“Again: a curious note was found in Sir Thomas Vivian’s pocket. Envelope and paper were of a common make, and the stamp bore the West Central postmark. I will come to the nature of the contents later on, but it is the question of the handwriting that is so remarkable. The address on the outside was neatly written in a small clear hand, but the letter itself might have been written by a Persian who had learnt the English script. It was upright, and the letters were curiously contorted, with an affectation of dashes and backward curves which really reminded me of an Oriental manuscript, though it was all perfectly legible. But—and here comes the poser—on searching the dead man’s waistcoat pockets a small memorandum book was found; it was almost filled with pencil jottings. These memoranda related chiefly to matters of a private as distinct from a professional nature; there were appointments to meet friends, notes of theatrical firstnights, the address of a good hotel in Tours, and the title of a new novel—nothing in any way intimate. And the whole of these jottings were written in a hand nearly identical with the writing of the note found in the dead man’s coat pocket! There was just enough difference between them to enable the expert to swear that the two were not written by the same person. I will just read you so much of Lady Vivian’s evidence as bears on this point of the writing; I have the printed slip with me. Here you see she says: ‘I was married to my late husband seven years ago; I never saw any letter addressed to him in a hand at all resembling that on the envelope produced, nor have I ever seen writing like that in the letter before me. I never saw my late husband using the memorandum book, but I am sure he did write everything in it; I am certain of that because we stayed last May at the Hotel du Faisan, Rue Royale, Tours, the address of which is given in the book; I remember his getting the novel A Sentinel about six weeks ago. Sir Thomas Vivian never liked to miss the firstnights at the theatres. His usual hand was perfectly different from that used in the note-book.’
“And now, last of all, we come back to the note itself. Here it is in facsimile. My possession of it is due to the kindness of Inspector Cleeve, who is pleased to be amused at my amateur inquisitiveness. Read it, Phillipps; you tell me you are interested in obscure inscriptions; here is something for you to decipher.”
Mr. Phillipps, absorbed in spite of himself in the strange circumstances Dyson had related, took the piece of paper, and scrutinized it closely. The handwriting was indeed bizarre in the extreme, and, as Dyson had noted, not unlike the Persian character in its general effect, but it was perfectly legible.
“Read it aloud,” said Dyson, and Phillipps obeyed.
“‘Hand did not point in vain. The meaning of the stars is no longer obscure. Strangely enough, the black heaven vanished, or was stolen yesterday, but that does not matter in the least, as I have a celestial globe. Our old orbit remains unchanged; you have not forgotten the number of my sign, or will you appoint some other house? I have been on the other side of the moon, and can bring something to show you.’”
“And what do you make of that?” said Dyson.
“It seems to me mere gibberish,” said Phillipps; “you suppose it has a meaning?”
“Oh, surely; it was posted three days before the murder; it was found in the murdered man’s pocket; it is written in a fantastic hand which the murdered man himself used for his private memoranda. There must be purpose under all this, and to my mind there is something ugly enough hidden under the circumstances of this case of Sir Thomas Vivian.”
“But what theory have you formed?”
“Oh, as to theories, I am still in a very early stage; it is too soon to state conclusions. But I think I have demolished your Italian. I tell you, Phillipps, again the whole thing has an ugly look to my eyes. I cannot do as you do, and fortify myself with cast-iron propositions to the effect that this or that doesn’t happen, and never has happened. You note that the first word in the letter is ‘hand.’ That seems to me, taken with what we know about the hand on the wall, significant enough, and what you yourself told me of the history and meaning of the symbol, its connection with a world-old belief and faiths of dim far-off years, all this speaks of mischief, for me at all events. No; I stand pretty well to what I said to you half in joke that night before we went out. There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.”
“I cannot follow you in all this,” said Phillipps; “it seems to interest you strangely. What do you propose to do?”
“My dear, Phillipps,” replied Dyson, speaking in a lighter tone, “I am afraid I shall have to go down a little in the world. I have a prospect of visits to the pawnbrokers before me, and the publicans must not be neglected. I must cultivate a taste for four ale; shag tobacco I already love and esteem with all my heart.”
III
Search for the Vanished Heaven
For many days after the discussion with Phillipps Mr. Dyson was resolute in the line of research he had marked out for himself. A fervent curiosity and an innate liking for the obscure were great incentives, but especially in this case of Sir Thomas Vivian’s death (for Dyson began to boggle a little at the word “murder”) there seemed to him an element that was more than curious. The sign of the red hand upon the wall, the tool of flint that had given death, the almost identity between the handwriting of the note and the fantastic script reserved religiously, as it appeared, by the doctor for trifling jottings, all these diverse and variegated threads joined to weave in his mind a strange and shadowy picture, with ghastly shapes dominant and deadly, and yet ill-defined, like the giant figures wavering in an ancient tapestry. He thought he had a clue to the meaning of the note, and in his resolute search for the “black heaven,” which had vanished, he beat furiously about the alleys and obscure streets of central London, making himself a familiar figure to the pawnbroker, and a frequent guest at the more squalid pot-houses.
For a long time he was unsuccessful, and he trembled at the thought that the “black heaven” might be hid in the coy retirements of Peckham, or lurk perchance in distant Willesden, but finally, improbability, in which he put his trust, came to the rescue. It was a dark and rainy night, with something in the unquiet and stirring gusts that savoured of approaching winter, and Dyson, beating up a narrow street not far from the Gray’s Inn Road, took shelter in an extremely dirty “public,” and called for beer, forgetting for the moment his preoccupations, and only thinking of the sweep of the wind about the tiles and the hissing of the rain through the black and troubled air. At the bar there gathered the usual company: the frowsy women and the men in shiny black, those who appeared to mumble secretly together, others who wrangled in interminable argument, and a few shy drinkers who stood apart, each relishing his dose, and the rank and biting flavour of cheap spirit. Dyson was wondering at the enjoyment of it all, when suddenly there came a sharper accent. The folding-doors swayed open, and a middle-aged woman staggered towards the bar, and clutched the pewter rim as if she stepped a deck in a roaring gale. Dyson glanced at her attentively as a pleasing specimen of her class; she was decently dressed in black, and carried a black bag of somewhat rusty leather, and her intoxication was apparent and far advanced. As she swayed at the bar, it was evidently all she could do to stand upright, and the barman, who had looked at her with disfavour, shook his head in reply to her thick-voiced demand for a drink. The woman glared at him, transformed in a moment to a fury, with bloodshot eyes, and poured forth a torrent of execration, a stream of blasphemies and early English phraseology.
“Get out of this,” said the man; “shut up and be off, or I’ll send for the police.”
“Police, you,” bawled the woman, “I’ll—well, give you something to fetch the police for!” and with a rapid dive into her bag she pulled out some object which she hurled furiously at the barman’s head.
The man ducked down, and the missile flew over his head and smashed a bottle to fragments, while the woman with a peal of horrible laughter rushed to the door, and they could hear her steps pattering fast over the wet stones.
The barman looked ruefully about him.
“Not much good going after her,” he said, “and I’m afraid what she’s left won’t pay for that bottle of whisky.” He fumbled amongst the fragments of broken glass, and drew out something dark, a kind of square stone it seemed, which he held up.
“Valuable cur’osity,” he said, “any gent like to bid?”
The habitues had scarcely turned from their pots and glasses during these exciting incidents; they gazed a moment, fishily, when the bottle smashed, and that was all, and the mumble of the confidential was resumed and the jangle of the quarrelsome, and the shy and solitary sucked in their lips and relished again the rank flavour of the spirit.
Dyson looked quickly at what the barman held before him.
“Would you mind letting me see it?” he said; “it’s a queer-looking old thing, isn’t it?”
It was a small black tablet, apparently of stone, about four inches long by two and a half broad, and as Dyson took it he felt rather than saw that he touched the secular with his flesh. There was some kind of carving on the surface, and, most conspicuous, a sign that made Dyson’s heart leap.
“I don’t mind taking it,” he said quietly. “Would two shillings be enough?”
“Say half a dollar,” said the man, and the bargain was concluded. Dyson drained his pot of beer, finding it delicious, and lit his pipe, and went out deliberately soon after. When he reached his apartment he locked the door, and placed the tablet on his desk, and then fixed himself in his chair, as resolute as an army in its trenches before a beleaguered city. The tablet was full under the light of the shaded candle, and scrutinizing it closely, Dyson saw first the sign of the hand with the thumb protruding between the fingers; it was cut finely and firmly on the dully black surface of the stone, and the thumb pointed downward to what was beneath.
“It is mere ornament,” said Dyson to himself, “perhaps symbolical ornament, but surely not an inscription, or the signs of any words ever spoken.”
The hand pointed at a series of fantastic figures, spirals and whorls of the finest, most delicate lines, spaced at intervals over the remaining surface of the tablet. The marks were as intricate and seemed almost as much without design as the pattern of a thumb impressed upon a pane of glass.
“Is it some natural marking?” thought Dyson; “there have been queer designs, likenesses of beasts and flowers, in stones with which man’s hand had nothing to do”; and he bent over the stone with a magnifier, only to be convinced that no hazard of nature could have delineated these varied labyrinths of line. The whorls were of different sizes; some were less than the twelfth of an inch in diameter, and the largest was a little smaller than a sixpence, and under the glass the regularity and accuracy of the cutting were evident, and in the smaller spirals the lines were graduated at intervals of a hundredth of an inch. The whole thing had a marvellous and fantastic look, and gazing at the mystic whorls beneath the hand, Dyson became subdued with an impression of vast and far-off ages, and of a living being that had touched the stone with enigmas before the hills were formed, when the hard rocks still boiled with fervent heat.
“The ‘black heaven’ is found again,” he said, “but the meaning of the stars is likely to be obscure for everlasting so far as I am concerned.”
London stilled without, and a chill breath came into the room as Dyson sat gazing at the tablet shining duskily under the candle-light; and at last as he closed the desk over the ancient stone, all his wonder at the case of Sir Thomas Vivian increased tenfold, and he thought of the well-dressed prosperous gentleman lying dead mystically beneath the sign of the hand, and the insupportable conviction seized him that between the death of this fashionable West End doctor and the weird spirals of the tablet there were most secret and unimaginable links.
For days he sat before his desk gazing at the tablet, unable to resist its loadstone fascination, and yet quite helpless, without even the hope of solving the symbols so secretly inscribed. At last, desperate he called in Mr. Phillipps in consultation, and told in brief the story of the finding the stone.
“Dear me!” said Phillipps, “this is extremely curious; you have had a find indeed. Why, it looks to me even more ancient than the Hittite seal. I confess the character, if it is a character, is entirely strange to me. These whorls are really very quaint.”
“Yes, but I want to know what they mean. You must remember this tablet is the ‘black heaven’ of the letter found in Sir Thomas Vivian’s pocket; it bears directly on his death.”
“Oh, no, that is nonsense! This is, no doubt, an extremely ancient tablet, which has been stolen from some collection. Yes, the hand makes an odd coincidence, but only a coincidence after all.”
“My dear Phillipps, you are a living example of the truth of the axiom that extreme scepticism is mere credulity. But can you decipher the inscription?”
“I undertake to decipher anything,” said Phillipps. “I do not believe in the insoluble. These characters are curious, but I cannot fancy them to be inscrutable.”
“Then take the thing away with you and make what you can of it. It has begun to haunt me; I feel as if I had gazed too long into the eyes of the Sphinx.”
Phillipps departed with the tablet in an inner pocket. He had not much doubt of success, for he had evolved thirty-seven rules for the solution of inscriptions. Yet when a week had passed and he called to see Dyson there was no vestige of triumph on his features. He found his friend in a state of extreme irritation, pacing up and down in the room like a man in a passion. He turned with a start as the door opened.
“Well,” said Dyson, “you have got it? What is it all about?”
“My dear fellow, I am sorry to say I have completely failed. I have tried every known device in vain. I have even been so officious as to submit it to a friend at the Museum, but he, though a man of prime authority on the subject, tells me he is quite at fault. It must be some wreckage of a vanished race, almost, I think, a fragment of another world than ours. I am not a superstitious man, Dyson, and you know that I have no truck with even the noble delusions, but I confess I yearn to be rid of this small square of blackish stone. Frankly, it has given me an ill week; it seems to me troglodytic and abhorred.”
Phillipps drew out the tablet and laid it on the desk before Dyson.
“By the way,” he went on, “I was right at all events in one particular; it has formed part of some collection. There is a piece of grimy paper on the back that must have been a label.”
“Yes, I noticed that,” said Dyson, who had fallen into deepest disappointment; “no doubt the paper is a label. But as I don’t much care where the tablet originally came from, and only wish to know what the inscription means, I paid no attention to the paper. The thing is a hopeless riddle, I suppose, and yet it must surely be of the greatest importance.”
Phillipps left soon after, and Dyson, still despondent, took the tablet in his hand and carelessly turned it over. The label had so grimed that it seemed merely a dull stain, but as Dyson looked at it idly, and yet attentively, he could see pencilmarks, and he bent over it eagerly, with his glass to his eye. To his annoyance, he found that part of the paper had been torn away, and he could only with difficulty make out odd words and pieces of words. First he read something that looked like “in-road,” and then beneath, “stony-hearted step” and a tear cut off the rest. But in an instant a solution suggested itself, and he chuckled with huge delight.
“Certainly,” he said out loud, “this is not only the most charming but the most convenient quarter in all London; here I am, allowing for the accidents of side streets, perched on a tower of observation.”
He glanced triumphant out of the window across the street to the gate of the British Museum. Sheltered by the boundary wall of that agree
able institution, a “screever,” or artist in chalks, displayed his brilliant impressions on the pavement, soliciting the approval and the coppers of the gay and serious.
“This,” said Dyson, “is more than delightful! An artist is provided to my hand.”
IV
The Artist of the Pavement
Mr. Phillipps, in spite of all disavowals—in spite of the wall of sense of whose enclosure and limit he was wont to make his boast—yet felt in his heart profoundly curious as to the case of Sir Thomas Vivian. Though he kept a brave face for his friend, his reason could not decently resist the conclusion that Dyson had enunciated, namely, that the whole affair had a look both ugly and mysterious. There was the weapon of a vanished race that had pierced the great arteries; the red hand, the symbol of a hideous faith, that pointed to the slain man; and then the tablet which Dyson declared he had expected to find, and had certainly found, bearing the ancient impress of the hand of malediction, and a legend written beneath in a character compared with which the most antique cuneiform was a thing of yesterday. Besides all this, there were other points that tortured and perplexed. How to account for the bare knife found unstained beneath the body? And the hint that the red hand upon the wall must have been drawn by someone whose life was passed in darkness thrilled him with a suggestion of dim and infinite horror. Hence he was in truth not a little curious as to what was to come, and some ten days after he had returned the tablet he again visited the “mystery-man,” as he privately named his friend.
Arrived in the grave and airy chambers in Great Russell Street, he found the moral atmosphere of the place had been transformed. All Dyson’s irritation had disappeared, his brow was smoothed with complacency, and he sat at a table by the window gazing out into the street with an expression of grim enjoyment, a pile of books and papers lying unheeded before him.
The Arthur Machen Megapack: 25 Classic Works Page 66