unending streets, the strange adventures that must infallibly arise from so complicated a press of interests. Nay, I will say that he who has stood in the ways of a suburb and has seen them stretch before him all shining, void, and desolate at noonday, has not lived in vain. Such a sight is in reality more wonderful than any perspective of Bagdad or Grand Cairo. And, to set on one side the entertaining history of the gem which you told me, surely you must have had many singular adventures in your own career?”
“Perhaps not so many as you would think; a good deal—the larger part—of my business has been as commonplace as linen-drapery. But of course things happen now and then. It is ten years since I have established my agency, and I suppose that a house and estate agent who had been in trade for an equal time could tell you some queer stories. But I must give you a sample of my experiences some night.
“Why not tonight?” said Dyson. “This evening seems to me admirably adapted for an odd chapter. Look out into the street; you can catch a view of it, if you crane your neck from that chair of yours. Is it not charming? The double row of lamps growing closer in the distance, the hazy outline of the plane-tree in the square, and the lights of the hansoms swimming to and fro, gliding and vanishing; and above, the sky all clear and blue and shining. Come, let us have one of your cent nouvelles nouvelles.”
“My dear Dyson, I am delighted to amuse you.” With these words Mr. Burton prefaced the
NOVEL OF THE IRON MAID.
I think the most extraordinary event which I can recall took place about five years ago. I was then still feeling my way; I had declared for business, and attended regularly at my office, but I had not succeeded in establishing a really profitable connection, and consequently I had a good deal of leisure time on my hands. I have never thought fit to trouble you with the details of my private life; they would be entirely devoid of interest. I must briefly say, however, that I had a numerous circle of acquaintance, and was never at a loss as to how to spend my evenings. I was so fortunate as to have friends in most of the ranks of the social order; there is nothing so unfortunate, to my mind, as a specialized circle, wherein a certain round of ideas is continually traversed and retraversed. I have always tried to find out new types and persons whose brains contained something fresh to me; one may chance to gain information even from the conversation of city men on an omnibus. Amongst my acquaintance I knew a young doctor who lived in a far outlying suburb, and I used often to brave the intolerably slow railway journey, to have the pleasure of listening to his talk. One night we conversed so eagerly together over our pipes and whiskey that the clock passed unnoticed, and when I glanced up I realized with a shock that I had just five minutes in which to catch the last tram. I made a dash for my hat and stick, and jumped out of the house and down the steps, and tore at full speed up the street. It was no good, however; there was a shriek of the engine whistle, and I stood there at the station door and saw far on the long dark line of the embankment a red light shine and vanish, and a porter came down and shut the door with a bang.
“How far to London?” I asked him.
“A good nine miles to Waterloo Bridge;” and with that he went off.
Before me was the long suburban street, its dreary distance marked by rows of twinkling lamps, and the air was poisoned by the faint sickly smell of burning bricks; it was not a cheerful prospect by any means, and I had to walk through nine miles of such streets, deserted as those of Pompeii. I knew pretty well what direction to take; so I set out wearily, looking at the stretch of lamps vanishing in perspective; and as I walked, street after street branched off to right and left,—some far reaching to distances that seemed endless, communicating with, other systems of thoroughfare; and some mere protoplasmic streets, beginning in orderly fashion with serried two-storied houses, and ending suddenly in waste, and pits, and rubbish heaps, and fields whence the magic had departed. I have spoken of systems of thoroughfare, and I assure you that, walking alone through these silent places, I felt phantasy growing on me, and some glamour of the infinite. There was here. I felt, an immensity as in the outer void, of the universe. I passed from unknown to unknown, my way marked by lamps like stars, and on either band was an unknown world where myriads of men dwelt and slept, street leading into street, as it seemed to world’s end. At first the road by which I was travelling was lined with houses of unutterable monotony,—a wall of gray brick pierced by two stories of windows, drawn close to the very pavement. But by degrees I noticed an improvement: there were gardens, and these grew larger. The suburban builder began to allow himself a wider scope; and for a certain distance each flight of steps was guarded by twin lions of plaster, and scents of flowers prevailed over the fume of heated bricks. The road began to climb a hill, and, looking up a side street, I saw the half moon rise over plane-trees, and there on the other side was as if a white cloud had fallen, and the air around it was sweetened as with incense; it was a may-tree in full bloom. I pressed on stubbornly, listening for the wheels and the clatter of some belated hansom; but into that land of men who go to the city in the morning and return in the evening, the hansom rarely enters, and I had resigned myself once more to the walk, when I suddenly became aware that someone was advancing to meet me along the sidewalk. The man was strolling rather aimlessly; and though the time and the place would have allowed an unconventional style of dress, he was vested in the ordinary frock coat, black tie, and silk hat of civilization. We met each other under the lamp, and, as often happens in this great town, two casual passengers brought face to face found, each in the other an acquaintance.
“Mr. Mathias, I think?” I said.
“Quite so. And you are Frank Burton. You know you are a man with a Christian name, so I won’t apologize for my familiarity. But may I ask where you are going?”
I explained the situation to him, saying I had traversed a region as unknown to me as the darkest recesses of Africa. “I think I have only about five miles farther,” I concluded.
“Nonsense; you must come home with me. My house is close by; in fact, I was just taking my evening walk when we met. Come along; I dare say you will find a makeshift bed easier than a five-mile walk.”
I let him take my arm and lead me along, though I was a good deal surprised at so much geniality from a man who was, after all, a mere casual club acquaintance. I suppose I had not spoken to Mr. Mathias half-a-dozen times; he was a man who would sit silent in an armchair for hours, neither reading nor smoking, but now and again moistening his lips with his tongue and smiling queerly to himself. I confess he had never attracted me, and on the whole I should have preferred to continue my walk. But he took my arm and led me up a side street, and stopped at a door in a high wall. We passed through the still moonlit garden, beneath the black shadow of an old cedar, and into an old red brick house with many gables. I was tired enough, and I sighed with relief as I let myself fall into a great leather armchair. You know the infernal grit with which they strew the sidewalk in those suburban districts; it makes walking a penance, and I felt my four-mile tramp had made me more weary than ten miles on an honest country road. I looked about the room with some curiosity. There was a shaded lamp which threw a circle of brilliant light on a heap of papers lying on an old brass-bound secretaire of the last century; but the room was all vague and shadowy, and I could only see that it was long and low, and that it was filled with indistinct objects which might be furniture. Mr. Mathias sat down in a second armchair, and looked about
him with that odd smile of his. He was a queer-looking man, clean-shaven, and white to the lips. I should think his age was something between fifty and sixty.
“Now I have got you here,” he began, “I must inflict my hobby on you. You knew I was a collector? Oh, yes, I have devoted many years to collecting curiosities, which I think are really curious. But we must have a better light.”
He advanced into the middle of the room, and lit a lamp which hung from the ceiling; and as the bright light flashed round the wick, from every corner and space there seemed to start a horror. Great wooden frames with complicated apparatus of ropes and pulleys stood against the wall; a wheel of strange shape had a place beside a thing that looked like a gigantic gridiron. Little tables glittered with bright steel instruments carelessly put down as if ready for use; a screw and vice loomed out, casting ugly shadows; and in another nook was a saw with cruel jagged teeth.
“Yes,” said Mr. Mathias; “they are, as you suggest, instruments of torture,—of torture and death. Some—many, I may say—have been used; a few are reproductions after ancient examples. Those knives were used for flaying; that frame is a rack, and a very fine specimen. Look at this; it comes from Venice. You see that sort of collar, something like a big horse-shoe? Well, the patient, let us call him, sat down quite comfortably, and the horse-shoe was neatly fitted round his neck. Then the two ends were joined with a silken band, and the executioner began to turn a handle connected with the band. The horse-shoe contracted very gradually as the band tightened, and the turning continued till the man was strangled. It all took place quietly, in one of those queer garrets under the leads. But these things are all European; the Orientals are, of course, much more ingenious. These are the Chinese contrivances. You have heard of the ‘heavy death’? It is my hobby, this sort of thing. Do you know, I often sit here, hour after hour, and meditate over the collection. I fancy I see the faces of the men who have suffered—faces lean with agony and wet with sweats of death—growing distinct out of the gloom, and I hear the echoes of their cries for mercy. But I must show you my latest acquisition. Come into the next room.”
I followed Mr. Mathias out. The weariness of the walk, the late hour, and the strangeness of it all, made me feel like a man in a dream; nothing would have surprised me very much. The second room was as the first, crowded with ghastly instruments; but beneath the lamp was a wooden platform, and a figure stood on it. It was a large statue of a naked woman, fashioned in green bronze; the arms were stretched out, and there was a smile on the lips; it might well have been intended for a Venus, and yet there was about the thing an evil and a deadly look.
Mr. Mathias looked at it complacently. “Quite a work of art, isn’t it?” he said. “It’s made of bronze, as you see, but it has long had the name of the Iron Maid. I got it from Germany, and it was only unpacked this afternoon; indeed, I have not yet had time to open the letter of advice. You see that very small knob between the breasts? Well, the victim was bound to the Maid, the knob was pressed, and the arms slowly tightened round the neck. You can imagine the result.”
As Mr. Mathias talked, he patted the figure affectionately. I had turned away, for I sickened at the sight of the man and his loathsome treasure. There was a slight click, of which I took no notice,—it was not much louder than the tick of a clock; and then I heard a sudden whir, the noise of machinery in motion, and I faced round. I have never forgotten the hideous agony on Mathias’s face as those relentless arms tightened about his neck; there was a wild struggle as of a beast in the toils, and then a shriek that ended in a choking groan. The whirring noise had suddenly changed into a heavy droning. I tore with all my might at the bronze arms, and strove to wrench them apart, but I could do nothing. The head had slowly bent down, and the green lips were on the lips of Mathias.
Of course I had to attend at the inquest. The letter which had accompanied the figure was found unopened on the study table. The German firm of dealers cautioned their client to be most careful in touching the Iron Maid, as the machinery had been put in thorough working order.
* * * *
For many revolving weeks Mr. Burton delighted Dyson by his agreeable conversation, diversified by anecdote, and interspersed with the narration of singular adventures. Finally, however, he vanished as suddenly as he had appeared, and on the occasion of his last visit he contrived to loot a copy of his namesake’s Anatomy. Dyson, considering this violent attack on the rights of property, and certain glaring inconsistencies in the talk of his late friend, arrived at the conclusion that his stories were fabulous, and that the Iron Maid only existed in the sphere of a decorative imagination.
THE RECLUSE OF BAYSWATER.
Amongst the many friends who were favored with the occasional pleasure of Mr. Dyson’s society was Mr. Edgar Russell, realist and obscure struggler, who occupied a small back room on the second floor of a house in Abingdon Grove, Notting Hill. Turning off from the main street and walking a few paces onward, one was conscious of a certain calm, a drowsy peace, which made the feet inclined to loiter; and this was ever the atmosphere of Abingdon Grove. The houses stood a little back, with gardens where the lilac and laburnum and blood-red may blossomed gayly in their seasons, and there was a corner where an older house in another street had managed to keep a back garden of real extent; a walled-in garden whence there came a pleasant scent of greenness after the rains of early summer, where old elms held memories of the open fields, where there was yet sweet grass to walk on. The houses in Abingdon Grove belonged chiefly to the nondescript stucco period of thirty-five years ago, tolerably built with passable accommodation for moderate incomes; they had largely passed into the state of lodgings, and cards bearing the inscription “Furnished Apartments” were not infrequent over the doors. Here, then, in a house of sufficiently good appearance, Mr. Russell had established himself; for he looked upon the traditional dirt and squalor of Grub Street as a false and obsolete convention, and preferred, as he said, to live within sight of green leaves. Indeed, from his room one had a magnificent view of a long line of gardens, and a screen of poplars shut out the melancholy back premises of Wilton Street during the summer months. Mr. Russell lived chiefly on bread and tea, for his means were of the smallest; but when Dyson came to see him, he would send out the slavey for six-ale, and Dyson was always at liberty to smoke as much of his own tobacco as he pleased. The landlady had been so unfortunate as to have her drawing-room floor vacant for many months; a card had long proclaimed the void within; and Dyson, when he walked up the steps one evening in early autumn, had a sense that something was missing, and, looking at the fanlight, saw the appealing card had disappeared.
“You have let your first floor, have you?” he said, as he greeted Mr. Russell.
“Yes; it was taken about a fortnight ago by a lady.”
“Indeed,” said Dyson, always curious; “a young lady?”
“Yes, I believe so. She is a widow, and wears a thick crape veil. I have met her once or twice on the stairs and in the street, but I should not know her face.”
“Well,” said Dyson, when the beer had arrived, and the pipes were in full blast, “and what have you been doing? Do you find the work getting any easier?”
“Alas!” said the young man, with an expression of great gloom, “the life is a purgatory, and all but a hell. I write, picking out my words, weighing and balancing the force of every syllable, calculating the minutest effects that language can produce, erasing and rewriting, and spending a whole evening over a page of manuscript. And then in the morning when I read what I have written—Well, there is nothing to be done but to throw it in the waste-paper basket if the verso has been already written on, or to put it in the drawer if the other side happens to be clean. When I have written a phrase which undoubtedly embodies a happy turn of thought, I find it dressed up in feeble commonplace; and when the style is good, it serves only to conceal the baldness of superannuated fancies. I sweat over my work, Dyson,—every finished line means so much agony. I envy the lot
of the carpenter in the side street who has a craft which he understands. When he gets an order for a table, he does not writhe with anguish; but if I were so unlucky as to get an order for a book, I think I should go mad.”
“My dear fellow, you take it all too seriously. You should let the ink flow more readily. Above all, firmly believe, when you sit down to write, that you are an artist, and that whatever you are about is a masterpiece. Suppose ideas fail you, say; as I heard one of our most exquisite artists say, “It’s of no consequence; the ideas are all there, at the bottom of that box of cigarettes.” You, indeed, smoke tobacco, but the application is the same. Besides, you must have some happy moments, and these should be ample consolation.”
“Perhaps you are right. But such moments are so few; and then there is the torture of a glorious conception matched, with execution beneath the standard of the Family Story Paper. For instance, I was happy for two hours a night or two ago; I lay awake and saw visions. But then the morning!”
“What was your idea?”
“It seemed to me a splendid one; I thought of Balzac and the ‘Comédie Humaine,’ of Zola and the Rougon-Macquart family. It dawned upon me that I would write the history of a street. Every house should form a volume. I fixed upon the street, I saw each house, and read, as clearly as in letters, the physiology and psychology of each. The little by-way stretched before me in its actual shape,—a street that I know and have passed down a hundred times; with some twenty houses, prosperous and mean, and lilac bushes in purple blossom; and yet it was at the same time a symbol, a via dolorosa of hopes cherished and disappointed, of years of monotonous existence without content or discontent, of tragedies and obscure sorrows; and on the door of one of those houses I saw the red stain of blood, and behind a window two shadows, blackened and faded, on the blind, as they swayed on tightened cords,—the shadows of a man and a woman hanging in a vulgar, gas-lit parlor. These were my fancies; but when pen touched paper, they shrivelled and vanished away,”
The Arthur Machen Megapack: 25 Classic Works Page 59